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  1. Peirce on the passions: The role of instinct, emotion, and sentiment in inquiry and action.Robert J. Beeson - unknown
    One of the least explored areas of C.S. Peirce's wide range of work is his contributions to psychology and the philosophy of mind. This dissertation examines the corpus of this work, especially as it relates to the subjects of mind, habit, instinct, sentiment, emotion, perception, consciousness, cognition, and community. The argument is that Peirce's contributions to these areas of investigation were both highly original and heavily influenced by the main intellectual currents of his time. An effort has been made to (...)
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  • Prolegomena to the semiotic analysis of prehistoric visual displays.Göran Sonesson - 1994 - Semiotica 100 (2-4):267-332.
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  • Defining the emblem.Barbara E. Hanna - 1996 - Semiotica 112 (3-4):289-358.
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  • What does Peirce's Sign System Have to Say to Art History?James Elkins - 2003 - Culture, Theory, and Critique 44 (1):5-22.
    Peirce is far too strange for the uses to which he is put in art history. This is a plea to art historians for a moratorium on Peirce citations.
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  • Review article.[author unknown] - 1994 - Semiotica 99 (3-4):319-440.
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  • Pluralism, Pragmatism and American Democracy: A Minority Report.H. G. Callaway - 2017 - Newcastle, England: Cambridge Scholars Publishing.
    This book presents the author’s many and varied contributions to the revival and re-evaluation of American pragmatism. The assembled critical perspective on contemporary pragmatism in philosophy emphasizes the American tradition of cultural pluralism and the requirements of American democracy. Based partly on a survey of the literature on interest-group pluralism and critical perspectives on the politics of globalization, the monograph argues for reasoned caution concerning the practical effects of the revival. Undercurrents of “vulgar pragmatism” including both moral and epistemic relativism (...)
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  • Peirce's Basic Classes of Signs in a Somewhat Different Vein.Floyd Merrel - 2000 - The Commens Encyclopedia: The Digital Encyclopedia of Peirce Studies.
    The genuine Peircean concept of the sign is more adequately imaged by a tripod than the customary triangle. The tripod allows for three-way interaction between the three sign components, and it gives rise to Peirce’s nine sign classes and the ten signs that are engendered from them.
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  • Making the knowledge profile of C. S. Peirces concept of esthetics.Bent Sørensen & Torkild Thellefsen - 2004 - Semiotica 2004 (151):1-39.
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  • Elements of Peircean phenomenology: From categories to signs by way of grounds.Göran Sonesson - 2019 - Semiotica 2019 (228):259-285.
    Journal Name: Semiotica Issue: Ahead of print.
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  • Charles S. Peirce’s sign typology of 1903 and the semeiotic of universe, man, and culture.Bent Sørensen, Torkild Thellefsen, Martin Thellefsen & Amalia Nurma Dewi - 2019 - Semiotica 2019 (228):287-300.
    Journal Name: Semiotica Issue: Ahead of print.
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  • Graphical Language Games: Interactional Constraints on Representational Form.Patrick G. T. Healey, Nik Swoboda, Ichiro Umata & James King - 2007 - Cognitive Science 31 (2):285-309.
    The emergence of shared symbol systems is considered to be a pivotal moment in human evolution and human development. These changes are normally explained by reference to changes in people's internal cognitive processes. We present 2 experiments which provide evidence that changes in the external, collaborative processes that people use to communicate can also affect the structure and organization of symbol systems independently of cognitive change. We propose that mutual‐modifiability—opportunities for people to edit or manipulate each other's contributions—is a key (...)
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  • Foundations of Representation: Where Might Graphical Symbol Systems Come From?Simon Garrod, Nicolas Fay, John Lee, Jon Oberlander & Tracy MacLeod - 2007 - Cognitive Science 31 (6):961-987.
    It has been suggested that iconic graphical signs evolve into symbolic graphical signs through repeated usage. This article reports a series of interactive graphical communication experiments using a ‘pictionary’ task to establish the conditions under which the evolution might occur. Experiment 1 rules out a simple repetition based account in favor of an account that requires feedback and interaction between communicators. Experiment 2 shows how the degree of interaction affects the evolution of signs according to a process of grounding. Experiment (...)
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  • C. S. Peirce’s Dialogical Conception of Sign Processes.Mats Bergman - 2005 - Studies in Philosophy and Education 24 (3):213-233.
    This article examines the contention that the central concepts of C. S. Peirce’s semeiotic are inherently communicational. It is argued that the Peircean approach avoids the pitfalls of objectivism and constructivism, rendering the sign-user neither a passive recipient nor an omnipotent creator of meaning. Consequently, semeiotic may serve as a useful general framework for studies of learning processes.
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  • From commodity production to sign production: A triple triangle model for Marx’s semiotics and Peirce’s economics.Joohan Kim - 2000 - Semiotica 132 (1-2):75-100.
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