This essay comprises a first phenomenological semiotics of ChatGPT. I analyse how we experience the language signs generated by that AI. This task is accomplished in two steps. First, I introduce a conceptual scaffolding for the project, by introducing core tenets of Husserl's semiotics. Second, I mould Husserl's theory to develop my phenomenology of the passive and active consciousness of the language signs composed by ChatGPT. On the one hand, by discussing temporality, I demonstrate that ChatGPT can passively demand me (...) to understand its signs. On the other hand, I show that a conflict arises between active and passive consciousness when reading ChatGPT. While I actively know that there is no communicating subject, I still passively experience these signs as made by another. I argue that it is this conflict which lends ChatGPT its 'magical' character. I conclude by showing how these observations can inform future regulation of AI models. (shrink)

I argue that there are no irrational visual experiences, if we mean just the experiences that one is having now, but there are irrational visual experiences, if we mean also the experiences that one has had in the past. In other words, I will be arguing that perceptual irrationality is a retrospective phenomenon. So as to further support the first conjunct of my thesis, and to contextualize it among contemporary discussions, I also critique Susanna Siegel’s proposal that one could be (...) having an irrational experience, in the sense of a hijacked experience that has inherited a sub-threshold epistemic charge from a corrupt outlook. The present discussion is conducted from a Husserlian point of view, according to which perception is rational, rather than arational. I am, however, in this paper, not undertaking to defend the Husserlian view or the rationality of perception, or even to argue that the view I refer to as Husserlian is, in all aspects, the view that Edmund Husserl actually held. I aim merely to provide certain clarifications concerning the more specific topic of irrational visual experiences. (shrink)

ABSTRACT With the aim of showing what it takes to see the world and others as they are, this article provides a phenomenological account of what Iris Murdoch has memorably called “the work of attention.” I first show that Aron Gurwitsch’s analyses of attention provide a basis on which to reject a voluntaristic account of attention according to which seeing things as they are is as simple as directing one’s attention to something. Then, in order to elucidate the work that (...) is involved in paying attention, I draw on Edmund Husserl’s descriptions of the activity characteristic of attentive consciousness. I then show how a Husserlian account of the work of attention can help make sense of Murdoch’s pessimistic claim that our consciousness is not “a transparent glass through which it views the world” while also indicating how we, by paying attention, can do better. (shrink)

In “On what matters: Personal identity as a phenomenological problem” (2020), Steven Crowell engages a number of contemporary interpretations of Husserl’s account of the person and personal identity by noting that they lack a phenomenological elucidation of the self as commitment. In this article, in response to Crowell, I aim to show that such an account of the self as commitment can be drawn from Husserl’s work by looking more closely at his descriptions from the time of Ideas and after (...) of the self as ego or I and egoic experience as attentive experience. I specifically aim to sketch the beginning of a response to three questions I take Crowell to be posing to a Husserlian account of the person and personal identity: (1) What more than pre-reflective self-awareness can be attributed to the self on phenomenological grounds so that we can understand, phenomenologically speaking, how selves become persons? (2) How can what characterizes the self in addition to pre-reflective self-awareness be discerned in both our commitment to truth and our feeling bound by love and other emotive commitments that cannot be fully rationally justified, which Husserl acknowledges are both sources of personal self-constitution? And (3), do all selves become persons? In the paper I elaborate how my answers to the first two questions turn on the self not just being self-aware but active in a particular sense. And to begin to address the third question, I suggest that while any form of wakeful conscious experience is both self-aware and active, this activity of the self makes a difference for those who are socio-historically embedded in the way we are. Specifically, on the proposed Husserlian account, selves that are socio-historically embedded become persons in and through their active relating to what they attentively experience. In concluding, I indicate how this Husserlian account might compare to Crowell’s claim that “self-identity (ipseity) is not mere logical identity (A=A) but a normative achievement […] which makes a ‘personal’ kind of identity possible” (2020). (shrink)

Résumé Cet article aborde la pertinence de l'art vidéo et des techniques filmiques pour la méthode phénoménologique en thématisant comment les scènes au ralenti peuvent être utilisées dans l'analyse des gestes. Inspiré par la théorie de la conscience d'image d'Edmund Husserl, je soutiens que si, pour le chercheur empirique, le ralenti est un moment non analogique qui l'aide à observer le sujet existant, pour le phénoménologue, il dépeint un sujet neutralisé qui sert d'exemple initial. Cette approche révèle en plus une (...) forme spécifique de déception de nos schémas d'anticipation passivement constitués concernant le rythme d'interaction gestuelle. (shrink)

European Journal of Philosophy, Volume 30, Issue 1, Page 169-181, March 2022.

