Hannah Arendt’s concept of freedom is exceptional in contemporary political theory. First, it is positive, which puts it into opposition to the both current versions of its negative counterpart, the liberal, and the republican concepts of freedom. In particular, a comparison between Arendt’s and Pettit’s approaches allows establishing some striking points of antagonistic logical mirroring. Based on this, the notion of “schools of thought” is introduced, which plays an essential role in the subsequent discussion of Arendtian realism. Second, although Arendt’s (...) theory of freedom shares features that are common to the major continental thinkers, like Martin Heidegger, Gilles Deleuze, or Alain Badiou, her solution to the problem of freedom aligns her closer to the liberals. Third, I argue that one should consider this logical irregularity as evidence in favor of her political realism, rather than a trivial inconsistency. This realism is the genuinely exceptional part of her legacy, which may guide us eventually, with modifications applied, to a paradigm shift in the current political philosophy. Finally, I present an evaluation of her solution to the problem of freedom, and a brief follow-up to some seemingly-out-of-place Arendtian notions, such as “excellence” and “elite.” Although in the final analysis, her solution seems to be artificial, it opens up a new promising area of research related to the notion of “benevolent excellence.”. (shrink)

:This preface offers a playful and insightful introduction to the thought of Vinciane Despret from her colleague and collaborator. Despret's philosophical approach builds from the virtue of politeness, which allows animals – concrete, individual animals – to be interesting. Part appraisal, part speculative narrative, this preface looks at the curious practices of Despret as she works with, and thinks from, animals.

Recent debates in political theory display a renewed interest in the problem of judgment. This article critically examines the different senses of judgment that are at play in Jürgen Habermas’ theory of law. The article offers a new critical reading of Habermas’ account of the legitimacy of law, and a revisionary interpretation of the reconstructive approach to political theory that underpins it. Both of these are instrumental to an understanding of what is involved in judging the legitimacy of law that (...) is richer than has been recognized thus far by both critics and defenders of Habermas. (shrink)

language-theoretic attempt to ground a post-liberal theory of democracy on Kant's intuitions concerning subjective autonomy is flawed because it leaves unexamined the internally contradictory experiential content of the Cartesian subject's experience of self. This case is made through reference to aspects of Habermas’ reconstructions of Kant and Mead; iek's criticisms of Kant, Heidegger and Habermas; and Honneth's idea that autonomy, for the post-Cartesian self, involves the ability of the subject to come to terms with the experience of negativity. The article (...) concludes by arguing that a post-liberal account of democracy needs to leave behind the Kantian notion of autonomous subjectivity and base itself on a fundamentally different, post-individualist understanding of the self. Key Words: autonomy • critical theory • democratic theory • Jürgen Habermas • Axel Honneth • subjectivity • Slavojiek. (shrink)

In the literature on Hannah Arendt’s Lectures on Kant’s Political Philosophy, two sorts of claim have been made by different interpreters. First, there is Beiner’s observation that there is a shift in Arendt’s thoughts on judgment, which has led to the idea that Arendt develops two distinct theories of judgment. The second sort of claim concerns Arendt’s use of Kant’s transcendental principles. At its core, it has led to the critique that Arendt detranscendentalizes — or empiricalizes — Kant, by linking (...) Kant’s judgments of taste to an empirical sociability. In this article, I argue against both of these claims. Early fragments of Arendt’s on judgment make clear that she develops only one theory of judgment. It is only that it is not until later in her life that she fully elaborates it. Nor does Arendt confuse Kant’s idea of enlarged thinking with an actual dialogue with others. In fact, Arendt introduces an interesting interdependence between judgment and speech, or communication. I develop my argument by first outlining the problems Arendt hoped to resolve via judgment. Through my reading of the Lectures on Kant’s Political Philosophy, I show how Arendt interprets Kant’s Critique of Judgment not as his theory of aesthetic judgments, but as an answer to the more general question ‘How do I judge?’ I also clarify the difference Arendt draws between common sense and community sense. With community sense, Arendt uncovers a foundation not only for men as political beings but also for the idea of humanity. This finding is often overlooked in the literature. I conclude with another Arendtian distinction that is often overlooked, that between spectators and the solitary philosopher. (shrink)

At stake for this essay is the distinction between politics and war and the extent to which politics can survive war. Gender analysis reveals how high these stakes are by revealing the complexity of militarism. It also reveals the impossibility of gender identity as foundation for a more robust politics with respect to war. Instead, a non-ideal normative differentiation among kinds of violence is affirmed as that which politically cannot not be wanted.

