This paper examines the evolution of Husserl’s philosophy of nonintuitive intentions. The analysis has two stages. First, I expose a mistake in Husserl’s account of non-intuitive acts from his 1901 Logical Investigations. I demonstrate that Husserl employs the term “signitive” too broadly, as he concludes that all non-intuitive acts are signitive. He states that not only meaning acts, but also the contiguity intentions of perception are signitive acts. Second, I show how Husserl, in his 1913/14 Revisions to the Sixth Logical (...) Investigation, amends his 1901 theory of non-intuitive acts, which he now calls “empty” intentions. He there accurately distinguishes empty meaning acts from the empty intentions of perception. In the conclusion, I reveal how Husserl’s alterations to his theory of non-intuitive intentions can inform our understanding of a larger shift in his philosophy. (shrink)

Cet article se présente comme une contribution à l’historiographie de la phénoménologie contemporaine. Il s’agit en effet d’analyser les transformations qu’a subies la notion d’« événement » (et ses différents présupposés) pour devenir non seulement un concept proprement phénoménologique, mais également le pivot autour duquel s’est défini un usage contemporain inédit de la phénoménologie, celui de la « phénoménologie française ». De ce point de vue, l’article prend position à l’égard de Neue Phänomenologie in Frankreich, qui retrace le « tournant (...) événementiel » de la phénoménologie française exclusivement dans la métabolisation du concept d’Ereignis de Heidegger ; au contraire, on tente de souligner l’importance d’autres influences – heideggeriennes et non-heideggeriennes. Ainsi, on montre qu’à l’intérieur du champ phénoménologique se mêlent en réalité l’influence de la phénoménologie heideggerienne de l’inapparent, la matrice bergsonienne et les influences structuralistes et post-structuralistes. On analyse ensuite les cas des auteurs de tradition française qui s’intéressent à la phénoménologie et qui exploitent le thème de l’événement (Levinas, Derrida, Marion, Romano). Cela permet finalement de proposer une reconstruction textuelle et une cartographie de l’utilisation de la notion et du thème d’« événement » dans la phénoménologie française contemporaine. -/- Cet article se présente comme une contribution à l’historiographie de la phénoménologie contemporaine. Il s’agit en effet d’analyser les transformations qu’a subies la notion d’« événement » (et ses différents présupposés) pour devenir non seulement un concept proprement phénoménologique, mais également le pivot autour duquel s’est défini un usage contemporain inédit de la phénoménologie, celui de la « phénoménologie française ». De ce point de vue, l’article prend position à l’égard de Neue Phänomenologie in Frankreich, qui retrace le « tournant événementiel » de la phénoménologie française exclusivement dans la métabolisation du concept d’Ereignis de Heidegger ; au contraire, on tente de souligner l’importance d’autres influences – heideggeriennes et non-heideggeriennes. Ainsi, on montre qu’à l’intérieur du champ phénoménologique se mêlent en réalité l’influence de la phénoménologie heideggerienne de l’inapparent, la matrice bergsonienne et les influences structuralistes et post-structuralistes. On analyse ensuite les cas des auteurs de tradition française qui s’intéressent à la phénoménologie et qui exploitent le thème de l’événement (Levinas, Derrida, Marion, Romano). Cela permet finalement de proposer une reconstruction textuelle et une cartographie de l’utilisation de la notion et du thème d’« événement » dans la phénoménologie française contemporaine. -/- . (shrink)

This paper accomplishes two tasks. First, I examine in detail Edmund Husserl’s earliest philosophy of surrogates, as it is found in his 1890 “On the Logic of Signs ”. I analyze his psychological and logical investigations of surrogates, where the former is concerned with explaining how these signs function and the latter with how they do so reliably. His differentiation of surrogates on the basis of their genetic origins and degrees of necessity is discussed. Second, the historical importance of this (...) text is disclosed by showing how Semiotic serves as both the inspiration for, and the foil to, Husserl’s 1901 First Logical Investigation. Husserl not only adopts the idea that linguistic signs can function via association, but also maintains that such signs can motivate me to execute one of two experiences. The key difference between the texts is that Husserl abandons his theory of surrogates in 1901, instead holding that I can experience absent objects by means of empty intentions. The reasons why Husserl found it necessary to transform this tenet of his philosophy are discussed at length. (shrink)

