In this study, the archaic counting systems of Mesopotamia as understood through the Neolithic tokens, numerical impressions, and proto-cuneiform notations were compared to the traditional number-words and counting methods of Polynesia as understood through contemporary and historical descriptions of vocabulary and behaviors. The comparison and associated analyses capitalized on the ability to understand well-known characteristics of Uruk-period numbers like object-specific counting, polyvalence, and context-dependence through historical observations of Polynesian counting methods and numerical language, evidence unavailable for ancient numbers. Similarities (...) between the two number systems were then used to argue that archaic Mesopotamian numbers, like those of Polynesia, were highly elaborated and would have served as cognitively efficient tools for mental calculation. Their differences also show the importance of material technologies like tokens, impressions, and notations to developing mathematics. This project has received funding from the European Union’s Horizon 2020 research and innovation program under grant agreement No. 785793. (shrink)

A complex, polyvalent phenomenon, the kiss, once embedded in a literary text, is first and foremost a cipher to be decoded. Texts effectively expose its many-sidedness: not merely its potentially seductive power or ostensible expression of affection, but, no less compellingly, its risky demeanors, its capacity to establish dominance, to terrorize, to subdue, to belittle, to ingratiate, even to infuriate. Variously bestowed, retracted, avowed, disavowed, meaningful, meaningless, the kiss can become, as it does in the work so named by Kate (...) Chopin, a multi-layered form of contrivance, the incarnation of tempting, albeit ultimately invidious, non-realities. Though, perhaps, not manifest at first blush, a careful reading reveals that each occasion marked by the “joining of lips” yields an odd sequence of awkward and oft deleterious, consequences: motion is superseded by motive, candor by disingenuousness—all in an unending slew of backward and forward slippages. Thus is engendered the metaphorization of an altered reality—structured all but exclusively upon the relentless deceits it proffers. Jubilation and despair come and go, as though wholly inter-changeable; acceptance and rejection, promulgation and rescission are converted into mere variants of the same gestures of ambivalence, if not of travesty. One might thus conclude that the kiss adopts significance worthy of note only as a metonym for and of factitiousness, vacuity and thinly-veiled distortion. Chopin’s script adeptly explores the multifarious comportments and consequences of the kiss: an act fashioned as a “weapon” of dubious value, as a tactical strategy, as a play-act borne of ulterior objectives and, which, as such, deftly prostitutes itself, willingly, nefariously. In the given context, the kiss-act lays bare the heroine’s ostensible “liberation” to be more imagined than real. Her would-be triumph over gendered subjugation exists, if at all, as but an ill-conceived romantic daydream—destined to slake gradually into a woeful destiny of loneliness and imprisonment. Chopin’s brief narration center-stages betrayal, challenges authenticity and valorizes consummate illegitimacy. -/- . (shrink)

In this paper, I seek to diagnose the sources of our dissatisfaction with answers to the question of the meaning of life. I contend that some of these have to do with the question (its polyvalence and persistent vagueness) and some have to do with life and meaningfulness themselves. By showing how dissatisfaction arises and the extent to which it is in-eliminable even by God, I hope to show that we should be satisfied with our dissatisfaction.

