Relativism, Misc

According to Lynne Rudder Baker, our everyday world is populated, among other things, by what she calls “intention-dependent objects” (“ID objects”), i.e., objects which “could not exist in a world lacking beings with beliefs, desires, and intentions” (Baker (2007), p. 11). Baker’s claim that what exists, at least in part, depends on human activity opens her up to the concern, or so her critics have argued, that new objects and new kinds of objects can apparently be “conjured” into existence, given (...) her framework, simply by adopting new ways of speaking or thinking about already existing things (Koslicki (2018), Chapter 8). When Baker responds to a version of this objection launched against her account in Zimmerman (2002), she proposes that we cannot simply speak or think things into existence for which “our conventions and practices do not have a place” (Baker (2007), p. 44). In order for this response to be effective, however, we need to know more about how our conventions and practices support the creation of some ID objects and the kinds to which they belong, while disallowing the attempted creation of others. In this paper, I examine the effectiveness of Baker’s response in addressing the challenges posed by the inclusion of ID objects, such as artifacts, in Baker’s practical realist ontology. -/- . (shrink)

According to the account of artifacts developed by Lynne Rudder Baker, artifacts have a certain “proper function” essentially. The proper function of an artifact is the purpose or use intended for the artifact by its “author(s)”, viz., the artifact’s designer(s) and/or producer(s). Baker’s account therefore traces the essences of artifacts back indirectly to the intentions of an artifact’s original author (e.g., its inventor, maker, producer or designer). Like other “author-intention-based” accounts (e.g., those defended by Amie Thomasson, Simon Evnine, and others), (...) Baker’s treatment, or so I have argued, is subject to the concern that, when stated in its most general form, human creative intentions are not nearly as powerful and discriminating as proponents of author-intention-based accounts make them out to be (see Kathrin Koslicki, Form, Matter, Substance, Oxford University Press, 2018, Chapter 8). When Baker responds to a version of this objection launched against her account by Theodore Sider and Dean Zimmerman, she proposes that we cannot simply think things into existence for which “our conventions and practices do not have a place” (Lynne Rudder Baker, The Metaphysics of Everyday Life: An Essay in Practical Realism, 2007, p. 44). For example, I cannot, according to Baker, make up the word, “bonangle”, apply it to a piece of driftwood and thereby succeed in bringing into existence a new artifact, viz., a bonangle, merely by thinking to myself “It would be nice if the world contained bonangles; I hereby make that piece of driftwood a bonangle”. In order for this response to be effective, however, more needs to be said about how our conventions and practices support the creation of some artifacts and artifact kinds, while disallowing the attempted creation of others. In this paper, I examine the effectiveness of Baker’s response in addressing the challenges posed by the inclusion of artifacts in Baker’s practical realist ontology. (shrink)

У статті розглянуто один із аспектів надзвичайно широкого інтертекстуального поля прози Віктора Домонтовича. Поняття зради й відступництва письменник інтерпретує у різних контекстах і в різному історичному антуражі. Зокрема в оповіданні «Апостоли» він своєрідно представляє проблему віри й довіри, вводячи у євангельський сюжет ще й тему знання, роздуми про побутування релігії й віри у добу раціоналізму й скептицизму. Страждаючи від роздвоєності й сумнівів, герої цього письменника згодні відповідати за наслідки лише власного вибору. Домонтович демонструє трагічні наслідки ситуації, коли людина бере на (...) себе функції Бога й відповідальність за вдосконалення світу. (shrink)

In the academic literature and elsewhere, specific relativisms are often a hotly debated topic. In this paper, I considerably up the ante by proposing an across the board universal relativism that is supported by four arguments: an inductive argument, an argument from causality, an argument from elimination, and an argument against self-refutation.

This is a review essay on Carol Rovane's book The Metaphysics and Ethics of Relativism. I outline the main line of argument, clarify the central claim, raise some questions about some of the arguments, and suggest some limits on the extent to which one could see another's views as right but not accept them.

There seems to me to be a problem with the interpretation of Jean-Paul Sartre’s use of the words “being” and “nothingness” in his philosophy. Is his idea of being the same as that of Heidegger? While I’m quite sure of the metaphysical aspects of the argument, I’m not sure whether within those aspects Sartre equates nothingness with freedom, or whether the freedom (of action) arises from the nothingness. This short essay attempts to find a solution to the problem.

Soweit Engels' Position zum Geltungsanspruch der Naturwissenschaften seiner Zeit aus diesen Texten hervorgeht, kann man sie kaum als konsistent bezeichnen. Erkenntnisse, an deren Gewissheit in der Naturforschung der zweiten Hälfte des 19. Jahrhunderts nicht ernsthaft gezweifelt wurde, werden von ihm teils umstandslos übernommen, teils aber auch einer geltungskrltischen Analyse unterzogen. In weitgehender Unahängigkeit von seinen weltanschaulichen Ambitionen kommt Engels über die Untersuchung der Struktur naturwissenschaftlicher Erkenntnisprozesse zu einer bisher erst wenig beachteten und seiner Zeit vorauseilenden Einsicht in die relativen Geltungsbedingungen (...) des experimentell erzeugten Wissens. Die widersprüchliche Form,in der er seine heute noch sehr aktuelle Kritik am Wahrheitsanspruch der Naturwissenschaften vorträgt, ist der damaligen Umbruchssituation dieser Disziplinen geschuldet und gibt seinem Werk ein hohes Mass an Authentizität. In Anlehnung an Engels' Klassifizierung der Wissenschaften sollen hier die wichtigsten geltungskritischen Ansätze rekonstruiert werden. In dieser Perspektive, die seine Skepsis gegenüber den naturwissenschaftlichen Erkenntnisleistungen hervortreten lässt, erscheint die von ihm behauptete ausgezeichnete Geltung der Dialektik in einem neuen Licht: Sie ist nicht mehr die immer schon vorausgesetzte Grundannahme seiner wissenschafts- und naturtheoretischen Auffassungen, sondern Reaktion auf einen Relativismus, der aus der Reflexion über die Entwicklung der Naturforschung unabweisbar zu folgen scheint und jedes Streben nach einem wissenschaftlich fundierten, einheitlichen Naturbild zunichte macht. (shrink)