In philosophical discussions of the secondary qualities, color has taken center stage. Smells, tastes, sounds, and feels have been treated, by and large, as mere accessories to colors. We are, as it is said, visual creatures. This, at least, has been the working assumption in the philosophy of perception and in those metaphysical discussions about the nature of the secondary qualities. The result has been a scarcity of work on the “other” secondary qualities. In this paper, I take smells and (...) place them front and center. I ask: What are smells? For many philosophers, the view that colors can be explained in purely physicalistic terms has seemed very appealing. In the case of smells, this kind of nonrelational view has seemed much less appealing. Philosophers have been drawn to versions of relationalism—the view that the nature of smells must be explained (at least in part) in terms of the effects they have on perceivers. In this paper, I consider a contemporary argument for this view. I argue that nonrelationalist views of smell have little to fear from this argument. (shrink)

A survey of arguments for and against the view that colors are physical properties.

Are the following propositions true of the colors: No object can be more than one determinable or determinate color all over at the same time (Incompatibility); the colors of objects are mind-independent (Objectivism); and most human observers usually perceive the colors of objects veridically in typical conditions (Veridicality)? One reason to think not is that the empirical literature appears to support the proposition that there is mass perceptual disagreement about the colors of objects amongst human observers in typical conditions (P-Disagreement). (...) In this article, we defend Incompatibility, Objectivism, and Veridicality by calling into question whether the empirical literature really supports P-Disagreement. (shrink)

This entry outlines physicalism about color, and objections to the effect that it cannot meet various desiderata on a metaphysics of color.

Studies show that there are widespread intrasubjective and intersubjective color variations among normal perceivers. These variations have serious ramifications in the debate about the nature and ontology of color. It is typical to think of the debate about color as a dispute between objectivists and subjectivists. Objectivists hold that colors are perceiver-independent physical properties of objects while subjectivists hold that they are either projections onto external objects or dispositions objects have to look colored. I argue that individual color variations present (...) difficulties, albeit not the same kind, for both objectivism and subjectivism. Lastly, I propose an alternative account that handles such variations nicely. (shrink)

Michael Tye’s considered position on visual experience combines representationalism with externalism about color, so when considering spectrum inversion, he needs a principled reason to claim that a person with inverted color vision is seeing things incorrectly. Tye’s responses to the problem of the inverted spectrum ( 2000 , in: Consciousness, color, and content, The MIT Press, Cambridge, MA and 2002a , in: Chalmers (ed.) Philosophy of mind: classical and contemporary readings, Oxford University Press, Oxford) rely on a teleological approach to (...) the evolution of vision to secure the grounds upon which people with normal color vision can be justly called ‘right’ and those with inverted color vision can be called ‘wrong’. I demonstrate that since the inverted spectrum thought experiment requires that both sorts of vision be behaviorally indistinguishable, no biologically acceptable concept of teleology will allow Tye to draw the distinction he needs. (shrink)

In this paper, I propose a fictionalist approach to the problem of color. On my view, which I call prescriptive color fictionalism, we can continue to employ our color discourse as we have thus far even if it turns out that there are no colored objects. My proposal is a species of error theory. As such, it does not describe our current practices. It is rather proposed as a prescription to a problem, namely that the color theory we accept (according (...) to which there are colored objects) is false. By formulating a fictionalist account of color and showing that we can preserve ordinary color discourse in the absence of colored objects, I provide a solution to the problem of color. (shrink)