The notion of the absolute time-constituting flow plays a central role in Edmund Husserl’s analysis of our consciousness of time. I offer a novel reading of Husserl’s remarks on the absolute flow, on which Husserl can be seen to be grappling with two key intuitions that are still at the centre of current debates about temporal experience. One of them is encapsulated by what is sometimes referred to as an intentionalist (as opposed to an extensionalist) approach to temporal experience. The (...) other centres on the thought that temporal experience itself necessarily unfolds over time. I show how some of Husserl’s more enigmatic-sounding remarks about the absolute flow become intelligible if they are read as attempts to accommodate both these intuitions at the same time. However, I also question whether Husserl ultimately provides good reasons for preferring his intentionalist approach to a rival extensionalist one. (shrink)

Several disputes about the nature of experience operate under the assumption that experiences have parts, including temporal parts. There's the widely held view, when it comes to temporal experiences, that we should follow James' exhortation that such experiences aren't mere successions of their temporal parts, but something more. And there's the question of whether it is the parts of experiences which determine whole experiences and the properties they have, or whether the determination goes instead from the whole to the parts, (...) as holists have it. But what are parts, or temporal parts, of experiences exactly—what does it mean to say that an experience is “part” of another? Are the participants in those disputes talking about the same thing—is there a univocal notion of “experiential part” available? Are there different kinds of experiential parts? And if there are, is there a systematic way of carving them out? More importantly, how should we conceive of the temporal parts of experiences, and how can we establish that experiences really do have temporal parts, against those who reject the notion? (shrink)

A widely shared view in the literature on first-person thought is that the ability to entertain first-person thoughts requires prior non-conceptual forms of self-consciousness. Many philosophers maintain that the distinctive awareness which accompanies the use of the first person already presupposes a non-conceptual consciousness of the fact that oneself is the owner of a first-person thought. I call this argument The Argument for Non-Conceptual Self-Consciousness based on the Meaning of “I” and will demonstrate that most proponents of the presented argument (...) fail to establish their conclusion, even though I believe that the conclusion is actually true. The argument only justifies the claim that contextual information is needed in order to recognize oneself as the referent of an occurrence of the first person. However, it does not justify the thesis that this information needs to be given consciously and thus the existence of any non-conceptual self-consciousness. Finally, I shall present an argument for the assumption that some form of self-consciousness is needed to reflexively think about oneself via the first-person concept. In order to do so, I will draw on the general discussion about the functional role of consciousness. In particular, I will rely on results recently proposed by Frith and Metzinger (2016), Frith (Pragmatics & Cognition 18:497–551, 2010, Cognitive Neuroscience 2:117–118, 2011), Graziano (2013, Frontiers in Robotics and AI 4:article 60, 2017), and Graziano and Kastner (Cognitive Neuroscience 2:98–113, 2011), which suggest that one of the central functions of consciousness is to provide information about mental states for communication. (shrink)

My thesis concerns the fate of the spiritual capacities of human beings in the time of digital media systems in relation to the work of Bernard Stiegler. Stiegler’s framing of the problem is situated within his ambigious, or pharmacological, approach to technology, in which it is simultaneously poison and cure. It is also founded on his notion of ‘originary technicity’, in which humanity and technology ‘invent’ each other. Both avoid a reductive reading of human-technological relations. Stiegler’s account of subjectivity is (...) one founded on the linguistic, philosophical and sociological notions of agency whereby the self is conceived as a performance within the symbolic and aesthetic order of culture. This performance necessitates a public stage akin to that of the Greek tragic age that allows its audience to reflect upon and question their society in order for the society to remain ethically reflexive. Yet, the growth of mass culture and global consumerism threatens this reflexivity and must be recovered. The generalized proletarianization of the consumer age is one that compromises the acting out of spirit due to the exhaustion of human drives. Furthermore, the social fabric, as with the fabric of the self, is a composition of tendencies, a ‘weaving’ of social bonds that is created by society and its individuals. Therefore, as with the reflexive public stage, society must have the requisite knowledge and ability to interpret and create this production of the social. In a digital age, this must now be a society of ‘image-readers’. By looking at Stiegler’s theorizing of a new contributive economy, I examine the elevating possibilities that can come out of the disindividuating processes of hyper-industrial, consumer-driven technology, and, therefore, what spiritually expressive and transformative performances of self, and society, digital media enable. I argue the aesthetic performance of the self must be one in which the individual is an amateur artist aware of the reflexive social stage that digital platforms provide. (shrink)

