El texto muestra la complejidad de la discusión en torno al sentido y la dirección de la historia, en especial, la dificultad mayor de una dotación de sentido en favor del desarrollo histórico en el mundo actual. El ensayo reconstruye brevemente la posición pesimista de la Escuela de Frankfurt sobre..

There is an obvious paradox in any attempt to map the topography of Paradise, for Paradise, theologians assure us, is outside of space as well as time. Yet mapping Paradise is what Dante's poem, the Paradiso, attempts to do. For the two preceding realms of the afterlife, hell and purgatory, Dante provides numerous finely articulated descriptions of rigorously ordered regions. And again for Paradise, the variegated states of the souls making up the spiritual order of the realm are expressed very (...) precisely by a topographical scheme, one in this case based on Ptolemy's system of the heavens. The seven planetary spheres are followed by the sphere of the fixed stars and the primum mobile, the whole finally bordering on the completely nonspatial heaven of the Empyrean. But this last “sphere” alone is Paradise in the full and strict sense. As Dante has Beatrice explain in canto 4.28–48, the whole poem attempts to describe this totally nonspatial order in terms of the array of the nine physical heavens as metaphorical correlatives for the successive degrees of beatitude experienced by the souls “in” the Empyrean. Paradise in this sense—as the Empyrean—is thus utopic, if any place is: it is literally “no place” at all. (shrink)

In this article I ask how fruitful the concept of alienation can be for thinking critically about the nature and causes of the contemporary environmental crisis. The concept of alienation enables us to claim that modern human beings have become alienated or estranged from nature and need to become reconciled with it. Yet reconciliation has often been understood—notably by Hegel and Marx—as the state of being ‘at-home-with-oneself-in-the-world’, in the name of which we are entitled, perhaps even obliged, to overcome anything (...) in nature that is alien to the human mind. This approach to alienation derives ultimately from the German Idealist philosopher J. G. Fichte. I explore an alternative conception of alienation and reconciliation to be found in the work of the Early German Romantics, especially Friedrich Schlegel and Novalis. The Romantics think of reconciliation as including a dimension of alienation, in the form of an awareness that nature is greater than and exceeds the understanding of human beings, insofar as we are merely limited parts of the all-encompassing whole that is nature. I argue that this is a more fruitful approach to alienation and reconciliation than that pursued by Fichte, Hegel, and Marx. (shrink)

In this article, I consider the possibility of interpreting Hegel’s dialectic as dialetheism. After a first basic recapitulation about the meaning of the words ‘dialetheism’ and ‘dialectic’ and a consideration of Priest’s own account of the relation between dialectical and dialetheic logic in 1989, I discuss some controversial issues, not directly considered by Priest. As a matter of fact, the reflection on paraconsistent logics and dialetheism has enormously grown in recent years. In addition, the reception of Hegel’s logic and metaphysics (...) has also impressively improved. So I suggest that the discussion about the binomial dialectic/dialetheism should be reopened, on these new bases. (shrink)

While concurring with Honneth’s reconstruction of reification as a form of forgetfulness, this article questions the way in which he arrives at that conclusion as well as the conceptual status he ascribes to recognition – the instance with reference to which reification is exhibited as distortion or deformation. It argues, first, that Honneth’s dualistic mode of argumentation falls behind the left-Hegelian tradition which he himself seeks to revitalize, thus causing a serious architectonic problem; and, second, that while polemicizing strongly against (...) the cognitive approach, he at crucial points actually reverts to the very resources made available by that mode of thinking. Being the central concern of the article, this latter aspect is treated as the cognitive problem in his work, especially in his Tanner Lectures. (shrink)

To be a teacher of literature at a university today is to occupy a problematic position in the production and codification of knowledge - a fact that has generated a great deal of critical comment in recent years. But this position in its problematic dimensions is not necessarily new. The teacher of literature has always been a propagator of an aberrant science - yet a science that in its aberrations has more to do with the methodological problems of the natural (...) sciences than is usually credited. In this article the author approaches an initial statement of what makes the study of literature aberrant in this way, and in the process, elaborates upon a central dynamic of teaching literature that draws its strength from such scientific aberrance. In the process he moves towards a statement of the role played by an aberrant science in negotiating cultural identity. (shrink)

In order to understand Hegel's approach to philosophy, we need to ask why, and how, he reacts to the well-known criticism of German Romantics, like Novalis and Friedrich Schlegel, against philosophical system building in general, and against Kant's system in particular. Hegel's encyclopedic system is a topical ordering of categorically different ontological realms, corresponding to different conceptual forms of representation and knowledge. All in all it turns into a systematic defense of Fichte's doctrine concerning the primacy of us as actors (...) with respect to any knowledge claim or scientific theory. Hegel's limitations of the principle of causality and of the possibility of using mathematical methods in science show, in fact, how a merely compatibilist solution of Kant's third antinomy can be overcome. (shrink)

