The following text is the first ever translation into English of a writing by German phenomenologist Hermann Schmitz (*1928). In it, Schmitz outlines and defends a non-mentalistic view of emotions as phenomena in interpersonal space in conjunction with a theory of the felt body’s constitutive involvement in human experience. In the first part of the text, Schmitz gives an overview covering some central pieces of his theory as developed, for the most part, in his massive System of Philosophy, published in (...) German in a series of volumes between 1964 and 1980. Schmitz’s System is centred on the claim that the contemporary view of the human subject is the result of a consequential historical process: A reductionist and ‘introjectionist’ objectification of lived experience culminating in the ‘invention’ of the mind (or ‘soul’) as a private, inner realm of subjective experience and in a corresponding ‘grinding down’ of the world of lived experienced to a meagre, value-neutral ‘objective reality’. To counter this intellectualist trend, Schmitz puts to use his approach to phenomenology with the aim of regaining a sensibility for the nuanced realities of lived experience—hoping to make up for what was lost during the development of Western intellectual culture. Since both this text and the overall style of Schmitz’s philosophising are in several ways unusual for a contemporary readership, a brief introduction is provided by philosophers Jan Slaby and Rudolf Owen Müllan, the latter of whom translated Schmitz’s text into English. The introduction emphasises aspects of Schmitz’s philosophy that are likely to be of relevance to contemporary scholars of phenomenological philosophy and to its potential applications in science and society. (shrink)

The books’ goal is to answer the question: Do the weaknesses of value-free economics imply the need for a paradigm shift? The author synthesizes criticisms from different perspectives (descriptive and methodological). Special attention is paid to choices over time, because in this area value-free economics has the most problems. In that context, the enriched concept of multiple self is proposed and investigated. However, it is not enough to present the criticisms towards value-free economics. For scientists, a bad paradigm is better (...) than no paradigm. Therefore, the author considers whether value-based economics with normative approaches such as economics of happiness, capability approach, libertarian paternalism, and the concept of multiple self can be the alternative paradigm for value-free economics. This book is essential reading to everyone interested in the current state of economics as a discipline. (shrink)

Synthetic cells spark intriguing questions about the nature of life. Projects such as BaSyC (‘Building a Synthetic Cell’) aim to build an entity that mimics how living cells work from basic components. But what kind of entity would a synthetic cell really be? I assess this question from a philosophical perspective, and show how early fictional narratives of artificial life – such as the laboratory scene in Goethe’s Faust – can help us to understand the challenges faced by synthetic biology (...) researchers. (shrink)

In this paper, I argue that hinge propositions are ways of acting that constitute abilities or skills. My starting point is Moyal-Sharrock's account of hinge propositions. However, Moyal-Sharrock's account leaves gaps to be filled, as it does not offer a unified explanation of the origin of our ungrounded grounds. Her account also lacks resources to respond to the issue of demarcation, since it does not provide a criterion for distinguishing ways of acting that can legitimately fulfill the role of ungrounded (...) grounds from those that cannot. Without an answer to this issue, the relativistic threat is serious. I then propose that by narrowing the ways of acting to those that are constitutive of abilities, we can deal with the relativistic threat. I provide an ecological approach to abilities through which I explain why abilities are reality-soaked and therefore why the ways of acting that constitute them are legitimate ungrounded grounds. Based on that approach, I provide an answer to the issue of demarcation that defuses the relativistic threat. (shrink)

A lie is neither a false proposition, nor a mistake, nor a mere fiction; it is a type of fiction, an act, and precisely an intentional act. An act calls for a subject, and therefore a lie is inseparable from its subject. Together, they make up a real object: it has to be real, since a lie produces effects, and the cause-effect relationship only holds between real beings. Like every real object, a lie unfolds in a context. But there is (...) more: it identifies a context. Laz nije ni pogresna tvrdnja, ni greska, niti pak puka fikcija; ona predstavlja odredjeni tip fikcije, cin - tacnije - intencionalni cin. Cinu je potreban subjekat, te je stoga laz neodvojiva od svog subjekta. Oni zajedno cine stvaran objekat: on mora biti stvaran,buduci da laz proizvodi posledice, a odnos uzroka i posledice vazi jedino izmedju stvarnih bica. Kao i svaki objekat, laz se obelodanjuje u kontekstu. Ali to nije sve, ona identifikuje kontekst. (shrink)

