The present paper focuses on the Austinian approach to intentionality. My aim is to demonstrate that the Austinian concept and its application in the classical version of speech act theory are fundamentally different from the treatment of intentionality in the received version of speech act theory (as developed by Searle). The received version of speech act theory treats intentional states as a bunch of internal individual beliefs, desires, and intentions, while it assumes that conventions belong to the external social domains. (...) Contrary to that, the Austinian version of speech act theory doesn’t make a sharp ideological distinction between intentional states and conventions as a result of Austin’s natural realism. (shrink)

I review recent work from armchair and cross-cultural epistemology on whether humans possess a knowledge concept as part of a universal “folk epistemology.” The work from armchair epistemology fails because it mischaracterizes ordinary knowledge judgments. The work from cross-cultural epistemology provides some defeasible evidence for a universal folk epistemology. I argue that recent findings from comparative psychology establish that humans possess a species-typical knowledge concept. More specifically, recent work shows that knowledge attributions are a central part of primate social cognition, (...) used to predict others’ behavior and guide decision-making. The core primate knowledge concept is that of truth detection (across different sensory modalities) and retention (through memory) and may also include rudimentary forms of indirect truth discovery through inference. In virtue of their evolutionary heritage, humans inherited the primate social-cognitive system and thus share this core knowledge concept. (shrink)

This paper sets out the felicity conditions for metalinguistic proposals, a type of directive illocutionary act. It discusses the relevance of metalinguistic proposals and other metalinguistic directives for understanding both small- and large-scale linguistic engineering projects, essentially contested concepts, metalinguistic provocations, and the methodology of ordinary language philosophy. Metalinguistic proposals are compared with other types of linguistic interventions, including metalinguistic negotiation, conceptual engineering, lexical warfare, and ameliorative projects.

We investigate claims about the frequency of "know" made by philosophers. Our investigation has several overlapping aims. First, we aim to show what is required to confirm or disconfirm philosophers’ claims about the comparative frequency of different uses of philosophically interesting expressions. Second, we aim to show how using linguistic corpora as tools for investigating meaning is a productive methodology, in the sense that it yields discoveries about the use of language that philosophers would have overlooked if they remained in (...) their "armchairs of an afternoon", to use J.L. Austin’s phrase. Third, we discuss facts about the meaning of "know" that so far have been ignored in philosophy, with the aim of reorienting discussions of the relevance of ordinary language for philosophical theorizing. (shrink)

This is the second book by Baz that aims to show that a big chunk of contemporary philosophy is fundamentally misguided. His first book, When Words Are Called For: A Defense of Ordinary Language Philosophy (2012) adopted a therapeutic approach (in the Wittgensteinian style) to problems in contemporary epistemology, arguing that when properly thought through, the way philosophers talk about ‘knowing’ that something is the case ultimately does not make sense. Baz’s goal in his second book is less therapeutic and (...) more constructive: he aims to start a methodological revolution (in the Kuhnian sense)—to shake contemporary philosophers out of the unconscious habits of normal science and provoke them into making a radical change in the methods they use to do philosophy and the basic assumptions that motivate those methods. (shrink)

This paper excavates a debate concerning the claims of ordinary language philosophers that took place during the middle of the last century. The debate centers on the status of statements about ‘what we say’. On one side of the debate, critics of ordinary language philosophy argued that statements about ‘what we say’ should be evaluated as empirical observations about how people do in fact speak, on a par with claims made in the language sciences. By that standard, ordinary language philosophers (...) were not entitled to the claims that they made about what we would say about various topics. On the other side of the debate, defenders of the methods of ordinary language philosophy sought to explain how philosophers can be entitled to statements about what we would say without engaging in extensive observations of how people do in fact use language. In this paper, I defend the idea that entitlement to claims about what we say can be had in a way that doesn’t require empirical observation, and I argue that ordinary language philosophers are engaged in a different project than linguists or empirically minded philosophers of language, which is subject to different conditions of success. (shrink)

There is a widespread assumption that ordinary language philosophy was killed off sometime in the 1960s or 70s by a combination of Gricean pragmatics and the rapid development of systematic semantic theory. Contrary to that widespread assumption, however, contemporary versions of ordinary language philosophy are alive and flourishing, but going by various aliases—in particular (some versions of) "contextualism" and (some versions of) "experimental philosophy". And a growing group of contemporary philosophers are explicitly embracing the methods as well as the title (...) of ordinary language philosophy and arguing that it has been unfairly maligned and was never decisively refuted. In this overview, I will outline the main projects and arguments employed by contemporary ordinary language philosophers, and make the case that updated versions of the arguments made by ordinary language philosophers in the middle of the twentieth century are attracting renewed attention. (shrink)

