Sometimes when we describe our own sensory experiences we seem to attribute to experience itself the same sorts of familiar properties – such as shape or colour – as we attribute to everyday physical objects. But how literally should we understand such descriptions? Can there really be phenomenal elements or aspects to an experience which are, for example, quite literally square? This paper examines how these questions connect to a wide range of different commitments and theories about the metaphysics of (...) mind. In particular, I consider whether there may be phenomenological reasons to accept or reject the idea that there are elements or aspects of conscious experience itself which instantiate familiar spatial properties. I also explore how some general theses about the nature of empirical properties can motivate different answers to these questions. (shrink)

Humans have only finite discriminatory capacities. This simple fact seems to be incompatible with the existence of appearances. As many authors have noted, the hypothesis that appearances exist seems to be refuted by reductio: Let A, B, C be three uniformly coloured surfaces presented to a subject in optimal viewing conditions, such that A, B, and C resemble one another perfectly except with respect to their colours. Their colours differ slightly in the following way: the difference between A and B (...) and the difference between B and C are below the discrimination threshold, but the difference between A and C is above this threshold. According to an intuitive construal of what an appearance is, given that A and B appear (to the subject) identical in colour, A and B have the same (colour1) appearance P1; likewise, B and C have the same appearance P2. B's appearance is both P1 and P2. This seems to imply that P1=P2. But then, A and C also have the same appearance, which contradicts the hypothesis that A and C are discriminable. If A and C are discriminable with respect to their colour, they do not have the same appearance with respect to colour. The paradox arising from such a series of judgments of sameness or difference between pairs of coloured surfaces seems to belong to the class of sorites paradoxes. I will show that there is a way to construe colours and their appearances in a way that does not fall prey to the reduction just sketched. (shrink)

Relationalism claims that the phenomenal character of perception is constituted by the obtaining of a non-representational psychological relation to mind-independent objects. Although relationalism provides what seems to be the most straightforward and intuitive account of how experience strikes us introspectively, it is very often believed that the argument from hallucination shows that the view is untenable. The aim of this thesis is to defend relationalism against the argument from hallucination. The argument claims that the phenomenal character of hallucination and perception (...) deserves the same account, and that relationalism cannot be true for hallucinations, therefore relationalism must be rejected. This argument relies on the Indiscriminability Principle, the claim that two experiences that are introspectively indiscriminable from each other have the same phenomenal character. Before assessing the plausibility of this principle, I first consider and dismiss versions of the argument which wouldn’t depend on IND. Although widely accepted, no satisfactory support for IND has been presented yet. In this thesis I argue that defending IND requires that we understand the notion of ‘indiscriminability’ employed in IND in an impersonal sense. I then identify what underwrites IND: the intuition that, in virtue of its superficiality, the nature of a phenomenal character must be accessible through introspection, together with the claim that it is not possible to deny IND without denying the superficiality of phenomenal characters too. I argue that the relationalist can deny IND while preserving the superficiality of phenomenal characters. This can be done by adopting a negative view of hallucination and an account of introspection whereby the phenomenal character doesn’t exist independently of one’s introspective awareness of it and where having introspective access to our experience depends on our perceptual access to the world. (shrink)

Increasingly prominent in the recent literature on the philosophy of perception, Intentionalism holds that sensory experience is inherently intentional, where to be intentional is to be about, or directed on, something. This article explores Intentionalism's prospects as a viable ontological and epistemological alternative to the traditional trinity of theories of sensory experience: the Sense-Datum Theory, the Adverbial Theory, and the Theory of Appearing.

By all indications, the popularity of the Sense-Datum Theory is definitely on the wane. This once-proud theory, which was perhaps the most characteristic feature of British Philosophy during the first half of this century, has been attacked from so many different sides that even its foremost protagonists have either accepted the very watered-down version according to which it is just an alternative language for speaking about the facts of perception or else they hold their peace and let the youngsters play. (...) There are still some diehards who carry on as if nothing had happened, but they are an insignificant minority. (shrink)

This paper explores the question whether an adequate account of the facts about imagination and mental imagery must construe mental images as objects. Much of the paper is a study of Alastair Hannay's defense of an affirmative answer in his wide?ranging study, Mental Images ? A Defence. The paper first sets out and evaluates Hannay's case. The second part develops an alternative account of mental images, including non?visual images, which Hannay does not treat in detail. The alternative account is analogous (...) to the adverbial theory of perception; and it is suggested how this account, without construing mental images as objects, might accommodate the data from which Hannay argues for their objecthood. (shrink)