I argue that Husserl’s transcendental account of the role of the lived body in sense-making is a precursor to Alva Noë’s recent work on the enactive, embodied mind, specifically his notion of “sensorimotor knowledge” as a form of embodied sense-making that avoids representationalism and intellectualism. Derrida’s deconstructive account of meaning—developed largely through a critique of Husserl—relies on the claim that meaning is structured through the complication of the “interiority” of consciousness by an “outside,” and thus might be thought to lend (...) itself to theories of mind such as Noë’s that emphasize the ways in which sense-making occurs outside the head. But while Derrida’s notion of “contamination” rightly points to an indeterminateness of meaning in an outside, extended, concrete lived world, he ultimately reduces meaning to a structure of signification. This casts indeterminateness in terms of absence, ignoring the presence of non-linguistic phenomena of embodied sense-making central to both the contemporary enactivist program and to the later Husserl, who is able to account for the indeterminateness of meaning in lived experience through his distinction between sense and more exact linguistic meaning. Husserl’s transcendental theory of meaning also allows for a substantive contribution to sense-making from the side of the perceived object—an aspect missing from Noë’s account. Thus, in contrast to Derrida and to Noë, Husserl accounts for sense-making in terms of both the lived body and the lived world. (shrink)

What is a problem? What is problematic about any problem whatsoever, philosophical or otherwise? As the origin of assertion and apodeiction, the problematic suspends the categories of necessity and contingency, possibility and impossibility. And it is this suspension that is the essence of the problem, which is why it is so suspenseful. But then, how is the problem problematic? Only if what is suspended neither comes to presence, nor simply goes out into absence, that is, if the suspension continues, which (...) continues the problem. But what is problematic about suspension? As a consideration of language shows, the problem of suspension is the problem of implication. If being, for example, is merely implied, neither present nor absent, then it is the suspension of both, at least insofar as it is problematic. And this not only says something about language; rather, it has ontological implications as well — it speaks of being, and the being of anything whatsoever. For if being is implied, if that is the problem of being, it is because being is an implication. Then the being of things like problems is implied as well; or being is in things by implication. But what does it mean for being to be neither presence nor absence, but an implication? It means that being is implied in a way that is problematic — before it is necessary, or even possible. For being’s way of being is characterized by suspension — which has implications for thinking and speaking about being, and about things like problems, even about anything whatsoever. And this has implications for what being implies, namely, unity and time and aspect. (shrink)

I argue that we find the articulation of a problem concerning bodily agency in the early works of the Merleau-Ponty which he explicates as analogous to what he explicitly calls the problem of perception. The problem of perception is the problem of seeing how we can have the object given in person through it perspectival appearances. The problem concerning bodily agency is the problem of seeing how our bodily movements can be the direct manifestation of a person’s intentions in the (...) world. In both cases what, according to Merleau-Ponty, obscures a recognition of the phenomenon in question is a conception of our bodily capacities, i.e. our sensibility and our motility, which reduces these to the workings of mechanisms that are blind to meaning. I argue that both the problem concerning perception and the problem concerning bodily agency can be properly called transcendental. The problem of perception is transcendental because it concerns the very intelligibility of appearances and judgements with empirical content. The problem of bodily agency is transcendental in the sense that it concerns the very intelligibility of our bodily capacity to carry out intentions and by implication the intelligibility of our intentions as such. (shrink)

This essay argues that important critical and political perspective can be gained on Deleuze's famous essay, ‘Bartleby; or, The Formula’ by viewing it as an attempt to move beyond the Sartrean framework of ‘bad faith’. The argument comprises four sections. In section one, I contextualise Deleuze's essay in terms of contrasting readings of Bartleby, from a prior account by Georges Perec, to contemporary accounts indebted to Deleuze, from Hardt and Negri's Empire to Gisèle Berkman's recent L'Effet Bartleby. The argument of (...) this section is that a problematically reductive image of Bartleby has emerged in the wake of Deleuze's essay, but that this can be challenged in favour of a more nuanced and politically significant reading by contextualising the essay as an attempt to overcome bad faith. In section two, I develop this by drawing out the nature and relevance of the threat posed by bad faith through a focus on Sartrean, Deleuzian and Badioucan critiques of Bartleby, before arguing, in section three, that attention to the concept of a ‘logic of presuppositions’ developed in Deleuze's essay shows how bad faith can be overcome. These sections all build towards the fourth and longest section, which draws out the wider political significance of what it means to overcome bad faith. To do so, I pay attention to how logics of presupposition function in Bartleby's story, and consider Deleuze's essay in relation to his work on ‘control societies’ and ‘collective assemblages of enunciation’. (shrink)

Borrowing conceptual tools from Bergson, this essay asks after the shift in the temporality of life from Merleau‐Ponty's Phénoménologie de la perception to his later works. Although the Phénoménologie conceives life in terms of the field of presence of bodily action, later texts point to a life of invisible and immemorial dimensionality. By reconsidering Bergson, but also thereby revising his reading of Husserl, Merleau‐Ponty develops a nonserial theory of time in the later works, one that acknowledges the verticality and irreducibility (...) of the past. Life in the flesh relies on unconsciousness or forgetting, on an invisibility that structures its passage. (shrink)