J.L. Austin is regarded as having an especially acute ear for fine distinctions of meaning overlooked by other philosophers. Austin employs an informal experimental approach to gathering evidence in support of these fine distinctions in meaning, an approach that has become a standard technique for investigating meaning in both philosophy and linguistics. In this paper, we subject Austin's methods to formal experimental investigation. His methods produce mixed results: We find support for his most famous distinction, drawn on the basis of (...) his `donkey stories', that `mistake' and `accident' apply to different cases, but not for some of his other attempts to distinguish the meaning of philosophically significant terms (such as `intentionally' and `deliberately'). We critically examine the methodology of informal experiments employed in ordinary language philosophy and much of contemporary philosophy of language and linguistics, and discuss the role that experimenter bias can play in influencing judgments about informal and formal linguistic experiments. (shrink)

This paper offers a new interpretation of John Austin’s views both on assertion and on adverbs, as result of which an expressivist thesis concerning the semantics for action sentences is advanced. First, Austin’s analysis of assertion based on various, specific assertive forces and his remarks on adverbs are systematically connected in order to obtain assertive schemata for action sentences. Finally, those schemata are put to work as the expression of inferential commitments implicit in argumentative practices of different sorts (exculpatory, justificatory (...) and illustrative) in the deployment of which, both logical contrariety and contradiction are exploited. (shrink)

If one thinks of intentions as entities of some sort, states or dispositions, for example, it should eventually strike him that there are peculiar difficulties with the idea. For example, he will have trouble counting his intentions. In a particular situation, we ask someone, ‘What are you going to do about that? And this?’ And his answer might be, ‘My intention is to pay that, and, as for this, my intention is to ignore it.’ But of course he may have (...) said, ‘My intention is to pay this and ignore that.’ For this reason and, as we will see, others, there is no such thing as a complete list of intentions that a person has. If someone told us, ‘I have just eight intentions at present’, we would think he was joking, even though he intends to do eight things—grade papers, meet a class at nine, and so on. And if we ask; ‘What are you going to do today?’, he may answer that he has a class at nine, office hours at two, and lunch already scheduled. But even though he has more to do today than yesterday, he would hardly tell us, ‘I am afraid I have more intentions today than I did yesterday.’. (shrink)

Odd and memorable examples are a distinctive feature of Charles Travis's work: cases involving squash balls, soot-covered kettles, walls that emit poison gas, faces turning puce, ties made of freshly cooked linguine, and people grunting when punched in the solar plexus all figure in his arguments. One of Travis's examples, involving a pair of situations in which the leaves of a Japanese maple tree are painted green, has even spawned its own literature consisting of attempts to explain the context sensitivity (...) of color adjectives ("green", e.g.). For Travis, these examples play a central role in his arguments for occasion-sensitivity, which he takes to be a pervasive feature of how we understand natural language. But how, exactly, do these examples work? My aims in this paper are to put Travis’s examples under the microscope, using recent experimental studies of Travis-style cases to raise worries about aspects of the way Travis's cases are informally presented, but then show how his examples can be redesigned to respond to these doubts. (shrink)

This paper examines one aspect of the relation between philosophy and myth, namely the function myth has, for some philosophers, in narrowing the distance between appearance and reality. I distinguish this function of myth from other common functions, and also show how the approach to reality through myth differs from a more empirical philosophical approach. I argue that myth plays a fundamental role in Plato's approach to the appearance/reality distinction, and that understanding this is important to the interpretation of Plato's (...) frequent use of language suggesting the existence of a world of unchanging ideal objects and a world of transient, variable particulars. All things are an exchange for fire, and fire for all things, as goods for gold, and gold for goods.1 ?Heraclitus DK 22 B 90. (shrink)

One of the standard views on plural quantification is that its use commits one to the existence of abstract objects–sets. On this view claims like ‘some logicians admire only each other’ involve ineliminable quantification over subsets of a salient domain. The main motivation for this view is that plural quantification has to be given some sort of semantics, and among the two main candidates—substitutional and set-theoretic—only the latter can provide the language of plurals with the desired expressive power (given that (...) the nominalist seems committed to the assumption that there can be at most countably many names). To counter this approach I develop a modal-substitutional semantics of plural quantification (on which plural variables, roughly speaking, range over ways names could be) and argue for its nominalistic acceptability. (shrink)