Images from the nanoworld are not at all disorienting or bewildering, as one might expect from contemplating the strange and surprising features that arise where classical physics comes to an end and quantum effects begin to appear. Instead, we see the traces of explorers in a world that appears to be infinitely malleable. The paper shows that the capability to visualize processes and phenomena at the nanoscale is a matter not only of research technologies and the advancement of observational techniques, (...) but also a matter of developing a visual setting that exhibits knowledge and practice, surprise and control. The surface is such a stage and so is the landscape: they invite us to become immersed and move around like someone who goes for a walk. In order to appreciate this pictorial, as well as discursive, setting we turn to “strollology” as a method of reconstructing the world that is experienced in the manner of walking. With the notion of imagescape this method is applied to the modes of partaking in the nanoworld and its specific features. Rather than articulate theoretical or metaphysical presuppositions these nanoscapes serve to validate the very idea of nanotechnology. (shrink)

In this article I propose a conception of empowering educational dialogue within the framework of humanistic education. It is based on the notions of Humanistic Education and Empowerment, and draws on a large and diverse repertoire of dialogues—from the classical Socratic, Confucian and Talmudic dialogues, to the modern ones associated with the works of Nietzsche, Buber, Korczak, Rogers, Gadamer, Habermas, Freire, Noddings and Levinas. These forms of dialogue—differing in their treatment of and emphasis on the cognitive, affective, moral and existentialist (...) elements—have become more dominant in recent educational discourse and practice—an intellectual phenomenon that calls for a more analytic and reflective elaboration of the essential elements that constitute educational dialogues. Hence it is the purpose of this article to elucidate the distinguishing marks of true dialogues, to set them within the normative discourse of humanistic education and empowerment, and to offer a normative and stipulative conception of empowering educational dialogue that can be utilized in the various intellectual and practical spheres of humanistic education—a paradigm,working definition, and outline for contemporary teachers in their quest to develop their students’ sensibilities and sensitivities, and empower their ability to live complete, autonomous, authentic, moral and dignified human lives. (shrink)

Goldstein reported multiple cases of failure to categorise colours in patients that he termed amnesic or anomic aphasics. These patients have a particular difficulty in producing perceptual categories in the absence of other aphasic impairments. We hold that neuropsychological evidence supports the view that the task of colour categorisation is logically impossible without labels.

The article traces the evolution and crystallization of Buber’s philosophy of dialogue. It focuses on his consideration of the epistemological and ontological issues attendant to the principium individuationis, the subject of his doctoral dissertation of 1904. Culminating with the publication of Ich und Du in 1923, this process was punctuated by life experiences that led him to affirm rather than to seek to transcend the principium individuationis as the ontological ground of being manifest in the matrix of everyday life, which (...) we are beckoned to sanctify through I-Thou relations. (shrink)

The authors present the conceptual and system-theoretical model of human motor behaviour. The main assumption is that movement is the only observable manifestation of all psychical processes, thus, it is the only phenomenon enabling the creation of hypotheses concerning the psychological conditioning of human behaviour. They pointed to the fact that in the field of biology, and all the more, in psychology, mathematical descriptions are hardly eligible. In this respect, a system-theoretical approach seems to be appropriate. The authors present two (...) systems: information processing modalities in the human mind, based on Nikolai Bernstein’s theory, and the series of processes from stimuli reception to motor response execution. Both these sub-systems make up a super-system. Its simplified graphical representation may be termed “Column Diagram.” The authors analyse the functioning of this super-system in various intellectual-motor purposeful operations. The system-theoretical perspective enables clear categorisation of various human motor operations, their “driving” mechanisms, internal patterns, and their superficial physical and/or mathematical “appearance.” The stream of consciousness in a human motor operation joins the various psychological constructs, which are reception, perception, attention, motivation, intellect, memory, etc., into one coherent, inseparable system. (shrink)

