There have been a number of criticisms, based on visual processes, of the Australian view that colour is an objective property of the world. These criticisms have led to subjective theories about colour. These visual processes (metamers, retinex theory, opponent processes, simultaneous contrast, colour constancy, subjective colours) have been examined and it is suggested that they do not carry their supposed critical weight against an objective theory. In particular, it is argued that metamers don’t occur in nature and primate colour (...) vision evolved without metamers. Thus normal colour vision occurs without the problem of metamers. This argument, in conjunction with evidence against the critical roles of opponent processes and retinex theory in colour vision, is taken to suggest that colour can be given a photon energy/wavelengthrealism explanation. This proposal allows an account of the many microstructural bases of colour generation put forward by Nassau (1983). It is argued that neither disjunctive realism or reflectance realism are adequate objective explanations of colour. (shrink)

What is colour vision for? In the popular imagination colour vision is for “seeing the colours” — adding hue to the achromatic world of shape, depth and motion. On this view colour vision plays little more than an ornamental role, lending glamour to an otherwise monochrome world. This idea has guided much theorising about colour within vision science and philosophy. However, we argue that a broader approach is needed. Recent research in the psychology of colour demonstrates that colour vision is (...) integral to a variety of visual processes, helping us to perform many types of visual tasks. We discuss some of this research and consider its implications for philosophical theories of colour. (shrink)

Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...) are so significant in their own right, makes more pressing the philosophical problems of fitting them into more general metaphysical and epistemological frameworks. (shrink)

RÉSUMÉ: Dans «Objectivism and the Evolutionary Value of Colour Vision», Don Dedrick suggère qu'une conception raffinée de la valeur adaptative en matière de vision des couleurs conduit à une explication non objectiviste de la couleur. Le raffinement, en l'occurrence, consiste à prendre en considération le rôle que jouent les processus perceptuels internes, contraints par les exigences de l'adaptation, dans la répartition des couleurs selon les catégories familières de rouge, violet, bleu, etc. L'objectivisme, par contraste, est présenté par Dedrick comme la (...) position selon laquelle les catégories de couleur sont proprement déterminées par des facteurs externes à l'esprit — une thèse qu'il attribue à Mohan Matthen. Mon objectif dans cet article est de souligner que les éléments internalistes de l'explication de Dedrick, qui sont rappelés à la section 1, sont parfaitement compatibles avec l'objectivisme chromatique. Cet objectivisme, cependant, n'est pas la thèse que Dedrick entend mettre en cause. Je distingue, dans la section 2, la version critiquée par Dedrick, que j'appelle «l'objectivisme fort», de «l'objectivisme modéré», qui est la thèse selon laquelle la couleur elle-même est indépendante de l'esprit bien que les catégories de couleur soient déterminées par des facteurs internes. La doctrine principale de l'objectivisme même, selon ce que je soutiens, demeure neutre eu égard aux versions fortes ou modérées. Dans la section 3, cette notion centrale d'objectivisme est réconciliée avec une explication de la vision des couleurs qui fait référence à la valeur adaptative en contexte évolutionnaire. (shrink)

This article is a brief presentation and defense of response-dispositionalist intentionalism against a family of objections. The view claims that for a surface to have an objective stable color is to have a disposition to cause in normal observers a response, namely, intentional phenomenal-color experience. The objections, raised recently by M. Johnston, B. Stroud, and by Byrne and Hilbert, claim that any dispositionalist view is unfair to the naive perceiver-thinker, saddles her with massive error and represents her as maladaptated to (...) her environment. The paper reconstructs the main line of thought in favor of response-intentionalism and argues that it is in fact rather charitable and fair to naïve cognizers, and also avoids a cluster of related objections. (shrink)

We examine the pros and cons of color realism, exposing some desiderata on a theory of color: the theory should render colors as scientifically legitimate and correctly individuated, and it should explain how we have veridical color experiences. We then show that these desiderata can by met by treating colors as properties of the special sciences. According to our view, some of the major as properties of the special sciences. According to our view, some of the major disputes in the (...) literature about color -- anti-realism versus dispositionalism versus reductionism -- are not well-founded at this stage of scientific inquiry. Our account of color is designed to be of use in the sciences and as such is driven largely by considerations of what the various sciences need in order to proceed appropriately. We argue that a scientific theory of colors need not regard colors as anything more than high-level statistical constructs built out of correlations between color experiences and other phenomena. (shrink)

