Aspects of Perception, Misc

Edited by Benj Hellie (University of Toronto, St. George Campus, University of Toronto at Scarborough)
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  1. added 2017-02-22
    Cognitive Penetration and Attention.Steven Gross - 2017 - Frontiers in Psychology 8:1-12.
    Zenon Pylyshyn argues that cognitively driven attentional effects do not amount to cognitive penetration of early vision because such effects occur either before or after early vision. Critics object that in fact such effects occur at all levels of perceptual processing. We argue that Pylyshyn’s claim is correct—but not for the reason he emphasizes. Even if his critics are correct that attentional effects are not external to early vision, these effects do not satisfy Pylyshyn’s requirements that the effects be direct (...)
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  2. added 2016-11-24
    Critical Review of John Campbell: Reference and Consciousness. [REVIEW]Ingar Brinck - 2005 - Theoria 3:266-276.
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  3. added 2016-03-16
    Tense as a Feature of Perceptual Content.Jan Almäng - 2014 - Journal of Philosophy 111 (7):361-378.
    In recent years the idea that perceptual content is tensed in the sense that we can perceive objects as present or as past has come under attack. In this paper the notion of tensed content is to the contrary defended. The paper argues that assuming that something like an intentionalistic theory of perception is correct, it is very reasonable to suppose that perceptual content is tensed, and that a denial of this notion requires a denial of some intuitively very plausible (...)
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  4. added 2016-02-28
    Enacting Musical Content.Joel Krueger - 2011 - In Riccardo Manzotti (ed.), Situated Aesthetics: Art Beyond the Skin. Imprint Academic. pp. 63-85.
    This chapter offers the beginning of an enactive account of auditory experience—particularly the experience of listening sensitively to music. It investigates how sensorimotor regularities grant perceptual access to music qua music. Two specific claims are defended: (1) music manifests experientially as having complex spatial content; (2) sensorimotor regularities constrain this content. Musical content is thus brought to phenomenal presence by bodily exploring structural features of music. We enact musical content.
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  5. added 2015-06-12
    Nature's Providence: The Representational Role of Vision.Tim Klaassen - manuscript
    This paper presents a novel theory of what it is that makes vision a representational affair. Vision is a process of representation; a fact that does not depend on it being "contentfull" or "indirect". Even if it turns out that vision is direct and/or intrinsically "contentless", it is nevertheless defined by features that decisively make it count as a process or representation. The phenomenology of vision is key here: as we see, we are directly presented with aspects of the environment (...)
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  6. added 2013-12-07
    How to Talk About Visual Perception? The Case of the Duck / Rabbit.Paweł Grabarczyk - 2014 - In Piotr Stalmaszczyk (ed.), Philosophy of Language and Linguistics: The Legacy of Frege, Russell, and Wittgenstein. De Gruyter. pp. 53-70.
    In Remarks on the philosophy of psychology Wittgenstein uses ambiguous illusions to investigate the problematic relation of perception and interpretation. I use this problem as a starting point for developing a conceptual framework capable of expressing problems associated with visual perception in a precise manner. I do this by discerning between subjective and objective meaning of the term “to see” and by specifying the beliefs which are to be ascribed to the observer when we assert that she sees a given (...)
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  7. added 2012-11-11
    Reflecting on Language From “Sideways-On”: Preparatory and Non-Preparatory Aspects-Seeing.Reshef Agam-Segal - 2012 - Journal for the History of Analytical Philosophy 1 (6).
    Aspect-seeing, I claim, involves reflection on concepts. It involves letting oneself feel how it would be like to conceptualize something with a certain concept, without committing oneself to this conceptualization. I distinguish between two kinds of aspect-perception: -/- 1. Preparatory: allows us to develop, criticize, and shape concepts. It involves bringing a concept to an object for the purpose of examining what would be the best way to conceptualize it. -/- 2. Non-Preparatory: allows us to express the ingraspability of certain (...)
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  8. added 2010-12-18
    A Theory of Affect Perception.Edoardo Zamuner - 2011 - Mind and Language 26 (4):436-451.
    What do we see when we look at someone's expression of fear? I argue that one of the things that we see is fear itself. I support this view by developing a theory of affect perception. The theory involves two claims. One is that expressions are patterns of facial changes that carry information about affects. The other is that the visual system extracts and processes such information. In particular, I argue that the visual system functions to detect the affects of (...)
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  9. added 2010-05-20
    Merleau Ponty, Inhabitation and the Emotions.Glen A. Mazis - 1989 - In Henry Pietersma (ed.), Merleau Ponty: Critical Essays. Center for Advanced Research in Phenomenology.
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