This paper explores the use of perhaps the most ubiquitous phrase in time perception literature, i.e., ‘there is no sense organ for time’. I argue here that its usage often highlights several misguided notions about how we perceive time and thus creates a problem in studying it. In this commentary three such underlying notions are discussed which are often drawn as conclusions from the lack of a sensory system to perceive time. These are that time is generated or created separately (...) by the brain, that time perception is different from other kinds of perception and that the study of time is hampered by the lack of a dedicated sense organ. These notions are discussed and argued against. It is claimed that a sense organ for time is not possible, nor does this exclude time from our percepts in general. Moreover, rather than creating a problem, a lack of a sense organ for time offers an opportunity to theorize about our experiences across perceptual modalities and cognitive mechanisms. I conclude by suggesting an end to using this phrase and instead seeing mental time as existing across our experiences. (shrink)

It is an apparent truism about visual perception that we can see only what is visible to us. It is also frequently accepted that visual perception is dynamic: our visual experiences are extended through, and can evolve over time. I argue that taking the dynamism of visual experience seriously renders certain simplistic interpretations of the first claim, that a subject at a given time can see only what is visible to her at that time, false: we can be meaningfully said (...) to see invisible objects. This counterintuitive result in turn focuses our attention on the relationship between perception and memory. I show that it is difficult to draw a clear or simple distinction between the two. Memory and perception rely on, and blend with, one another. Together, these claims point us away from understanding visual perception as a simple reflection of the environment, and instead as closer to a process of dynamic modelling that draws together occurrent stimulation and stored information. (shrink)

We present a conceptual framework on the experience of time and provide a coherent basis on which to base further inquiries into qualitative approaches concerning time experience. We propose two Time-Layers and two Time-Formats forming four Time-Domains. Micro-Flow and Micro-Structure represent the implicit phenomenal basis, from which the explicit experiences of Macro-Flow and Macro-Structure emerge. Complementary to this theoretical proposal, we present empirical results from qualitative content analysis obtained from 25 healthy participants. The data essentially corroborate the theoretical proposal. With (...) respect to Flow, the phenomenally accessible time experience appeared as a continuous passage reaching from the past through the present into the future. With respect to Structure, the individual present was embedded in the individual biography, emerging from past experiences and comprising individual plans and goals. New or changing plans and goals were being integrated into the existing present, thus forming a new present. The future appeared as changeable within the present, by means from the past, and therefore as a space of potential opportunities. Exemplarily, we discuss these results in relation to previous empirical findings on deviant experiences of time in Autism Spectrum Disorder that is presumably characterized by a breakdown of Flow and concomitant compensatory repetition resulting in an overly structured time. Finally, we speculate about possible implications of these findings both for psychopathological and neuroscientific research. (shrink)

Does the A-theory have an intuitive advantage over the B-theory? Many A-theorists have claimed so, arguing that their theory has a much better explanation for the fact that we all experience the passage of time: we experience time as passing because time really does pass. In this paper I expose and reject the argument behind the A-theorist’s claim. I argue that all parties have conceded far too easily that there is an experience that needs explaining in the first place. For (...) what exactly is an experience of temporal passage? One natural thought is that we experience passage in virtue of experiencing change, or in virtue of experiencing change as ‘dynamic’. Another is that we experience passage in virtue of experiencing events as (successively) present. None of these experiences, I argue, amounts to an experience of passage. Although there might still be other ways to experience passage, A-theorists would have to provide us with a plausible candidate experience. If there is such an experience at all, it won’t be one that qualifies as what we intuitively take to be an experience of passage. The ‘intuitive advantage’, it seems, has dissolved in any case. (shrink)

