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  1. The Ontology of Images in Plato’s Timaeus.Samuel Meister - forthcoming - British Journal for the History of Philosophy:1-22.
    In the Timaeus, Plato’s Timaeus offers an account of the sensible world in terms of “images” of forms. Often, images are taken to be particulars: either objects or particular property instances (tropes). Contrary to this trend, I argue that images are general characteristics which are immanent in the receptacle, or bundles of such characteristics. Thus, the entire sensible world can be analysed in terms of immanent general characteristics, the receptacle, and forms. Hence, for Timaeus, fundamentally, there are no sensible particulars. (...)
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  2. Gunk in the Third Deduction of Plato's Parmenides.Samuel Meister - 2022 - In Luc Brisson, Arnaud Macé & Olivier Renaut (eds.), Plato's Parmenides: Selected Papers of the Twelfth Symposium Platonicum. Academia.
    The third deduction in Plato’s Parmenides is often given a constructive reading on which Plato’s Parmenides, or even Plato himself, presents us with a positive account of the relation between parts and wholes. However, I argue that there is a hitch in the third deduction which threatens to undermine the mereology of the third deduction by the lights of the dialogue. Roughly, even if the Others partake of the One, the account of the third deduction leads to an ontology of (...)
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  3. A Platonic Trope Bundle Theory.Christopher Buckels - 2020 - Ancient Philosophy Today 2 (2):91-112.
    This paper provides a rational reconstruction of a Platonic trope bundle theory that is a live alternative to contemporary bundle theories. According to the theory, Platonic particulars are composed of what Plato calls images of Forms; contemporary metaphysicians call these tropes. Tropes are dependent on Forms and the Receptacle, while trope bundles are structured by natural kinds using the Phaedo's principles of inclusion and exclusion and the Timaeus’ geometrised elements, as well as by co-location in the Receptacle. Key elements of (...)
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  4. A Theory of Evolution as a Process of Unfolding.Agustin Ostachuk - 2020 - Cosmos and History: The Journal of Natural and Social Philosophy 16 (1):347-379.
    In this work I propose a theory of evolution as a process of unfolding. This theory is based on four logically concatenated principles. The principle of evolutionary order establishes that the more complex cannot be generated from the simpler. The principle of origin establishes that there must be a maximum complexity that originates the others by logical deduction. Finally, the principle of unfolding and the principle of actualization guarantee the development of the evolutionary process from the simplest to the most (...)
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  5. Introduction.Pettersson Olof - 2017 - In Olof Pettersson & Vigdis Songe-Møller (eds.), Plato’s Protagoras: Essays on the Confrontation of Philosophy and Sophistry. Springer. pp. 1-8.
    Guided by the bold ambition to reexamine the nature of philosophy, questions about the foundations and origins of Plato’s dialogues have in recent years gained a new and important momentum. In the wake of the seminal work of Andrea Nightingale and especially her book Genres in Dialogue from 1995, Plato’s texts have come to be reconsidered in terms of their compositional and intergeneric fabric. Supplementing important research on the argumentative structures of the dialogues, it has been argued that Plato’s philosophizing (...)
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  6. The Ontology of the Secret Doctrine in Plato’s Theaetetus.Christopher Buckels - 2016 - Phronesis 61 (3):243-259.
    The paper offers an interpretation of a disputed portion of Plato’s Theaetetus that is often called the Secret Doctrine. It is presented as a process ontology that takes two types of processes, swift and slow motions, as fundamental building blocks for ordinary material objects. Slow motions are powers which, when realized, generate swift motions, which, in turn, are subjectively bundled to compose sensible objects and perceivers. Although the reading of the Secret Doctrine offered here—a new version of the “Causal Theory (...)
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  7. Indledning.Jens Kristian Larsen & Jakob Leth Fink - 2016 - In Platon - værk og virkning. København, Danmark: pp. 13-38.
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  8. Two Dogmas of Platonism.Debra Nails - 2013 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 28 (1):77-112.
    Contemporary platonism has been conditioned in large part by two dogmas. One is the belief in a fundamental cleavage between intelligible but invisible Platonic forms that are real and eternal, and perceptible objects whose confinement to spacetime constitutes an inferior existence and about which knowledge is impossible. The other dogma involves a kind of reductionism: the belief that Plato’s unhypothetical first principle of the all is identical to the form of the good. Both dogmas, I argue, are ill-founded.
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  9. Heidegger’s Allegory of Reading: On Nietzsche and the Tradition.William D. Melaney - 2012 - In Alfred Denker Babette Babich (ed.), Hiedegger und Nietzsche. Brill. pp. 190-98.
    Heidegger's interpretation of Nietzsche has been canonized in the philosophical tradition as an almost perfect demonstration of how the forgetfulness of Being continues the dominant positions of modern metaphysics. However, the role of reading in the interpretative process casts a different light on Heidegger's approach to Nietzsche and his relationship to the philosophical tradition. This paper is concerned with three aspects of Heidegger's work, namely, (i) the role of Kant and Schopenhauer in Nietzsche's critique of metaphysics; (ii) Nietzsche's 'inversion' of (...)
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  10. The Coy Eristic: Defining the Image That Defines the Sophist.David Ambuel - 2011 - In Ales Havlicek & Filip Karfik (eds.), Plato's Sophist: Proceedings of the Seventh Symposium Platonicum Pragense. Oikoymenh. pp. 278-310.
    The eponymous dialogue presents the sophist as a figure who defies definition, and those difficulties are attributed to the conception of the image. Ultimately, the sophist is defined as a species of image maker. The image, however, which is important throughout the Platonic corpus as a metaphor, an analogy, and a metaphysical concept as well, receives in the Sophist little clarification or definition apart from whatever may be inferred from the division of image making arts. In the Sophist, the sophist (...)
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  11. The Quarrel Between Sophistry and Philosophy.Jens Kristian Larsen - 2011 - Dissertation, University of Copenhagen
    This study presents a full-length interpretation of two Platonic dialogues, the Theaetetus and the Sophist. The reading pursues a dramatic motif which I believe runs through these dialogues, namely the confrontation of Socratic philosophy, as it is understood by Plato, with the practise of sophistry. I shall argue that a major point for Plato in these two dialogues is to examine and defend his own Socratic or dialectical understanding of philosophy against the sophistic claim that false opinions and statements are (...)
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  12. Platon: In Bildern Denken.David Ambuel - 2010 - In Johannes Grave & Arno Schubbach (eds.), Denken mit dem Bild: Platon, Plotin, Augustinus, Cusanus. Fink.
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  13. Mary Margaret McCabe. Plato's Individuals. [REVIEW]Scott Berman - 1996 - Modern Schoolman 73 (4):356-359.
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  14. Notizen Zu Platos Höhlengleichnis.Rafael Ferber - 1981 - Freiburger Zeitschrift für Philosophie Und Theologie 28:393-433.
    The paper puts forward a new interpretation of the image of the Cave, that is the image on human paideia (education) and apaideusia (lack of education). The cause of the apaideusia (R.514a) is identified as a separation from the origin. (1) First, the relation between the Cave, the analogy of the Linie and the Sun is shown not to be a strict parallelism, but a resemblance, which implies sameness and difference between Sun, Line and Cave. (2) Second, the author argues (...)
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