В развитии своего аналитико-синтетического метода Фихте восходил к диэрезису, методически отраженному со времен Платона. Если Платон несомненно указывает на историческое происхождение диэрезис, то у Фихте нет прямого указания на его концептуальную дифференциацию. Таким образом, в эссе исследуется, какие современные научные и философские проблемы привели к возобновлению и новому формированию диэрезиса. Далее показано, как Фихте развил диэрезис в особый трансцендентально-философский метод и таким образом обозначил решающий поворот в философии. Разнообразные методологические и гносеологические размышления о понимании единства и многообразия явлений природы и (...) истории составляют современный фон для разработки Фихте нового аналитико-синтетического метода: взятия за основу основной формы, которая сама по себе содержит возможность дифференцированного образования философское развитие понятия становится прослеживаемым в его генезисе. Таким образом, концепция Фихте превосходит современные таксономические подходы и их пространственно-статическую наслоенность терминов. То же самое относится и к подходам, формирующим гибридизацию с их латентной темпорализацией цепи понятий. В противоположность этому концепция Фихте образует разрыв в мышлении о цепи видов, поскольку мысль об опосредовании видов (понятий) между собой становится идеей, направляющей познание. Генетическая реконструкция идет по пути трансформации абсолютного Я и тем самым субъекта, вовлеченного в эти изменения в процессе познания как чего-то, так сказать, «разворачивающегося» в иных модусах явления вплоть до «реальности» как объективного существования. In the development of his analytical-synthetic method Fichte sought recourse to diaeresis, which reflects back methodically to Plato. While Plato indisputably provides the historical origin of diaeresis, very little is given as a direct reference for Fichte’s decision of terms. Therefore, the essay examines which contemporary scientific and philosophical problems led to the reference point for the resumption and reformation of diaeresis. It also shows how Fichte developed the diaeresis into a special transcendental philosophical method as well as tracking how it marks a turning point in philosophy. The multifaceted methodological and epistemological considerations for formulating the unity and diversity of appearances in nature and history form the contemporary background for Fichte’s development of a new type of analytical-synthetic method. By laying down a basic form which in itself contains the possibility of a differentiated formation, the philosophical development of the concept becomes traceable in its genesis. This marks the point where Fichte's conception transcends the contemporary taxonomic approaches and their spatially-static stratification of concepts. The same applies to the approaches that shape hybridization with their latent temporalization of the conceptual chain. It forms a rupture in thinking related to the linking of species, in that the idea of the mediation of the species (of concepts) among themselves becomes the idea guiding the knowledge. Genetic reconstruction follows the path of the transformation of the absolute I and thus the subject involved in these changes in the process of cognition as a kind of ›unwrapping‹ into other modes of appearance up to ›reality‹ as a representational existence. (shrink)

A lie is neither a false proposition, nor a mistake, nor a mere fiction; it is a type of fiction, an act, and precisely an intentional act. An act calls for a subject, and therefore a lie is inseparable from its subject. Together, they make up a real object: it has to be real, since a lie produces effects, and the cause-effect relationship only holds between real beings. Like every real object, a lie unfolds in a (phenomenological) context. But there (...) is more: it identifies a (dialectical) context. (shrink)

ABSTRACTIki is the key word of Shūzō Kuki’s The Structure of Iki, and it became one of the most widely recognized Japanese aesthetic categories mainly due to this work. However, in The Problems of Contingency, which is Kuki’s most important philosophical work, there is no discussion of iki again, and consequently, most commentators of Kuki fail to see the correlation between his theories of iki and contingency. This article, by contrast, intends to provide a new interpretation of iki in the (...) light of Kuki’s theory of contingency. The specific thesis of this paper is that aesthetic phenomena categorized as subject to the principles of iki are positively evaluated in Japanese culture just because the consciousness of iki is just one form of the consciousness of contingency, in which the awareness of alternatives to the actual situation could produce considerable spiritual entertainment for aesthetic subjects. (shrink)

Paternalism, understood as coercive intervention with the behavior of a person in order to prevent her from causing harm to herself, is a highly controversial issue, because it implies a departure from the widely recognized principle of harm to others. Some conceptual differences between legal paternalism and other forms of state coercion that also depart from the principle of harm to others will be indicated. This is followed by an analysis of the arguments that are usually brought forth against legal (...) paternalism. And finally, the possibility of determining ethically justifiable types of legal paternalism is explored. (shrink)

The author of the contribution discloses against a religious backdrop overriding motifs and aims of Faustus unbridled voluntarism. His driving force seems to be, in compliance with Schopenhauer ́s theory, human intellect. The overriding motif lies in his vision of being Almighty, which is reflected in his craving to be god-like. The human will oscillates in the space between a fallacious idea about the status of a deity and limitations of the academic knowledge. On a broader level, the author shows (...) that the Faustian voluntarism affects not only Goethe ́s literary character but also man of the 21st century more than ever. (shrink)

