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Margaret Cavendish is widely known as a materialist. However, since Cavendishian matter is always in motion, “matter” and “motion” are equally important foundational concepts for her natural philosophy. In Philosophical Letters (1664), she takes to task her materialist rival Thomas Hobbes by assaulting his account of accidents in general and his concept of “rest” in particular. In this article, I argue that Cavendish defends her continuous-motion view in two ways: first, she claims that her account avoids seeing accidents as capable (...) |
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In this paper, I develop a new interpretation of the order of nature, its function, and its implications in Margaret Cavendish’s philosophy. According to the infinite balance account, the order of nature consists in a balance among the infinite varieties of nature. That is, for Cavendish, nature contains an infinity of different types of matter: infinite species, shapes, and motions. The potential tumult implicated by such a variety, however, is tempered by the counterbalancing of the different kinds and motions of (...) |
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Consider the distinctive qualitative property grass visually appears to have when it visually appears to be green. This property is an example of what I call sensuous color. Whereas early modern mechanists typically argue that bodies are not sensuously colored, Margaret Cavendish disagrees. In cases of veridical perception, she holds that grass is green in precisely the way it visually appears to be. In defense of her realist approach to sensuous colors, Cavendish argues that it is impossible to conceive of (...) |