Resumen: La investigación se ciñe en el análisis del primer periodo de producción filosófica del filósofo japonés NISHIDA Kitarô (1870-1945) y, con tal motivo, se ciñe al estudio de tres de sus obras: Estudio sobre el Bien (1911), Intuición y Reflexión en la Autoconciencia (1917) y Arte y Moral (1923). Con ello, se trata de responder a la necesidad de presentar una aproximación factible y plausible cuyo objetivo es arrojar luz sobre las consecuencias que resultan del enfoque psicologista y voluntarista (...) que marca la primera etapa de la filosofía de Nishida. Con ello se quiere clarificar hasta qué punto, bajo qué condiciones y cómo, Nishida maneja determinada idea de subjetividad y, específicamente, cómo con ello pone sobre la mesa todo un conjunto de interrogantes comunes a la modernidad que permean en los presupuestos epistemológicos, éticos y en el estudio de la creación y apreciación artísticas. Abstract: The research presents an analysis of the first period of philosophical production of the Japanese philosopher NISHIDA Kitarô (1870-1945). For that reason, it presents the inquiry around three of his major works: Inquiry into the Good (1911), Intuition and Reflection in Self-consciousness (1917), and Art and Morality (1923). The aim is to respond to the necessity of introduce a feasible and plausible approximation that wants to throw light about the consequences resulting from a psychologist and voluntarist point of view typical of the first period of Nishida's works. It wants to clarify the conditions and how Nishida uses certain idea about subjectivity and, especially, how is conduced his asking about some epistemological, ethical as well as artistic schemes shared and common to philosophical modernity. (shrink)

This chapter explores to what extent some core ideas of predictive processing can be applied to the phenomenology of time consciousness. The focus is on the experienced continuity of consciously perceived, temporally extended phenomena (such as enduring processes and successions of events). The main claim is that the hierarchy of representations posited by hierarchical predictive processing models can contribute to a deepened understanding of the continuity of consciousness. Computationally, such models show that sequences of events can be represented as states (...) of a hierarchy of dynamical systems. Phenomenologically, they suggest a more fine-grained analysis of the perceptual contents of the specious present, in terms of a hierarchy of temporal wholes. Visual perception of static scenes not only contains perceived objects and regions but also spatial gist; similarly, auditory perception of temporal sequences, such as melodies, involves not only perceiving individual notes but also slightly more abstract features (temporal gist), which have longer temporal durations (e.g., emotional character or rhythm). Further investigations into these elusive contents of conscious perception may be facilitated by findings regarding its neural underpinnings. Predictive processing models suggest that sensorimotor areas may influence these contents. (shrink)

This chapter presents an opinionated account of how to understand the contributions of experience, especially with respect to the role of cognitive science, in developing and assessing metaphysical theories of reality. I develop a methodological basis for the idea that, independently of work in experimental philosophy focused on explications of concepts, contemporary metaphysical theories with a role for experiential evidence can be fruitfully connected to empirical work in psychology, especially cognitive science. My argument is not that cognitive science should replace (...) the metaphysician’s use of a priori theorizing and ordinary experience as a guide to metaphysical reality. Rather, we should enrich our perspective on a priori theorizing and ordinary experience as a guide to metaphysical reality by drawing on any relevant work in cognitive science. (shrink)