This paper aims to conceptualize the phenomenology of attentional experience as ‘embodied attention.’ Current psychological research, in describing attentional experiences, tends to apply the so-called spotlight metaphor, according to which attention is characterized as the illumination of certain surrounding objects or events. In this framework, attention is not seen as involving our bodily attitudes or modifying the way we experience those objects and events. It is primarily conceived as a purely mental and volitional activity of the cognizing subject. Against this (...) view, the phenomenology of Maurice Merleau-Ponty shows that attention is a creative activity deeply linked with bodily movements. This paper clarifies and systematizes this view and brings it into dialogue with current empirical findings as well as with current theoretical research on embodied cognition. By doing this, I spell out three main claims about embodied attention: the transcendentalism of embodiment for attention, the bodily subjectivity of attention, and the creativity of embodied attention. (shrink)

This paper provides an interpretation of trust and betrayal within political communities from the perspective of Husserl’s concept of social communities. I situate the paper amidst Margaret Gilbert’s theory of political obligations, arguing that at least one outside conception of trust fills a gap left in her theory. More specifically, I argue for the supplementary fit that Karen Jones’s conception of trust understood as ‘basal security’ provides for Gilbert. From there, I tie this conception of trust and betrayal to Husserl’s (...) notions of ‘original belief’ and socio-cultural crisis. There is thereby a phenomenological elucidation of features within the social world that allow such crises to occur in the first place. (shrink)

In the vast landscape of Edmund Husserl’s investigations, the theme of attention has long been neglected: the dispersal of his treatment of the topic across works from various years, the use of a diversified lexicon, and an intrinsic difficulty in identifying the attentional phenomenon itself have all contributed to the long-standing underestimation of this theme. Following a line of study that – especially after the publication of volume XXXVIII of the Husserliana (Wahrnehmung und Aufmerksamkeit) – has renewed interest in this (...) topic, this article aims to contribute to the historical as well as theoretical reconstruction of Edmund Husserl’s phenomenology of attention. In particular, we will focus on the contribution of a figure who had a crucial impact on Husserl’s development and the framing of the phenomenological method itself, namely Carl Stumpf, concentrating especially on the engagement that the father of phenomenology had with him, starting from the treatment of attention through the concept of interest. This debate will be reconstructed from the examination of (1) part of the Göttingen Lectures of 1904-05, explicitly dedicated to attention; (2) a very early but theoretically significant Husserlian manuscript, “Noten zur Lehre von Aufmerksamkeit und Interesse” (1893); and (3) Stumpf’s own work, particularly Tonpsychologie, where the interpretation of attention as “Lust am Bemerken” is formulated and with which Husserl engages in a rigorous critical dialogue. On the basis of this confrontation, we will highlight from an original perspective Husserl’s significant debt to the psychology of the time, from which he not only borrowed certain themes and a general interest in the simplest levels of experience, but also the basic outlines of notions that would serve as the foundation for the development of some crucial concepts of transcendental phenomenology such as that of intentionality. Moreover, it is through the examination of attention that the profound continuity of Husserl’s reflection becomes apparent, evidenced by the extraordinarily early emergence of crucial and typical notions of his later phase (known as “genetic phenomenology”) during these formative years, even before the phenomenological method was fully developed. (shrink)

As a fervent rationalist, Husserl placed considerable emphasis on the delineation of the different levels of reason. Its highest form, he contends, is position-taking (Stellungnahme) understood as a critical stance towards a positional act P. Specifically, such a Stellungnahme is a three-step procedure: the subject, possibly motivated by a passive discordance, starts by questioning P (active doubt); she then seeks to validate P by returning to its originary fulfillment (active search for evidence); finally, she ratifies such a fulfillment in an (...) act of acknowledgment (active decision), thereby making P a permanent personal conviction. In the literature, the role of position-taking in the formation of persons has been aptly emphasized, but insufficient attention has been paid to its intrinsic structure and concrete functioning; furthermore, the few existing studies on this topic are limited to the theoretical domain. The aim of this paper is to fill this twofold gap by providing a comprehensive account of critical Stellungnahme in both the intellectual and the axiological spheres, drawing especially on the manuscripts from the Studien zur Struktur des Bewusstseins. The first part examines Stellungnahme in the theoretical realm, underscoring its teleological orientation towards justification and the active role played by the subject in it. The second part shows how this procedure can be extended to rationalize value-experiences, by elucidating the nature of affective evidence and approval (Billigung). Finally, the third part demonstrates how a particular value, that of knowledge, can concretely pass the axiological position-taking and thus be recognized as an actual value. (shrink)

I argue that there are no irrational visual experiences, if we mean just the experiences that one is having now, but there are irrational visual experiences, if we mean also the experiences that one has had in the past. In other words, I will be arguing that perceptual irrationality is a retrospective phenomenon. So as to further support the first conjunct of my thesis, and to contextualize it among contemporary discussions, I also critique Susanna Siegel’s proposal that one could be (...) having an irrational experience, in the sense of a hijacked experience that has inherited a sub-threshold epistemic charge from a corrupt outlook. The present discussion is conducted from a Husserlian point of view, according to which perception is rational, rather than arational. I am, however, in this paper, not undertaking to defend the Husserlian view or the rationality of perception, or even to argue that the view I refer to as Husserlian is, in all aspects, the view that Edmund Husserl actually held. I aim merely to provide certain clarifications concerning the more specific topic of irrational visual experiences. (shrink)