As media reports have made widely known, in November 2009, the ethics committee of St. Joseph’s Hospital in Phoenix, Arizona, permitted the abortion of an eleven-week-old fetus in order to save the life of its mother. This woman was suffering from acute pulmonary hypertension, which her doctors judged would prove fatal for both her and her previable child. The ethics committee believed abortion to be permitted in this case under the so-called principle of double effect, but Thomas J. Olmsted, the (...) bishop of Phoenix, disagreed with the committee and pronounced its chair, Sister Margaret McBride, excommunicated latae sententiae, “by the very commission of the act.” In this article, I take the much discussed Phoenix case as an occasion to subject the principle of double effect to another round of philosophical scrutiny. In particular, I examine the third condition of the principle in its textbook formulation, namely, that the evil effect in question may not be the means to the good effect. My argument, in brief, is that the textbook formulation of the principle does not withstand philosophical scrutiny. Nevertheless, in the end, I do not claim that we should then “do away” with the principle altogether. Instead, we do well to understand it within the context of casuistry, the tradition of moral reasoning from which it issued. (shrink)

Recent studies point to a surprising divergence between people's use of the concept of _intention_ and their use of the concept of _acting intentionally_. It seems that people's application of the concept of intention is determined by their beliefs about the agent's psychological states whereas their use of the concept of acting intentionally is determined at least in part by their beliefs about the moral status of the behavior itself (i.e., by their beliefs about whether the behavior is morally good (...) or morally bad). These findings raise a number of difficult questions about the relationship between the concept of intention and the concept of acting intentionally. The present paper addresses those questions using a variety of different methods, including conceptual analysis, psychological experimentation, and an examination of people's use of certain expressions in other languages. (shrink)

Sensations of acting and control have been neglected in theory of action. I argue that they form the core of action and are integral and indispensible parts of our actions, participating as they do in feedback loops consisting of our intentions in acting, the bodily movements required for acting and the sensations of acting. These feedback loops underlie all activities in which we engage when we act and generate our control over our movements.The events required for action according to the (...) causal theory, or Searle. (shrink)

John Austin (1911-1960) è stato uno dei filosofi britannici più influenti del suo tempo, per il rigore del pensiero, la personalità straordinaria e il metodo filosofico innovativo. A parere di John Searle Austin era molto amato e molto odiato dai contemporanei – disorientati da un pensiero che sembrava distruggere più che costruire, sfidare l'ortodossia della filosofia tradizionale ma anche dell'allora imperante empirismo logico, senza sostituirvi nessuna confortante nuova ortodossia. L'opera di Austin è tuttavia oggi poco conosciuta e gli elementi di (...) novità della sua riflessione non sufficientemente apprezzati. Costituiscono un'eccezione due risultati, universalmente riconosciuti e celebrati: da un lato la tecnica di analisi filosofica – quella versione della "filosofia linguistica" praticata da Austin con la pazienza, il rigore e il talento di un entomologo; dall'altro la teoria degli atti linguistici. Austin viene ricordato soprattutto per aver evidenziato la dimensione performativa che permea ogni nostro proferimento: con uno slogan diventato famoso, ogni dire è anche un fare. Una tesi con ripercussioni in aree di ricerca molto diverse, dalla filosofia del linguaggio all'etica, dalla filosofia politica al diritto, dalla linguistica alla filosofia femminista. Ci concentreremo qui sui contributi di Austin alla filosofia del linguaggio, ma faremo cenni anche estesi ai suoi contributi in epistemologia e teoria dell'azione, nonché al vivace dibattito che a partire dalla teoria degli atti linguistici si è sviluppato negli anni '60 e '70. Un dibattito che è tornato ad accendersi in tempi recentissimi nelle discussioni su libertà di espressione e censura. (shrink)

Speaker intention is conceptualized as a property of utterances in context, not speakers; it is based on communally shared knowledge of discursive means to ends. The article’s main theoretical claim is that utterances, in addition to being produced with an intention about their pragmatic meaning, are also produced with an intention to bring about some post-interactional end result. Both types of intention bear on the utterance’s pragmatic meaning. Empirical aspects of the theoretical difference between these two types of speaker intention (...) are shown through analysis of naturally occurring interactions; here, the analytical focus is on the scope, interdependence, recognizability, and fulfillment of each type of intention, with special attention to the functionality of an utterance’s content, composition, and sequential placement as a means of getting a response from the interlocutor that goes along with what the speaker intends as regards the end result of the interaction. (shrink)