This paper is an exploration of the role of conscience in the justification of human rights. I argue that in both the western tradition of natural rights and the non-western traditions, human rights are justified, in part, because of their appeal to conscience, and not simply because they issue from a divine source or are based on reason. In contrast, contemporary justifications of human rights primarily look for an objective foundation or simply assert the pragmatic importance of human rights as (...) their justification. While there are distinct advantages to this way of arguing, there are also problems, which I will discuss. As an alternative, I outline Arendt's understanding of conscience as the ability to be with and think with one's self as a secular alternative to both a non-secular version of conscience, and the denial of conscience implicit in contemporary theories. Her view of political judgment helps us to understand how conscience can be understood as subjective but not arbitrary. This paper brings Arendt's insights on conscience and judgment to bear on contemporary discourses of human rights. (shrink)

For Hannah Arendt, spontaneous, ‘initiatory’ human action and interaction are suppressed by the normalizing pressures of society once ‘life’ - that is, sheer life - becomes the primary concern of politics, as it does, she finds, in the modern age. Arendt’s concept of the social is indebted to Martin Heidegger’s analysis of everyday Dasein in Being and Time , and contemporary political philosophers inspired by Heidegger, such as Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Giorgio Agamben, tend to reproduce her account of (...) the withdrawal of the political in modernity. In this article, I complicate Arendt’s theory by turning to Michel Foucault’s parallel but diverging understanding of the nature of power in modern society to show, surprisingly, that Foucault’s narrative of the emergence of modern power pictures a society that is more, not less, politicized. Key Words: Hannah Arendt • bio-power • Michel Foucault • Philippe Lacoue-Labarthe • modernity • Jean-Luc Nancy • pastoral power • the social • rulership. (shrink)

Are we really sure to correctly know what do we feel in front ofan artwork and to correctly verbalize it? How do we know what weappreciate and why we appreciate it? This paper deals with the problem ofintrospective opacity in aesthetics (that is, the unreliability of self-knowledge) in the light of traditional philosophical issues, but also of recentpsychological insights, according to which there are many instances ofmisleading intuition about one’s own mental processes, affective states orpreferences. Usually, it is assumed that (...) aesthetic statements are intuitivelyclear and self-evident. However, a long tradition in psychological researchhas called the idea of introspective transparency and the infallibility of self-knowledge into question (Wilson 2002). This topic has only recently beenrecognized as an interesting problem in aesthetics (Melchionne 2011, Irvin2014). In this paper I will discuss the main shortcomings in introspective self-knowledge, mostly referring to psychological findings. As a consequence, thedevelopment of a folk psychological account of aesthetic experience could beneeded, investigating how people develop intuitive and naïve theories abouttheir aesthetic reactions, taste, and feelings, distinct from a more objectiveand empirically grounded account of how judgment and preferences areactually formed in ourselves, even on a neurobiological level. However, itwill also be argued that bypassing the individual judgment and his expressedchoices in favor of allegedly more objective levels of description would notbe an innocent step to take. (shrink)

Kant’s cosmopolitanism can be read from two main perspectives: temporal and spatial. Reading cosmopolitanism from a temporal perspective means paying attention to the historical realization of the ideal of cosmopolitanism and to its related issues such as: the progress of humankind, its final destination, the purpose of universal history, the highest purpose of nature. Instead, reading cosmopolitanism from a spatial perspective means paying attention, e.g. to the ‘fact’ of the sphericity of the earth and to its relationship with cosmopolitan right, (...) territoriality, borders and freedom of movement. In this paper I would like to show how adopting a spatial perspective is useful not only in order to delimit a field of inquiry, but also to shed new light on apparently well-known and thoroughly investigated notions of Kant’s cosmopolitanism, such as the notions of the citizen of the world, of the cosmopolitan right, and of the World republic. (shrink)

The paper intends to initiate a discussion on the politico-liberal concept of judgment. It is argued that whilst political liberalism (PL) – presented as an account of political objectivity – already appeals to judgment, this conception is an unsatisfactory one. This critical assessment is supported by the juxtaposition of PL with an Arendtian understanding of political objectivity which offers a more robust account of judgment. In the conclusion, the possibility of applying the Arendtian solution to PL is outlined.