In this article, I consider the moment where speech becomes violent because it wants to name at any price - something that can be felt as a desire in speech, a tension of creation and destruction. I discuss Habermas' theory of communicative action and the propositional conception of truth that underpins it. That conception of truth can be contrasted to the theory of truth as event, as it has been developed by Alain Badiou. A similarity between Badiou's theory of truth (...) and the latent utopianism of Adorno's negative dialectics shows that, for contemporary philosophy, the first phase of Frankfurt School theorising remains important. A philosophy that is able to 'motivate and guide the will' (Habermas) needs to include a non-propositional conception of truth; only with a non-propositional conception of truth can we articulate what is involved in communicative violence and come to understand what the place of what cannot be said is, in thought as well as in private, social and political life. (shrink)

Outside Ethics brings together some of the most important and provocative works by one of the most creative philosophers writing today. Seeking to expand the scope of contemporary moral and political philosophy, Raymond Geuss here presents essays bound by a shared skepticism about a particular way of thinking about what is important in human life--a way of thinking that, in his view, is characteristic of contemporary Western societies and isolates three broad categories of things as important: subjective individual preferences, knowledge, (...) and restrictions on actions that affect other people. He sets these categories in a wider context and explores various human phenomena--including poetry, art, religion, and certain kinds of history and social criticism--that do not fit easily into these categories. As its title suggests, this book seeks a place outside conventional ethics.Following a brief introduction, Geuss sets out his main concerns with a focus on ethics and politics. He then expands these themes by discussing freedom, virtue, the good life, and happiness. Next he examines Theodor Adorno's views on the relation between suffering and knowledge, the nature of religion, and the role of history in giving us critical distances from existing identities. From here he moves to aesthetic concerns. The volume closes by looking at what it is for a human life to have "gaps"--to be incomplete, radically unsatisfactory, or a failure. (shrink)

Science is considered as an open system that constitutes a sub-entity of the total system "society" and whose functions include the production, systematization, communication and application of knowledge. Since this system is made up of individuals and groups, its functions are dependent on psychological factors. This fact serves as a starting point for a psychology of science, which can contribute to optimizing scientific practice by treating the heuristic, organizational, technological, and normative aspects of scientific activity.

The article traces and analyses the negative globality of pandemic fears. It follows them through literary texts, psychological theories of individual and collective fears as well as legal documents. Rather than treating fears as law’s other, notably pandemic fears are included in the controversial discussion on how law protects peoples’ freedom in a pandemic. In closing, the article presents different forms of fear defence and fear denial such as conspiracy myths.

This entry discusses three forms of politics of recognition: politics of universalism, affirmative identity politics and deconstructive politics of difference. It examines the constitutive, causally formative, and normative role that recognition has for the relevant senses of universal standing, particular identity, and difference in these approaches.

Dit essay begrijpt het project van Krisis vanuit ‘het epistemologische probleem van de kritische theorie’, namelijk: vanuit welk standpunt is emancipatoire kritiek überhaupt mogelijk? Door de kritische theorie in brede zin op te vatten, worden vormen van politieke contestatie en de theoretisering daarvan die vaak als 'identiteitspolitiek' worden weggezet besproken in relatie tot de vroege denkers van de kritische theorie en het late werk van Foucault over tegengedrag.

The main objective of this work is to achieve an understanding of Husserl's phenomenology as philosophical foundation for theology. It sustains, in the first place, that theology and philosophy do more than converge. It deepens, in second place, in the connection between phenomenology and theology, as well as in the Husserlian conception of God as entelechy and ἐνέργεια. This study concludes with a reflection, in third place, on the possibility of elaborating a theology from the phenomenological inspiration. The thesis that (...) is defended is that phenomenology means for theology, literally, an authentic Herausforderung, that is to say, a provocation that from outside interpellates a discourse, the theological one, that many judged already exhausted and at risk of extinction. In the conclusions are detailed the main contributions that the phenomenology makes to theology. El principal objetivo de este trabajo es lograr una comprensión de la la fenomenología de Husserl como fundamento filosófico para la teología. Sostiene, en primer lugar, la idea de que la teología y la filosofía hacen algo más que converger. Profundiza, en segundo lugar, en la conexión entre fenomenología y teología, así como en la concepción husserliana de Dios como entelequia y ἐνέργεια. Este estudio concluye con una reflexión, en tercer lugar, sobre la posibilidad de elaborar una teología de inspiración fenomenológica. La tesis que se defiende es que la fenomenología supone para la teología, literalmente, una auténtica Herausforderung, es decir, una provocación que desde fuera interpela a un discurso, el teológico, que muchos juzgaban ya agotado y en riesgo de extinción. En las conclusiones se detallan las principales aportaciones que la fenomenología hace a la teología. (shrink)