Schizophrenia is associated with a series of visual perception impairments, which might impact on the patients’ every day life and be related to clinical symptoms. However, the heterogeneity of the visual disorders make it a challenge to understand both the mechanisms and the consequences of these impairments, i.e., the way patients experience the outer world. Based on earlier psychiatry literature, we argue that issues regarding time might shed a new light on the disorders observed in patients with schizophrenia.We will briefly (...) review the mechanisms involved in the sense of time continuity and clinical evidence that they are impaired in patients with schizophrenia.We will then summarize a recent experimental approach regarding the coding of time-event structure in time, namely the ability to discriminate between simultaneous and asynchronous events. The use of an original method of analysis allowed us to distinguish between explicit and implicit judgments of synchrony.We showed that for SOAs below 20ms neither patients nor controls fuse events in time. On the contrary subjects distinguish events at an implicit level even when judging them as synchronous. In addition, the implicit responses of patients and controls differ qualitatively. It is as if controls always put more weight on the last occurred event, whereas patients have a difficulty to follow events in time at an implicit level. In patients, there is a clear dissociation between results at short and large asynchronies, that suggest selective mechanisms for the implicit coding of time-event structure. These results might explain the disruption of the sense of time continuity in patients.We argue that this line of research might also help us to better understand the mechanisms of the visual impairments in patients and how they see their environment. (shrink)

Aron Gurwitsch’s theory of the structure and dynamics of consciousness has much to offer contemporary theorizing about consciousness and its basis in the embodied brain. On Gurwitsch’s account, as we develop it, the field of consciousness has a variable sized focus or "theme" of attention surrounded by a structured periphery of inattentional contents. As the field evolves, its contents change their status, sometimes smoothly, sometimes abruptly. Inner thoughts, a sense of one’s body, and the physical environment are dominant field contents. (...) These ideas can be linked with (and help unify) contemporary theories about the neural correlates of consciousness, inattention, the small world structure of the brain, meta-stable dynamics, embodied cognition, and predictive coding in the brain. (shrink)

O’Regan and Noë’s sensorimotor approach rejects the old-fashioned view that perceptual experience in humans depends solely on the activation of internal representations. Reflecting a wealth of empirical work, for example active vision, the approach suggests that perceiving is, instead, a matter of bodily exploration of the outside environment. To this end, the approach says the perceiver must deploy knowledge of sensorimotor contingencies, the ways sense input changes with movement by the perceiver or object perceived. Clark has observed that the approach (...) faces a challenge accounting for the experience of temporal duration, since event-like properties cannot be characterised by reference to the sensory consequences of possible movements. This paper argues that the account can best be shored up by emphasising, more than Noë does, the dependence of perceptual experience, in general, on temporally extended, organismic interaction with the outside environment. The paper argues, moreover, that an ‘extensionalist’ account of temporal experience could help make sense of object experience, which is itself, plausibly, an experience of temporal duration. (shrink)

This paper has two aims. First, to bring together the models of temporal phenomenology on offer and to present these using a consistent set of distinctions and terminologies. Second, to examine the methodologies currently practiced in the development of these models. To that end we present an abstract characterisation in which we catalogue all extant models. We then argue that neither of the two extreme methodologies currently discussed is suitable to the task of developing a model of temporal phenomenology. An (...) entirely top-down methodology is largely insensitive to empirical findings, while one that is entirely bottom-up is insensitive to both introspective evidence and more general philosophical considerations. We recommend a methodology that falls between these two extremes. (shrink)

This paper argues for the claim that the mental ontology required for what has been called the “Phenomenal Intentionality Theory” (PIT) should be understood in terms of mental events or episodes, not mental states that instantiate phenomenal properties because the former but not the latter has a kind of temporal shape. I begin by laying out the basic commitments of PIT. I then introduce the notion of “temporal shape” and defend the following simple but powerful argument: (1) If conscious experiences (...) are phenomenal mental states that instantiate phenomenal properties, then the phenomenal character of these experiences will lack a temporal shape. (2) The phenomenal character of conscious experience typically has a temporal shape. (3) Therefore, conscious experiences are not mental states that instantiate phenomenal properties. (shrink)

