In this article, I analyze the evolution of Husserl's view on the normativity of logic and the corresponding changes in his phenomenological analysis of judgment. Initially, in the Prolegomena, Husserl claimed that the laws of pure logic are ideal and acquire normative status only as a result of application. Later, however, he revised this position and claimed that the same laws are at once ideal and normative. Sections 1 and 2 present textual evidence for attributing such a change of position (...) to Husserl, which is not generally acknowledged in the literature. Section 3 critically examines Husserl's early position, with specific attention to the model of instantiation. Sections 4–6 identify three key stages in the development of Husserl's theory of judgment that lead to the normative conception of pure logic: (1) the critique of the dissociation of ideal content and assertive force; (2) the rejection of the instantiation model of proposition and the development of a new account in terms of identification; (3) the genetic‐phenomenological interpretation of proposition and the elaboration of the three‐layer structure of pure logic. (shrink)

This paper examines Edmund Husserl's revised account of expression in his 1913–1914 revisions of the Logical Investigations. Rejecting the Investigations’ thesis that linguistic meanings are constituted in a distinctive class of essentially non-intuitive meaning intentions, Husserl develops a new conception of empty intention, a new analysis of the intuitively fulfilled discourse and a phenomenology of the indicative tendency. While these revisions have been acknowledged, their motivation, connection, and significance remain under-explored in the existing literature. By comparing the Investigations and the (...) Revisions, this paper shows how these developments fundamentally alter Husserl’s understanding of the relationship between language, thought, and intuition. The revised account of expression illuminates the dynamic interaction of these elements in the process of meaning-making, offering a balanced account of the interplay of presence and absence in our use of words. (shrink)

Both Husserl and Sartre speak of quasi-presence in their descriptions of the lived experience of imagination, and for both philosophers, accounting for quasi-presence means developing an account of the hyle proper to imagination. Guided by the perspective of fulfillment, Husserl’s theory of imaginary quasi-presence goes through three stages. Having experimented first with a depiction-model and then a perception-model, Husserl’s mature theory appeals to his innovative conception of inner consciousness. This elegant account nevertheless fails to do justice to the facticity and (...) bodily involvement of our imaginary experience. Sartre’s theory of analogon, based on his conception of imaginary quasi-presence as ‘magical’ self-affection, embodies important insights on these issues. Kinesthetic sensations and feelings are the modes in which we make use of own body to possess and be possessed by the imaginary object, thus lending it a semblance of bodily presence. (shrink)