Derrida: Works

In his work through the early 1930’s, Heidegger determines what it means to be an authentic self through fundamental attunements such as anxiety, boredom, uncanniness and guilt, and equi-primordially via understanding and thrown projection. The way that attunement and understanding structure authentic disclosure of being involves paradoxical gestures juxtaposing meaning and meaninglessness, presence and absence, affirmation and negation, possibility and reality, holism and individuation, normativity and own-ness. The key to navigating and unifying this tangle of contradictory moments, as Heidegger reminds (...) his readers, is in understanding the dynamics of temporality. In this paper I discuss common ways that contemporary readers of Heidegger render authenticity inauthentic by interpreting such tropes as anxiety, the self and the nothing by reference to what Heidegger calls the ordinary conception of time, the sequential emerging, lingering and passing away of beings. Thought via ordinary time, nothingness opposes itself to presence, making authentic anxiety appear similar to depression as the breakdown of possibilities. I contrast these readings with my interpretation of authentic temporality, and explain how my reading of time changes the way the authentic self, attunement and projective understanding disclose themselves. In choosing the particular authors that I cite in support of my representation of inauthentic interpretations of authenticity, I do not mean to imply that these writers are united in their approaches to Heidegger. On the contrary, they differ amongst themselves concerning many aspects of his thinking. My purpose is to highlight what I take to be key points of intersection among their differing accounts. (shrink)

This article interrogates a certain philosophical scene – one which constitutes itself through the position of what Jacques Derrida calls “the ethical instance of violence.” This scene supposes a certain “style” of writing or doing philosophy, and perhaps even a certain philosophical “genre” or “subgenre”: the philosophical discourse on violence. In the course of the essay, I analyze this quasi-juridical scene through readings of Aristotle, Walter Benjamin, Giorgio Agamben, Judith Butler, Slavoj Žižek, Werner Hamacher, Rodolphe Gasché, and Martin Hägglund among (...) others. The scene, built on texts on texts on violence, demands a logic of purity; it is wary of contaminations and equivocations. And yet it thrives on them. In analyzing the implications of text, writing, and trace for the philosophical discourse on violence, I follow Derrida “just to see” what could make the scene tremble. (shrink)

My essay will take as its point of departure the paragraph from Gershom Scholem’s “Reflections on Jewish Theology,” in which he depicts the modern religious experience as the one of the "void of God" or as "pious atheism". I will first argue that the "void of God" cannot be reduced to atheistic non-belief in the presence of God. Then, I will demonstrate the further development of the Scholemian notion of the ‘pious atheism’ in Derrida, especially in his Lurianic treatment of (...) Angelus Silesius, whose modern mysticism emerges in Derrida’s reading as the ‘almost-atheism’. The interesting feature of this development is that, while for Scholem, the ‘void of God’ is a predominantly negative experience, for Derrida, it becomes an affirmative model of modern – not just Jewish, but more generally, Abrahamic – religiosity which, on the one hand, touches upon atheistic non-belief in the divine presence here and now, yet, on the other, still insists on commemorating the ‘withdrawn God’ through his ‘traces.’ What, therefore, for Scholem, constitutes the ultimate cry of despair, best embodied in Kafka’s work – for Derrida, reveals the more positive face of the modern predicament in which God has absented himself in order to make room for the creaturely reality. And while Scholem envisages redemption as the full restoration of the divine presence – Derrida redefines redemption as the ‘pious’ work of deconstruction to be undertaken in the ‘almost-atheistic’ condition of irreversible separation between God and the world. (shrink)

Is justice (merely) an expression of particular values or is it to be understood as a (universal) cross-cultural standard of validity? Following the ideas of Jacques Derrida, this book provides a new answer to this question: Justice is to be explained as a process of deconstruction. To arrive at this conclusion, I proceed from a critical discussion of Martin Heidegger's approach to social philosophy in Being and Time which I connect with a detailed analysis of the implications of Derrida's writings (...) on practical philosophy aspiring to provide a variety of insights, both critical and constructive, into the cultural and normative foundations of democracy. Thematically, the book bridges the frontiers between the philosophy of law, cultural and social philosophy, ethics and political theory, focusing on fundamental questions of the constitution of normativity, responsibility and justification. In this way, my reading of Heidegger and Derrida aims to shed light on the nature of the political problems that concern our societies today. The file contains the table of contents and the first two (introductory) chapters, the introductions of the remaining chapters, as well as the concluding remarks (in German). (shrink)