On a certain reading, the respective theories of Freud and Nietzsche might be described as exploring the suffered relational histories of the subject, who is driven by need; these histories might also be understood as histories of language. This suggests a view of language as a complicated mode of identifying-with, which obliges linguistic subjects to identify the non-identical, but also enables them to simultaneously identify with each other in the psychoanalytic sense. This ambivalent space of psychoanalytic identification would be conditioned (...) by relational histories. On one hand, this might lead to conformity within a system of language as a shared, obligatory compromise formation that would defend against the non-identical; magical language, typified in Freud’s critique of animism and in Nietzsche’s critique of “free will” guided by absolute normative signifiers (“Good” and “Evil”), would be symptomatic of this sort of defense. On the other hand, given other relational histories, it may produce the possibility for more transitional modes of identification, and thereby modes of language that can bear its suffered histories, and lead to proliferation of singular compromise formations. It is suggested that while the former is historically dominant, Nietzsche and various psychoanalytic thinkers contribute to conceiving of the possibility of working ourselves towards the latter. (shrink)

This paper has two aims, as an exposition of Jürgen Habermas's response to the work of Michel Foucault, and to engage in and assess this debate between two influential contemporary schools of Continental philosophy. Habermas locates Foucault's project in the history of several attempts at a totalizing critique of reason, attempts which are trapped in a performative self?contradiction. Habermas also argues that Foucault is still caught up in the conceptual straitjacket of the philosophy of the subject which his theory was (...) meant to overcome. He shows that Foucault's central notion of power is used in two different and ultimately irreconcilable ways ? as a transcendental as well as an empirical concept. Much of Habermas's critique is justified and could, indeed, be extended to Foucault's anti?realist relativism, but Habermas's own defence of rationalism is not without difficulties of its own. Thus his notion of knowledge?guiding interests commits him to a form of anti?realism and a transcendental concept of instrumental power which is almost as problematic in its consequences as the anti?realism of Foucault. (shrink)

Our reply to Fabian Freyenhagen’s article “Was ist orthodoxe Kritische Theorie?” (DZPhil 65.3 [2017], 456-469) raises the question whether his proposal that Critical Theory only “be adequately and appropriately critical” without a program of justification spares the search for any general criteria. Answering negatively we conversely want to recall, particularly with regard to Horkheimers’s and Adornos’s Dialectic of Enlightment as well as Habermas‘s concept of an emancipatory interest, that such a criterion as a normative foundation of critique is crucial not (...) only for systematical purposes, but also recognised as necessary in this respect by Adorno, who Freyenhagen wants to play off against programs of justification. Critical Theory needs to be clear in this respect. Against this background we are questioning Freyenhagen‘s recourse to an “interest in abolishing social injustice” as the “only criterion for Critical Theory.” Because Freyenhagen ignores the fact that Critical Theory has been understood by its representatives in a twofold manner – as a theoretical program of justification for one and secondly as a cultural diagnosis – his plea for an orthodox Critical Theory is endangered by decisionism. (shrink)

Eine der frühesten Schriften des jungen Karl Marx — die Dissertationsschrift „Differenz der demokritischen und epikureischen Naturphilosophie“ — legt wichtige Fundamente für das gesamte Marx’sche Denken. In der Dissertationsschrift versucht Marx anhand des Vergleichs der antiken Naturphilosophien Demokrits und Epikurs grundlegende Erkenntnisse der theoretischen und praktischen Philosophie in einem komplexen, von Hegel inspirierten ontologischen System zu verbinden. Aus dieser kritischen Synthese antiker Naturphilosophien entsteht so eine auf Hegelschen Begriffen basierende, aber gleichzeitig reformierte Idee der Praxis. Auf diesen Grundlagen sowie mit (...) Hilfe des über die Kritik an Epikur und Hegel gewonnenen Begriffs der Entfremdung entwickelt Marx den dialektischen Materialismus der Naturphilosophie. Dem inhaltlichen Aufbau der Dissertationsschrift folgend wird in dem Aufsatz die Marx’sche Naturphilosophie diskutiert. Dabei werden die wichtigsten Begriffe des Marx‘schen Denkens, wie etwa Materialismus, Dialektik, Entfremdung oder Einheit von Theorie und Praxis in der Dissertationsschrift von Karl Marx ausgearbeitet. (shrink)