University of Connecticut Storrs, CT 06279-2054. Recent versions of objectivism can reply to the argument from metamers. The deeper rift between subjectivists and objectivists lies in the question of how to explain the structure of qualitative similarities among the colors. Subjectivism grounded in this fashion can answer the circularity objection raised by Dedrick. It endorses skepticism about the claim that there is some one property of objects that it is the function of color vision to detect. Color vision may enable (...) us to detect differences in spectral composition without granting us the capacity to detect identities. (shrink)

b>. Computational models of colour vision assume that the biological function of colour vision is to detect surface reflectance. Some philosophers invoke these models as a basis for 'externalism' about perceptual content (content is distal) and 'objectivism' about colour (colour is surface reflectance). In an earlier article (Thompson et al. 1992), I criticized the 'computational objectivist' position on the basis of comparative colour vision: There are fundmental differences among the colour vision of animals and these differences do not converge on (...) the detection of any single type of environmental property. David R. Hilbert (1992) has recently defended computational objectivism against my 'comparative argument;' his arguments are based on the externalist approach to perceptual content originally developed by Mohan Matthen (1988) and on the computationally inspired theory of the evolutionary basis for trichromacy developed by Roger N. Shepard (1990). The present article provides a reply to Hilbert with extensive criticism of both Matthen's and Shepard's theories. I argue that the biological function of colour vision is not to detect surface reflectance, but to provide a set of perceptual categories that can apply to objects in a stable way in a variety of conditions. Comparative research indicates that both the perceptual categories and the distal stimuli will differ according to the animal and its visual ecology; therefore externalism and objectivism must be rejected. (shrink)

This paper proposes a subjectivist approach to color within the framework of an externalist form of representationalism about phenomenal consciousness. Motivations are presented for accepting both representationalism and color subjectivism, and an argument is offered against the case made by Michael Tye on behalf of the claim that colors are objective, physical properties of objects. In the face of the considerable difficulties associated with finding a workable realist theory of color, the alternative account of color experience set out, projectivist representationalism, (...) claims that the color properties we encounter in experience exist only in the representational contents of our experiences. Color experiences are caused by the physical structure of objects, but objects are never actually colored and color experiences systematically misrepresent objects as colored. However, despite being an error theory of color, projectivist representationalism does not do violence to our everyday use and understanding of color concepts and terms, nor does it undermine the role of color experience in aiding the perceiving subject in navigating through the world. (shrink)

Arguments from perceptual variation challenge the view that colors are objective properties of objects, properties that objects have independent of how they are perceived. This paper attempts, first, to diagnose one central reason why arguments from perceptual variation seem especially challenging for objectivists about color. Second, we offer a response to this challenge, claiming that once we focus on determinate colors rather than the determinables they determine, a response to arguments from perceptual variation becomes apparent. Third, our nominal opponents are (...) relationalist (like Cohen in The red and the real: an essay on color ontology, Oxford University Press, Oxford, 2009) and we will argue that the main argument for rejecting objectivism commits the relationalist to a position that is more radical than the one he would wish to endorse. Fourth, we suggest that insight into which properties could be relational may be found by looking to our best scientific theories. (shrink)

In Origins of Objectivity Burge advances a theory of perception according to which perceptions are, themselves, objective representations. The possession of veridicality conditions by perceptual states—roughly, non-propositional analogues of truth-conditions—is central to Burge’s account of how perceptual states differ, empirically and metaphysically, from sensory states. Despite an impressive examination of the relevant empirical literatures, I argue here that Burge has not succeeded in securing a distinction between perception and “mere” sensation.

Philosophers have long sought to explain perceptual constancy—the fact that objects appear to remain the same color, size and shape despite changes in the illumination condition, perspective and the relative distance—in terms of a mechanism that actively categorizes variable stimuli under the same pre-formed conceptual categories. Contemporary representationalists, on the other hand, explain perceptual constancy in terms of a modular mechanism that automatically discounts variation in the visual field to represent the stable properties of objects. In this paper I argue (...) that while the former view is unmotivated by empirical evidence, the later fails to account for inter- and intra-personal variability, the influence of expectations on constancy, and the systematic and normal failures of color constancy. A Bayesian approach that builds on the representational tradition in psychology solves both problems. (shrink)

© The Authors 2017. Published by Oxford University Press on behalf of The Analysis Trust. All rights reserved. For Permissions, please email: [email protected] Colour is a welcome work in history and philosophy of science.1 The opening chapters offer a fresh take on the history of perceptual theory and a broad overview of contemporary philosophy of colour. This is followed by the central fourth chapter, which introduces readers to a cluster of empirical data that to this point have not received explicit (...) treatment in philosophy. The core message is that instead of thinking of colour vision as filling in or painting the experienced world of primary qualities, we should think of colour vision as helping us to experience primary qualities. The colour visual system does not colour in an experiential world of primary qualities, it uses colour for the experience of those qualities. This colouring... (shrink)