Proper attention to the theme of corporeality is crucial for understanding Derrida’s analysis of Hegel in “The Pit and the Pyramid.” This article argues that Derrida’s essay compels us to face the impossibility of giving a wholly coherent account of embodiment. The _Aufhebung_ supposedly unites the exteriority of the corporeal with interiority in a higher unity that cancels and preserves them both; Hegel’s own text reveals, however, that meaning is primordially absent from the body that was thought to incarnate it. (...) And it is this absence of ideal meaning that is originary: Differance conditions the body as it conditions speech, rendering the body other than itself such that it is not categorizable as flesh that is the self or as an object that is not the self. I am and am not my body because the dichotomy between interiority and exteriority breaks down even at the level of the body. Indeed, I am and am not my self; the embodied self is disrupted from the start, never self-contained. Thus embodiment always already testifies to the other. (shrink)

“El hecho material de escribir (…) es uno de los fenómenos mas enigmáticos y preciosos que puedan concebirse. Es el punto de convergencia entre lo invisible y lo visible, entre el mundo de la temporalidad y el de la espacialidad”. (J.R. Ribeyro) -/- ¿Cual es la relación entre la materialidad física de la escritura y el carácter ideal de los conceptos? Una forma asequible de acercarse al pensamiento de Jacques Derrida es a través de esta pregunta. Usándola como hilo conductor, (...) el presente libro Escritura y objetividad ideal en el pensamiento de Jacques Derrida busca ser una introducción al pensamiento del filósofo francés durante el periodo entre 1962 y 1972. -/- De acuerdo a Derrida, la tradición filosófica occidental ha rebajado la escritura a una mera representación de la voz y ha considerado a esta ultima como el significante privilegiado del concepto. Asimismo, ha concebido al concepto como objetividad ideal y trascendental inmediatamente presente a la conciencia. Contra estas tendencias –“fonocentrismo” y “logocentrismo”– Derrida enfatiza que la escritura es constituyente de la idealidad y que todo lenguaje es, en cierto modo, una escritura. Así, mediante un concepto “ampliado” de escritura, Derrida deconstruye la comprensión representacional de la escritura, la distinción entre “pensamiento” y “lenguaje” y los presupuestos ontológicos que las fundamentan. -/- Escritura y objetividad ideal en el pensamiento de Jacques Derrida plantea un camino a través de las idiosincráticas y creativas lecturas que Derrida hace de Platón, Rousseau, Hegel y Husserl para introducirnos a su concepto de escritura y para comprender las implicancias que este puede tener en nuestras lecturas y escrituras filosóficas. (shrink)

In dieser Arbeit werden die Hauptbegriffe der Strukturalen Anthropologie von Lévi-Strauss analysiert: Struktur, Zeichen, Symbol und Mythos. Es wird die Frage aufgeworfen, ob ein vereintes Objekt der Anthropologie jenseits der verschiedenen Perspektiven der Sozialwissenschaften möglich ist. Die Trennung zwischen Ethnologie und Geschichte wird uns für die Fragestellung über ein allgemeines “menschliches Wesen” dienen. Dem Gegensatz zwischen Natur und Kultur gemäβ werden wir nach der positiven Rolle von Symbolen und Mythen als Gelenk zwischen diesen Extremen forschen. Letztlich werden wir die Grenze (...) der vermuteten Kontinuität zwischen Natur und Kultur durch die Rolle der Schrift erklären. Dazu dienen uns neben dem Werk von Lévi-Strauss auch die Werke der Autoren Cassirer, Rousseau, Eugeunio Trías, Gustavo Bueno und Derrida. (shrink)

