I explore two views about the relationship between spatial experience and spatial reality: spatial functionalism and spatial presentationalism. Roughly, spatial functionalism claims that the instantiated spatial properties are those playing a certain causal role in producing spatial experience while spatial presentationalism claims that the instantiated spatial properties include those presented in spatial experience. I argue that each view, in its own way, leads to an ontologically inflationary form of primitivism: whereas spatial functionalism leads to primitivism about phenomenal representation, spatial presentationalism (...) leads to primitivism about spatial properties. I conclude by discussing how to adjudicate between spatial functionalism and spatial presentationalism. (shrink)

This entry outlines relationalism, primitivism, and eliminativism about color and considers objections to each theory.

We motivate five constraints on theorizing about sensory experience. We then propose a novel form of naturalistic intentionalism that succeeds where other theories fail by satisfying all of these constraints. On the proposed theory, which we call structure matching tracking intentionalism, brains states track determinables. Internal structural features of those states select determinates of those determinables for presentation in experience. We argue that this theory is distinctively well-positioned to both explain internal-phenomenal structural correlations and accord external features a role in (...) fixing phenomenology. In addition, we use the theory to shed light on how one comes to experience “missing shades”. (shrink)

What is colour vision for? In the popular imagination colour vision is for “seeing the colours” — adding hue to the achromatic world of shape, depth and motion. On this view colour vision plays little more than an ornamental role, lending glamour to an otherwise monochrome world. This idea has guided much theorising about colour within vision science and philosophy. However, we argue that a broader approach is needed. Recent research in the psychology of colour demonstrates that colour vision is (...) integral to a variety of visual processes, helping us to perform many types of visual tasks. We discuss some of this research and consider its implications for philosophical theories of colour. (shrink)

Externalism about colour phenomenology claims that the phenomenal character of colour experiences is determined by mind-independent properties of perceptual objects. The structural mismatch argument shows that physical properties of perceived mind-independent things are not similar in ways that correlate with the ways in which the phenomenal character of colour experiences are similar. Structural mismatch has thus been perceived by some to demonstrate that correlative externalism (which takes mind-independent physical properties to correlate systematically with colour phenomenology) is false. This argument is (...) defused if there are broad physical properties that can bear similarity relations that do correlate with those held by the phenomenal character of colour experiences. I defend the view that disjunctive properties can perform this role by showing that disjunctive properties can account for metamerism, the unique and binary hue distinction, and differences in perceived colours between subjects. Finally, I argue that correlative externalism is better placed than other views to explain why the physical properties identified by the physical sciences correlate with colour experiences with the particular phenomenal character they have. (shrink)

Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...) are so significant in their own right, makes more pressing the philosophical problems of fitting them into more general metaphysical and epistemological frameworks. (shrink)