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  1. added 2019-01-25
    “Dios ha muerto” y la cuestión de la ciencia en Nietzsche. “God is dead” and the question of science in Nietzsche.Osman Daniel Choque Aliaga & Osman D. Choque-Aliaga - 2019 - Estudios de Filosofía 59:139-166.
    Este artículo pretende establecer una relación entre la frase “Dios ha muerto” y el tema de la ciencia en Nietzsche. Para tal fin, se hará un análisis de la frase “Dios ha muerto” a la luz de la reciente interpretación hecha en el mundo alemán. En segundo lugar, nos ocuparemos de los conceptos de ausencia y caos para determinar si dichas nociones pueden ser consideradas como un paso ulterior a la “muerte de Dios”. Finalmente, revisaremos el tema de la ciencia: (...)
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  2. added 2016-10-11
    Nietzsche's Last Notebooks.Daniel Fidel Ferrer & Friedrich Nietzsche - 2012 - archive.org.
    A group of the last notebooks that Nietzsche wrote from 1888 to the final notebook of 1889. -/- Translator Daniel Fidel Ferrer. See: "Nietzsche's Notebooks in English: a Translator's Introduction and Afterward". pages 265-272. Total pages 390. Translation done June 2012. -/- Nietzsche's notebooks from the last productive year of life, 1888. Nietzsche's unpublished writings called the Nachlass. These are notebooks (Notizheft) from the year 1888 up to early January 1889. Nietzsche stopped writing entirely after January 6, 1889. -/- The (...)
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  3. added 2012-10-05
    Review of F. Nietzsche, Writings From the Late Notebooks. Edited by R. Bittner and Translated by K. Sturge. [REVIEW]Joel Smith - 2003 - Philosophical Writings 22:69-71.
    As so often with his published texts, the experience of reading Nietzsche’s notebooks is at once mesmerising and infuriating. One is in the presence of a thinker who, on the one hand, meditates deeply on fundamental issues in philosophy and psychology but who, on the other, refuses to be pinned down. The fact that Nietzsche’s style is so elusive can account for the enormously disparate interpretations of his work and it is no surprise that his notebooks have been read in (...)
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