This essay embarks on a thorough exploration of Edmund Husserl’s seminal contributions to the philosophical discourse on consciousness, with a particular focus on the dynamics of conscious decisions within the framework of phenomenology. By delving into Husserl’s nuanced examination of consciousness—its temporal structure, the nature of self-awareness, and the foundational concept of intentionality—the analysis reveals the intricate ways in which Husserl posits the transcendental ego as the nexus of meaning, judgment, and perception. The discussion illuminates how Husserl’s theory of intentionality (...) and the intentional act’s matter and quality serve as the cornerstone for understanding the will’s engagement with the world. Through a detailed exposition of Husserl’s ideas on the phenomenological reduction, the essay articulates the active role of consciousness in constituting reality and the ethical dimensions underpinning the exercise of free will. The paper argues that Husserl’s insights into conscious decision-making challenge conventional views by framing free will within the contexts of knowledge, ethical deliberation, and the ego’s autonomy. This essay contributes to the ongoing dialogue between phenomenology and contemporary philosophy of mind by highlighting Husserl’s profound impact on our understanding of consciousness, agency, and the existential significance of human decisions. Keywords: Edmund Husserl, Phenomenology, Conscious Decisions, Transcendental Ego, Intentionality, Free Will, Consciousness, Epistemology, Temporality, Rationality, Autonomy, Phenomenological Reduction (Epoché), Intersubjectivity, Self-awareness. (shrink)

One of Julian Barbour’s main aims is to solve the problem of time that appears in quantum geometrodynamics (QG). QG involves the application of canonical quantization procedure to the Hamiltonian formulation of General Relativity. The problem of time arises because the quantization of the Hamiltonian constraint results in an equation that has no explicit time parameter. Thus, it appears that the resulting equation, as apparently timeless, cannot describe evolution of quantum states. Barbour attempts to resolve the problem by allegedly eliminating (...) time from his interpretation of QG. In order to evaluate the efficacy of his solution, it is necessary to ascertain in what sense time has been eliminated from his theory. I proceed to do so by developing a form of conceptual analysis that is applicable to the concept of time in physical theories and applying this analysis to Barbour’s account. (shrink)

Perceptual illusions have often served as an important tool in the study of perceptual experience. In this paper I argue that a recently discovered set of visual illusions sheds new light on the nature of time consciousness. I suggest the study of these silencing illusions as a tool kit for any philosopher interested in the experience of time and show how to better understand time consciousness by combining detailed empirical investigations with a detailed philosophical analysis. In addition, and more specifically, (...) I argue against an initially plausible range of views that assume a close match between the temporal content of visual experience and the temporal layout of experience itself. Against such a widely held structural matching thesis I argue that which temporal changes we are experiencing bears no close relation to how our experience itself is changing over time. Explanations of the silencing illusions that are compatible with the structural matching thesis fail. (shrink)

Drawing on the 1870s-1880s work of Shadworth Hodgson and Robert Kelly, William James famously characterised the specious present as ‘the short duration of which we are immediately and incessantly sensible’. Literature on the pre-history of late nineteenth century specious present theories clusters around the work of John Locke and Thomas Reid, and I argue it is incomplete. The pre-history is missing an inter-connected group of English philosophers writing on the present between 1749 and 1785: David Hartley, Joseph Priestley, Abraham Tucker, (...) and William Watson. With William Herschel, Watson even conducted experiments to determine the limits of human temporal perception. These thinkers do not appear in the specious present literature, or broader historical surveys of temporal consciousness. Yet this paper shows that they all produced important work on our experience of the present, variously defending theses that can be found in subsequent specious present theories. It argues their texts reward study, and may have influenced later theorists; contextualises the nineteenth century theories of James and others; and pushes back the start date of the 'standard history' of micro time by over half a century. (shrink)

