Descartes’ Meditations raised a serious question about whether he committed a logical fallacy while proving God’s existence and veracity. The crux of the allegation is him saying the truth of the clear and distinct perceptions depend on God’s veracity while its validity rests on some clear and distinct perceptions such as Cogito. At first glance Meditations justify this charge if not been attentively read. Disposal of the Cartesian circle claim depends on showing at least some clear and distinct perceptions are (...) spared from evil demon hypothesis. In this article I will argue that Cogito argument, truth rule and principles of reason specifically causality don’t need divine guarantee to grant their truth. Hence, I will defend that his arguments on proving God’s existence and veracity are circularity-proof. But still metaphysic foundations of Descartes’ epistemology rely substantially on God because without his veracity we are doomed to accept a fatal solipsism and never attain a solid ground for science, especially for physics. (shrink)

Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.

This paper defends an interpretation of Descartes according to which he sees us as having normative (and not merely psychological) certainty of all clear and distinct ideas during the period in which they are apprehended clearly and distinctly. However, on this view, a retrospective doubt about clear and distinct ideas is possible. This interpretation allows Descartes to avoid the Cartesian Circle in an effective way and also shows that Descartes is surprisingly, in some respects, an epistemological externalist. The paper goes (...) on to defend this interpretation against some powerful philosophical objections by Margaret Wilson and others by showing how Descartes' doctrine of the creation of the eternal truths can be brought in to support his epistemology. This doctrine and other analogous positions in Descartes can also reveal that Descartes, again surprisingly, takes important steps toward doing epistemology without direct appeal to God and God's veracity. (shrink)

In this paper, I provide what I believe to be Descartes's own solution to the problem of the Cartesian Circle. As I argue, Descartes thinks he can have certain knowledge of the premises of the Third Meditation proof of God's existence and veracity (i.e., the 3M-Proof) without presupposing God's existence. The key, as Broughton (1984) once argued, is that the premises of the 3M-Proof are knowable by the natural light. The major objection to this "natural light" gambit is that Descartes (...) identifies the natural light with the faculty of clear and distinct perception, a faculty that cannot be known to be reliable in advance of the 3M-Proof. I explain that Descartes distinguishes between three kinds of clear and distinction perceptions depending on their source; the senses, the imagination, or the intellect. I claim that although the First Meditation is designed to cast doubt on the clear and distinct perceptions of the senses and of the imagination, it is not designed to cast doubt on the clear and distinct perceptions of the intellect. The "natural light" gambit relies on the assumption that the natural light, by which propositions can be certainly known without presupposing knowledge of God's existence, is to be identified with the faculty of *intellectual* clear and distinct perception. (shrink)

Suppose that in the Meditations Descartes thinks he needs to prove that his clear and distinct perceptions are true. There can be little doubt that if he does think he needs to do this, he thinks that the way to do it is to prove that ‘a non-deceiving God exists’ is true. Now suppose that Descartes does come up with such a proof. Presumably he clearly and distinctly perceives both the premisses and that ‘a non-deceiving God exists’ follows from them. (...) But that will not suffice to prove that ‘a non-deceiving God exists’ is true. For, if there is a problem about whether clear and distinct perceptions are true, then in advance of settling it, there is a problem about whether what is proved merely on the basis of clear and distinct perceptions is true. (shrink)

Resumen: Este artículo ofrece razones iniciales para interpretar en forma dia-léctica las “pruebas de la existencia divina” que Descartes ofrece en sus Meditaciones III y V. Primero indico algunos precedentes entre los comentaristas contemporáneos y señalo cómo esa manera de abordar los problemas funda-mentales arranca en los clásicos griegos. Después muestro cómo un procedi-miento dialéctico podría resolver un conjunto de problemas que, en principio, incluye el tradicional “círculo cartesiano”. Por último, intento mostrar que no es impensable atribuirle a Descartes una (...) argumentación metafísica del tipo indicado; para ello, esgrimo un pequeño conjunto de argumentos textuales. Mi conclusión es que este tipo de interpretaciones merecen explorarse con mayor esmero.: This paper intends to sketch an initial reason for reading in a dialec-tical way the “proofs of God’s existence” in Descartes’ Meditations, III and V. I begin by indicating antecedents for this kind of interpretation among com-mentators, and show how this approach towards basic philosophical prob-lems can be traced to the Greek classics. I then try to explain how this ar-gumentative procedure can afford in principle a solution to the well-known riddle of the “Cartesian circle”, among other related issues. Finally, I discuss a small set of textual points and show that attributing a dialectical character to Descartes’ main metaphysical arguments should not be taken to be implausi-ble at all. I conclude that interpretations of this kind deserve a more careful exploration. (shrink)

In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...) to a long-held reading, the control that the will has over doxastic states in Descartes’s theory is direct; the doxastic states are affected by the mere act of will. This reading is called direct doxastic voluntarism (DDV), or direct voluntarism (DV) for short, and it states that we are capable of assenting, rejecting and suspending a judgment based only on our will to do so. Thus, these actions would be utterly and merely volitional. DV can be divided into two further positions, direct positive voluntarism (+DV) and direct negative voluntarism (-DV). Direct positive voluntarism deals with the act of forming judgments, maintaining that one can accept or deny a proposition wilfully and either merely believe or not believe something voluntarily. Direct negative voluntarism deals with the suspension of judgment, maintaining that it can likewise be accomplished by a simple act of will. However, I support an alternate account of Descartes’s voluntarism, which is called indirect doxastic voluntarism (IDV), or indirect voluntarism (IV) for short. By this account, the will is capable of affecting a doxastic state indirectly by making one concentrate on essential tasks for forming that state, such as gathering up and paying attention to strong reasons and evidence. IV is also possible to divide into indirect positive voluntarism (+IV) and indirect negative voluntarism (-IV). Per indirect positive voluntarism the will needs to pay attention to reasons for accepting or denying some proposition. Likewise, by indirect negative voluntarism, in order to suspend judgment the will needs to direct this attention to the reasons for doubt. By attending to these reasons, the will also comes face-to-face with its own freedom. This feeling of freedom can be described as affectivity of the reasons for belief (assent) and doubt (suspension). (shrink)

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)