Sexual Perversion

The concept of perversion has traditionally been applied particularly to the sexual sphere, in order to condemn certain desires and certain practices as wrong or inappropriate because of their unnaturalness, as they are understood as a deviation from a given function of sexuality. In this article, I explore the question whether and how such a concept could be applied to another central dimension of our existence, namely our death and, in particular, whether it makes sense to talk of perverted attitudes (...) towards (our own) death. In the first section I present a fairly common account of what is a perverted attitude towards sex and explain how that account can be used to define a perverted attitude towards death. I come up with four suggestions (one based on belief in the afterlife and three secular ones, based respectively on the notion of death as meaningless, on Heidegger’s concept of authenticity and on the evolutionary function of death). In the second section, I explore potential connections between perversion in sex and perversion in death. I conclude that, outside the Catholic worldview, perverted attitudes to sex do not bring along perverted attitudes towards death, nor is there a connection the other way around. In fact, certain kinds of perverted attitudes towards death are even inimical to sexual perversion. In the third section, I present a metaphysical and an ethical reason to doubt that we can and should talk of a function of death or sex. (shrink)

Erotic Nights of the Living Dead (1980) may have featured both animated corpses and hardcore sex scenes, but only recently have Re-Penetrator (2004) and Porn of the Dead (2006) managed to fully eroticise the living dead, allowing these creatures to engage in intercourse. In doing so, the usually a-subjective zombie is allotted a key facet of identity - sexuality. This development within the sub-genre needs accounting for outside of the contexts of porn studies, where it has only been briefly touched (...) upon in relation to its "extremity". -/- Moreover, the gendering of the undead opens a discussion which expand the horizons of zombie studies away from the overt critiques of capitalism, race and psychoanalysis that have pervaded analyses of these narratives. The dichotomy of binary oppositions so often associated with psychoanalytic approaches dictates that "passive (non-phallic) = female", and "active (phallic) = male". In these terms, the zombies are feminine - soft-bodied and passive, despite their murderous intent (which has been accounted for, by Barabara Creed (1993) amongst others, by invoking the vagina-dentata motif). Humans (active) are deemed masculine, not least since they tend to dispatch zombies with "phallic guns". Taking this logic to an extreme, the zombie may be read as allegorising feminism: the "feminised" figures (zombies) become fearsome in their will to exert themselves despite their seeming disempowerment in the face of "masculine" hegemony. Ultimately, by grouping together as a force, they overthrow or at least significantly damage that "normality" (an ideological paradigm usually read in terms of race, class and economics). (shrink)

This article discusses the views of Immanuel Kant on sexual perversion (what he calls "carnal crimes against nature"), as found in his Vorlesung (Lectures on Ethics) and the Metaphysics of Morals (both the Rechtslehre and Tugendlehre). Kant criticizes sexual perversion by appealing to Natural Law and to his Formula of Humanity. Neither argument for the immorality of sexual perversion succeeds.