Plato: Causation

Balthasar impiega in tutta la sua Trilogia fattori fondamentali del pensiero di Platone: il bello, l’eros e l’analogia entis che chiama “Selbstbewegung” ignorando completamente la dottrina dei principi primi che la Scuola di Tübingen ha ricostruito grazie alle testimonianze dei suoi allievi nell’Accademia antica. Per parte sua, la Scuola di Tübingen esclude sistematicamente dall’indagine l’eros e la definizione di psychè del Fedro come “ciò che si muove sempre” e “muove sé stesso”. Non si occupa affatto del bello, perché lo assimila (...) senz’altro all’idea del bene. Propongo perciò una ricerca più filologica in cui espongo il Platone di Balthasar e quello della Scuola di Tübingen e una parte più storico-sistematica in cui delineo il divenire dell’estetica drammatica. Infine, propongo una soluzione del paradosso che ho identificato. La presenza di Platone nell’opera di Balthasar non è stata ancora riconosciuta. Solo due saggi ne parlano, ma sono problematici: in realtà si tratterebbe di Plotino, che sarebbe il vero compimento della filosofia greca. Non viene però preso in considerazione il fatto che Balthasar critica Plotino. (shrink)

As Socrates recounts his search for causes (aitiai) in the Phaedo, he identifies the following as genuine causes: intelligence (nous), seeming best, choice of the best, and the forms. I argue that these causes should be understood as norms prescribing the conditions their effects must meet if those effects are to be produced. Thus, my account both explains what Socrates’ causes are and the way in which they cause what they cause.

Many assume that Plato's Form of the Good is a final cause. This might be true if one assumes an Aristotelian definition of final cause; however, I argue that if one adopts Plato's conception of final causation as evidenced in the Phaedo and Timaeus, the claim that the Form of the Good is a final cause for Plato is untenable.

Theophrastus' treatise "Metaphysics" contains a compact and critical reconstruction of unsolved systematic problems of classical Greek philosophy. It is primarily about fundamental problems of ontology and natural philosophy, such as the question of the interdependence of principles and perceptible phenomena or the plausibility of teleology as a methodical principle of the explanation of nature. The aim of the critical Greek-German edition (with introduction and commentary) is to make visible the systematic significance of Theophrastus' critique of metaphysics.

Plato scholars such as Matthias Baltes (1940-2003) and Luc Brisson have defended the thesis that Plato‘s Idea of the Good is on the one hand beyond being (epekeina tês ousias) in dignity and power, but is nevertheless not transcendent over being. The article gives first (I.), an introduction into the status questionis. Second (II.), it delivers the most important arguments for the thesis of Baltes and Brisson. Third (III.), it gives two counterarguments against the thesis. Fourth (IV), it deals with (...) the translation of L. Brisson "Apollon, quelle merveilleuse emphase" of 509c1-2. Fifth (V.), it concludes with some general questions concerning the deflationist interpetation of Plato‘s Republic, 509b9-10. (shrink)

Gregory Vlastos has argued that Aristotle and other commentators on the Phaedo have mistakenly interpreted Plato’s Forms to be efficient causes. While Vlastos is correct that the Forms by themselves are not efficient causes, because of his neo-Kantianism he has misunderstood the close connection between the Forms and the explanation of change, including teleological change. This paper explores the connection in Plato’s Phaedo between the Forms, the nature of change, and efficient causality, and argues that Aristotle’s remarks are not as (...) misplaced as Vlastos claims. (shrink)