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  1. added 2018-03-28
    On Diffident and Dissident Practices: A Picture of Romania at the End of the 19th Century.Roxana Patraș - 2015 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 2 (1):35-51.
    The present paper explores diffident and dissident practices reflected by the political talk at the end of the 19th-century in Romania. Relying on Jacques Rancière’s theories on the ‘aesthetic regime of politics,’ the introduction sketches a historical frame and proposes a focus change: the relation between ‘politics’ and ‘aesthetics’ does not stand on a set of literary cases, but on political scripts as such. Thus, the hypotheses investigated by the next three parts can be formulated as follows: 1. though determined (...)
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  2. added 2018-03-28
    Minding Literature’s Business: Cultivating a Sense of Evanescence Within Political Affairs.Roxana Patraș - 2015 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 2 (4):481–491.
    The paper investigates the relationship between political oratory and literature in Romania during the second part of the 19th century. Extending the theories of Jacques Rancière, Fredric Jameson, Slavoj Žižec, and Leonidas Donskis, I analyze the relationship between politics and literature by comparing a set of illustrative speeches delivered by Take Ionescu and P. P. Carp, who distinguished themselves as brilliant political orators and also as personalities who gave up literature in order to assume a political career. My main goal (...)
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  3. added 2018-03-22
    Politicizing Art in Rancière and Deleuze : The Case of Postcolonial Literature.Raji Vallury - 2009 - In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
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  4. added 2018-02-17
    Rancière’s Productive Contradictions.Gabriel Rockhill - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (2):28-56.
    This article explores the force and limitations of Jacques Rancière’s novel attempt to rethink the relationship between aesthetics and politics. In particular, it unravels the paradoxical threads of the fundamental contradiction between two of his steadfast claims: (1) art and politics are consubstantial, and (2) art and politics never truly merge. In taking Rancière to task on this point, the primary objective of this article is to work through the nuances of his project andforeground the problems inherent therein in order (...)
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  5. added 2014-09-02
    Ranciere's Aesthetic Revolution and Its Modernist Residues.Jakub Stejskal - 2012 - Filozofski Vestnik 33 (3):39 - +.
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  6. added 2014-08-05
    Sensation as Participation in Visual Art.Clive Cazeaux - 2012 - Aesthetic Pathways 2 (2):2-30.
    Can an understanding be formed of how sensory experience might be presented or manipulated in visual art in order to promote a relational concept of the senses, in opposition to the customary, capitalist notion of sensation as a private possession, as a sensory impression that is mine? I ask the question in the light of recent visual art theory and practice which pursue relational, ecological ambitions. As Arnold Berleant, Nicolas Bourriaud, and Grant Kester see it, ecological ambition and artistic form (...)
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