Insertar el fenómeno dentro del discurso es posible únicamente cuando se lo arropa conceptualmente. La metáfora cumple la función retórica cuando se aleja de su fenómeno en la vida empírica y surge en la vida simbólica como forma de expresión ulterior y conceptual respecto al fenómeno mentado. Las metáforas no son literales, sino que tienen un sentido figurado. Los límites de la metáfora en torno a la tecnología, en nuestro caso, se delimitan cuando el fenómeno no permite un segundo plano (...) retórico dentro del discurso en el que la metáfora tendría lugar. En este artículo trataré de demostrar por qué una metáfora no es útil en el lenguaje de taller o en el lenguaje técnico. (shrink)

Proper attention to the theme of corporeality is crucial for understanding Derrida’s analysis of Hegel in “The Pit and the Pyramid.” This article argues that Derrida’s essay compels us to face the impossibility of giving a wholly coherent account of embodiment. The _Aufhebung_ supposedly unites the exteriority of the corporeal with interiority in a higher unity that cancels and preserves them both; Hegel’s own text reveals, however, that meaning is primordially absent from the body that was thought to incarnate it. (...) And it is this absence of ideal meaning that is originary: Differance conditions the body as it conditions speech, rendering the body other than itself such that it is not categorizable as flesh that is the self or as an object that is not the self. I am and am not my body because the dichotomy between interiority and exteriority breaks down even at the level of the body. Indeed, I am and am not my self; the embodied self is disrupted from the start, never self-contained. Thus embodiment always already testifies to the other. (shrink)

“El hecho material de escribir (…) es uno de los fenómenos mas enigmáticos y preciosos que puedan concebirse. Es el punto de convergencia entre lo invisible y lo visible, entre el mundo de la temporalidad y el de la espacialidad”. (J.R. Ribeyro) -/- ¿Cual es la relación entre la materialidad física de la escritura y el carácter ideal de los conceptos? Una forma asequible de acercarse al pensamiento de Jacques Derrida es a través de esta pregunta. Usándola como hilo conductor, (...) el presente libro Escritura y objetividad ideal en el pensamiento de Jacques Derrida busca ser una introducción al pensamiento del filósofo francés durante el periodo entre 1962 y 1972. -/- De acuerdo a Derrida, la tradición filosófica occidental ha rebajado la escritura a una mera representación de la voz y ha considerado a esta ultima como el significante privilegiado del concepto. Asimismo, ha concebido al concepto como objetividad ideal y trascendental inmediatamente presente a la conciencia. Contra estas tendencias –“fonocentrismo” y “logocentrismo”– Derrida enfatiza que la escritura es constituyente de la idealidad y que todo lenguaje es, en cierto modo, una escritura. Así, mediante un concepto “ampliado” de escritura, Derrida deconstruye la comprensión representacional de la escritura, la distinción entre “pensamiento” y “lenguaje” y los presupuestos ontológicos que las fundamentan. -/- Escritura y objetividad ideal en el pensamiento de Jacques Derrida plantea un camino a través de las idiosincráticas y creativas lecturas que Derrida hace de Platón, Rousseau, Hegel y Husserl para introducirnos a su concepto de escritura y para comprender las implicancias que este puede tener en nuestras lecturas y escrituras filosóficas. (shrink)

In this essay, I present an alternative philosophical approach to meta-curating. While the debate surrounding the meta-curating of content often centers around technology like post-digital art, I prefer to take a broader perspective and examine its ontological implications. I consider the realist or anti-realist assumptions of meta-curating through Jean Baudrillard’s concept of seduction and Giorgio Agamben’s idea of spectrality. Both simulacrum and spectrality tend to support an anti-realist approach to meta-curating where the value of the object is made fragile when (...) constantly predetermined by a superficially seductive or spectrally floating context. Against meta-curating as anti-realist, I argue that meta-curation is realist. As a case, the seductive and the spectral in Zaha Hadid’s Morpheus in Macao demonstrate that meta-curating does not completely disregard, but rather raises the question of how to establish an antifragile realism prompted by an architectural object. (shrink)

