Psychopathy has been theorized as a disorder of emotion, which impairs moral judgments. However, these theories are increasingly being abandoned as empirical studies show that psychopaths seem to make proper moral judgments. In this contribution, these findings are reassessed, and it is argued that prevalent emotion‐theories of psychopathy appear to operate with the unjustified assumption that psychopaths have no emotions, which leads to the hypothesis that psychopaths are completely unable to make moral judgments. An alternative and novel explanation is proposed, (...) theorizing psychopathy as a degree‐specific emotional deficiency, which causes degree‐specific differences in moral judgments. (shrink)

Volume 23, Issue 3, September 2020, Page 214-233.

If one looks for the notion of conscience in Hume, there appears to be a contrast between the loose use of it that can be found in his History of England, and the stricter use of it Hume makes in his philosophical works. It is my belief that, notwithstanding the problems Hume’s philosophy raises for a notion such as conscience, it is possible to frame a positive Humean explanation of it. I want to suggest that, far from corresponding to a (...) mental power or to a faculty of some sort, conscience for Hume can be understood as a reflective form of self-surveying. This becomes apparent if the discussion about conscience as presented in A Treatise of Human Nature is integrated with other notions Hume introduces in An Enquiry concerning the Principles of Morals when discussing the case of the ‘sensible knave’, such as those of inward peace of mind, consciousness of integrity, and reflection on one’s own conduct. To further explicate my line of argument, I shall also contrast Hume’s conclusions with some arguments presented by other authors in this regard, such as Bernard Mandeville and Joseph Butler. (shrink)

This paper argues that Shaftesbury differs from other moral sentimentalists (Hutcheson, Hume, Smith) because he conceives of the moral sentiments as partial and first-personal, rather than impartial and spectatorial. This difference is grounded in Shaftesbury’s distinctive notion that moral self-governance consists in the self-examination of soliloquy. Breaking with his Stoic influences, Shaftesbury holds that the moral sentiments play the role of directing and guiding soliloquy. Because soliloquy is first-personal reflection that is directed to achieving happiness, claiming that the moral sentiments (...) direct soliloquy leads Shaftesbury to conceive of the moral sentiments as arising from the internal perspective of an agent focused on her own happiness. This provides Shaftesbury with a stronger framework for understanding moral sentiments, for it avoids the difficulty of explaining why the sentiments of others or those arising from an imagined spectator’s perspective are motivating or authoritative for us. (shrink)