While introspective methods went out of favour with the decline of Titchener’s analytic school, many important questions concern the rehabilitation of introspection in contemporary psychology. Hatfield rightly points out that introspective methods should not be confused with analytic ones, and goes on to describe their “ineliminable role” in perceptual psychology. Here I argue that certain methodological conventions within psychophysics reflect a continued uncertainty over appropriate use of subjects’ perceptual observations and the reliability of their introspective judgements. My first claim is (...) that different psychophysical methods do not rely equally on the introspective capabilities of experimental subjects. I contrast “minimally-introspective” tasks with “introspection-heavy” ones. It is only in the latter, I argue, that introspection can be said to have a non-trivial role in the subjects’ performance. My second claim is that my rough-and-ready distinction maps onto a number of important “dichotomies” in vision science. Not coincidentally, the introspection-heavy categorisation captures many of the tasks typically considered less able to yield useful information regarding the processes underlying visual sensation. (shrink)

Many of the objects that we perceive have an important characteristic: When they move, they change shape. For instance, when you watch a person walk across a room, her body constantly deforms. I suggest that we exercise a type of perceptual constancy in response to changes of this sort, which I call structure constancy. In this paper I offer an account of structure constancy. I introduce the notion of compositional structure, and propose that structure constancy involves perceptually representing an object (...) as retaining its compositional structure over time. I argue that compositional structure is represented in visual phenomenology, and I also assemble empirical evidence in support of the claim that compositional structure is recovered by the visual system. Finally, I draw out consequences of this account. I argue that structure constancy has implications for the predictive capacities of perception, and that the phenomenon places important constraints on viable accounts of both the format and reference frame of visual experience. (shrink)