Prior to A Process Model, Gendlin’s theoretical and practical work focused on the interfacing of bodily-felt meaningfulness and symbolization. In A Process Model, Gendlin does something much wider and more philosophically primary. The hermeneutic and pragmatist distinction between the concept of experience, on the one hand, and actual experiential process, on the other, becomes for Gendlin the methodological basis for a radical reconceptualization of the body. Wittgenstein’s formulation of “meaning” as “language-use in situations” is spelled out by Gendlin in embodied (...) terms, yielding a profound new grasp of language, meaning, situation, language-use and culture as interactional body-process. Gendlin, in building his text, answers the pragmatist critique of a wrong progression of thinking where the results of an inquiry are read back to be its premises. With his central concept “eveving” Gendlin shows how the seeming determinacy of preceding structure is opened in the actual occurring. He thereby elaborates a new conception of continuity where the possibility for responsive novelty is emergent in the event itself. The conceptual development of the text itself instances this kind of emergent novelty. We will somewhat follow Gendlin’s own path in using language-in-situations as entry-point into his more fundamental process-thinking, thereby asking ourselves how to engage his new kind of model. In the last part, we introduce some of the philosophical roots of Gendlin’s A Process Model. (shrink)

This article explores Adorno’s negative dialectics as a critical social theory of economic objectivity. It rejects the conventional view that Adorno does not offer a critique of the economic forms of capitalist society. The article holds that negative dialectics is a dialectics of the social world in the form of the economic object, one that is governed by the movement of economic quantities, that is, real economic abstractions. Negative dialectics refuses to accept the constituted economic categories as categories of economic (...) nature. Instead, the article argues, it amounts to a conceptualized social praxis [ begriffene Praxis] of the capitalistically constituted social relations, which manifest themselves in the form of seemingly independent economic categories. Economic nature is a socially constituted nature, which entails the class antagonism in its concept. The article concludes that for negative dialectics the explanation of real economic abstractions lies in the understanding of the class-divided nature of human practice. (shrink)

This article explores critical theory's relations to German idealism by clarifying how Adorno's thought relates to Hegel's. Adorno's apparently mixed responses to Hegel centre on the dialectic and actually form a coherent whole. In his Logic, Hegel outlines the dialectical process by which categories – fundamental forms of thought and reality – necessarily follow one another in three stages: abstraction, dialectic proper, and the speculative . Adorno's allegiance to Hegel's dialectic emerges when he traces the dialectical process whereby enlightenment reverts (...) to myth and human domination over nature reverts into our domination by nature. However, Adorno criticizes Hegel's dialectic as the ultimate form of ‘identity thinking’, subsuming unique, material objects under universal concepts by using dialectical reason to expand those concepts to cover objects utterly. These two responses cohere because Adorno shares Hegel's view that dialectical contradict.. (shrink)

This article compares Max Horkheimer’s and Theodor W. Adorno’s foundation of the Frankfurt Critical Theory with Helmuth Plessner’s foundation of Philosophical Anthropology. While Horkheimer’s and Plessner’s paradigms are mutually incompatible, Adorno’s „negative dialectics“ and Plessner’s „negative anthropology“ (G. Gamm) can be seen as complementing one another. Jürgen Habermas at one point sketched a complementary relationship between his own publicly communicative theory of modern society and Plessner’s philosophy of nature and human expressivity, and though he then came to doubt this, he (...) later reaffirmed it. Faced with the „life power“ in „high capitalism“ (Plessner), the ambitions for a public democracy in a pluralistic society have to be broadened from an argumentative focus (Habermas) to include the human condition and the expressive modes of our experience as essentially embodied persons. The article discusses some possible aspects of this complementarity under the title of a „critical anthropology“ (H. Schnädelbach). (shrink)

Resumen Mi intención es sugerir y abrir un diálogo entre Platón y Adorno, para lo cual he elegido el concepto de mímesis, un concepto que juega un papel central en ambos pensadores tanto gnoseológicamente como estéticamente. Mientras que el término le sirve a Platón para expulsar a los poetas de Kallipolis, más exactamente ciertos tipos de poesía como la tragedia y la comedia, Adorno lo usa para mostrar el lazo entre el arte y la belleza natural, la dimensión somática del (...) conocimiento, y la importancia subversiva de los poetas y los artistas. Para Platón los poetas están tres veces alejados de la verdad y para Adorno, por el contrario, la obra de arte es un vehículo de la verdad. Este diálogo quiere mostrar no sólo la presencia de lo antiguo en lo moderno, sino la valiosa actualidad y la fructífera transformación que puede padecer un concepto antiguo.My purpose is to suggest and open a dialogue between Plato and Adorno, and for this I have chosen the concept of mimesis, a concept that plays a central role in both thinkers both epistemologically and aesthetically. While Plato uses the term in order to expel the poets from Kallipolis, to be more precise certain kinds of poetry such as tragedy and comedy, Adorno uses the term to show the relationship between art and natural beauty, the somatic dimension of knowledge, and the importance subversive poets and artists. For Plato, poets are three times removed from the truth and for Adorno, by contrast, the work of art is a vehicle of truth. This dialogue between an ancient and a modern intends to show not only the presence of the old in the new, but the valuable present and the fruitful transformation that an old concept can have. (shrink)