Giovanni Battista Armenio & Rocco Monti – Who is Carlo Sini? Carlo Sini – As Giovanni Gentile would say, we die to others. Hence, I will answer this question by recalling a sentence by Charles Sanders Peirce: we cannot say who we are, who we have been, what we have done, what the meaning of our life has been. It is others who will outline our identity posthumously, as long as it will remain in personal and public memory. And after (...) all, what would I be without the memory of Peirce, of his life... (shrink)

L’enjeu de cet article est de justifier l’idée d’une fondation phénoménologique, d’inspiration husserlienne, d’une science de la littérature. Cette fondation implique la description de la corrélation eidétiquement distincte dans laquelle le sens de l’œuvre littéraire vient à se constituer, à savoir celle de la quasi-lecture, que nous esquissons dans un premier temps. Le principe d’une science de l’œuvre littéraire est ensuite garanti sur la base d’une analyse de son caractère de phantasia mise en forme et sur la structure spécifique d’horizon (...) du « monde » imaginaire qu’elle projette. Nous esquissons enfin dans la conclusion certaines pistes à venir d’une phénoménologie husserlienne de la littérature. (shrink)

Beginnings can be empirically described, philosophically debated, fictionally recounted or theatrically staged – each kind of discourse approaches beginnings via an examination of representation as an impossible return to source. The work of French philosopher Philippe Lacoue-Labarthe articulates the problem of beginnings by considering them as a form of subjective collapse, loss of integrity and aggravation of emotion resulting from the paradoxical logic of representation. While Lacoue-Labarthe’s position has been largely developed in his philosophical writings, this study focuses more specifically (...) on his literary production, namely his collection of short stories, L’ “Allégorie”, and his staged debate with Jean-Luc Nancy in Scène: suivi de Dialogue sur le dialogue, in which the two writers present opposing views on the theatre. The analysis of the above texts centres on the two key “locations” for beginnings, namely narrative voice and the theatrical stage. (shrink)

This article examines the double account of the human in Friedrich Nietzsche's writings. Genealogically, Nietzsche insists that humanity is a tamed herd that attacks its own animality. Philologically, this human – through anthropomorphism – sunders itself from those aspects of language that are not representational. Read in relation to this double critique, the article argues that Thus Spoke Zarathustra is an attempt to imagine an entirely different relation between politics and language, one that enables a thinking of a future without (...) dominion and responds to the crisis of human rights and the humanities today. (shrink)

According to Jacques Derrida, the tradition of metaphysics is dominated by a basic distinction between presence and absence that plays a fundamental role in Husserl’s theory of meaning and contaminates the core of his phenomenological project. If Husserl’s distinction between indication and expression in the 1st Logical Investigation is credited for opening a ‘phenomenological breakthrough’, his account of the entwinement between the indicative and expressive functions of linguistic signs is accused of restoring and maintaining the metaphysical primacy of presence. In (...) the last chapters of Voice and Phenomenon, Derrida focuses especially on the cases of indexical or ‘essentially occasional’ expressions, whose concrete meaning is a function of the occasion of their use and which rely on the indicative function of meaning. According to Derrida’s reading, Husserl holds that such indexical meanings like ‘I’, ‘here’ or ‘now’, are necessarily always fulfilled and cannot lack of intuitive fulfilment. Consequently Derrida takes Husserl’s account of the meaning of ‘I’ as an obvious symptom of his inability to move away from the myth of pure expressivity, bringing phenomenology back into the history of metaphysics. Husserl would have failed to acknowledge that indexical meanings, like ideal or objective meanings, can remain unfulfilled and deprived of intuition. This article demonstrates that Derrida’s critique misses the most important point in Husserl’s analysis of the meaning of ‘I’, and argues that indexical or subjective expressions are somehow insensitive to the prospect of intuitive presencing and fulfilment. (shrink)

Several commentators have argued that with his concept of anonymity Merleau-Ponty breaks away from classical Husserlian phenomenology that is methodologically tied to the first person perspective. Many contemporary commentators see Merleau-Ponty’s discourse on anonymity as a break away from Husserl’s framework that is seen as hopelessly subjectivistic and solipsistic. Some judge and reproach it as a disastrous misunderstanding that leads to a confusion of philosophical and empirical concerns. Both parties agree that Merleau-Ponty’s concepts of anonymity mark a divergence from classical (...) Husserlian phenomenology. I will question this view and demonstrate that Merleau-Ponty’s discourse on anonymity remains Husserlian in two important senses: it analyses senses in terms of constituting selves and communities of such selves, and it accounts for the formation of experience by the temporal sedimentation of intentional activity. The argument proceeds in four steps. The first section argues against the widely spread notion according to which Merleau-Ponty’s anonymous subject is collective. In the second section, I offer an alternative reading by demonstrating that Merleau-Ponty uses the term “anonymous” primarily to characterize the lived body of a personal subject. In section three, I introduce Merleau-Ponty’s idea of trace and show that for him both the perceived thing and the perceiving body are traces and as such refer to earlier constitutive acts of alien subjects. I then argue that Husserl’s concepts of sedimentation are crucial for the understanding of this idea. Finally, in section four, I show how Husserl’s theory of depresentation informs Merleau-Ponty’s discourse on anonymity. (shrink)