Cet article propose une analogie entre la problématique du « vouloir dire » et celle du « vouloir faire » en utilisant la question de l'intentionalité telle qu’elle est traitée par la philosophie de l'action post-wittgensteinienne d'Elizabeth Anscombe. L’enjeu est de déterminer à quelles conditions nous pouvons appliquer une philosophie de l’action au langage. S’il ne s’agit pas de réduire toute analyse du langage à une philosophie de l’action, il s’agit néanmoins de montrer qu’il existe entre langage et action une (...) relation à double sens. D’une part, comme le montrent les travaux d’Anscombe et de John L. Austin, l’analyse du langage (et en particulier des concepts d’intention, de volontaire, etc.) sert au philosophe à rendre compte de la notion d’action. D’autre part, comme l’a montré Austin, parler, utiliser le langage, c’est agir, faire des actions. En examinant cette relation, cet article examine la façon dont le concept d’intentionalité intervient dans la logique de l’action et dans celle du langage en tant qu’action. Dans ce cadre, le problème de l'intentionalité surgit de la possibilité logique d'un décalage (qui n’est pas la règle) entre ce qu'une personne dit ou fait et ce que cette personne veut dire ou veut faire. L’objectif de cet article est de montrer qu'il est possible de penser l'intentionalité sans penser ce décalage sur le modèle d'une inadéquation entre un dire ou un faire et une sorte de doublon mental qui y correspondrait plus ou moins. Il s’agit de penser l’intentionalité en dehors du dualisme de l’esprit et du monde, tout en conservant intacte, non seulement la possibilité du décalage, mais également la pertinence de la distinction conceptuelle entre le vouloir dire/faire et le dire/faire dans les cas sans décalage. Le parallèle proposé vise avant tout à suggérer que, s'il est possible de concevoir les rapports entre le dire et le vouloir dire en termes d'intentionalité au même titre que les rapports entre le faire et le vouloir faire, c'est que certains traits logiques ou grammaticaux caractéristiques de l'intention ou de la visée s'appliquent dans les deux cas. (shrink)

This paper presents an emerging aspect of intentionality through recent Artificial Intelligence (AI) developments in art and design. Our main thesis is that, if we focus just on the outcome of the artistic process, the intentionality of the artist does not have any relevance. Intention is measured as a result of actions regardless of whether they are human-based or not as long as there is an esthetical value intersubjectively acknowledged. In other words, what matters is the ‘intentio’ embedded in the (...) work of art (the output) rather than the ‘intendere’ (the process). By considering the former aspect, intentionality becomes free of human intervention, therefore 'unintentional'. This thesis is supported through a range of examples related to AI in general and AI art in particular. However, in the case of a self-driving vehicle, the macro-goal of the system is fixed by humans, even though the AI system itself will take care of decomposing the macro-goal into a set of micro-goals and take the corresponding decisions. In the case of art, the system does not need to have any exterior goal to the extent that art is pure freedom of expression, as many philosophers have acknowledged. In this sense, the decisions of any AI system generating art or design are independent of humans and must be judged only on the ground of the final outcome. A work of art will be judged ‘artistic’ to the extent that humans will recognize an artistic intent in the work itself. In particular, the introduction of random processes makes an AI-generated artwork fully independent of human creativity. (shrink)

To what extent was ordinary language philosophy a precursor to experimental philosophy? Since the conditions on pursuit of either project are at best unclear, and at worst protean, the general question is hard to address. I focus instead on particular cases, seeking to uncover some central aspects of J. L. Austin’s and John Cook Wilson’s ordinary language based approach to philosophical method. I make a start at addressing three questions. First, what distinguishes their approach from other more traditional approaches? Second, (...) is their approach a form of experimental philosophy? Third, given their aims, should it have been? I offer the following preliminary answers. First, their approach distinctively emphasizes attention to what we should say when. Second, their approach is closer to contemporary experimental mathematics than it is to some prominent forms of contemporary experimental philosophy. Third, some purported grounds for pursuing their aims by way of surveying what individual speakers would say when are not compelling. (shrink)

