According to the thesis of transparency, subjects can attend only to the representational content of perceptual experience, never to the intrinsic properties of experience that carry this representational content, i.e., to “mental paint.” So far, arguments for and against transparency were conducted from the armchair, relying mainly on introspective observations. In this paper, we argue in favor of transparency, relying on the cognitive neuroscience of attention. We present a trilemma to those who hold that attention can be directed to mental (...) paint. Such attention is either first-order sensory, higher-order cognitive, or higher-order sensory attention. We argue that the notion of first-order sensory attention to mental paint is incompatible with the neuroscience of sensory attention; that higher-order cognitive attention to mental paint is irrelevant to transparency; and that the notion of higher-order sensory attention to mental paint has an apparently incoherent prediction. Via elimination, these considerations support the thesis of transparency. (shrink)

Consider a toothache, or a feeling of intense pleasure, or the sensation you would have if you looked impassively at an expanse of colour. In each case, the experience can easily be thought to fill time by being present throughout a period. This way of thinking of conscious experience is natural enough, but it is in deep conflict with the view that physical processes are ultimately responsible for experience. The problem is that physical processes are related to durations in a (...) very different way—not by being wholly present at each instant or sub-period, but by having temporal parts that are. There is a choice to be made, therefore, between preserving this common way of thinking of experience and preserving the fundamentality of processes. The first option holds fixed the view of experiences as occurring throughout time and takes this to constrain the category of entity to which they are identical, or upon which they supervene. The second option abandons this common view of experience by taking up a perspective on which we experience things in the world and their properties as existing or occurring a certain way, and mistakenly ascribe this ontological character to our experience as well. The second option is ultimately the better option, however, since only it can make sense of the facts of our experience. (shrink)

I modify and generalize Carnap’s notion of frameworks as a way of unpacking Goodman’s metaphor of “making worlds with symbols”. My frameworks provide, metaphorically, a way of making worlds out of symbols in as much as all our framework-bound access to the world is through frameworks that always stand to be improved in accuracy, precision, and usually both. Such improvement is characterized in pragmatist terms.

In this paper I critically examine uses of introspection in present-day philosophy of perception. First, I introduce a distinction between two different meanings of the term ‘introspection’: introspective access and introspective method. I show that they are both at work in the philosophy of perception but not adequately distinguished. I then lay out some concerns about the use of introspection to collect data about consciousness that were raised in over a hundred years ago, by some early experimentalist psychologists, part of (...) so-called ‘Introspectionist Psychology’. As I argue, these concerns apply to current philosophical uses of introspection but they are not acknowledged, much less addressed. I explain this by applying the distinction between introspective access and introspective method. As a result, extant arguments relying on introspection-based phenomenal descriptions are methodologically problematic. These problems do not call into question the use of introspection in theorising altogether. But we need to take more care in how we use it. (shrink)

This paper suggests that reference to phenomenal qualities is best understood as involving iconicity, that is, a passage from sign-vehicle to object that exploits a similarity between the two. This contrasts with a version of the ‘phenomenal concept strategy’ that takes indexicality to be central. However, since it is doubtful that phenomenal qualities are capable of causally interacting with anything, indexical reference seems inappropriate. While a theorist like David Papineau is independently coming to something akin to iconicity, I think some (...) of the awkwardness that plagues his account would be remedied by transitioning to a more inclusive philosophy of signs. (shrink)

Contemporary phenomenal externalists are motivated to a large extent by the transparency of experience and by the related doctrine of representationalism. On their own, however, transparency and representationalism do not suffice to establish externalism. Hence we should hesitate to dismiss phenomenal internalism, a view shared by many generations of competent philosophers. Rather, we should keep both our options open, internalism and externalism. It is hard, however, to see how to keep open the internalist option, for although transparency and representationalism have (...) not yet definitively established externalism, they have indeed made it quite intuitive. Internalism, by comparison, comes across at first sight as antiquated and ridden with difficulties. This is why I propose the Stained Glass model of consciousness. I do so with the following two aims: first, to make internalism intuitive in the age of transparency, and second, to show how to resist the many recent anti-internalist arguments. In particular, I argue that phenomenal internalism need not be epistemically worrisome, that it is compatible at once with transparency, representationalism, and content externalism, and that although it requires an error theory, this error theory is a harmless one. (shrink)

ABSTRACTWe seem to have a direct experience of our freedom when we act. Many philosophers take this feeling of freedom as evidence that we possess libertarian free will. Spinoza denies that we have free will of any sort, although he admits that we nonetheless feel free. Commentators often attribute to him what I call the ‘Negative Account’ of the feeling: it results from the fact that we are conscious of our actions but ignorant of their causes. I argue that the (...) Negative Account is flawed. The feeling of freedom also depends on a vacillation of the mind. When the mind forms too many incompatible associations, it vacillates between them. When we act, the mind vacillates back and forth between the kinds of actions that we associate with our present mental state. We then mistake this subjective vacillation for an objective feature of ourselves—namely, the power to do otherwise. (shrink)

A phenomenological turn has occurred in contemporary philosophy of mind. Some philosophers working on the nature of intentionality and consciousness have turned away from views that construe the basic ingredients of intentionality in terms of naturalistic tracking relations that hold between thinkers and external conditions in their environment in favor of what has been called the “Phenomenal Intentionality Theory” (PIT). According to PIT, all “original” intentionality is either identical to or partly grounded in phenomenal consciousness. A central claim for PIT (...) is the inseparatism thesis, which asserts that the phenomenal and the intentional are inseparable. In this article, I will situate this thesis within a methodological context I call “analytic phenomenology” and then show why proponents of PIT should take seriously our phenomenology of temporal experience. But I am not aiming to disprove PIT or defend it against views of intentionality that reject inseparatism. Rather, I want to understand what PIT says and how to approach the view, assuming that our goal is to test the theory using the assumptions and methods endorsed by proponents of the theory. (shrink)

Depersonalization-Derealization Disorder is a dissociative syndrome characterized by a sense of disconnectedness from one’s own self and the world around. People suffering from the condition report feeling like external observers, cut off from their own bodies, emotions and thoughts; their surroundings are perceived as unreal. The present thesis analyses DDD by sustaining the view that its phenomenology can be understood through Metzinger’s notion of phenomenal transparency. This idea is not entirely new: recent contributions have framed the dramatic experiences of depersonalization (...) and derealization as instances of highly opaque mental states. However, more detailed discussions of phenomenal transparency are sparse. My contribution wishes to partially fill in this gap. To elucidate the concept of transparency, I will first highlight the distinction between the classical representationalist notion of transparency and the metzingerian, phenomenal account of it. I will then argue that phenomenal transparency adequately describes the associated depersonalized phenomenology. Finally, I will attempt to present and dissipate ambiguities contained in the concept and address potential criticism regarding the redundancy of transparency as an explanatory tool for dissociative phenomena. (shrink)