The aim of this article is to argue that the principle of “publicity” constitutes a fundamental idea in Kant’s political thought. Publicity provides a central insight that binds together various strands of Kant’s political writings (on issues as diverse as the question of Enlightenment, the right of revolution, historical teleology, reflective judgment, cosmopolitan citizenship, democratic peace, and republican government), and moreover, it offers a much-needed cornerstone for a systematic exposition of his nonexistent political philosophy. Apart from some eminent examples, publicity (...) has been a rather neglected topic in the ever-expanding literature on Kant’s political ideas. Revisiting this notion will make us more attentive to his evocation of the “spirit of republicanism” over and above the letter of the law, and might prompt us to reconsider Kant’s reputation as a classical representative of liberal political thought. Indeed, it should inspire us to situate Kant’s appeal for the “public use of reason” in the vicinity of the republican ideal of political liberty. (shrink)

El objetivo de este ensayo es mostrar que la tesis del silencio total como vía de acción contra el terrorismo mediático es compatible con el principio de publicidad kantiano, aspecto que le otorga legitimidad moral y política. La tesis del silencio total señala que el terrorismo y los medios de comunicación tienen una relación de dependencia, por tanto, si suponemos que la finalidad del terrorismo es causar y difundir miedo entre la población para obtener ciertas demandas, negarles la publicidad a (...) sus actos implicaría coartar tal finalidad. De primera instancia, el principio de publicidad kantiano podría interpretarse como incompatible con la vía del silencio total dado que esta última implica secrecía para llevarse a cabo, esto es, privar completamente de información “valiosa” a los ciudadanos acerca de los actos terroristas. En contra de esta postura pretendo demostrar que la tesis del silencio total y el principio de publicidad kantiano son compatibles y, por ello, esta tesis puede considerarse una vía de acción legítima y efectiva por parte de los medios y la ciudadanía contra el terrorismo. (shrink)

Theorists of affect and radical democracy have largely overlooked the importance of intentionally cultivating affective dynamics in the process of changing institutions. We address that lack by introducing the concept of musical groove as an intercorporeal feel for improvisational co-creation. Groove in a political context involves specific practices of modulating dynamics, receptivity, and affects in relationship to specific contexts, people, and practices to powerful effect. We explore how early democratic movements during the American Revolution sought to craft institutional forms capacious (...) enough for such democratic groove despite the fact that key intellectual leaders of the time, such as the Federalists and Benjamin Rush, feared the power of intercorporeal affective flows of democratic enthusiasm and popular improvisation. We read Rush’s critique and his efforts to diminish and control these emergences by harmonizing them in the order as a “negative image” of a radical democratic alternative that would foster improvisation and build enthusiasm for catalysing change today. We discuss how improvisation can, as Pierre Bourdieu perceived, simply function to reproduce the limits of a given socio-political game, which is deeply embedded within us as a “feel for the game” or set of affective dispositions. However, we turn Bourdieu’s own critique against itself to find openings for a habitus of political groove and democratic improvisation that he considered foreclosed. We conclude by fleshing out these insights in relation to affective dynamics among political organizing practices and modest institutional changes during a period of rich local transformation in which we participated in Durham, North Carolina. (shrink)