This paper builds a three-part argument in favour of a more transcendentally focused form of ‘postphenomenology’ than is currently practised in philosophy of technology. It does so by problematising two key terms, ‘constitution’ and ‘postphenomenology’, then by arguing in favour of a ‘transcendental empiricist’ approach that draws on the work of Foucault, Derrida, and, in particular, Deleuze. Part one examines ‘constitution’, as it moves from the context of Husserl’s phenomenology to Ihde and Verbeek’s ‘postphenomenology’. I argue that the term tends (...) towards different senses in these contexts, and that this renders its sense more problematic than the work of Ihde and Verbeek makes it appear. Part two examines ‘postphenomenology’. I argue that putatively ‘poststructuralist’ thinkers such as Derrida, Foucault, and Deleuze may be better characterised as ‘postphenomenologists’, and that approaching them in this way may allow better access to their work from a philosophy of technology perspective. Part three argues for a ‘transcendental empiricist’ approach to philosophy of technology. In doing so, it argues for a rewriting of contemporary philosophy of technology’s political constitution: since an ‘empirical turn’ in the 1990s, I argue, philosophy of technology has been too narrowly focused on ‘empirical’ issues of fact, and not focused enough on ‘transcendental’ issues concerning conditions for these facts. (shrink)

Explores the continuities and discontinuities in the work of Henri Bergson and Gilles Deleuze.

Both through his own work and that of his students, Franz Clemens Brentano had an often underappreciated influence on the course of 20 th - and 21 st -century philosophy. _The Routledge Handbook of Franz Brentano and the Brentano School_ offers full coverage of Brentano’s philosophy and his influence. It contains 38 brand-new essays from an international team of experts that offer a comprehensive view of Brentano’s central research areas—philosophy of mind, metaphysics, and value theory—as well as of the principal (...) figures shaped by Brentano’s school of thought. A General Introduction serves as an overview of Brentano and the contents of the volume and three separate bibliographies point students and researchers on to further avenues of inquiry. Systematic and detailed, _The Routledge Handbook of Franz Brentano and the Brentano School_ provides readers with a valuable reference to Brentano’s work, and to his lasting importance in the history of philosophy and in contemporary debates. (shrink)

This paper addresses the notion of communicative action on the basis of Alfred Schutz’ writings. In Schutz’ work, communication is of particular significance and its importance is often neglected by phenomenologists. Communication plays a crucial role in his first major work, the Der sinnhafte Aufbau der sozialen Welt from 1932, yet communication is also a major feature in his unfinished works which were later completed posthumously by Thomas Luckmann: The Structures of the Life World (1973, 1989). In these texts, Schutz (...) sometimes refers to “communicative action,” and he comes to ascribe a crucial role to communication within the domain of the life world he calls everyday life. Based on Schutz’ texts, I shall first attempt to critically reconstruct the defining features of his notion of communication and communicative action. As a result, it emerges that Schutz’ notion of communication, particularly in its early incarnation, seems to be, at first glance, characterized by a dichotomy between virtual communication, that is communicative action in a narrow sense, and non-virtual communication. As I want to show with respect to the seemingly established dichotomous distinction between “mediated” and “immediate social action,” Schutz himself started to overcome this dichotomy. Based on this thesis, I will try to sketch a basic outline of a theory of communicative action, a theory less formulated by Schutz’ than built on Schutz’ writings. As the idea of communicative action, and particularly the transgression of the distinction between mediated and immediate action, affects the very structures of the life-world described by Schutz and Luckmann, I will ultimately demonstrate that any mundane phenomenology of the life-world requires a triangulatory method. (shrink)

(2011). ‘What Is, Is More than It Is’: Adorno and Heidegger on the Priority of Possibility. International Journal of Philosophical Studies: Vol. 19, No. 1, pp. 31-57. doi: 10.1080/09672559.2011.539357.

