Thanks to the work of Kendall Walton, appeals to the notion of pretence (or make-believe) have become popular in philosophy. Now the notion has begun to appear in accounts of truth. My aim here is to assess one of these accounts, namely the ‘constructive methodological deflationism’ put forward by Jc Beall. After introducing the view, I argue that Beall does not manage to overcome the problem of psychological implausibility. Although Beall claims that constructive methodological deflationism supports dialetheism, I argue that (...) it does not, and I show that it in fact provides a classical response to the Liar paradox. (shrink)

If there are no fictional characters, how do we explain thought and discourse apparently about them? If there are, what are they like? A growing number of philosophers claim that fictional characters are abstract objects akin to novels or plots. They argue that postulating characters provides the most straightforward explanation of our literary practices as well as a uniform account of discourse and thought about fiction. Anti-realists counter that postulation is neither necessary nor straightforward, and that the invocation of pretense (...) provides a better account of the same phenomena. I outline and assess these competing theories. (shrink)

This thesis aims to bring methodological issues in the debate about the nature of fictional characters to the fore. I show how the arguments fictional realists have offered in favour of their views rely on crucial ‘metaontological’ assumptions about what ontological questions are and how they should be answered. In addition to casting doubt on some of the more orthodox approaches to ontological inquiry, my positive goal is to deploy an independently motivated metaontology to defend a novel version of fictional (...) anti-realism. On the view I develop and defend, the central task we face is that of explaining truths concerning fictional characters, where the relevant notion of explanation is distinctively metaphysical in character. Fictional anti-realism emerges as the plausible thesis that truths about fictional entities can be completely explained in terms of the existence and features of other things. (shrink)