This article accounts for Heidegger’s phenomenological concept of violence from the period of Being and Time. Violence is relevant for Heidegger in two different contexts: (i) methodological, where we speak of hermeneutic violence, and (ii) thematic, where we should speak of existential violence. The former is grounded in the latter. In the first part of the article, I analyze hermeneutic violence, showing that this concept is ambiguous, and one has to distinguish between two different meanings of it. In the second (...) part of the article, I show that at the core of the original sense lies the existential violence of bursting out of senselessness. In the final part, I contextualize Heidegger’s concept in light of the contemporary phenomenological developments of the phenomenon of violence, showing that existential violence is constitutive and has the peculiar character of being at the same time sense-destroying and sense-making. (shrink)

Dans la théorie kantienne de la sensibilité, les activités synthétiques de l’imagination jouent un rôle essentiel. Il s’agit ici d’établir l’authenticité de la distinction kantienne entre deux activités synthétiques fondamentales, d’étudier leur rapport avec la sensibilité et d’éclairer ainsi le concept kantien de la réceptivité et la distinction entre sens interne et sens externe dans la terminologie kantienne.

The topic to be addressed in this paper, that is, the distinction between the “concept” of time and the being of the clock, divides into two parts: first, in the debate between Albert Einstein and Henri Bergson, one discovers the ground for the diverging concepts of time characterized by physics in its opposing itself to philosophy. Bergson’s durée or “duration” in opposition to Einstein’s ‘physicist’s time’ as ‘public time,’ one can argue, sets the terms for Martin Heidegger’s extending, his ontological (...) analysis of Da-sein, as human being-in-the-world. Second, in this the ‘concept of time’ gives way to the analysis of the ‘being of the clock.’ What is this being of the clock that makes evident the fundamental temporality of Da-sein? This question is rehearsed in Division Two of Being and Time. My claim is that the fundamental insight into the nature of time revealed by the encounter between Bergson and Einstein is that time extemporizes itself. Temporality “is” not a being but a process that temporalizes itself, precisely because it “is not.”. (shrink)

While we endorse Heidegger’s effort to reclaim Kant’s Critique of Pure Reason as a work concerned with the possibility of metaphysics, we hold, first, that his reading is less original than is often assumed and, second, that it unduly marginalizes the critical impetus of Kant’s philosophy. This article seeks to shed new light on Kant and the Problem of Metaphysics and related texts by relating Heidegger’s interpretation of Kant to, on the one hand, the epistemological approach represented by Cohen’s Kant’s (...) Theory of Experience and, on the other, the metaphysical readings put forward by Heimsoeth, Wundt and others in the 1920s. On this basis, we argue that Heidegger’s interpretation of Kant remains indebted to the methodological distinction between ground and grounded that informed Cohen’s reading and was transferred to the problem of metaphysics by Wundt. Even if Heidegger resists a ‘foundationalist’ mode of this distinction, we argue that his focus on the notions of ground and grounding does not... (shrink)

We propose a reading of Heidegger’s interpretation of the problem of Self-Affection in the first Kantian Critique. If the Time and the ‘I Think’ are unified is due to the notion of time as pure Self-Affection, that could capture the formation of Self without subordinating it to an extra-temporal connection. We attempt to show that Heidegger’s account considers time as a self-referential movement which however requires a delay and a retreat of itself to release what is coming. In order to (...) allow an encounter with another, the self-affective structure must give time to herself, which prevents the autarchic closure of herself. (shrink)

Este ensayo analiza algunos de los aspectos centrales de los principales textos que Martin Heidegger dedica al pensamiento de Kant con el objetivo de mostrar cómo todos ellos, al margen de sus divergencias, confluyen en un propósito común a su singular lectura de la historia de la filosofía: sacar a la luz aquello que, en lo explícitamente formulado en sus obras clave, aparece en ellas como lo impensado o no-dicho. Si este elemento determina inadvertidamente la elaboración de tales obras, en (...) el caso de Kant esta idea se concreta en la conexión que Heidegger establece en primer término entre la imaginación trascendental y el “tiempo originario”, en su reflexión años más tarde sobre el modo en que Kant fundamenta el moderno “proyecto matemático del ser” y, por último, en la relación que encuentra en 1961 entre la definición kantiana del ser como posición y el pensamiento griego. (shrink)

Este artículo se propone exponer el fenómeno del existir humano, denominado por Heidegger “Dasein”, en íntima relación con el problema de la constitución de la realidad. Para ello, se entenderá lo real como aquella multiplicidad de entes con los que la vida se confronta diariamente. En este sentido, se plantea que esta multiplicidad no pertenece a lo percibido, sino que deviene más bien de la estructura de la percepción sensible. Mediante advertencias de Heidegger en torno a la filosofía kantiana y (...) a través del uso de ejemplos propios, se realzarán los momentos trascendentales de la sensibilidad: el espacio y el tiempo, hasta llegar al cuidado como ser del Dasein. Así, comprendiendo al cuidado en su sentido temporal, advertiremos que lo real se origina desde el futuro perteneciente al existir mismo. Con lo anterior, el estudio expondrá cómo es que el “Dasein” puede ser entendido como aperturidad o de-velamiento de nuestra realidad. (shrink)