Manfred Frank has in recent publications criticized a number of prevailing views concerning the nature of self-awareness,1 and it is the so-called reflection theory of self-awareness which has been particularly under fire. That is, the theory which claims that self-awareness only comes about when consciousness directs its 'gaze' at itself, thereby taking itself as its own object. But in his elaboration of a position originally developed by Dieter Henrich (and, to a lesser extent, by Cramer and Pothast) Frank has also (...) more generally criticized every attempt to conceive original self-awareness as a relation, be it a relation between two acts or a relation between the act and itself.2 Every relation entails a distinction between two (or more) relata and, according to Frank, it would be impossible to account for the immediacy and infallibility of selfawareness (particularly its so-called immunity to the error of misidentification), if it were in any way a mediated process. Thus, self-awareness cannot come about as the result of a self-identification, a reflection, an inner vision or introspection, nor should it be conceived as a type of intentionality or as a conceptually mediated propositional attitude, all of which entails the distinction between two or more relata. The pre-reflective self-awareness of an experience is not mediated by foreign elements such as concepts and classificatory criteria, nor by any internal difference or distance. It is an immediate and direct self- acquaintance which is characterized by being completely and absolutely irrelational (and consequently best described as a purely immanent self-presence).3 Frank's approach is unusually broad, since he draws on the resources of several different philosophical traditions, including German Idealism, analytical philosophy of mind, and phenomenology. When it comes to the latter, it is particularly in Sartre that Frank has found important insights, whereas he has criticized Husserl's position persistently in most of his writings on self-awareness.. (shrink)

In this paper, drawing on Husserl, as well as on certain other phenomenologists such as Merleau-Ponty and Richir, I claim that the phenomenon of the apprehension of the perspectives and emotions of literary characters deserves to be called literary empathy. In order to support this claim, I’ll firstly argue that empathy is principally an act of presentification closely related with perception, memory and imagination. Secondly, I’ll argue that literary empathy with literary characters is an imaginative reproduction of the reader’s bodily (...) sedimentations under the instruction offered by the literary text. Thirdly, I’ll argue that through literary empathy, a reader forms a peculiar intersubjective link with the literary character. The subjects in play are thus the real existential “I” and the imagined Other. Asymmetry of existence-positing and lack of interaction do not prevent the imagined characters from exerting an effective influence upon the reader and reconfiguring her actual life. (shrink)

This short communication explores the idea of “stream of consciousness” and considers some of the ways in which scientific writing relies – even or perhaps especially insofar as it does not signal this fact – on the resources of literary language and literary thinking. Particular attention is given to notions of literal and figurative or metaphorical language, including “hydrological” and “ontic” metaphor. A crucial figure is simile (the “like”), discussed here in relation to the Thomas Nagel’s “What is it Like (...) to Be a Bat?”, Todd Feinberg and Jon Mallatt’s Consciousness Demystified, and Anil Seth’s Being You: A New Science of Consciousness. Neuroethics cannot restrict itself to the domain of technology and the human. The deconstruction of anthropocentrism, already underway in literary modernism, calls for responsibility in relation to non-human as well as human life-forms. Virginia Woolf’s Mrs Dalloway provides rich and multifarious resources for exploring these issues. Woolf’s novel is considered as a kind of literary water music, in which sense and feeling is not limited to the human, and distinctions between consciousness and the environment are susceptible to dissolution. Woolf’s work is concerned with a conception of stream of consciousness as telepathic fluidity, as “merging minds” but without restitution of the individual or collective. (shrink)

Cet article vise à réintégrer la question du langage intérieur dans les idées linguistiques de l’énonciation, notamment celles sur le mode de signifiance et l’opération énonciative. En nous référant aux études de Benveniste, de Merleau-Ponty et de Culioli, nous examinons dans quelle mesure le langage intérieur se distingue du monologue intérieur au sens de se parler à soi-même : ce langage intérieur en tant qu’expression pure et naturelle du sens général, implique une réflexivité non consciente et non verbale, dans la (...) genèse du sens ainsi que dans la construction dynamique des formes discursives. Eu égard à ces valeurs, nous procédons à l’analyse énonciative du discours littéraire de la conscience. Plusieurs faits de discours, liés à la non-coïncidence entre le mot et la chose vécue dans la conscience, tels que la nomination, l’indéfinition, la négation, manifestent les traces du langage intérieur global, non construit, inconscient et silencieux, qui mobilise le langage extériorisé. (shrink)

Beautiful passages are passages of ‘pure presence’ inasmuch as they cannot be separated from an absence, from an absence that cannot be revoked by restoring a ‘pure presence’. Beautiful passages are passages that move and inspire because they do not withhold anything, though their gift and their surrender lies in an ellipsis that is essential to ‘pure presence’ and that cannot be sidestepped, as if a remainder, a reserve, or a surplus inhered in them. It is impossible to get a (...) grip on beautiful passages. They are riddles that have been solved but persist in the midst of their solution and do not forfeit any of their enigmaticalness. Their beauty resides in an experience of intensity, in an experience based on an elision, on a tightening and an averting. Such averting is an immediate turning towards the one who feels the intensity, touching and stimulating him as a consequence. This paper explores the question: Are there beautiful passages in Of Grammatology? (shrink)