The conceptualization of human agency is one of the oldest and most debated challenges in political theory. This essay defends the continuous relevance of this endeavour against a proliferating theoretical pessimism. Instead of engaging the much rehearsed structure-agency debate, the author conceptualizes agency in relation to discourses. However, such an approach inevitably elicits suspicion. Is discourse not merely a faddish term, destined to wax and wane with fleeting intellectual trends of the postmodern and poststructural kind? Does the concept of discourse, (...) as many fear, suck us into a nihilistic vortex and deprive us of the stable foundations that are necessary to ground our thoughts and actions? Not so, argues this essay, and defends an anti-essentialist stance as the most viable chance for retaining an adequate understanding of how people situate themselves as agents and influence their socio-political environment. The ensuing analysis, which focuses on everyday forms of resistance, demonstrates how the very acceptance of ambiguity, often misrepresented as relativism, is a crucial precondition not only for the conceptualization of human agency, but also for its actual application in practice. (shrink)

My discussion addresses the differences between analytic and continental philosophy concerning the use of logic and exact reasoning in philosophical practice. These differences are mainly examined in the light of the controversial dominance of Hegel's concept of logic in twentieth-century continental philosophy. The inquiry is developed in two parts. In the first, I indicate some aspects of the analytic -continental divide, pointing to the role that the topic 'logic and philosophy' plays in it. In the second part, I give a (...) short account of the views of logic which are typical of the three main trends of continental philosophy. I also suggest how, with the aid of some typical analytical devices, some continental 'anti-logical' attitudes may be corrected, on their own terms. (shrink)

Th. W. Adorno’s aesthetics represents a comprehensive reflection on a number of important topics in aesthetic research. Among them is the issue of the aesthetic experience generated by the beauty of nature. In the perspective of Adorno’s theory, the experience of natural beauty is described as a quality that forms in an immanent relation to the historical and social reality of humans. In the first place, one can observe the fundamental dependence of natural beauty on the degree of social domination (...) of nature. By failing to reflect on this social mediation, the experience of natural beauty appears to be immediate and creates the deceptive fantasy of the primordial form of nature. At the same time, however, Adorno uncovers a positive potential in the experience of natural beauty – it lies in the ability to transcend a power-based subjectivity that reduces reality to the substrate of the domination. By means of the transcendence of subjectivity, the experience of natural beauty opens up the possibility to perceive and approach reality in the unreduced fullness of its qualities while also anticipating a reconciliation of man with nature in an allegorical way. The aim of my study is to describe the sketched aspects of the experience of natural beauty. (shrink)

La Ilustración suele ser definida como la época del optimismo racional, es decir, de la confianza en la razón como motor del progreso humano. Sin embargo, dicho diagnóstico se ha convertido en estigma y ha llevado algunos autores a afirmar que la idea de progreso es un exceso metafísico y que la confianza en la razón es una ingenuidad. En contra de esta interpretación usual presento con Kant la idea de progreso como un postulado de la razón práctica con una (...) función terapéutica, es decir, la filosofía de la historia es una narración causal-diagnóstica con fines antidepresivos en contra de la desmoralización del hombre. (shrink)

The paper addresses the methodological tensions between Husserl’s phenomenology and history by reinterpreting the Addendum III of the Krisis-work in view of genetic phenomenology. Thus, the paper starts out by retracing the traditional criticism against the unhistorical character of Husserl’s phenomenology as voiced by Heidegger, Adorno and others. Afterwards, it moves on to analyse the troubled relationship between static and genetic phenomenology, on the one hand, and between genetic phenomenology and empirical genesis, on the other hand. Finally, it arrives at (...) a step by step methodological reconstruction of Husserl’s considerations on the “origin of geometry”, which are regarded to be an application of the methods of genetic phenomenology to the field of history. (shrink)

In this article I argue that Adorno makes an internal critique of instrumental reason. I depict Adorno's notion of instrumental reason by showing how he combines Freud's materialistic epistemology with his own German Idealist inheritance. I outline his argument for the decline of instrumental reason into mythic 'animism'. Key Words: Adorno • animism • enlightenment • Freud • instrumental reason • myth.