Max Weber famously diagnosed both an excess and a subordination of meaning in modernity when he coined the term disenchantment next to the fragmentation and irreconcilability of value spheres. Unlike Weber, however, who sought to keep the ideological and the rationalist sides of the modern divide together, his immediate followers capitalized either on his decisionism (i.e. Carl Schmitt) or on his universalism (i.e. Jürgen Habermas). In an attempt to develop a constructive perspective on the question of how we can conceive (...) of irreconcilable values within a larger normative horizon, this article introduces Karl Jaspers’s interpretation and refinement of Weber’s work. Most fundamentally, Jaspers’s existentialist philosophy of communication sought to turn Weber’s warring gods into a source of solidarity rather than divisiveness. I argue that Jaspers did so in rooting human freedom not in the decision or the law but in an experiential uncertainty and the knowledge not to know. The article closes with a discussion of some practical and theoretical implications of Jaspers’s thought for our understanding of diversity in unity in post-truth times. (shrink)

ABSTRACTThe article contributes to current theoretical debates about the political significance of narrative imagination by drawing on Camus’s and Arendt’s existential aesthetic judging sensibility. It seeks to displace the prevalent tendency to probe literature for its moral-philosophical insights, and instead delves into the experiential reality of our engagement with literary works. It starts from Martha Nussbaum’s recognition of the literary ability to account for the fragility of human affairs, yet finds her reduction of narrative imagination to the role of furthering (...) moral lessons wanting politically. Against this background, the article reclaims Camus’s and Arendt’s dialogical-representative judging orientation and its insight into the narrative ability to respond to the intersubjective character of politics. As such, their aesthetic sensibility reveals the potential political significance of literary imagination in its capacity to open a public space where the contradictions of our situated existence can be confronted through politics between plural equals. (shrink)

Political action is unpredictable because it unfolds among a plurality of independent actors. This unpredictability generates a fundamental puzzle: If an actor cannot know where her initiative will lead, what motivates and guides her in her doings? The aim of this paper is to develop and defend the solution to the puzzle that we can find in the thought of Hannah Arendt, namely the idea that political action is – or should be – motivated and guided by principles, principles like (...) justice, equality, or honour. Such principles must be distinguished from goals because they do not designate a specific state of affairs, but are general ideas that allow for diverse implementations. I show that this distinction is of great practical importance for the actors involved, since their outlook and their attitude towards others will differ depending on whether they see their activity as aimed at a goal or as guided by a principle. (shrink)

Las ciencias sociales, desde sus orígenes, consideraron sencillo explicar sucesos relevantes y, en general, todas las manifestaciones de la vida humana, a través de un discurso que tenía como meta la reducción del significado de las acciones sociales a explicaciones nomológicas que se asumieron como verdades absolutas. Sostengo que este paradigma epistemológico fue asumido por las ciencias sociales como si el conocimiento de los hechos del pasado y del presente no fuese más que el resultado de explananda, inferidos de la (...) corroboración o ‘falsación’ de explanans, en conformidad con la aplicación de métodos inductivos e, incluso, deductivos. El objetivo de este trabajo es proponer, siguiendo a Hannah Arendt, que la tarea del teórico social no consiste en intentar someter a prueba, a través del “método científico”, sus hipótesis, sino que debe hurgar y analizar aquellos hechos que se presumen que son relevantes para las experiencias humanas concretas, acudiendo a la hermenéutica; un enfoque que vislumbro como más apropiado si lo que se desea es determinar la verdad relativa de los resultados de las actividades, instituciones y manifestaciones sociales, dentro del contexto histórico-político en el cual se insertan. (shrink)

In this article I compare and contrast Hannah Arendt’s and Stanley Cavell’s understandings of critique, focusing in each case upon the role played in it by skepticism. Both writers are decisively influenced by the later Heidegger’s thought that thinking as such is, first, the necessary turn to a practice adequate to our situation and, second, something that we shun. They also share the desire to take up this Heideggerian thought in Kantian terms: what is at stake is critical thinking. It (...) is here, however, that they part ways, with Arendt insisting that critique is as incompatible with skepticism as it is with dogmatism, and Cavell insisting that skepticism is the central moment within critique. Arendt’s attempt to ban skepticism from critique forces her into the contradictory position of at once denying and affirming the role of dogma in critical thinking. Cavell, in contrast, is able to shed light consistently upon the question of how citizens might best respond to the new – a task, ironically, that is a... (shrink)