There is an eminent tradition of thought that sees in the phenomenon of time something contradictory. This tradition has been recently revived by some contemporary proponents of dialethism – the view that there are true contradictions. In this paper, I will contribute to this line of thinking by tracing the first steps of a dialethic account of time-consciousness. In particular, I will argue that the experiential flow of time can be accounted for in the framework of an intentionalist approach to (...) temporal perception if we conceive of time-consciousness as a quasi-multiplicity, i.e., a multiplicity of non-self-identical parts, hence the embrace of dialethism. Section 1 introduces dialethism, discusses Priest's dialethic theory of motion and time, and motivates the project of a dialethic account of time-consciousness. Section 2 introduces the intentionalist approach to time-consciousness and distinguishes pure intentionalism from sense-data intentionalism; both subscribes to a certain Principle of Simultaneous Awareness but interprets it differently. In Sect. 3, I offer an in-depth analysis of this principle and identify its core as the requirement of self-unification, i.e., the requirement that time-consciousness unifies itself in flowing without any higher-order act of unification. Section 4 then argues that pure intentionalism can satisfy this requirement by embracing dialethism. I conclude by noting how the dialethic account of time-consciousness incorporates a central extensionalist insight within an intentionalist outlook. (shrink)

We present a conceptual framework on the experience of time and provide a coherent basis on which to base further inquiries into qualitative approaches concerning time experience. We propose two Time-Layers and two Time-Formats forming four Time-Domains. Micro-Flow and Micro-Structure represent the implicit phenomenal basis, from which the explicit experiences of Macro-Flow and Macro-Structure emerge. Complementary to this theoretical proposal, we present empirical results from qualitative content analysis obtained from 25 healthy participants. The data essentially corroborate the theoretical proposal. With (...) respect to Flow, the phenomenally accessible time experience appeared as a continuous passage reaching from the past through the present into the future. With respect to Structure, the individual present was embedded in the individual biography, emerging from past experiences and comprising individual plans and goals. New or changing plans and goals were being integrated into the existing present, thus forming a new present. The future appeared as changeable within the present, by means from the past, and therefore as a space of potential opportunities. Exemplarily, we discuss these results in relation to previous empirical findings on deviant experiences of time in Autism Spectrum Disorder that is presumably characterized by a breakdown of Flow and concomitant compensatory repetition resulting in an overly structured time. Finally, we speculate about possible implications of these findings both for psychopathological and neuroscientific research. (shrink)

According to the snapshot view of temporal experience, instances of movement and change cannot, strictly speaking, be objects of sensory perception. Perceptual consciousness instead consists of a succession of individual momentary experiences, none of which is itself an experience of movement or change. The snapshot view is often presented as an intuitively appealing view of the nature of temporal experience, even by philosophers who ultimately reject it. Yet, it is puzzling how this can be so, given that its central claim (...) – that we can never just perceive things moving or changing – clearly flies in the face of our common sense view of the phenomenology of experience. In this paper, I offer a diagnosis of how it is possible that the deep conflict between the snapshot view and our phenomenological intuitions can sometimes go unnoticed. The materials for this diagnosis can, I think, be found in some passages in Thomas Reid’s Essays on the Intellectual Powers of Man, in which he criticises John Locke’s account of the origins of the idea of succession, as presented in chapter 14 of book II of An Essay Concerning Human Understanding. As I argue, a crucial aspect of Reid’s criticisms can be seen to turn on the idea that Locke fails to distinguish between two quite different variants of the snapshot view, which I call the memory theory and the mirroring theory of temporal experience, respectively. It is the failure to distinguish between these two different variants of the snapshot view, I suggest, that can also make the snapshot view appear more compatible with our phenomenological intuitions than it in fact is. (shrink)