This text was prompted by a forum discussing the legacy of Jacques Derrida’s Specters of Marx, twenty-five years after its publication. In this short essay, I explore the book’s influence on the fields of Marxism, post-Marxism, and beyond. With the problematic of heritage and legacy in mind, I raise the questions of sexual difference and dissemination as that which comes to interrupt the genealogical logic of inheritance understood as filiation and reproduction. I show that Derrida’s book, besides questioning reception and (...) influence, yet remains to be read, especially in light of ongoing archival research on Derrida’s numerous engagements with Marx and Marxist thought in a series of unpublished seminars from the 1970s. This is done more specifically through a reading of an unpublished seminar from 1974-1975, dealing with the Marxian concepts of ideology and division of labor – which Derrida interrogates more particularly in relation to sex, sexuality, and sexual differences. This text was published in the section "Ambivalent Promises—Reproductions of the Subject: A Forum on Jacques Derrida’s Specters of Marx after 25 Years, Part IV", Contexto Internacional, 42 (1), pp. 125-148. (shrink)

The idea that Derrida kept silent on Marx before the publication of Spectres de Marx, in 1993, has become a commonplace in Derrida studies and in the history of Marxism and French 20th century political thought. This idea has often been accompanied by a certain representation of the relationship between deconstruction and dialectical materialism, and fed the legend of deconstruction’s «apoliticism» – at least before what some have called Derrida’s «ethicopolitical turn», usually dated in the early 1990s. Against this narrative, (...) this essay analyzes Derrida’s notorious «silence on Marx» before Specters of Marx from the perspective of the archives. Archival research transforms the narrative: Derrida’s «silence on Marx» was only «relative». Beyond the scene of publications, archives reveal another scene: multiple engagements with Marx and Marxist thought, marked and remarked in many archival documents – more particularly in a series of early seminar notes from the 1960s and 1970s. How does this archival scene transform our interpretation of Derrida’s «silence»? (shrink)

This thought piece dealing with the Covid-19 ‘crisis’ was written – in the form of a diary that runs from February to July 2020 – for a special issue of Derrida Today entitled ‘Fire, Flood, Pestilence and Protest’, edited by Nicole Anderson, and published in November 2020. The piece deals with matters of biopolitics, telecommunication, death and mourning through Derrida and Agamben, and interrogates the eventness of what is called an ‘event’.

Este ensayo presenta una descripción de los escritos inéditos de Jacques Derrida sobre Marx y Louis Althusser en la década de 1970, y un estudio de conceptos como ideología, diferencia sexual, reproducción, violencia, dominación o hegemonía en perspectiva deconstructiva. Se trata de pensar en una otra economía, más allá de la economía del cuerpo propio. El artículo fue publicado en el Volumen 7 de la Revista Demarcaciones, "a 25 años de Espectros de Marx.".

In the sense-certainty chapter of the Phenomenology of Spirit, we find one of Hegel’s famous puns, which utilizes homophonic affinities and differences between the verb beiherspielen and the noun Beispiel. I argue that the effect of this pun is that the word Beispiel acquires, beyond its usual meaning of ‘example’ or ‘instance’, the meaning of a play of something inessential, a play in passing. After reviewing all available translations into English, I suggest that, in order to preserve this wordplay, one (...) can translate Beispiel as ‘by-play’. Furthermore, I analyse other occurrences of the word beiherspielen in the Phenomenology and elsewhere in Hegel’s texts. Next, I focus on the crucial importance of this pun for Derrida’s interpretation and critique of Hegel’s dialectic. Only for a certain loose translation of beiherspielen does Derrida’s reasoning appear plausible. I conclude with a discussion of the ideal of terminological uniformity in translating Hegel’s texts. In preserving the wordplay by translating Beispiel as ‘by-play’, one is forced to sacrifice the uniformity of translation. (shrink)

Recensione a "Tracce dell’informe. L’indecostruibile e la filosofia dell’evento in Jacques Derrida", opera prima di Sergio Genovesi, pubblicata da Mimesis Edizioni per la collana "Eterotopie".