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  1. Lost in "Conceptual Space": Metaphors of Conceptual Integration.L. David Ritchie - 2004 - Metaphor and Symbol 19 (1):31-50.
    Conceptual integration theory (Fauconnier & Turner, 1998, 2002) is re-examined in the light of recent criticisms (e.g., Gibbs, 2000, 2001). It is argued that the assumption of four independent "cognitive spaces" enters the model primarily as an entailment of the "space," "blending," and "construction" metaphors, leads to unnecessary ambiguity, and works against statement of the theory in a form that supports derivation of testable hypotheses. Several examples from Fauconnier and Turner (2002) are analyzed to show that they can be interpreted (...)
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  • Varieties and Directions of Interdomain Influence in Metaphor.John A. Barnden, Sheila R. Glasbey, Mark G. Lee & Alan M. Wallington - 2004 - Metaphor and Symbol 19 (1):1-30.
    We consider the varieties and directions of influence that the source and target domains involved in a conceptual metaphor can have on each other during the course of understanding metaphorical utterances based on the metaphor. Previous studies have been restricted both as to direction of influence and as to type of influence. They have been largely confined to the “forward” (source to target) direction of influence, and they have concentrated on the transfer of features or propositions and (to some extent) (...)
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  • Evaluating Contemporary Models of Figurative Language Understanding.Raymond Gibbs - 2001 - Metaphor and Symbol 16 (3):317-333.
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  • "ARGUMENT IS WAR"-Or is it a Game of Chess? Multiple Meanings in the Analysis of Implicit Metaphors.David Ritchie - 2003 - Metaphor and Symbol 18 (2):125-146.
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  • Foreword.Rachel Giora - 2001 - Metaphor and Symbol 16 (3):145-148.
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  • Congruity Effects in Time and Space: Behavioral and ERP Measures.Ursina Teuscher, Marguerite McQuire, Jennifer Collins & Seana Coulson - 2008 - Cognitive Science 32 (3):563-578.
    Two experiments investigated whether motion metaphors for time affected the perception of spatial motion. Participants read sentences either about literal motion through space or metaphorical motion through time written from either the ego‐moving or object‐moving perspective. Each sentence was followed by a cartoon clip. Smiley‐moving clips showed an iconic happy face moving toward a polygon, and shape‐moving clips showed a polygon moving toward a happy face. In Experiment 1, using an explicit judgment task, participants judged smiley‐moving cartoons as related to (...)
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