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  1. Empathie.Íngrid Vendrell-Ferran - 2021 - In Siegmund Judith (ed.), Handbuch Kunstphilosophie. Stuttgart: Utb.
    Dieser Beitrag handelt von der Empathie in der Kunst. Ich beginne mit einer Reflexion über die Ursprünge des Begriffes und seine Verwendung in der Ästhetik. Es folgt eine Analyse der Empathie im Vergleich zu anderen Formen der Anteilnahme an Kunstwerken. Im dritten Teil untersuche ich die Mechanismen der Empathie in der Kunst und die Funktion der Imagination. Der vierte Teil widmet sich der Bedeutung der Gefühle bei der Empathie für Kunstfiguren. Schließlich thematisiere ich den epistemischen, moralischen und ästhetischen Wert der (...)
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  • Stimmung and einfühlung: Hydraulic model and analogic model in the theories of empathy.Andrea Pinotti - 1998 - Axiomathes 9 (1-2):253-264.
    This synthetic survey of the models on which theEinflihlungstheorie is based has showed the deficiency of a pattern and the oscillation of a distinction.The hydraulic model, which following a radical subjectivism is specified as a projection or transfer of pathemic contents from the subject into the object, experiences a crisis if confronted with the rights of the object, which claims to be empathized in this way or in that way. Such a claim induces to recognize a character proper to the (...)
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  • Shifting the affective narrative: atmospheres as solicitations to alter situational emotion scripts.Daniel Vespermann - 2024 - Philosophical Psychology 37 (7):1731-1761.
    Over the past decade, the notion of affective affordances has gained some prominence, particularly in the context of 4E approaches to affectivity. One example of affective affordances, mostly mentioned in passing in 4E approaches to affectivity, are atmospheres. Notoriously difficult to pin down in general, it has so far also remained unclear what distinguishes atmospheres from other affective affordances and whether they are a distinctive type of solicitations. Intuitively, the atmosphere of a situation implies an affect-regulatory profile different to what (...)
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  • Emotional abilities and art experience in autism spectrum disorder.Sara Coelho, Íngrid Vendrell Ferran & Achim Stephan - 2023 - Phenomenology and the Cognitive Sciences:1-26.
    In contrast to mainstream accounts which explain the aesthetic experience of people with autism spectrum disorder (ASD) in terms of cognitive abilities, this paper suggests as an alternative explanation the “emotional abilities approach”. We present an example of a person with ASD who is able to exercise a variety of emotional abilities in aesthetic contexts but who has difficulties exhibiting their equivalents in interpersonal relations. Using an autobiographical account, we demonstrate first that there is at least one precedent where a (...)
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  • Imagination in Early Phenomenological Accounts of Empathy.Íngrid Vendrell-Ferran - 2023 - In Christiana Werner (ed.), Empathy's Role in Understanding Persons, Literature, and Art. New York, NY: Routledge.
    This paper argues that early phenomenologists used the concept of empathy not only to refer to the direct perception of the other’s experiences – as underscored by contemporary proponents of the Direct Perception Theory – but also to describe – in a sense close to Lipps’s theory and contemporary Simulation Theory – how, by virtue of imagining, we “feel into” animate and inanimate objects. Focusing on this second usage of the term, two kinds of imagination-based accounts of empathy in early (...)
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  • Gestimmt sein: Zwischen Resonanz und Responsivität.Tonino Griffero - 2021 - Deutsche Zeitschrift für Philosophie 69 (5):691-719.
    The boom in new theories of resonance is most certainly due to an intellectual atmosphere closely linked to the so-called “affective turn” in the humanities. The paper compares some theories of resonance or responsivity such as Thomas Fuchs’ phenomenological-psychopathological analysis of resonance and Bernhard Waldenfels’ phenomenology of responsivity with a sociological research on resonance by which Hartmut Rosa aims at contrasting the capitalist dictatorship of the growth-acceleration-innovation triad and the resulting loss of bodily resonance in the modern age, and above (...)
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  • Bodies, Authenticity, and Marcelian Problematicity.Jill Hernandez - 2021 - In Cynthia D. Coe (ed.), The Palgrave Handbook of German Idealism and Phenomenology. Palgrave-Macmillan. pp. 85-106.
    This chapter explores Marcel’s relationship with German idealism, the impact idealism had on his existentialism, his philosophical evolution beyond idealist conceptions of objectivity and consciousness, and his own move towards the authentic “ethical self,” whose goal is a reciprocal, intersubjective relationship with others who are freely seeking the inner meaning of experience. It will argue that the authentic self is fundamentally personal because it is embodied, non-objective, and creates opportunities for others to existentially flourish. The continuing progress of the ethical, (...)
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  • Aesthetic Empathy: An Investigation in Phenomenological Psychology of Visual Art Experiences.Jannik M. Hansen & Tone Roald - 2022 - Journal of Phenomenological Psychology 53 (1):25-50.
    Empathy is a psychologically significant phenomenon. It plays a key role in the development of the self, sociality, and prosocial behaviour. The term empathy originated in 19th-century aesthetics, where the concept was seen as an explanation for aesthetic experience. Despite renewed interest in the relation between empathy and aesthetic experiences, investigations into how empathy shapes experiences of art are still scarce. Given this situation, we ask the following three questions: What does one experience when experiencing a work of art empathetically? (...)
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  • Coloraciones emotivas y temples anímicos en los Estudios acerca de la estructura de la conciencia de Husserl.Antonio Zirión Quijano - 2019 - Isegoría 60:123-145.
    El ensayo explora las nociones de “coloración” (o “resplandor”, “luz” o “brillo”) afectiva o emocional, así como la noción de Stimmung (temple anímico o estado de ánimo), tal como son expuestas en los manuscritos que integran el proyecto que Husserl denominó Studien zur Struktur des Bewusstseins, con una mención previa de otros dos textos que preceden a los Studien: las “Notas sobre la doctrina de la atención y el interés” de 1893 o 1894 (en Husserliana XXXVIII) y un pasaje del (...)
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  • Art, Affectivity, and Aesthetic Value: Geiger on the Role of Emotions in Aesthetic Appreciation.Íngrid Vendrell Ferran - 2023 - Journal of Aesthetics and Phenomenology 10 (2):143 - 159.
    This paper explores Moritz Geiger’s work on the role of emotions in aesthetic appreciation and shows its potential for contemporary research. Drawing on the main tenets of Geiger’s phenomenological aesthetics as an aesthetics of value, the paper begins by elaborating his model of aesthetic appreciation. I argue that, placed in the contemporary debate, his model is close to affective models which make affective states responsible for the apprehension of the aesthetic value of an artwork, though Geiger also makes important concessions (...)
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  • Beyond Mood and Atmosphere: a Conceptual History of the Term Stimmung.Gerhard Thonhauser - 2020 - Philosophia 49 (3):1247-1265.
    The last few years have seen increasing research interest in moods and atmospheres. While this trend has been accompanied by growing interest in the history of the wordStimmungin other disciplines, this has not yet been the case within philosophy. Against this background, this paper offers a conceptual history of the wordStimmung, focusing on the period from Kant to Heidegger, as this period is, presumably, less known to researchers working with notions like mood, attunement or atmosphere today. Thus, considering this period (...)
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  • Phenomenological aesthetics: A bibliographic survey. [REVIEW]Andrea Pinotti - 1998 - Axiomathes 9 (1-2):265-270.
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