Buddhism has always produced epistemological systems, and those of the Mahāyāna, in particular, always showed knowledge and perception to be inherently delusive. “Higher” forms of Buddhism have a degenerative philosophy of history according to which a sort of Golden Age was disrupted by the rise and gradual development of knowledge and the delusion inherent in it, which have reached their apex in our time – the final phase of the “Era of Darkness.” From this standpoint, this paper intends to show (...) science, in which Marcuse saw an inherent instrumental/technological interest, to have been developed by delusion and to have simultaneously furthered the development of delusion, to the point at which they begot the deadly ecological crisis proper to this concluding phase of the Era of Darkness – which reveals as such the delusion at its root, achieving the latter’s empirical reductio ad absurdum and offering us the possibility of eradicating it and thus healing our minds and, hopefully, our world. (shrink)

The paper addresses the problem of the place of deconstruction in the history of transcendental philosophy. J. Derrida’s project is considered as one of the most representative and consistent realizations of theoretical foundations of transcendentalism along with prominent conceptions such as Kant’s critique and Husserl’s phenomenology. The author suggests a number of attributes of transcendental thinking that allow historical reconstruction of the transcendental paradigm. Derridian approach is considered as a turn towards this tradition, conceived as a transcendental tradition par exellence, (...) guided by the attitude of «turning. Historical legacy of deconstructive «turning» is analyzed with respect to Husserlian Rückfrage: return-inquiry as method, idea and attitude, reproducing in deconstructive strategy of interpretative critique. A concept of hyperbolic transcendentalism is introduced in order to (1) define a deconstructive version of transcendental philosophy and (2) indicate an immanent tendency in the transcendental thought, constitutive for both Kantian critical project and Husserlian strive towards intellectual radicalism extending from methodological hyperboles (reduction and epoche) to radicalization of «transcendental motive». The author relies upon the concept of quasi-transcendental (thematized by Derrida himself), which defines a mode of de-dogmatization, critical purifying and preservation of proper transcendental foundations of philosophical thinking. (shrink)

The call to “know thyself” is neither a matter of presence and absence to self, nor the necessary or unnecessary possibility or impossibility of self-knowledge ‒ rather it is a problem. And the oracle gives a sign of this problem by implying that which is neither spoken nor concealed. But if implication is the problem of the sign, it is because it suspends the self and the very possibility of self-knowledge.

It is difficult to imagine that a Royal Institute of Physics would organize an annual lecture series on the theme ‘conceptions of physics’. Similarly, it is quite improbable that a Royal Institute of Astronomy would even contemplate inviting speakers for a lecture series called ‘conceptions of astronomy’. What, then, is so special about philosophy that the theme of this lecture series does not appear to be altogether outlandish? Is it, perhaps, that philosophy is the reflective discipline par excellence, so that (...) the very nature of philosophy is a topic that belongs to its domain of investigations? Or is there something more serious at issue? Let me first tell you how the question concerning the nature of philosophy arose for me as a young student, and how I tried to answer it, quite naively, by endorsing Edmund Husserl's programme of turning philosophy into a rigorous science. In a second section, I shall offer three diagnoses of the fact that all such attempts seem to have failed. Finally, I'd like to say a few words on my own research agenda in philosophy and on a public function of philosophers. (shrink)

How might Derrida be said to greet Jean-Luc Nancy in Le Toucher? What kind of handshake does he offer? Derrida explicitly mentions the handshake at the very centre of his book, in the tangent devoted to Merleau-Ponty. A reading of this moment reveals an exemplary case of what happens when Derrida reads apparently ‘fraternal’ texts, and opens up further levels of difference. What then if we consider Nancy's response to Derrida, when the recipient of the handshake shakes back? By examining (...) Nancy's various (mis-)readings of Derrida's famous phrase ‘la différance finie est infinie’ it is possible to trace a subtle but irreducible non-reciprocity in this relationship, represented in the handshake of the ‘salut’ as greeting and valediction, beyond all safety or salvation. (shrink)