En el presente artículo se realiza un análisis de ciertas instituciones fundamentales para la mediación entre el Estado y la sociedad civil, según los Principios de la Filosofía del Derecho de Hegel. Dicho análisis se limita a la esfera privada de la sociedad civil, y por ello se explica especialmente el carácter mediador del sistema de las necesidades, de los estamentos sociales y de la corporación. Se aborda la sociedad civil hegeliana desde el punto de vista del interés privado y, (...) consecuentemente, se analiza, en primer lugar, el sistema de las necesidades y, en segundo lugar, la corporación. El análisis del sistema de las necesidades conduce a desarrollar la mediación del trabajo, de los estamentos sociales y del papel que cumplen en la sociedad civil la administración de justicia y la “policía”, de acuerdo con la Rechtsphilosophie hegeliana. Por su parte, la presentación de la corporación como mediación ética en la esfera privada, lleva a explicar el tipo de reconocimiento intersubjetivo que se produce en este ámbito, así como también la dimensión política intrínseca a la práctica corporativa. (shrink)

This paper presents the concept of the idealization of the interchangeability of phases of life as an enhancement, or rather as a further development of Alfred Schutz’s general thesis of the reciprocity of perspectives. It claims that the according figure of thought is a constitutive part of acts of understanding in everyday life where, in order to understand each other, individuals of different age-groups have to overcome the difference of perspectives that are attached to their particular ages. This is accomplished (...) by a specific assumption that is also applied in the case of intrasubjective, autobiographical understanding. By discussing its sociological significance as well as its philosophical background, this paper introduces the idealization of the interchangeability of phases of life as a fundamental and universal figure of understanding. (shrink)

This article proposes a number of models to examine through which mechanisms a population of autonomous agents could arrive at a repertoire of perceptually grounded categories that is sufficiently shared to allow successful communication. The models are inspired by the main approaches to human categorisation being discussed in the literature: nativism, empiricism, and culturalism. Colour is taken as a case study. Although we take no stance on which position is to be accepted as final truth with respect to human categorisation (...) and naming, we do point to theoretical constraints that make each position more or less likely and we make clear suggestions on what the best engineering solution would be. Specifically, we argue that the collective choice of a shared repertoire must integrate multiple constraints, including constraints coming from communication. Key Words: autonomous agents; colour categorisation; colour naming; connectionism; cultural evolution; genetic evolution; memes; origins of language; self-organisation; semiotic dynamics; symbol grounding. (shrink)

The protagonist of Thomas Mann’s short story "The Clown" cannot became an artist because he hasn’t got enough talent. He is also unable to live among people as an ordinary citizen because his social competencies haven’t been completely developed. That is why he can be regarded as a literary figure who tries to leave the real world and to penetrate the literary world. The devil who appears in Charles Gounod’s opera "Faust" based on Johann Wolfgang Goethe’s drama "Faust" and who (...) is watching the protagonist from the stage during the opera performance seems to be the only person who can help him to find his existential space. (shrink)

The story of Faust is a part of European culture and mythology for five centuries and modified and reflected looking of the society upon some key questions in various transformation. Faust has never been alone in his effort to reach an absolute knowledge and power, even at the expense of his own execration. Other iconic beings of folk literature or folk imagination and fiction following their own ambitions were ahead of him and followed him. The aspect of power as a (...) dominant determinant of not only Faust’s effort became determining element of investigation in submitted article. Author accesses the problem of power in wider social-cultural contexts and looks for matter, origin and symptoms of its attraction following its transformation and possible aesthetical influence on the individual in the work reception and even in personal acting and creating of aesthetical preferences of the recipient. (shrink)

Esse ensaio busca apresentar as dualidades presentes nos primeiros movimentos da edição de Fausto como elementos constituintes da formação do todo da obra. É a própria caracterização dual que garante à obra o estatuto de tragédia. Buscando estabelecer relações com as polaridades abordadas por Goethe essa leitura dual se faz de acordo com alguns postulados teóricos do próprio autor e é uma ferramenta que auxilia a compreensão dessa obra.

