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  1. Nietzsche's Eternal Return and Guimarães Rosa's tale 'The Third Riverbank' **.Marcos Wagner Da Cunha - manuscript
    Nietzsche's Ewige Wiederkunft; (Eternal Return), as a possible interpretation of 'The Third River Bank';, a poignant tale by the great Brazilian writer João Guimarães Rosa [1908-1967]. As such, this paper is a part of 'Genealogy of the Real. Nietzsche, Freud'; a Doctorate Dissertation at the Institute of Philosophy of the University of São Paulo (1993).
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  2. Nietzsche on the Eternal Recurrence.Neil Sinhababu - forthcoming - Cambridge University Press.
    Table of Contents: 1. The introduction of infinities 2. Gay Science 341, “The greatest weight”, considers infinite value 3. The argument of KSA 11:11:38[12] anticipates Poincaré’s theorem 4. “The Soothsayer” envisions the dark side of eternal recurrence 5. “On Redemption” tells of the will’s struggle with the past 6. “The Stillest Hour” struggles to speak of infinite negative value 7. “On The Vision and the Riddle” envisions the cosmology 8. “The Convalescent” has animals proclaiming recurrence 9. “The Other Dancing Song” (...)
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  3. The Great Loop: From Conformal Cyclic Cosmology to Aeon Monism.Baptiste Le Bihan - 2024 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie.
    Penrose's conformal cyclic cosmology describes the cosmos as a collection of successive universes, the so-called aeons. The beginning and ending of our universe are directly connected to two other, anterior and posterior, universes. Penrose considers but rules out a different interpretation of conformal cyclic cosmology: that the beginning of our universe is connected to its own end in a cosmic loop. The paper argues that the view, aeon monism, should be regarded as a natural interpretation of conformal cyclic cosmology and (...)
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  4. Amor Fati.Dana Trusso - 2023 - The Agonist : A Nietzsche Circle Journal 17 (1):1-2.
    A deeply personal reckoning with family, mental illness, and suicide, Dana Trusso captures the meaning of Nietzsche's armor fati--to love one's fate--through her surreal imagery and longing to heal intergenerational wounds. Lines are drawn from Lars von Trier's Melancholia, Sonic Youth's Experimental Jet Set, Trash and No Star, and lines she read from her aunt's journals as a child. -/- The photo is a sculpture of an earth goddess by Jean-Philippe Richard located in the botanical gardens of Èze, France. Nearby (...)
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  5. The problem of morality based on metaphysics after Nietzsche’s ‘Death of God’.Hugo Correia - 2021 - Dissertation, University of Wales, Trinity Saint David
    The critique of Metaphysics and Morality occupies a central place in post-modern philosophy. The decline and decadence of absolute truths about the true nature of reality, was presented by radical changes in scientific progress. Nietzsche’s proclamation of the Death of God will be set as the starting point for the critique and personal reflection. Nietzsche’s new conception of man, breaks off from traditional understanding, inherited from the pre-Socratics. Nietzsche is not a post-modern philosopher who is against morality, but rather opposed (...)
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  6. Existence Is Evidence of Immortality.Michael Huemer - 2021 - Noûs 55 (1):128-151.
    Time may be infinite in both directions. If it is, then, if persons could live at most once in all of time, the probability that you would be alive now would be zero. But if persons can live more than once, the probability that you would be alive now would be nonzero. Since you are alive now, with certainty, either the past is finite, or persons can live more than once.
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  7. A Note on Nietzsche’s Eternal Recurrence.I. Neminemus - 2020 - Social Sciences Research Network.
    In contemporary scholarship, it is readily assumed that Nietzsche’s Eternal Recurrence either does or does not overcome the ‘problem of nihilism’. This exclusive disjunction, however, is false. It has arisen out of the poor exegesis that Eternal Recurrence is meant to overcome nihilism and, if it does not, then this can be considered a shortcoming of Nietzsche’s philosophic enterprise. But Eternal Recurrence only overcomes what you want it to: if you do not want to overcome nihilism but embrace it, then (...)
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  8. The Cosmological Aesthetic Worldview in Van Gogh’s Late Landscape Paintings.Erman Kaplama - 2016 - Cosmos and History 12 (1):218-237.
    Some artworks are called sublime because of their capacity to move human imagination in a different way than the experience of beauty. The following discussion explores how Van Gogh’s The Starry Night along with some of his other late landscape paintings accomplish this peculiar movement of imagination thus qualifying as sublime artworks. These artworks constitute examples of the higher aesthetic principles and must be judged according to the cosmological-aesthetic criteria for they manage to generate a transition between ethos and phusis (...)
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  9. Uma Perspectiva Ética do Eterno Retorno.Diego Ramos Mileli - 2015 - Revista Filosofia Capital 10 (17):96-102.
    O problema do eterno retorno, conforme este é construído no aforismo 341 da Gaia Ciência, é analisado em sua possibilidade de se construir uma perspectiva ética. Além disso, são abordadas as relações que se estabelecem entre essas expressões 'cuidado de si' e 'eterno retorno', respectivamente em Foucault e Nietzsche, de forma a compreender como as noções que residem nelas se aproximam, afastam ou complementam-se.
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  10. Introduction to Cosmological Aesthetics: the Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2010 - International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  11. Nietzsche’s Thirst For India.S. M. Amadae - 2004 - Idealistic Studies 34 (3):239-262.
    This essay represents a novel contribution to Nietzschean studies by combining an assessment of Friedrich Nietzsche’s challenging uses of “truth” and the “eternal return” with his insights drawn from Indian philosophies. Specifically, drawing on Martin Heidegger’s Nietzsche, I argue that Nietzsche’s critique of a static philosophy of being underpinning conceptual truth is best understood in line with the Theravada Buddhist critique of “self ” and “ego” as transitory. In conclusion, I find that Nietzsche’s “eternal return” can be understood as a (...)
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  12. The Eternal Recurrence of the Same as the Gift of Difference: Naming the Enigma, the Enigma of Names.John Krummel - 1996 - PoMo Magazine 2 (1):31-46.
    Published in PoMo Magazine vol. 2, nr. 1 (Spring/Summer 1996) during my years as a grad student at the New School. I examine Nietzsche's presentation of the eternal recurrence, and discuss its interpretations by Heidegger, Bataille, Derrida, Klossowski, Stambaugh, and Vattimo. I will be returning to Nietzsche in the future.
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  13. Nietzsche and Eternal Recurrence.Arnold Zuboff - 1973 - In Robert C. Solomon (ed.), Nietzsche: A Collection of Critical Essays. pp. 343-357.
    I critically examine Nietzsche’s argument in The Will to Power that all the detailed events of the world are repeating infinite times (on account of the merely finite possible arrangements of forces that constitute the world and the inevitability with which any arrangement of force must bring about its successors). Nietzsche celebrated this recurrence because of the power of belief in it to bring about a revaluation of values focused wholly on the value of one’s endlessly repeating life. Belief in (...)
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  14. Eternal Recurrence and Nihilism: Adding Weight to the Unbearable Lightness of Action.Nadeem J. Z. Hussain - manuscript
    (Version 2.4) I have argued elsewhere for ascribing an error theory about all normative and evaluative judgements to Nietzsche. Such a nihilism brings with it a puzzle: how could we—or at least the select few of us being addressed by Nietzsche—continue in the face of this nihilism? This is a philosophical puzzle and so, defeasibly, an interpretive puzzle. If there is no theory it would make sense for Nietzsche to have about how the select few could go on, then this (...)
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