This paper begins by presenting Lawlor's Derrida and Husserl: The Basic Problems of Philosophy, an account of how deconstruction emerges as Derrida discusses Husserl's phenomenology (I.). It then determines the genre of Lawlor's intellectual history. Lawlor writes a continuist narrative history of ideas and concepts (II.). In the subsequent main section the paper uses Lawlor's material to take a position in the debate between Husserl and Derrida (III.). This is done in three parts. The first part reconstructs Derrida's version of (...) Husserlian time consciousness (III. 1). The second part proposes an alternative and revisionist reading of Husserl's theory of internal temporality. On this reading Husserl is a process theoretician of consciousness (III. 2). The third part juxtaposes Husserl and Derrida's critical views (III. 3), arguing that Husserl's fluxive theory of time consciousness does not suffer from the problems Derrida finds in his Husserl. The final section (IV.) points to relativizing consequences for deconstruction and identifies programmatic consequences for phenomenology. (shrink)

Journalists depend on two vectors of trust: the trust invested in them by their sources, and the trust invested in them by their end-users. For many years, trust has become a key issue in the articulation of the journalistic profession. This paper distinguishes between two traditional approaches to earn public trust: either through an emphasis on the ideal of objectivity, or by a sort of showing one’s cards: an explicit declaration of one’s subjectivity. Through a reading of Løgstrup, Derrida, and (...) Deleuze, we argue that both positions are inadequate solutions to the problem of trust. In as much as subjectivity is continuously negotiated in interaction with the unknown and the uncontrollable, the poles of objectivity and subjectivity cannot define the narrative event without each supplementing the other. To escape from this impasse, we suggest a third approach: a hospitable journalism characterized by a hospitable attitude towards the uncontrollable and the strange, or unknown, which operates to make the individual more aware of herself and her place in the world. This invitation happens through a silencing of the self. (shrink)

Straipsnyje analizuojama viena naujausių vizualinio mąstymo teorijų – Emmanuelio Alloa (at)vaizdų simptomatologija. Susitelkiant į (at)vaizdo statuso autonomiškumo problemą, kurią įvairiais būdais sprendžia vizualinio ir ikoninio posūkių atstovai, klausiama, koks yra (at)vaizdo statusas kalbos atžvilgiu. Straipsnyje yra grįžtama prie (at)vaizdų simptomatologijos ištakų, konkrečiai – Nelsono Goodmano bendrosios simbolių teorijos. Tai leidžia išryškinti Alloa siūlomo simptomo modelio naujumą ir reabilituoti simptomatologinio tyrimo statusą. Straipsnyje teigiama, kad (at)vaizdams priskiriamas ikoniškumo statusas kalbos atžvilgiu gali būti performuluojamas, iškeliant simptomo tapatybės klausimą. Šia prasme ikoniškumo simptomai (...) yra (at)vaizdų analizei pritaikomi įrankiai, leidžiantys aprašyti skirtingus (at)vaizdų ikoniškumo raiškos lygmenis. (shrink)

“One of the most dangerous of ideas for a philosopher is, oddly enough, that we think with our heads, or in our heads.” Wittgenstein… aber wir sprechen das Allgemeine aus;” Hegel“Hegel is the last philosopher of the book and the first thinker of writing.” Derrida“Linguistic turn”, “pragmatic paradigm”, “Destruktion”, “deconstruction”, “condition postmoderne”, “pensiero debole” are not only philosophical labels. They are not only indices of intellectual positions which have inscribed themselves, as consequences as well as preconditions, in the end of (...) traditional metaphysics. “Nothing is true, everything is permitted”, Nietzsche'sGenealogy of Moralsannounces, describing the empty space which the metaphysical concepts have left; and in doing so opening up a seemingly boundless dimension for new developments of thoughts. The dilemma of these developments of modernity is that the vacuum they left, caused by their ruthless critique, cannot be refilled. So the outlook of modernity remains necessarily heterogeneous and unstable, meandering towards the colourful and fashionable-macabre extremes of postmodemity which gain from the tragic certainty of rien ne va plus the happy imperative of anything goes. But these are also ciphers of a particular philosophical-historical constellation, a work situation, in which the potencies of reason, being verhimmelt for a long time, now are going to be situated into their real contexts. Only, as Habermas puts it, “under the premises of an unexcited postmetaphysical thinking”, the once heroic concept of theory, which was meant to explain the world of human beings and their history as well as Nature out of onto-theleological principles of rationality, falls to pieces. (shrink)

Whether or not Merleau-Ponty’s version of phenomenology should be considered a form of ‘transcendental’ philosophy is open to debate. Although the Phenomenology of Perception presents his position as a transcendental one, many of its features—such as its exploitation of empirical science—might lead to doubt that it can be. This paper considers whether Merleau-Ponty meets what I call the ‘transcendentalist challenge’ of defining and grounding claims of a distinctive transcendental kind. It begins by highlighting three features—the absolute ego, the pure phenomenal (...) field, and the reduction—that Husserl had used to justify claims of a specifically transcendental kind within a phenomenological framework. It then examines how Merleau-Ponty modifies each of these features to focus on the lived body and a factically conditioned phenomenal field, while remaining ambivalent about the reduction. Finally, it assesses whether Merleau-Ponty’s modified position can still legitimately be considered transcendental. I argue that—despite his own rhetoric—this modified position shapes the modality of Merleau-Ponty’s claims in such a way that his phenomenology cannot meet the transcendentalist challenge and therefore should not be considered ‘transcendental.’. (shrink)