Philosophers from Hart to Lewis, Johnston and Bennett have expressed various degrees of reservation concerning the doctrine of double effect. A common concern is that, with regard to many activities that double effect is traditionally thought to prohibit, what might at first look to be a directly intended bad effect is really, on closer examination, a directly intended neutral effect that is closely connected to a foreseen bad effect. This essay examines the extent to which the commonsense concept of intention (...) supports a reasonably consistent and coherent application of double effect. Two important conclusions are these: (1) a number of traditionally proscribed activities involve a kind of “targeting” of innocents that can be taken to exhibit a direct intention to harm them; (2) a direct intention to harm need not involve a desire to harm in any ordinary sense of the latter expression. (shrink)

This paper examines an hypothesis put forward by Pettit and Knobe 2009 to account for the Knobe effect. According to Pettit and Knobe, one should look at the semantics of the adjective “intentional” on a par with that of other gradable adjectives such as “warm”, “rich” or “expensive”. What Pettit and Knobe’s analogy suggests is that the Knobe effect might be an instance of a much broader phenomenon which concerns the context-dependence of normative standards relevant for the application of gradable (...) expressions. I adduce further evidence in favor of this view and go on to examine the predictions one obtains when assuming that “intentional” involves a two-dimensional scale, which implies evaluating how much an action or outcome is desired on the one hand, and how much it can be foreseen as a consequence of one’s actions on the other. (shrink)

The question is how to explain expressions of emotion. It is argued that not all expressions of emotion are open to the same sort of explanation. Those expressions which are actions can be explained, like other sorts of action, by reference to a belief and a desire; however, no genuine expression of emotion is done as a means to some further end. Certain expressions of emotion which are actions can also be given a deeper explanation as being expressive of a (...) wish. Expressions of emotion which are not actions cannot be given a belief-desire explanation: no belief is involved, and a desire is involved only in an honorific sense of 'desire'. The distinction amongst expressions of emotion between those which are actions and those which are not is not a precise one, and the paper concludes with some speculative remarks about borderline cases such as jumping for joy. (shrink)

The borderline between philosophy and literature is highly contested. Still, if literary theorists and philosophers agree on the occasional work’s ability to transcend border norms altogether, Samuel Beckett’s Endgame is a piece of dramatic writing that amply deserves the distinction. My article attempts a symptomatic comparison between the existential condition of Endgame’s characters, on the one hand, and the philosophical predicament, on the other. The importance of failure – both as an obstacle and as a catalyst for regeneration – provides (...) a useful framework for this cross-disciplinary comparison. I draw inspiration from Stanley Cavell’s reading of Endgame, but I take Cavell’s analysis a step further. In ‘Ending the Waiting Game’ Cavell finds satisfaction in discovering what Beckett’s play can say about a specific school of philosophy – logical positivism. I treat this discovery as an invitation to consider the possibility of a broader conclusion. There is much in Endgame, in Cavell’s other writings, in the works of his and Beckett’s commentators and in Wittgenstein’s legacy that points to the existence and acceptance of philosophical infirmity. I see the recognition of this infirmity as a necessary step towards a better understanding of the play but also as a contribution to our general sense of the productive continuities between philosophy and literature. (shrink)

This thesis explores issues in aesthetics with reference to Bergson. The first chapter outlines and assesses Bergson's interesting and subtle theory of humour, which emphasises the necessary lack of sympathy in humour, and its generalising, external methodology. In doing so it explores the different ways the motif of 'something encrusted on the living' functions on various levels. This is ultimately found to be an interesting account which has many merits. The second chapter then begins to outline the theoretical structure of (...) Bergson's account of humour in terms of vertical and horizontal movement. This leads to an account of Bergson's critique of 'ordinary' conceptual language and a consideration of other alternatives, including metaphor. The third chapter discusses Bergson's notion of intuition and levels of interpretation - assessing what, if any, relation there is between Russian Formalism and Bergson's own understanding of poetry. The notion of levels helps to define Bergson's anti-modernism, when modernism is understood as the self-referential exposure of the art work's own conditions of possibility. The fourth chapter examines several art forms. Music is discussed in some detail with particular attention being paid to the distinction between rhythm and melody, notions of repetition, creativity and difference. A comparison it then made between Bergson's thoughts on evolution and melodic creativity. This discussion is of importance not only for the light it casts on aesthetic issues, but also because music, or more specifically melody, is often given as an example of the heterogeneous continuity of duration. The thesis also examines painting, particularly in relation to duration, comparing it with photography. Bergson's arguments against cinema are then discussed. The thesis also examines how the role of sympathy functions in artistic production generally. Finally Bergson's ability to distinguish between art and philosophy is examined referring back to notions of self-reflexivity in art. (shrink)