Le problème du schématisme transcendantal est le moment de la Critique de la raison pure où la question de la signification des catégories pousse Kant à remettre en question l’indépendance de l’imagination productive et de l’intuition à l’égard de l’entendement, position que la première rédaction de la Déduction transcendantale partageait encore avec « L’esthétique transcendantale » et la Dissertation de 1770. Ce revirement devient plus explicite et résolu dans la seconde rédaction de la Déduction transcendantale, sans que l’imagination productive, la (...) faculté des intuitions pures, se trouve pour autant réduite à une fonction de l’entendement : si « la synthèse transcendantale de l’imagination » est « un effet de l’entendement sur la sensibilité » selon cette rédaction ( KRV, B 152), c’est parce qu’elle résulte de la détermination a priori, par ce dernier, de certaines activités représentatives pré-conceptuelles dont Kant reconnaît la présence dans la sensibilité animale. (shrink)

Erwin Panofsky explicitly states that the first half of the opening chapter of Studies in Iconology—his landmark American publication of 1939—contains ‘the revised content of a methodological article published by the writer in 1932’, which is now translated for the first time in this issue of Critical Inquiry.1 That article, published in the philosophical journal Logos, is among his most important works. First, it marks the apogee of his series of philosophically reflective essays on how to do art history,2 that (...) reach back, via a couple of major pieces on Alois Riegl, to the 1915 essay on Heinrich Wölfflin.3 Under the influence of his colleague at Hamburg Ernst Cassirer, the principal interpreter of Kant in the 1920s, Panofsky from 1915 on exhibits in his work ever more Kantian thinking and language.4 But Logos was not an art-historical review or one dedicated to aesthetics but a principal mainstream journal of the philosophy of culture. So ‘On the Problem of Describing and Interpreting Works of the Visual Arts’ has a good claim to be the culmination of Panofsky's philosophical thinking in his German period under the Weimar Republic. · 1. Erwin Panofsky, Studies in Iconology: Humanistic Themes in the Art of the Renaissance , p. xv; hereafter abbreviated SI. See Panofsky, ‘Zum Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst’, Logos 21 : 103–19; trans. Jaś Elsner and Katharina Lorenz under the title ‘On the Problem of Describing and Interpreting Works of the Visual Arts’, Critical Inquiry 38 : 467–82; hereafter abbreviated ‘P’.· 2. See the discussion in Carlo Ginzburg, ‘From Aby Warburg to E. H. Gombrich: A Problem of Method’, Myths, Emblems, Clues, trans. John and Anne C. Tedeschi , pp. 17–59, esp. pp. 36–41.· 3. See Panofsky, ‘Das Problem des Stils in der bildenden Kunst’, Deutschsprachige Aufsätze, ed. Karen Michels and Martin Warnke, 2 vols. , 2:1009–18; ‘Der Begriff des Kunstwollens’,Deutschsprachige Aufsätze, 2:1019–34, trans. Kenneth J. Northcott and Joel Snyder under the title ‘The Concept of Artistic Volition’, Critical Inquiry 8 : 17–33; and ‘Über das Verhältnis der Kunstgeschichte zur Kunsttheorie: Ein Beitrag zu der Erörterung über die Möglichkeit kunstwissenschaftlicher Grundbegriffe’, Deutschsprachige Aufsätze, 2: 1035–63, trans. Lorenz and Elsner under the title ‘On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art’, Critical Inquiry 35 : 43–71.· 4. On neo-Kantianism in pre-Nazi Germany, see Michael Friedman, A Parting of the Ways: Carnap, Cassirer, and Heidegger , pp. 25–37; Éric Dufour and T. Z. R. Créteil, ‘Le Statue du singulier: Kant et le néokantisme de l’École de Marbourg', Kantstudien 93 : 324–50; Edward Skidelsky, Ernst Cassirer: The Last Philosopher of Culture , pp. 22–51; and Peter E. Gordon, Continental Divide: Heidegger, Cassirer, Davos , pp. 52–86. Specifically on the Cassirerian Kantianism of Panofsky, see Michael Podro, The Critical Historians of Art , pp. 181–82; Michael Ann Holly, Panofsky and the Foundations of Art History , pp. 91–92, 147–52; Silvia Ferretti, Cassirer, Panofsky, and Warburg: Symbol, Art, and History, trans. Richard Pierce , pp. 174–77, 182–84; David Summers, ‘Meaning in the Visual Arts as a Humanistic Discipline’, in Meaning in the Visual Arts: Views from the Outside, ed. Irving Lavin , pp. 9–24; Mark A. Cheetham, Kant, Art, and Art History: Moments of Discipline , pp. 68–77; Paul Crowther, The Transhistorical Image: Philosophizing Art and Its History , pp. 70–73; Allister Neher, ‘“The Concept of Kunstwollen”, Neo-Kantianism, and Erwin Panofsky's Early Art Theoretical Essays', Word and Image 20 : 41–51; Georges Didi-Huberman,Confronting Images: Questioning the Ends of a Certain History of Art, trans. John Goodman , pp. 4–6, 90–138; and Lorenz and Elsner, ‘Translators’ Introduction', Critical Inquiry35 : 33–42, esp. pp. 38, 40–42. (shrink)

