- The Varieties of Musical Experience.Brandon Polite - 2014 - Pragmatism Today 5 (2):93-100.details
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The role of expectation in the constitution of subjective musical experience.Elisa Negretto - unknowndetails
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Music and Verbal Meaning: Machaut's Polytextual Songs.Elizabeth Eva Leach - 2010 - Speculum 85 (3):567-591.details
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Musical works: Ontology and meta-ontology.Julian Dodd - 2008 - Philosophy Compass 3 (6):1113-1134.details
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The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.details
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The definition of art.Thomas Adajian - 2018 - Stanford Encyclopedia of Philosophy.details
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(1 other version)Schopenhauer's Aesthetic Ideology.Michel-Antoine Xhignesse - 2023 - In David Bather Woods & Timothy Stoll (eds.), The Schopenhauerian mind. New York, NY: Routledge. pp. 127-40.details
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Musical works are mind-independent artifacts.Elzė Sigutė Mikalonytė - 2023 - Synthese 203 (1):1-28.details
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Who's Afraid of Mathematical Diagrams?Silvia De Toffoli - 2023 - Philosophers' Imprint 23 (1).details
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Musical Works as Structural Universals.A. R. J. Fisher - 2021 - Erkenntnis 88 (3):1245-67.details
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The aesthetics of country music.John Dyck - 2021 - Philosophy Compass 16 (5):e12729.details
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Intuitions in the Ontology of Musical Works.Elzė Sigutė Mikalonytė - 2022 - Review of Philosophy and Psychology 13 (2):455-474.details
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The Assumptions behind Musical Stage Theory: A Reply to Letts.Caterina Moruzzi - 2020 - Journal of Aesthetics and Art Criticism 78 (3):362-366.details
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Why can’t I change Bruckner’s Eighth Symphony?David Friedell - 2020 - Philosophical Studies 177 (3):805-824.details
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Entitled Art: What Makes Titles Names?Michel-Antoine Xhignesse - 2019 - Australasian Journal of Philosophy 97 (3):437-450.details
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Social Ontology.Brian Epstein - 2018 - Stanford Encyclopedia of Philosophy.details
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Jazz and Musical Works: Hypnotized by the Wrong Model.John Andrew Fisher - 2018 - Journal of Aesthetics and Art Criticism 76 (2):151-162.details
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Fake Views—or Why Concepts are Bad Guides to Art’s Ontology.Michel-Antoine Xhignesse - 2018 - British Journal of Aesthetics 58 (2):193-207.details
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“The Two Brothers”: Reconciling Perceptual-Cognitive and Statistical Models of Musical Evolution.Steven Jan - 2018 - Frontiers in Psychology 9.details
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Attempting art: an essay on intention-dependence.Michel-Antoine Xhignesse - 2017 - Dissertation, Mcgill Universitydetails
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A Return to Musical Idealism.Wesley D. Cray & Carl Matheson - 2017 - Australasian Journal of Philosophy 95 (4):702-715.details
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Tres ratones ciegos: Goodman, McLuhan y Adorno sobre el arte de la música y del escuchar en la época de la transmisión global.Lydia Goehr - 2012 - Enrahonar: Quaderns de Filosofía 49:121-154.details
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Heraclitan resonances and Romanticism: ‘the river’ in some twentieth century popular songs.David Pilgrim - 2020 - Journal of Critical Realism 19 (2):131-145.details
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Artifact.Beth Preston - 2018 - Stanford Encyclopedia of Philosophy.details
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Der musikalische Platonismus und das Problem des Sampling.Nicola Lüthi - 2012 - Swiss Philosophical Preprints.details
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Are arguments abstract objects?Steven W. Patterson - unknowndetails
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Works, recordings, performances : classical, rock, jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.details
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A handbook of situated making.Sophie Fetocacis - 2022 - Dissertation, Huddersfield Universitydetails
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The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes.Andy Hamilton - 2020 - Journal of Aesthetics and Art Criticism 78 (3):289-302.details
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The Historical Ontology of Art.Rafael De Clercq - 2020 - Philosophical Quarterly 70 (279).details
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Artifact.Risto Hilpinen - 1999 - Stanford Encyclopedia of Philosophy.details
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Creativity, Culture Contact, and Diversity.Hillary Stephenson & Alfonso Montuori - 2010 - World Futures 66 (3-4):266-285.details
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The Experimental Composition Improvisation Continua Model: A Tool for Musical Analysis.Alister Spence - 2021 - Frontiers in Psychology 12:611536.details
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Dishes as Performances.Alessandro Giovanni Bertinetto - 2020 - Humana Mente 13 (38).details
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Aesthetic and technical strategies for networked music performance.Rebekah Wilson - forthcoming - AI and Society.details
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Performing Works of Music Authentically.Julian Dodd - 2012 - European Journal of Philosophy 23 (3):485-508.details
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Aesthetics of Opera.Paul Thom - 2011 - Philosophy Compass 6 (9):575-584.details
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Retroactive Temporality. The Logic of Jazz Improvisation read through Žižek’s Hegel.Feige Daniel Martin - 2017 - International Journal of Žižek Studies 11 (3).details
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(1 other version)A pragmatic approach to the identity of works of art.Julie C. van Camp - 2006 - Journal of Speculative Philosophy 20 (1):42-55.details
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Creative Inquiry and Scholarship: Applications and Implications in a Doctoral Degree.Alfonso Montuori & Gabrielle Donnelly - 2013 - World Futures 69 (1):1 - 19.details
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Sound and Notation: Comparative Study on Musical Ontology.So Jeong Park - 2017 - Dao: A Journal of Comparative Philosophy 16 (3):417-430.details
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Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice.Panagiotis A. Kanellopoulos - 2012 - Educational Philosophy and Theory 44 (2):151-182.details
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Descriptivism and the Determination Thesis: an Untenable Marriage in the Metaontology of Art.Nemesio G. C. Puy - 2022 - Philosophical Quarterly 72 (3):595-614.details
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Aspectos musicales en la crítica deleuziana de la representación.Guadalupe Lucero - 2018 - Endoxa 41:258.details
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Theoriegeleitete Bestimmung von Objektmengen und Beobachtungsintervallen am Beispiel des Halleyschen Kometen.Ulrich Gähde - 2012 - Philosophia Naturalis 49 (2):207-224.details
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Work(s) and (Non)production in Contemporary Movement Practices.Hetty Blades - 2016 - Performance Philosophy 2 (1):35-48.details
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Deconstruction, Musicology and Analysis: Some Recent Approaches in Critical Review.Christopher Norris - 1999 - Thesis Eleven 56 (1):107-118.details
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“Does not compute”? Music as real-time communicative interaction.Ian Cross - 2013 - AI and Society 28 (4):415-430.details
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Is Moruzzi's Musical Stage Theory Advantaged?Philip Letts - 2020 - Journal of Aesthetics and Art Criticism 78 (3):357-362.details
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Musical recordings.Andrew Kania - 2009 - Philosophy Compass 4 (1):22-38.details
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