The article follows the mutation suffered by the issue of alterity from Husserl to Heidegger and from Heidegger to Lévinas, envisaging it starting from temporality. We aim at replacing the question “Where is the other?” – that betrays the spatializing presuppositions of description – with “When is the other?” that can be clarified starting from the question “When are we together?”. Rather than deducing from the issue of co-presence, the final postponement of all attempt to conceive intersubjectivity in terms of (...) contemporaneity, we subject it to an analysis that raises again the theme of world-time starting from an attention that testifies to the multiple layers that constitute temporality and the plurality of durations that intertwine in it. (shrink)

Derrida's work encompasses dynamic spatial dimensions to understanding as a pervasive theme, including the search for a ‘new psychoanalytic graphology’ in Writing and Difference. This preoccupation with a spatial text for repression also occurs later in Archive Fever. Building on Derrida, this paper seeks to develop key aspects of a new dynamic psychoanalytic graphology through diametric and concentric interactive spatial relation. These spatial movements emerge from a radical reconstruction of a neglected aspect of structural anthropologist Lévi-Strauss’ work on spatial relations (...) prior to myth. This psychoanalytic graphology is argued to silently pervade Freud's own direct accounts of repression. This graphological domain is developed through diametric and concentric spatial movements across common concerns of Derrida and Freud such as inversions, interruption and restoration, regarding traces in the unconscious. A spatial text is uncovered for diverse features of Freudian repression, including ambivalence in obsessional neurosis and psychosis, splitting of the ego and repetition compulsion. This psychoanalytic graphology challenges the construction of a restricted subjectivity based on repressive diametric spatial relations. It goes beyond Freud's logocentric repression, resonant with Derrida's more radical call for a wider spatio-temporal understanding of structures of differential relation, prior to causality and myth. (shrink)

One of Michel Henry’s persistent claims has been that phenomenology is quite unlike positive sciences such as physics, chemistry, biology, history, and law. Rather than studying particular objects and phenomena phenomenology is a transcendental enterprise whose task is to disclose and analyse the structure of manifestation or appearance and its very condition of possibility.

L’articolo si focalizza sulle relazioni fra la nozione di Ferraris di documentalità e le nozioni tradizionali di causalità, intenzionalità, e normatività. Mostrerò che la nozione di documentalità, al cui centro troviamo la nozione di traccia, si basa su una spiegazione della causalità stando alla quale i documenti sono costituiti da catene causali. Stando così le cose, occorre formulare un criterio per differenziare le catene documentali da altri tipi di catene causali. Argomenterò che, riconducendo l’intenzionalità alla documentalità, Ferraris si preclude la (...) possibilità di usare l’intenzionalità come criterio. Senza un tale criterio, però, la teoria della documentalità rischia di ritornare alla tesi di Derrida stando alla quale nulla esiste al di fuori del testo. La parte finale dell’articolo considera due strategie grazie alle quali la teoria può evitare tale rischio. (shrink)

The article seeks to challenge the standard accounts of how to view the difference between Husserl and Frege on the nature of ideal objects and meanings. It does so partly by using Derrida’s deconstructive reading of Husserl to open up a critical space where the two approaches can be confronted in a new way. Frege’s criticism of Husserl’s philosophy of mathematics (that it was essentially psychologistic) was partly overcome by the program of transcendental phenomenology. But the original challenge to the (...) prospect of a fulfilled intuition of idealities remained and was in fact encountered again from within the transcendental analysis by Husserl himself in his last writings on geometry and language. According to the two standard and conflicting accounts, Husserl either changed his earlier psychologistic program as a result of Frege’s criticism, or he was in fact never challenged by it in the first place. The article shows instead how Husserl continued to struggle with the problem of the constitution of ideal objects, and how his quest led him to a point where his analyses anticipate a more dialectical and deconstructive conclusion, eventually made explicit by Derrida. It also shows not only how this development constitutes a philosophical continuity from the original dispute with Frege, but also how Frege’s critique in a certain respect could be read as an anticipation of Derrida’s deconstructive elaboration of Husserl’s phenomenology. (shrink)

Derrida uses ideas and claims of Husserl to formulate his philosophy of deconstruction. I show that he provides a garbled account of Husserl and suggest that his misunderstandings explain many features of the philosophy of deconstruction.