ABSTRACTIn this article I explore the idea that Heidegger's lectures on The Basic Problems of Phenomenology are of particular importance to our understanding of the relationship between Heidegger and Kant. These lectures can be read as a “historical” commentary on Being and Time. Of course, Heidegger does not present himself as a historian of philosophy, but acts as a philosophical reader of Kant in order to expound the principal ideas of his own philosophy. My central claim is that it is (...) through Kant's philosophy of self-consciousness that Heidegger attempts to provide us with a better understanding of his own conception of self-understanding. (shrink)

This thesis seeks to provide a novel interpretation of Heidegger’s project in the late twenties and of its breakdown and transformation around the turn of the decade. I argue that Heidegger develops a unified project in the late Marburg period that is constructed around the question of the unity of the concept of being in light of its regional multiplicity. Furthermore, I argue that Heidegger’s conception of the framework of this project is highly influenced by his reception of Kant in (...) this same period. Specifically, I identify the elements of the Kantian framework that Heidegger retains and appropriates for his project, as well as those elements that he rejects. In the former case, Heidegger takes up primarily Kant’s framework of a priori transcendental conditions that are to make empirical experience possible, which Heidegger reformulates in terms of the pre-understanding of being that makes possible the apprehension of entities. In the latter case, I isolate two primary criticisms that will serve as desiderata for the execution of Heidegger’s project, namely: that the categories have an excessively subjectivistic status, and that they are based solely on logical functions of judgement. The former constitutes a problem because the location of the categories on the subject side make s difficult their applicability to the objective realm, and lead Heidegger to reject both the quid juris form of posing the question as well as the results of the transcendental deduction in general. The latter, though closely connected, points to a different set of problems, and targets not the applicability claim but the exhaustiveness claim of the metaphysical deduction. In articulating a theory of categories based on logical functions of judgments, Kant’s resulting theory of possible objects of experience is limited merely to objects of explicit judgement, roughly the objects of the natural sciences, at the expense of other kinds of objects. Paradigmatic of these ‘other kinds of objects’, for Heidegger, are ready-to-hand entities, which are neither spatio-temporally individuated, nor fit into the Kantian conditions for what it would be to count as an object of possible experience. I argue that Heidegger develops his late Marburg project as a development of the Kantian-inspired framework of pre-understanding of being in a manner that responds to the two above problems. Specifically, Heidegger seeks to ground the understanding of being in temporal schemata rather than in logical functions of judgement, which is intended to provide both a wider range of possible objects and to provide a unified backdrop against which the subject can apprehend objects. I end with an assessment of Heidegger’s project, arguing that while it is ultimately unsuccessful in its aims, it nonetheless represents a philosophically interesting and innovative post-Kantian project that sheds exegetical light both on Heidegger’s middle period as well as on his later works. (shrink)

Kant’s chapter “On the Typic of the Pure Practical Power of Judgement” is one of the most obscure passages of the Critique of Practical Reason and it has often been regarded as a mere appendix. However, it deals with a fundamental question, namely, how can the pure practical law be applied to particular cases. In this paper, I would like to make an original contribution towards a better understanding of this chapter by comparing it to the Schematism chapter on the (...) basis of their analogical relation and suggesting how the reference to a sensus communis could help in solving the aim of the Typic chapter. (shrink)

: Few texts summarize and at the same time compound the challenges of their author's philosophy so sharply as Hermann Cohen's Das Prinzip der Infinitesimalmethode und seine Geschichte (1883). The book's meaning and style are greatly illuminated by placing it in the scientific, political, and academic context of late-nineteenth century Germany. As this context changed, so did both the reception of the philosophy of the infinitesimal and of the Marburg school more generally. A study of this transformation casts significant light (...) on the political relevance of the philosophy of science in theWilhelmine era. As a means of following this development across time, Cohen's text is read through its changing reception in the philosophy of his closest disciple, Ernst Cassirer. (shrink)

Few texts summarize and at the same time compound the challenges of their author's philosophy so sharply as Hermann Cohen's Das Prinzip der Infinitesimalmethode und seine Geschichte . The book's meaning and style are greatly illuminated by placing it in the scientific, political, and academic context of late-nineteenth century Germany. As this context changed, so did both the reception of the philosophy of the infinitesimal and of the Marburg school more generally. A study of this transformation casts significant light on (...) the political relevance of the philosophy of science in theWilhelmine era. As a means of following this development across time, Cohen's text is read through its changing reception in the philosophy of his closest disciple, Ernst Cassirer. (shrink)