- Muisti.Jani Hakkarainen, Mirja Hartimo & Jaana Virta (eds.) - 2013 - Tampere: Tampere University Press.details
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Foetal Images: The Power of Visual Technology in Antenatal Care and the Implications for Women's Reproductive Freedom.Ingrid Zechmeister - 2001 - Health Care Analysis 9 (4):387-400.details
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Experiencing photographs qua photographs: what's so special about them?Jiri Benovsky - 2013 - Contemporary Aesthetics.details
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(1 other version)Heidegger and the romantics: the literary invention of meaning.Pol Vandevelde - 2012 - New York: Routledge.details
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(1 other version)The Speaking Abject in Kristeva's "Powers of Horror".Thea Harrington - 1998 - Hypatia 13 (1):138-157.details
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Three kinds of realism about photographs.Jiri Benovsky - 2011 - Journal of Speculative Philosophy 25 (4):375-395.details
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Spectacle and Revolt.Surti Singh - 2017 - In Sarah K. Hansen (ed.), New forms of revolt: essays on Kristeva's intimate politics. Albany, NY: SUNY Press. pp. 23-41.details
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A Phenomenological Approach to the Film Editing Practice: Legacy of Maurice Merleau-Ponty.Doğa Çöl - 2019 - Dissertation, Kadir has Universitydetails
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La estética, el arte y su reencuentro con la Academia.José Ramón Fabelo-Corzo & Rodrigo Walls Calatayud (eds.) - 2022 - Puebla: Colección La Fuente, BUAP – Instituto de Filosofía de La Habana.details
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Reality, Fiction, and Make-Believe in Kendall Walton.Emanuele Arielli - 2021 - In Krešimir Purgar (ed.), The Palgrave Handbook of Image Studies. Palgrave-Macmillan. pp. 363-377.details
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The Times of Deleuze: An Analysis of Deleuze's Concept of Temporality Through Reference to Ontology, Aesthetics, and Political Philosophy.Robert Luzecky - 2021 - Dissertation, Purdue Universitydetails
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La estética y el arte a debate (I).José Ramón Fabelo-Corzo & María Guadalupe Canet Cruz (eds.) - 2015 - Puebla, Pue., México: Colección La Fuente, BUAP.details
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Aesthetic opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.details
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Finding a Basic Interpretive Unit through the Human Visual Perception and Cognition-A Comparison between Filmmakers and Audiences.Lingfei Luan - 2016 - Dissertation, details
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The Ecstasy of Time Travel in Werner Herzog's Cave of Forgotten Dreams.William Day - 2016 - In David LaRocca (ed.), The Philosophy of Documentary Film: Image, Sound, Fiction, Truth. Lanham: Philosophy of Popular Culture. pp. 209-224.details
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Machines for Living: Philosophy of Technology and the Photographic Image.Ryan Wittingslow - 2014 - Dissertation, University of Sydneydetails
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Fetal Images: The Power of Visual Culture in the Politics of Reproduction.Rosalind Pollack Petchesky - 1987 - Feminist Studies 13 (2):263.details
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Thomas Aquinas on the Passions: A Study of "Summa theologiae IaIIae 22-48".Jeffrey Hause - 2013 - Philosophical Review 122 (2):325-327.details
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Quantifier Variance and Realism: Essays in Metaontology. [REVIEW]David Liebesman - 2013 - Philosophical Review 122 (2):310-314.details
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Visible Yet Transparent: The Lens in Nineteenth-Century Photographic Cultures.Andrés Mario Zervigón - 2023 - Critical Inquiry 49 (4):626-662.details
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What is the Uncanny? A Philosophical Enquiry.Mark Windsor - 2017 - Dissertation, University of Kentdetails
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Remember the Medium! Film, Medium Specificity, and Response-Dependence.Clotilde Torregrossa - 2020 - Dissertation, University of St. Andrewsdetails
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Interment: re-framing the death of the Red Location Museum building.Michelle Smith - 2016 - Kronos 1 (1):155-173.details
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Introduction: Photography between Art History and Philosophy.Diarmuid Costello & Margaret Iversen - 2012 - Critical Inquiry 38 (4):679-693.details
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Prosperity and Paranoia. Engineering Atomic Fear with Cold War Images.Sibley Anne Labandeira Moran - 2022 - Quaderns de Filosofia 9 (1):165.details
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'Pickman's Model': Horror and the Objective Purport of Photographs.Aaron Smuts - 2010 - Revue Internationale de Philosophie 4:487-509.details
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Documentary Fictions: Jacques Rancière and the Problem of Indexical Media.Konstantinos Koutras - 2023 - Film-Philosophy 27 (2):262-281.details
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On machine vision and photographic imagination.Daniel Chávez Heras & Tobias Blanke - 2021 - AI and Society 36:1153–1165.details
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The Active Room: Freud’s Office and the Egyptian Tomb.Julia K. Schroeder - 2020 - Frontiers in Psychology 11:537815.details
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Love's Revival: Film Practice and the Art of Dying.Michele Aaron - 2020 - Film-Philosophy 24 (2):83-103.details
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Carne y Arena (Virtually present, Physically invisible).Cato Wittusen - 2019 - Norsk Filosofisk Tidsskrift 54 (4):232-246.details
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Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film.Sarah Casey Benyahia - 2019 - Dissertation, University of Essexdetails
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The profane illumination of cinema: knowledge, uncertainty and belief in the age of virtual reality.Ramona Fotiade - 2018 - Journal for the Study of Christian Culture 40:204-230.details
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Agamben as and through Benjamin's storyteller and translator.McKnight Heather - unknowndetails
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New forms of revolt: essays on Kristeva's intimate politics.Sarah K. Hansen (ed.) - 2017 - Albany, NY: SUNY Press.details
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The Limits of Photography.Jiri Benovsky - 2014 - International Journal of Philosophical Studies 22 (5):716-733.details
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Photography and the paradigm of the trace.Daniel Nevin - unknowndetails
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Why 1839? : the philosophy of vision and the invention of photography.Didier Delmas - unknowndetails
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Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. New York: Routledge. pp. 196.details
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Modeling in Archaeology: Computer Graphic and other Digital Pasts.Graeme Earl - 2013 - Perspectives on Science 21 (2):226-244.details
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Screening Absence.Asbjørn Grønstad - 2021 - Nordic Journal of Aesthetics 30 (61-62):108-114.details
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Compilation and critique : the essay as a literary, cinematographic and videographic form.Alex Fletcher - 2018 - Dissertation, Kingston Universitydetails
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On the Interplay of Sound Subcodes in Film.Alicja Helman - 1977 - Studia Semiotyczne—English Supplement 7:15-28.details
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