Adorno’s intensive criticism of phenomenology is well known, his entire early period during the 1920s and 1930s being marked by various polemical engagements with Husserl. This engagement finds its peak during his work at his second dissertation project in Oxford, a dissertation that was supposed to systematicaly expose the antinomies of phenomenological thinking while particularly focusing on Husserl’s concept of “eidetic intuition” or “intuition of essences”. The present paper will take this criticism as its starting point in focusing on two (...) highly specific aspects of Adorno’s interpretation: the opposition between eidetic intuition and the traditional theories of abstraction and its relationship to genetic phenomenology. In light of this criticism I subsequently show: 1. that, in his later work, Adorno’s understanding of eidetic intuition undergoes a significant revaluation; 2. that he reappropriates key elements of the eidetic method in his own procedure of physiognomic analysis, and 3. that his account of physiognomics is relevant for addressing the aforementioned incongruities of phenomenological eidetics itself. (shrink)

I argue that the reflections on language in Adorno and Heidegger have their common root in a modernist problematic that dissected experience into ordinary experience, and transfiguring experiences that are beyond the capacity for expression of our language. I argue that Adorno’s solution to this problem is the more resolutely “modernist” one, in that Adorno is more rigorous about preserving the distinction between what can be said, and what strives for expression in language. After outlining the definitive statement of this (...) problematic in Nietzsche’s early epistemological writings, I outline Heidegger’s solution and subsequently Adorno’s critique of Heidegger. Finally, I argue that situating Adorno within the modernist problem of language and expression is crucial for making sense of his philosophy as a form of critical theory. (shrink)

This paper investigates the compatibility of Hegel’s analyses of the mechanization of work in industrial society with Hegel’s notion of freedom as rational self-determination. Work as such is for Hegel a crucial moment on the way to a more complete realization of human freedom, but, as I maintain with Adorno, the technological developments of the last two centuries raise the question of whether the nature of work itself has changed since the industrial revolution. In his Jena lectures, Hegel recognized significant (...) problems that the mechanization of work poses for human freedom that—on my assessment—his later, mature thought does not sufficiently address. One finds, however, a more comprehensive depiction of the same worries that Hegel mentioned in his Jena lectures in Adorno’s critique of the dominant forms of labor in contemporary society and his understanding of technological rationality, which according to Adorno, dominates the contemporary world. I suggest, furthermore, that juxtaposing Hegel’s and Adorno’s thoughts on technology and the mechanization of work reveals Adorno’s philosophy of technology to be an extension, rather than a critique, of the spirit of Hegel’s own philosophical project as immanent critique of the necessary entailments of any given concept. (shrink)

La crítica del sujeto moral realizada por Adorno resulta clave para comprender su proyecto filosófico. Por un lado, permite reconstruir los momentos esenciales de su crítica a la filosofía del sujeto. Pero la crítica moral también ofrece la posibilidad de realizar una indagación más formal de su obra, dado que la misma figura como uno de los objetos privilegiados de la Dialéctica Negativa. De este modo, al revisar su crítica moral uno tiene la oportunidad de plantear la difícil pregunta por (...) la forma de esa filosofía que se presenta a sí misma como una dialéctica que exacerba la negatividad del pensamiento. (shrink)

"Raymond Geuss is a major voice in contemporary philosophy, and this book will enhance his stature even further. Containing some of his best pieces so far, "Outside Ethics" reveals his impressive range as well as the depth of his thought.

Adorno's conception of conceptually articulated experience can be defended and made fruitful for a critical philosophy after the so-called linguistic turn. The aim is both to answer the criticisms raised by Jürgen Habermas and others that Adorno's philosophy remains bound by the premises of a subject-centred philosophy, and to criticize social-pragmatism from the vantage-point of Adorno's philosophy of language. It is shown that Adorno is committed to a picture of experience very much in line with the recent views of John (...) McDowell, which extends the space of reasons beyond the space of concepts. Further, it is shown that non-inferential justification can be combined with an expressivist picture of judgment. Finally, it is argued that what is called the extended space of reasons is ultimately social; that representation, the aboutness of thought, serves expressive roles in a socially articulated space of reason-giving. The advantage of Adorno's position vis-à-vis a one-sided social-pragmatism consists in his defence of what is called subjective-material proprieties of judgment. Adorno's idea that the extended space of reasons implies the acknowledgement of what he refers to as the non-identical within conceptually articulated experience is thus reconstructed and defended. Such non-identity, it is claimed, is exhibited in successful art-works which thereby ought to be counted as forms of reasoning. On this basis, Adorno's philosophy acquires critical and normative significance after the linguistic turn. (shrink)

El presente capítulo tiene como pretensión tanto ilustrar los momentos primordiales del apartado sobre administración de justicia al interior de los Lineamientos de la Filosofía del derecho, como exponer algunos elementos conflictivos en su comprensión. Este capítulo se separa en tres momentos: i) tematiza la tarea de la administración de justicia como salvaguardia del derecho; ii) caracteriza la cohesión narrativa de la administración de justicia al interior de la sociedad civil y su tensión con el concepto de Estado y, finalmente, (...) iii) la problemática de la personalización al interior del sistema de leyes y la interpelación de Marx. La hipótesis que aparece, entonces, es que Hegel intenta probar la necesidad de la codificación del derecho en virtud la defensa de la libertad personal y de la propiedad, pero la cual solo es posible mediante el poder o violencia judicial. (shrink)