Teksty są co najmniej w dwójnasób transcendentne. Z jednej strony poprzez język, tworzywo tekstu, który konstytuując się w diachronii i funkcjonując w synchronii, transcenduje – żeby użyć sformułowania Karla Jaspersa – przeszłą rzeczywistość w postaci powstałych wtedy znaków i ich znaczeń w nieznaną z tamtej perspektywy przyszłość, a więc i w naszą teraźniejszość. Z drugiej zaś istniejące już teksty wchodzą z sobą w interakcję, co powoduje, że tworzą się niejako hiperteksty w czasie i w przestrzeni. Jest jeszcze i trzeci wymiar (...) – to autor tekstu i czytelnik, którym tekst pozwala – jak mówi Gerhard Kurz – wyjść „poza siebie”, bo tylko wtedy odczuwamy potrzebę powrotu do „własnego ja”, odrzucając po drodze kolejną maskę. W artykule pokazano to na przykładzie tekstów Franza Kafki. Spośród wielu poruszonych tam wątków ograniczmy się tutaj jedynie do toposu syren, które zniewalały żeglarzy swym śpiewem. U Kafki syreny już definitywnie nie śpiewają, wobec czego Odyseusz niepotrzebnie kazał zatykać sobie uszy woskiem. Kafka stawia tylko kropkę nad i, bo już i we wcześniejszej literaturze niemieckiej ten śpiew cichł coraz bardziej. I tak w znanej pieśni Heinego Loreley poeta już nie jest pewny skuteczności śpiewu syren – on jedynie chce w to wierzyć: „Wierzę, że fale w końcu pochłoną i żeglarza i łódź”. Bo w czasach nihilizmu śpiew – i sztuka w ogóle – traci swą moc. W balladzie Rybak Goethego syrena wprawdzie jeszcze tryumfuje, ale to nie za sprawą śpiewu. Śpiew bowiem dominuje w drugiej zwrotce, natomiast rybak pogrąża się w odmętach morza dopiero w czwartej zwrotce, gdzie dominuje perswazja słowna. Ta inwersja – notabene brak jej w polskim tłumaczeniu Hanny Januszewskiej w Dziełach wybranych J. W. Goethego – nie mogła być u Goethego przypadkowa: symbolizuje ona typową dla lustrzanego odbicia odwróconą proporcję – rybak tak naprawdę ujrzał własne odbicie w wodzie, biorąc je za postać syreny. Śmierć w odmętach morza była ceną za brak samowiedzy. Nie darmo zatem napis na świątyni Apollina w Delfach głosił: „Γνῶθι σεαυτόν – Poznaj samego siebie”. (shrink)

Until now psychoanalytic literature has paid little attention to the psychoanalytic consulting room or the arrangement of couch and armchair and their likely effect on the psychoanalytic process. In this qualitative study, the answers of 20 former analysands reporting about their analyses in a guided interview were interpreted. It was found that room and psychoanalytic process interact very closely with one another. In the course of the analysis analysands define room implicitly in five different ways unaware of their doing so. (...) Room is defined as 1 the complete room in which the couch and armchair stand. Subjectively, the analysand is in the analyst’s room and is assigned a place on the couch for his own use. Analysis consists mainly on the analysand’s adapting to the analytic procedure. 2 the couch setting. Subjectively, the analysand is in his own room. Psychoanalysis consists mainly of regressive dyadic interactions between analysand and analyst. The analysand idealizes the room and is unaware of any irritating element. 3 the couch. Subjectively, the analysand is in his own room, concentrating on the confrontation with himself during the analytic work. The analyst accompanies the process mainly protectively by having the consulting room ready. 4 the complete room with all its details as the basis of the analysand’s own concept of a room. The analysand has an increasingly critical view of the consulting room, the analyst and all the details of the analytic process. He now becomes fully aware of all the elements belonging to room and process. He conceptualises his own idea of the perfect room. His often vehement criticism of all the elements of the room is central to the analytic work at this stage. 5 the complete consulting room including the couch setting. After the end of his analysis, the analysand returns to his old consulting room and discovers, mainly unconsciously, that his former consulting room has become foreign to him. He is no longer in his own room and soberly looks at an unattractive room in which he once experienced all the decisive periods of his life. The analysand goes through these five phases respectively. The process is not reversible. On account of the interaction stated between room perception and psychoanalytic process this room theory can serve as a means of efficacy research in order to evaluate the depth of the psychoanalytic process and the qualitative personality changes within it. (shrink)

The article shows the way of explaining the four elements in the artwork Faust. There are more authors who claim that the times of Hegel and Goethe were the last period, during which were the four elements taken as a topic of philosophy and science. Goethe was a person representing the science and the art in one. Bockemühl is comparing the Goethe´s steps of research to the four elements, His research of the scientific images were transported as symbols into the (...) both parts of Faust. The article offers more opinions on the topic of the four elements: Sullivan describes Goethe´s Witterunglehre, Kalnická writes about the water as a symbol of the female element, Jung analyzes Mefisto as an example of the temptation in the form of an attractive light. The author is considering the option that Faust as a person may be a representative of the culture which stands as an opposite to the nature. The four elements are Faust´s competitor during his wandering. The last part of the text is concluded by three chosen illustration of the Faust. All of them were made in different times. (shrink)