When I say that I am a lot of things, I mean it literally and metaphysically speaking. The Self, or so I shall argue, is a plurality (notwithstanding the fact that ordinary language takes "the Self" to be a singular term – but, after all, language is only language). It is not a substance or a substratum, and it is not a collection or a bundle. The view I wish to advocate for is a kind of reductionism, in line with (...) some – but not all – broadly Humean ideas. In short, I will defend the view there are the experiences and mental states we have, and that's it: no additional substances, and no bundles. This does not mean, however, that there is no Self – the Self simply is the experiences. I will try to articulate and defend this view by showing that it can accommodate what I take to be the three main desiderata for any theory of the Self to satisfy: first, that the Self is the subject of experience (a subject of mental states, in general); second, that there is a unity to the Self in the sense that our (conscious, phenomenal) experience is at least partly continuous or 'stream-like'; and third, that we do not die when we go to sleep or when we otherwise don't have any (conscious, phenomenal) experiences. (shrink)

In the early twentieth century, Hilda Diana Oakeley set out a new kind of British idealism. Oakeley is an idealist in the sense that she holds mind to actively contribute to the features of experience, but she also accepts that there is a world independent of mind. One of her central contributions to the idealist tradition is her thesis that minds construct our experiences using memory. This paper explores the theses underlying her idealism, and shows how they are intricately connected (...) to the wider debates of her period. I go on to explain how the parts of Oakeley's idealism are connected to further areas of her thought – specifically, her views on history and her growing block theory of time – to provide a sense of Oakeley's philosophy as a system. As there is no existing literature on Oakeley, this paper aims to open a path for further scholarship. (shrink)

The study of the contrast between fundamental aspects of spatial and temporal awareness offers a good opportunity to bring to light the relation between philosophical and scientific theories of consciousness. In this paper we critically examine important work by Rick Grush on spatial and temporal experience, and we show that while there is a valid claim for the relevant neuroscientific model to be one that supports Gareth Evans's stance on "behavioral space", there is not at present any scientific model that (...) offers comparable support for philosophical theories of temporal experience, despite some claims by Grush that might suggest the contrary. Moreover, we argue that careful attention to the spatial case allows us to locate the point at which even relatively successful cases of neuroscientific modeling and explanation are left wanting when their aim is to show that phenomenal features of experience are a function of the representational structures produced by our neural information-processing machinery: an aim widely shared by the predominant programmatic stance in current neuroscience research. (shrink)

In this thesis I present a phenomenological investigation of our experience of time – of things as they fall within time – and suggest that something important goes missing in recent debates. This is the notion of a point of view. I believe that articulating the sense in which we have a point of view in time, and what this is a point of view upon, is crucial to an account of how things are for an experiencing subject. In the (...) first chapter, I elucidate the specious present. I argue that theorists appeal to the specious present under two guises without explicitly distinguishing between them; yet these two conceptions are not identical, while one entails the other the reverse is not true. In the second chapter I defend an appeal to the specious present against proponents of what I refer to as snapshot models of temporal experience. I argue that perceptual experience minimally presents something of some non-zero temporal extent as such. In the third chapter I discuss how we are to characterise experience over intervals of time of a greater extent than the specious present. I offer a proposal on which a subject is invariably presented with a positive temporal extent, with this interval marking the partition between the past and the future for the subject. In the fourth chapter I compare and contrast our experience of objects and events, and our experiential point of view in space and in time. Among other things, I argue that getting right how things are for the subject requires an appeal to the subject’s asymmetrical awareness of times either side of the specious present. In fifth and final chapter I demonstrate that appeal to an experiencing subject’s tensed temporal perspective can explain the sense in which time seems to pass. (shrink)

ABSTRACT While there is a sense in which technological advancements enhance our experience of the world, there is also a sense in which technology obscures the world. One such instance of technology’s ability to obscure the world is the way in which makes works of art so readily accessible. While in many ways the accessibility and democratisation of music offered by digital streaming, for example, is seen to be convenient, we may also notice how this accessibility can efface the significance (...) of the musical work – works that were once only encountered in the concert hall as “works of art” now also function as background music while we drive our cars, or do the dishes, for instance. In this paper, I argue that improvisation, such as that which is demonstrated by improvising musicians, offers us a “way in” to experience music as works of art, qua art, in the age of technology. (shrink)