Objectivism and projectivism are standardly taken to be incompatible theories of color. Here we argue that this incompatibility is only apparent: objectivism and projectivism, properly articulated so as to deal with basic objections, are in fundamental agreement about the ontology of color and the phenomenology of color perception.

Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...) are so significant in their own right, makes more pressing the philosophical problems of fitting them into more general metaphysical and epistemological frameworks. (shrink)

Colors are sensible qualities. They are qualities that objects are perceived to have. Thus, when Norm, a normal perceiver, perceives a blue bead, the bead is perceived have a certain quality, perceived blueness. `Quality', here, is no mere synonym for property; rather, a quality is a kind of property a qualitative, as opposed to quan• titative, property. (The quantitative is a way of contrasting with the qualitative perhaps not the only way.).

Many philosophers have been attracted by the view that colors are mind-independent properties of object surfaces. While this view has come in for a fair bit of criticism for failing to do justice to the facts about perceptual variation, Byrne and Hilbert have recently argued that perceptual variation involving color is no more problematic for physicalism about color than representational variation involving temperature is for physicalism about temperature. Unfortunately, the analogy on which this response rests is no less controversial than (...) the disputed view about color, and so the response leads to a standoff rather than a resolution of the debate. However, we can appeal to facts about our inferential treatment of color and other properties as a way of resolving this impasse; doing so gives us defeasible reason for rejecting the Byrne and Hilbert response, and so for rejecting their mind-independent conception of color. (shrink)

I propose that accounts of emotional expression can be divided into primary and secondary quality accounts. Primary quality accounts of expression take behaviour to express emotion only if certain perceiver-independent facts about the behaviour or behaving subject obtain. I argue that views of this kind get the extension of expression wrong. I argue instead that behaviour expresses emotion just in case it is disposed to appear to express emotion to standard observers under standard conditions.

Johnston famously argued that the colors are, more or less inclusively speaking, dispositions to cause color experiences by arguing that this view best accommodates his five proposed core beliefs about color. Since then, Campbell, Kalderon, Gert, Benbaji, and others, have all engaged with at least some of Johnston’s proposed core beliefs in one way or another. Which propositions are core beliefs is ultimately an empirical matter. We investigate whether Johnston’s proposed core beliefs are, in fact, believed by assessing the agreement/disagreement (...) of non-philosophers with them. Two experiments are run each with large sample sizes, the second designed to address criticisms of the first. We find that non-philosophers mostly agree with the proposed core beliefs, but that they agree with some more than others. (shrink)

Intrapersonal variation due to color contrast effects has been used to argue against the following intuitive propositions about the colors: No object can be more than one determinable or determinate color of the same grade all over at the same time ; external objects are actually colored ; and the colors of objects are mind-independent. In this article, I provide a defense of Incompatibility, Realism, and Objectivism from intrapersonal variation arguments that rely on color contrast effects. I provide a novel, (...) ecumenical response to such arguments according to which typical variants are right, and which respects Incompatibility, Realism, and Objectivism, using the thesis that the colors of objects depend on the colors of objects in their surrounds. (shrink)

Studies show that there are widespread intrasubjective and intersubjective color variations among normal perceivers. These variations have serious ramifications in the debate about the nature and ontology of color. It is typical to think of the debate about color as a dispute between objectivists and subjectivists. Objectivists hold that colors are perceiver-independent physical properties of objects while subjectivists hold that they are either projections onto external objects or dispositions objects have to look colored. I argue that individual color variations present (...) difficulties, albeit not the same kind, for both objectivism and subjectivism. Lastly, I propose an alternative account that handles such variations nicely. (shrink)