Se sostiene que los juicios reflexivos suponen un sujeto actuante que se determina por sus funciones discursivas. Para demostrar que hay un sujeto discursivo o narrativo en Arendt es preciso referir a las siguientes cuestiones. En primer lugar, hay una relación directa entre el sujeto político y su espacio de aparición o grado de publicidad. En este sentido, el sujeto no es cualquier sujeto. Es más bien el que tiene la posibilidad u oportunidad de aparecer frente a otros. Esta experiencia (...) conduce a pensar la acción humana en determinada dirección. El juicio reflexivo opera sobre un caso particular que hace posible la aparición del sujeto discursivo orientando la acción. En segundo lugar, el propósito de este análisis consiste en averiguar si es posible o legítimo pensar al discurso como recurso estrictamente narrativo y, en este sentido, indagar sobre la posición de Arendt al respecto: ¿se pueden pensar los juicios reflexivos a partir de lo narrado? Esta pregunta conduce a la conclusión del presente trabajo puesto que la posibilidad de pensar lo narrado a partir de los juicios reflexivos supone un sujeto específico con determinadas características previas que habilitan las categorías de lo visible, invisible, apariencia y realidad. The paper argues that reflective judgments presuppose an agent determined by discursive functions. In order to demonstrate that there is a discursive or narrative subject in Arendt, the following issues are dealt with. First of all, that there is a direct relation between the political subject and its space of emergence or degree of publicity. In this sense, the subject is not just any subject, but rather one who has the possibility of appearing before others. This experience makes it possible to think of human action in a certain way. Reflective judgments operate on particular cases that enable the emergence of a discursive subject that orients action. Secondly, the purpose of this analysis is to find out whether it is possible or legitimate to think discourse as a strictly narrative resource, and to inquire into Arendt's position in this respect: is it possible to think about reflective judgments on the basis of that which is narrated? This question leads to our conclusion, since the possibility of thinking about that which is narrated on the basis of reflective judgments presupposes a specific subject with certain prior characteristics that enable the categories of the visible, of the invisible, and of appearance and reality. (shrink)

Carl Schmitt's critique of liberal pluralism (of individuals and associations) was conducted in the name of a different pluralism, a truer pluralism, according to him, namely, the pluralism of equal and sovereign nation-states. His friend/enemy distinction dictates that conflict is the only legitimate model for politics, at least on the international level. By translating Schmitt's theory of politics as conflict into terms derived from the work of Lyotard and Luhmann, this article asks whether Schmitt's concept of the political has any (...) relevance for the contemporary world, especially considering that the liberal pluralism of associations (or social systems) seems to have carried the day. Such a transposition requires that the modern, horizontal structure of operationally closed (but internally bifurcated) social systems be thought of as sovereign states fiercely fighting to maintain their autonomy. Thus, the common battle fought by the anti-modernist, Schmitt, the ultra-modernist, Luhmann, and the post-modernist, Lyotard, is the one against de-differentiation and the expansion of a universalist morality and economy. (shrink)

El ensayo estudia dos fuentes de tensión en la idea kantiana de sociedad: por un lado, la tensión configurada por las conexiones y diferencias entre la moral y la política; y, por otro, las tensiones entre dos relatos o líneas argumentales que dominan los textos kantianos, los relatos trascendental y teleológico. La propuesta del ensayo es que tales tensiones pueden atenuarse con un sesgo particular, esto es, enfatizando el relato trascendental y la tesis de la primacía de la moral, frente (...) al relato teleológico y la tesis de la independencia de la política respecto de la moral. (shrink)