ZusammenfassungDie gegenwärtige Debatte um die normativen Grundlagen kritischer Gesellschaftstheorie weist eine große Bandbreite ethischer Positionen auf: vom ethischen Negativismus, der gänzlich auf einen positiven Kritik-Maßstab verzichtet, über Entfremdungs- und Resonanztheorien, die zumindest eine grobe Vorstellung des guten Lebens vermitteln wollen, bis hin zu deontologischen Ansätzen, die Gesellschaftskritik in intelligibler Freiheit begründet sehen. Der folgende Beitrag zeigt, dass diese drei Grundpositionen sich mit Problemen konfrontiert sehen, die der hegelsche Freiheitsbegriff zu lösen vermag.

I argue that scientific and poetic modes of objectivity are perspectival duals: 'views' from and onto basic natural forces, respectively. I ground this analysis in a general account of objectivity, not in terms of either 'universal' or 'inter-subjective' validity, but as receptivity to basic features of reality. Contra traditionalists, bare truth, factual knowledge, and universally valid representation are not inherently valuable. But modern critics who focus primarily on the self-expressive aspect of science are also wrong to claim that our knowledge (...) is or should be ultimately mediated by ourselves. In objective science, we represent nature as a field of phenomena determined by and within explanatorily-basic physical structures that encode the causal impact of elemental physical forces. These causally-basic forces hence ground the possibility of objective scientific theory, even though (I argue) they are systematically excluded from its representational contents. I show how my notions of force and field emerge partly through my effort to naturalize concepts of 'God' and 'Laws' in 17th-century natural philosophy. In science, we use the structure of basic forces' impact to see corresponding objects. We do not see these forces themselves—and this relates to the 'transcendence' of 'God'. I supplement this historical analysis by critiquing standard accounts of objectivity, and by synthesizing elements from neo-Kantian epistemology and current 'structural' realism into a view that I call 'dynamic structuralism'. Finally, I argue that physics systematically relies on passive characterizations of phenomena like inertia and impressed force. Dynamic alternatives that are just as empirically adequate are possible, but they are non-scientific. Poetic objectivity involves a direct presentation of nature as an order of interacting forces. I elaborate first by developing a novel theory of the relation between beauty and sublimity, mediated by a basic category of 'sensory force' (e.g. a 'singing' tone in a beautiful melody). I then describe the interaction between sensory and affective dimensions of aesthetic experience, in relation to an original historical analysis of passion and 'disinterestedness' in Kant, Schiller and Nietzsche. I synthesize these lines of analysis into a critique of the role of 'expression' in art. I also resist 'spectator'-centric aesthetics, in this connection, by developing an account of artistic objectivity in dialogue with Ruskin's critique of the 'pathetic fallacy'. I contrast artistic objectivity with Romantic ideals of self-expression, while elaborating its positive relation to certain currents within Victorian and Modernist aesthetics, including Imagists' stress on 'exteriority'. My project creatively extends Nietzsche's view that philosophical and scientific theories are 'perspectival' expressions of theorists' drives. It is a virtue of Nietzsche's account that he takes the outlet of strong human drives in creative acts of theorizing to be just one among many higher modes of 'will to power' in nature—many of which are totally impersonal. But Nietzsche is still too focused on self-expression or willing one's own power. Objective science involves external forces' 'expression' in and through us, not just 'expressing' our own powers. And Nietzsche's vitalistic 'will to power' must be replaced by a basic ontology that better accommodates inorganic phenomena, like the 'lawful' order of celestial motions. Thus I aim to de-anthropomorphize and 'de-organicize' post-Kantian notions of willful striving and organic development, while preserving for force the primary ontological and evaluative status that theorists from Schiller and Goethe to Schelling and Schlegel to Emerson and Nietzsche attributed to will or to life. (shrink)

This article seeks to enrich the social-theoretical and sociological approach to climate change by arguing in favour of a weak naturalistic ontology beyond the usually presupposed methodological sociologism or culturalism. Accordingly, attention is drawn to the elementary social forms that mediate between nature and the sociocultural form of life and thus figure as the central object of a critical sociological explanation of impediments retarding or preventing a transition to a sustainable global society. The argument is illustrated by a comparison of (...) the current situation of climate change to a similar situation some 10,000 years ago which conditioned the transition from hunting-gathering to farming. The crucial factor in the prehistoric transition had been the newly acquired cognitive fluidity, which not only became the defining feature of the modern human mind, but is also foundational of the corresponding social form of life. The cognitively fluid mind made possible new generative practices and the imagination of counterfactuals possessing an incursive force that is capable of transforming existing practices and social structures. The ultimate question, then, is twofold: whether there is enough potential left in the cognitively fluid mind for its societal significance to be activated to the benefit of a transformation of the current recalcitrant social formation; and whether we today are able and willing to recognize such potential and corresponding realizable possibilities upon which to act. (shrink)