Universe silence … Why? TechnoSfera … Where does it move? BioSfera … Where is the ―non-return point? NooSfera … What to do? The deep mind looks for primordial senses of the ―LifeWorld(LebensWelt). Сonsciousness, matter, memory … Self-Consciousness… Сonsciousness is attracting senses vector magnitude, intentional effect of absolute complexity. The Vector of Сonsciousness - the Triune Vector of absolute forms of existence of matter (limit states), the Vector of the Absolute Existential Field of the Universe, a polyvalent sense phenomenon of Ontological (...) (structural, cosmic) Memory. Open Сonsciousness Vs. Closed Сonsciousness. Сonceptual and mathematical proto-Eidoses Absolute forms of existence of matter. On the basis of ontological and existential constracting method – method of a discretion and a reflection of existential repère-point, the Vector of Сonsciousness places milestones on ProtoGeometre's long way – the way of ―knowledge of good and evil, of rises and fallings, of births of ―absolutely another, from the point ―Alpha to the modern ―point of ultimate tension of the Absolute Existential Field of the Universe. Big waves of Consciousness. Existential risks of Humanity and Open Science. New Open Generation realizing all existential risks of Humanity passable way and risks of coming Information era creates the Self-Aware Universe, filling it with the most deep meanings of the ―LifeWorld, at the heart of which Axiom of an absolute freedom of choice is laid. The minimum Program to overcome existential risks. Great Integrative Paradigm. Creation of a common sense picture of the World for physicists and lyricist. The United Humanity raises up five Great Philosophers' Stones in memory of Protogeometre's rises and fallings on a long way of becoming of Humanity and frees the Horse. Humanity is on a threshold of an Era of Eonic thinking... Far from Perfect … I start the path... (shrink)

Abstract: The present paper seeks to explore the emotional structures that make human beings afraid of death in solitude, the feelings that necessitate the imagining of a peopled death, a death accompanied by fellow humans, gods, or God. In order to do this I take up the works of two great thinkers of the East and the West, and place them on a comparativist spectrum. The discussion covers many areas, including the polytheistic imaginations of ancient Greece and eighth century India, (...) in the context of the complex interface of beauty and death in the thought of Shankaracharya, the great proponent of Advaita Vedanta in India, and Socrates, who, in the Platonic dialogues, presents a monism Shankara could have recognized well. I try to investigate the tension between decay and beauty which leads these philosophers towards a strict ascetic impulse. At the same time, I also argue that neither of them could exclude the beauty of this world altogether from their thought. Finally, I explore the ways in which we can imagine a beauty greater than death that does not let us logocentrically negate death but rather encompasses it. Rather than taking death as the closure of all possible beauty, as ultimate nothingness, can we envisage a beauty that drowns death in the sea of kalon envisioned by Diotima in the Symposium, or in the saundaryalahari, the flood of majestic beauty radiated by Shankaracharya’s Goddess? To explore these areas and to understand the interconnected issues of plurality, impermanence, beauty and truth, I draw on the twentieth century philosophers like Iris Murdoch and Sri Aurobindo as well as Socrates and Shankara. This paper finally embarks on an imaginative journey towards a peopled or crowded death, where gods or divinized humans accompany the dying person in the process of death as his/her “necessary others”(a la Adriana Cavarero). Author’s bio-note: Anway Mukhopadhyay is a doctoral research scholar at the Department of English, Banaras Hindu University, Varanasi, India. He is the author of Do You Love Me, Master?, The Place of Eros in the Master Slave Dialectic(Saarbrucken, Germany: Lambert Academic Publishing, 2010),and Bloom Again in Autumn, The Move towards an Empathetic Temporality in Yuri Medvedev’s “The Bride’s Room” (Munich: Grin Verlag, 2012) and has been published in reputed international journals in India, the USA and Australia. His areas of interest include Indian and Western philosophy, gender and literary and cultural theory. His current research centres round the polyvalent nuances of ‘planetary’ feminisms in our time. Email id: [email protected], [email protected] . (shrink)

The authors argue that the consciousness debate inhabits the same problem space today as it did in the 17th century. They attribute the lack of progress to a mindset still polarized by Descartes’ real distinction between mind and body, resulting in a standoff between humanistic and scientistic approaches. They suggest that consciousness can be adequately studied only by a multiplicity of disciplines so that the paramount problem is how to integrate diverse disciplinary perspectives into a coherent metatheory. Process philosophy is (...) well qualified to attempt such a synthesis. The rationale for the volume is summed up in the book's unifying thesis: normal, focal-attentive consciousness is not the sui generis phenomenon it is usually taken to be, but part of a wider spectrum of experience (including marginal, deviant, and non-human experience) that can only be studied by approaches as diverse as phenomenology, psycho- and neuropathology, biology, and zoology. (shrink)