This paper considers whether there can be any such thing as a naturalized metaphysics of color—any distillation of the commitments of perceptual science with regard to color ontology. I first make some observations about the kinds of philosophical commitments that sometimes bubble to the surface in the psychology and neuroscience of color. Unsurprisingly, because of the range of opinions expressed, an ontology of color cannot simply be read off from scientists’ definitions and theoretical statements. I next consider two alternative routes. (...) First, conceptual pluralism inspired by Mark Wilson's analysis of scientific representation. I argue that these findings leave the prospects for a naturalized color ontology rather dim. Second, I outline a naturalized epistemology of perception. I ask how the correctness and informativeness of perceptual states is understood by contemporary perceptual science. I argue that the detectionist ideal of correspondence should be replaced by the pragmatic ideal of usefulness. I argue that this result has significant implications for the metaphysics of color. (shrink)

A common view in both philosophy and the vision sciences is that, in human vision, wavelength information is primarily ‘for’ colouring: for seeing surfaces and various media as having colours. In this article we examine this assumption of ‘colour-for-colouring’. To motivate the need for an alternative theory, we begin with three major puzzles from neurophysiology, puzzles that are not explained by the standard theory. We then ask about the role of wavelength information in vision writ large. How might wavelength information (...) be used by any monochromat or dichromat and, finally, by a trichromatic primate with object vision? We suggest that there is no single ‘advantage’ to trichromaticity but a multiplicity, only one of which is the ability to see surfaces and so on as having categorical colours. Instead, the human trichromatic retina exemplifies a scheme for a general encoding of wavelength information given the constraints imposed by high spatial resolution object vision. Chromatic vision, like its partner, luminance vision, is primarily for seeing. Viewed this way, the ‘puzzles’ presented at the outset make perfect sense. 1 Reframing the Problem1.1 Introduction1.2 Three puzzles1.2.1 Why is trichromatic vision an anomaly in diurnal mammals?1.2.2 Why does the colour system occupy such a large and central part in human vision?1.2.3 Why are the blue cones so rare?1.3 Recasting the question2 The Costs and Benefits of Spectral Vision2.1 Spectral information and object vision2.2 Encoding the spectral dimension of light2.2.1 ‘General’ versus ‘specific’ encoding2.2.2 Spectral encoding and the monochromat2.2.3 Spectral encoding and the dichromat2.2.4 Spectral encoding and the human trichromat2.3 Three puzzles revisited2.3.1 Why is trichromatic vision an anomaly in diurnal mammals?2.3.2 Why does the colour system occupy such a large and central part in human vision?2.3.3 Why are the blue cones so rare3 Conclusion. (shrink)

Frank Jackson formulated his knowledge argument as an argument for dualism. In this paper I show how the argument can be modified to also establish the irreducibility of the secondary qualities to the properties of physical theory, and ultimately "secondary quality eliminativism"- the view that the secondary qualities are physically uninstantiated.

A critical survey of recent work on the ontological status of colors supports the conclusion that, while some accounts of color can plausibly be dismissed, no single account can yet be endorsed. Among the remaining options are certain forms of color realism according which familiar colors are instantiated by objects in our extra-cranial visual environment. Also still an option is color anti-realism, the view that familiar colors are, at best, biologically adaptive fictions, instantiated nowhere.I argue that there is simply no (...) fact of the matter as to which of these remaining options is correct. I blame this indeterminacy on the fact that color vision exhibits several of the hallmarks of a modular input system, as described by Jerry Fodor in The Modularity of Mind. (shrink)

Hardin’s empirically-grounded argument for color eliminativism has defined the color realism debate for the last 30 years. By Hardin’s own estimation, phenomenal structure—the unique/binary hue distinction in particular—poses the greatest problem for color realism. Examination of relevant empirical findings shows that claims about the unique hues which play a central role in the argument from phenomenal structure should be rejected. Chiefly, contrary to widespread belief amongst philosophers and scientists, the unique hues do not play a fundamental role in determining all (...) color appearances. Among the consequences of this result is that greater attention should be paid to certain proposals for putting the structure of phenomenal color into principled correspondence with surface reflectance properties. While color realism is not fully vindicated, it has much greater empirical plausibility than previously thought. (shrink)

With some regularity, cognitive scientists seem to introduce cognitive values into their explanations. After identifying examples of this practice, I sketch an account of psychological explanation that, under certain conditions, legitimizes value-laden cognitive explanations in which evaluative claims appear in the explanandum. I then present and discuss two applications of the proposed account in order to show its viability and explore its consequences.

© The Authors 2017. Published by Oxford University Press on behalf of The Analysis Trust. All rights reserved. For Permissions, please email: [email protected] Lepore and Stone clearly state, ‘this book is first and foremost a philosophy book – its point is not to settle this or that resolution to a particular empirical issue, or to advocate for a specific theoretical framework of discourse interpretation. It is rather to sharpen intuitions and draw distinctions about language use’.1 It is thus with this (...) perspective in mind that it is worth discussing their contribution and assessing its unequivocal merits and debatable shortcomings....The book pursues two ambitious goals: first, to establish the pervasive role of conventions of meaning in communication, and second, to highlight the heterogeneity of the imaginative practices involved in understanding figurative or evocative uses of language. The critical target of this endeavour is represented... (shrink)