Commentaries on Eichmann in Jerusalem are of two kinds. The first confronts the historical relevance of Arendt's `report' and attempts to ascertain whether her ironical presentation of Eichmann's trial matches reality, namely, the incommensurable suffering of the Jewish people. The second focuses on the meaning of her expression `the banality of evil', and places Arendt in a long tradition of moral and political philosophy concerned with the problem of evil and, accordingly, of judging evil. The argument of this paper is (...) that both paths of research miss Arendt's intention, and that her `report' has to be read in light of Walter Benjamin's conceptions of history and storytelling. On the one hand, Eichmann in Jerusalem was not intended to reflect reality objectively because, as Arendt claimed, the objectivity of scientific historiography may serve only to condone the genocide. Throughout her entire work, Arendt aimed at avoiding the neutrality of historicism, the `tradition of sine ira et studio', which, according to her, represents a renunciation of responsibility. On the other hand, Arendt emphasized that she did not attempt to write about the nature of evil but to faithfully describe a phenomenon. Therefore the questions to be answered are: What did Arendt mean by a `report'? What does it mean to describe Eichmann's trial non-objectively but faithfully? In this paper, I show that her report should be understood in the light of a new methodological experiment inherited from Benjamin, which can be broken down into two steps: 1. To reveal the truth of history in stories rather than seek historical `objectivity' through theories; and 2. To look at events from forgotten standpoints, which are assumed to represent the experienced `inside' of history. (shrink)

This article argues that the figure of Oedipus lies at the heart of Horkheimer and Adorno's Dialectic of Enlightenment. Oedipus is the prototypical Aufklärer as no one can rival him in his courageous attempt to employ his own autonomous reason `without direction from another'; yet self-knowledge remains beyond his grasp. Indeed, Oedipus' obsessive drive to bring the truth to light ultimately leads him to put out his own eyes because he is unable to bear the sight of the catastrophe that (...) this drive engenders. Oedipus' demise represents in allegorical form the self-destruction of enlightenment itself. Enlightenment is similarly driven to illuminate the world in its totality by reducing it to philosophical concepts. In the process, however, it becomes blind to the question of its dependence upon that which it purports to possess. In its attempt at total illumination, therefore, enlightenment does not effectuate an exit or Ausgang from the opacity of myth, as Kant had held, but rather is blinded, paradoxically, by the radiance of its own projections. Reading the dialectic of enlightenment through the tragedy of Oedipus leads back to the enigmatic question of art as the means by which the rationalization and disenchantment of the world can be reflected upon critically. (shrink)

The disconnection between the idea of nation-based citizenship and the current practices of migrants presents the opportunity to reconceptualize and redefine the idea of citizenship and thereby grasp the realities of movement. I employ Giambattista Vico's theories of universal rights and his history of civilizations to interrogate rhetorically national origins and expand on what I call a renovation of citizenship. This is a process that embraces daily practices of nation-based citizenship and encourages us to imagine new ways to express citizenship, (...) ways that comport with the realities of a mobile world, specifically the human right of freedom of movement. In formulating this renovation of citizenship based on mobility, I introduce the metaphor of stochastic citizenship to resolve the tension between the legal structures governing citizenship and the promotion of mobility as a human right. The Roma people in Europe serve as a test for stochastic citizenship. (shrink)

This paper is concerned with the problem of particularistic and objective approach to morals in the debate on global justice. The former one is usually defended by the communitarian philosophy and moderate liberal nationalism that claim for moral significance of national borders. Within this approach, patriotism is a fundamental virtue. The latter approach is presented by the cosmopolitans who apply the Rawlsian justice as fairness to the world at large. They reject moral significance of national borders and claim for equal (...) rights and obligations to all human beings regardless of their origin and nationality. This approach to global justice treats patriotism as a vice. The main aim of this essay is to analyse whether the concept of patriotism and the concept of global justice necessarily come into conflict with one other. (shrink)

This article draws on Hannah Arendt’s analysis of authority in education, along with her insights into the workings of the imagination and the thinking process, to argue that participation in education should be conceived as an invitation to become towards the world. The potential of this invitation, the article argues, is located in the educator’s imaginative and thoughtful responsibility to receive the young as they are and as they are becoming on the one hand, and to represent the world to (...) them, on the other hand. The ways in which this potential can be negated are examined in relation to Arendt’s accounts of non-thinking and wilfulness. The article advances to the conclusion that participation in an education is possible only where young persons are received by educators who are persistently awake to their responsibility to receive the young people they educate anew. (shrink)