In November 2003, the University of Fribourg hosted a symposium on the ontology of colors. The invited participants included Justin Broackes, Alex Byrne, David Chalmers, Larry Hardin, Joe Levine and Barry Maund. The points of view presented by the participants in their thought-provoking papers were highly divergent. The presentation of each paper was followed by a long and intense discussion. Despite the divergence of the views proposed, the discussion during the symposium was highly focused. Several specific issues came up repeatedly (...) in the debate and illuminated the puzzle about the nature of colors in a thought provoking way from different angles. We include these papers in our brief description in the present introduction to present to the reader all the different viewpoints that have nourished the debate throughout the symposium. We are glad to be able to include one further invited paper by Jonathan Cohen in the present volume. In an attempt to transfer some of the atmosphere of the meeting to the reader and in order to make this collection still more stimulating we invited each participant to contribute comments on the other papers. (shrink)

An adequate ontology of color must face the empirical facts about per- ceptual variation. In this paper I begin by reviewing a range of data about perceptual variation, and showing how they tell against color physicalism and motivate color relationalism. Next I consider a series of objections to the argument from perceptual variation, and argue that they are un- persuasive. My conclusion will be that the argument remains a powerful obstacle for color physicalism, and a powerful reason to believe in (...) color relationalism instead. (shrink)

The nature of color is an open philosophical and scientific question. In this work I develop a physicalist relationist theory of color. So far, attempts to identify color as a physical property of objects have not been convincing because no physical property used by scientists seems to be well correlated with color sensations. I define a new physical property which I call transformance and show that transformance is 100% correlated with color sensations. Intuitively, transformance is a very general abstract physical (...) property that describes how a system transforms or modifies light or information that characterizes light. It turns out that transformance is a relational property of objects like velocity and weight. Transformance is related to surface reflectance as weight is related to mass. Transformance is a much better candidate to be color than surface reflectance because it is 100% correlated with color sensations, precisely models surround effects and fully explains all issues that relate to perceptual variation or the lack thereof. Several concrete examples are provided that show how the transformance of different systems should be modeled. After defining transformance, I defend the theory that color is transformance against possible objections while contrasting my theory with the theory that color is surface reflectance. I then discuss the relations between color and color sensation and the more general objections to any physicalist theory of color. The final part of the thesis deals with epistemological issues related to my theory of color including two apparent paradoxes that I believe every theory of color must answer: 1) How is it that human beings get along so well with an erroneous theory of color? 2) How can science, which is based on the common sense theory of color, conclude that the common sense theory is wrong? I show that my theory provides answers to these questions. (shrink)

Everyday experience presents us with a world of ordinary objects, but philosophers struggle to devise a useful principle of composition that even comes close to generating just those composites we perceive the world to contain. This paper presents such a principle as a first step toward defending “object dispositionalism” as a theory of material objects. According to object dispositionalism, a plurality composes a whole just when it has the disposition to cause us to perceive a unity in the region it (...) occupies and because it possesses features that in combination realize that disposition. Sections “Object dispositionalism” and “Object dispositionalism’s color counterpart” introduce object dispositionalism and argue it satisfies plausible desiderata for a theory of material objects extant views do not. Relying on cognitive psychologists’ research on object perception, sections “The disposition to what?” through “The general mechanism” explicate the manifestation and basis of the causal power object dispositionalists propose is present wherever composition occurs. Sections “Why object perception researchers are realists” and “When we disagree” describe the perceivers with and conditions in which that causal power manifests and argues object-perception variation doesn’t undermine object dispositionalism’s status as a realist view. (shrink)

In this paper I argue that color is a relational feature of the distal objects of perception, a way of appearing. I begin by outlining three constraints any theory of color should satisfy: physicalism about the non‐mental world, consistency with what is known from color science, and transparency about color experience. Traditional positions on the ontological status of color, such as physicalist reduction of color to spectral reflectance, subjectivism, dispositionalism, and primitivism, fail, I claim, to meet all three constraints. By (...) treating color as a relational property, a way of appearing, the three constraints can be met. However, serious problems for this view emerge when considering the relation between illusory color experiences and veridical color experiences. I do not propose a solution to these problems. (shrink)

I propose a description of one aspect of the philosophical problem about the ontology of colors by formulating and motivating six plausible premises that seem to be hard to deny in isolation but that are jointly incoherent. I briefly sketch a solution and comment on the views presented in this volume from the perspective of the puzzle.