Intention is at the heart of criminal law. If it is not the mens rea requirement found most often in offences, it is still the standard against which other grades of fault tend relatively to be judged. It has generated much controversy, as the crucial question, “Did the defendant intend X?” is resistant to clear answers. This paper argues that intention-questions are difficult because intention is not the thing law takes it to be: Importantly, contrary to law's assumptions, it is (...) neither a state of mind nor is it connected in an exclusive manner to the reasons for which we act. (shrink)

This article investigates Michael Slote’s call for rebalancing Western moral philosophy by using Chinese philosophy, especially Confucianism, as a form of moral sentimentalism. I agree with the need for a correction of the over reliance on reason in Western moral philosophy, but I reject the rational/sentimental dichotomy and focus on the importance of the will. I make use of the important contribution made by Daoism and the conduct concept of wu-wei 無為. I explain the use of wu-wei in Daoist texts (...) as a nominative to denote a type of conduct, as a verb in moral imperatives, and as an aspiration for human moral behavior. I consider how appropriating this concept into Western moral thought offers significant solutions to three seemingly intractable problems: weakness of will, universalization of moral duties, and the conception of life as plagued by moral dilemmas. I conclude that wu-wei is not the result of some experience of alternative consciousness. It is an alternative consciousness that is shown in behavior, but not able to be said in language. (shrink)

Conceptual analysis as traditionally understood can be improved by allowing the use of a certain kind of empirical investigation. The conceptual analysis in which the kind of empirical investigation in question is used can be called “empirical conceptual analysis”. In the present inquiry, I provide a systematic exposition of empirical conceptual analysis, so understood, considering what exactly empirical conceptual analysis is, the different kinds of empirical conceptual analysis, and the main application of the method within philosophy. It can be defined (...) as a method that consists in drawing a conclusion about the semantic application conditions of a predicate on the basis of observation of the manifestations of semantic intuitions. The different kinds of empirical conceptual analysis are distinguished according to the way the manifestations of semantic intuitions are observed. The main application of the method is solving conceptual disputes – situations in which different competent speakers of a language disagree about the semantic application conditions of a predicate from that language, and their disagreement is caused by the fact that they have different semantic intuitions about that predicate. (shrink)

The article explains the emotional significance of punishment in the law and in common life.

With material on his early philosophical views, his contributions to set theory and his work on nominalism and higher-order quantification, this book offers a uniquely expansive critical commentary on one of analytical philosophy’s great ...

In his first paper, ‘Must We Mean What We Say?’, Stanley Cavell defended the methods of ordinary language philosophy against various charges made by his senior colleague, Benson Mates, under the influence of the empirical semantics of Arne Naess.1Cavell’s argument hinges on the claim that native speakers are asourceof evidence for 'what is said' in language and, accordingly, need not base their claims about ordinary language upon evidence. In what follows, I maintain that this defence against empirical semantics applies equally (...) well to experimental philosophy's attack on doing philosophy from the armchair. In so doing, I attempt to clarify – and adjust – Cavell's claim that statements about ordinary language are rule‐descriptions that are neither analytic nor synthetic. (shrink)

The Metaphysics of Truth, by EdwardsDouglas. Oxford: Oxford University Press, 2018. Pp. 208.

This article explores the construction of offences as ‘accidental’ in police-suspect interactions. The data comprise audio-recorded investigative interviews, which were analysed using conversation analysis. In these interviews, suspects often do not explicitly state the nature of their defence when answering police officers’ questions; instead, suspects’ defensive practices or techniques are embedded in the narrative accounts they give of what happened, thus exhibiting rather claiming their ‘innocence’. My focus here is on a particular type of defence, namely, one in which suspects (...) portray an event as having been ‘accidental’. I show that this defence of ‘accident’ is associated with several discourse features including: building a plausible and trivial context in which the untoward incident occurred, describing the untoward action or series of actions, using impersonal or agentless constructions, and representing the disproportionality between the putative victim’s reaction and the aggressor’s untoward conduct. The accountability of these descriptions, however, does not rely on one unique feature, but rather on suspects’ ability to combine these features in such a way that each establishes the grounds for others. (shrink)