Many have been struck by Hannah Arendt’s remarks on loneliness in the concluding pages of The Origins of Totalitarianism, but very few have attempted to deal with the remarks in any systematic way. What is especially striking about this state of affairs is that the remarks are crucial to the account contained therein, as they betray a view of agency that undergirds the rest of the account. This article develops Arendt’s thinking on loneliness throughout her corpus, showing how loneliness is (...) connected to thoughtlessness. In so doing, the article also suggests a connection between Arendt’s notion of loneliness and Stanley Cavell’s notion of skepticism. This connection, it is argued, allows us not only fully to answer a question Arendt leaves unaddressed (the cause loneliness), but also allows us to see how we, as agents and users of language, are perpetually prone to loneliness. (shrink)

In the recent critique of ‘Western metaphysics’ by post‐structuralist and postmodern theorists, there has emerged a distinctive line of thought which seeks to apply such critique to the domain of political theory. This paper approaches Hannah Arendt's conceptualisation of the political as a proto‐type of such a theorisation, deploying as it does key elements of the Heideggerian position so as to rethink the nature of the political. By delineating the specifically ‘post‐metaphysical’ moments of Arendt's theory and its corresponding critique of (...) political modernity, I endeavour to illuminate both the advantages and pitfalls of contemporary efforts at developing a philosophical conception of the political on the basis of a neo‐Heideggerian position. (shrink)

A text written by a student in a Swedish comprehensive school, during a Biology test, is analyzed using a method based on Husserl's transcendental phenomenology. The method is presented in the article. The analysis results in an explicitation of horizons, which enables an access to the lifeworld opened by the text. In this case, the interplay of school Biology and "everyday life" is visible. The meaning constituted in the encounter with school Biology seems to lack natural science aspects. The visible (...) aspects pertain to the bodily situatedness of a student in school and to the character of school knowledge. The world as constituted by school Biology seems to be a place of disembedded, general people where school is a place of non-learning. (shrink)

This article explores the role of reflective judgement in international relations through the lens of the Rwandan genocide in 1994. It argues that Hannah Arendt's writings on reflective judgement, and the dual perspectives of actor and spectator she articulates, offer us a set of conceptual tools with which to examine the failure of the international community to respond to the genocide as well as more broadly to understand the moral dilemmas posed by such crimes against humanity. Having identified elements which (...) form part of Arendt's concept of judgement, parallels in the case of Rwanda are found, drawing on both empirical evidence and recent interpretations of the genocide. Reflective judgement is offered as both a means of critique and as a source of normative guidance for political actors. (shrink)

Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political philosopher and activist Cornelius Castoriadis (1922–1997). This is done in two steps. First, an attempt is made to place the pursuit of the concept of musical creativity (...) within a larger educational and societal context of conflicting trajectories that run through (a) Modernity and (b) Education. Then, I revisit the issue of educational value of improvising and composing through creating conceptual links between the process of music-making through improvisation and composition and the project of political autonomy as conceived by Castoriadis. By foregrounding instituting imaginary over instituted imaginary, improvising and composing become active processes of positing new legitimacies, and of creating a music-making context that searches for its own foundations. It is in and through creative musical praxis that we can think about issues of hierarchies, musical values, social dimensions of different music-making processes, our relationship to past values and to historical dimensions of music. By arguing that improvisation and composition might be seen as ways of positing the issue of political autonomy in musical terms, this paper emphasises the role of improvisation and composition as a mode of potentially transformative educational practice that may foster the development of critical consciousness, linking music education to a larger project of re-discovering and at the same time re-defining democracy. (shrink)

In recent years, English-language scholars have begun to approach the daunting field of Kant's politics by way of its technical core: the deduction of private right. In this interpretive project, t...

In The Life of the Mind, Hannah Arendt explores the relationship between thinking, willing and judging. She poses the question of whether these may be among those conditions that prevent a person from doing evil. While many consider her account of thinking and willing insufficient for treating this question, I argue that in order fully to understand Arendt's notion of the will, particularly as it relates to our ability to avoid doing evil, one must consider the way in which she (...) attempts to overcome the Augustinian dilemma of how one can love both God and one's neighbor at the same time. Drawing on her Love and Saint Augustine, I seek to show that her 'Augustinian' notion of the will is extremely fruitful for helping us understand what she meant by the two movements of withdrawal from, and activity within, the world. Key Words: Arendt • Augustine • ethics • evil • love • will. (shrink)