This paper explores the relationship between Adorno and Schelling. It argues that Adorno resorted to Schellingian motifs to counteract the influence of Hegelian thought. In defending this thesis, I examine the various stages in the development of Adorno’s thought, beginning with two texts from the 1930s and concluding with Negative Dialectics and ‘Skoteinos’. This allows us to see that Adorno’s concern to discover a way of thinking that is capable of doing justice to the ‘non-identical’ was present throughout his philosophical (...) career. (shrink)

Resumen: Los trabajos abordan, desde diferentes perspectivas a la categoría de sujeto como una categoría crucial del pensamiento contemporáneo. El ámbito de preocupaciones es amplio: la perspectiva del filósofo norteamericano S Cavell quien hace una originalísima recepción de la herencia de Austin y Wittgenstein; la perspectiva fenomenológica de Sartre en diálogo y conflicto con la del psicoanálisis lacaniano y las reconceptualizaciones de la ideología realizadas por Louis Althusser; la constitución del sujeto en tensión entre la sujeción al poder y las (...) posibilidadesde resistencia según la perspectiva de Judith Butler; una relectura de la implicación de estructura y sujeto en la perspectiva estructural abierta por Saussure y continuada por Lévi-Strauss, Benveniste y Lacan, tema que recibe un tratamiento circunscripto al pensamiento del argentino Ernesto Laclau, en el que se distinguen distintas etapas; las implicaciones que los eventos fundamentales de la historia del siglo XX acarrean para una conceptualización de la subjetividad en la perspectiva de Theodor Adorno y las limitaciones que la conceptualización de la obra de arte como juego en la obra de Gadamer impone a la concepción moderna de la subjetividad. -/- Índice: Presentación del compilador La crítica de Heidegger a la noción de sujeto: un análisis a partir de la incidencia de su reflexión sobre la técnica y el lenguaje, Luciana Carrera Aizpitarte El juego como auto-representación y modo de ser de la obra de arte en la estética hermenéutica de Gadamer, Paola Belén El yo sobre la línea de ficción: análisis de las concepciones de Sartre y Lacan, Luisina Bolla El poder y el sujeto. Sujeción, norma y resistencia en Judith Butler, Matías Abeijón Theodor W. Adorno: la crítica al sujeto después de Auschwitz, Gustavo Robles Estructura, discurso y subjetividad, Pedro Karczmarczyk Transformaciones, rupturas y continuidades entre la perspectiva de Ernesto Laclau y la tradición (post)estructuralista, Hernán Fair La recuperación del sujeto: escepticismo, autoconocimiento y escritura en S. Cavell, Guadalupe Reinoso . (shrink)

In this paper, the relations between science and technology, intervention and representation, the natural and the artificial are analysed on the background of the formation of modern science in the sixteenth century. Due to the fact that technique has been essential for modern science from its early beginning, modern science is characterised by a hybridisation of knowledge and intervention. The manipulation of nature in order to measure its properties has steadily increased until artificial things have been produced, such as laser (...) beams, chemical compounds, elementary particles. Furthermore, the structural bracing of natural science, technological development, and industrial exploitation of nature go also back to the foundation of modern science. In order to strengthen the debate on technoscience against this background, the specific characteristics of technoscientific objects have to be clarified as have the specific characteristics of the social organisation of technoscience and its performance. (shrink)

I argue in this paper that a recovery of the cognitive role of the experiencing subject is the common theme uniting Theodor Adorno's philosophy and Marcel Proust's literary project. This shared commitment is evidenced by the importance given by both thinkers to the expressive dimension of language in relation to its social function as a vehicle for communication. Furthermore, I argue that Adorno and Proust conceive of language's expressive dimension as the expression of suffering. However, whereas, for Proust, this means (...) the private suffering of the artist transforming itself into a work of art, for Adorno it means suffering that is rooted in sociohistorical conditions. It is this thesis, I suggest, that enables Adorno to employ the recovery of the experiencing subject as a form of social criticism. (shrink)

Philosophy and Structure. On why it is necessary for hermeneutic philosophy to make use of structural theory. In this essay I give reasons for the thesis that hermeneutic philosophy has to adopt considerations on structural theory in order to avoid the paradox of historism. Concepts of structure like 'criticism', 'centralism', 'creativity' etc. possess both a metaphilosophical and an empirical status which enables us to compare and to combine differend and opposed philosophies by means of common structures. Such an hermeneutic reflection (...) on philosophical structures requires the methodical work of fiction and selection. Otherwise relativism concerning the evaluation of philosophical traditions would be the result. (shrink)