This article presents an analysis of the structure and use of the Finnish independent infinitives. Although typological studies have shown that syntactically independent non-finite constructions are widespread in many languages, the understanding of their semantic and intersubjective motivation is still in its early stages. The current paper aims to enrich the understanding of independent non-finite constructions by closely looking at free-standing infinitive constructions in spoken and written Finnish: it combines theoretical concepts of Cognitive Grammar with the methodological tools of Interactional (...) Linguistics to explore the nature of independent infinitives as a resource for conceptualization and the intersubjective functions that it affords. The paper suggests that the fact that independent infinitives are grammatically ungrounded makes them useful in interactional and textual sequences involving affect display. As the indexical functions of infinitives can be explained from their own morphosyntactic and semantic characteristics, the paper makes the more general claim that there is no synchronic evidence that would support the assumption that such constructions ever evolved, via ellipsis, from finite constructions. Methodologically and theoretically, the paper advocates an approach that takes into account both the social and cognitive nature of language, and promotes the view that Cognitive Grammar offers a flexible, semantically rich starting point for the description of intersubjective meanings conveyed by grammar, when combined with the context-sensitive and microanalytical methodology of Interactional Linguistics. (shrink)

In a highly interesting study, Dam and Dam-Jensen put forward the idea that the indicative and the subjunctive mood in Spanish complementizer phrases can be explained by the instructions they convey. The indicative instructs the addressee to locate the situation created by the verb relative to the situation of utterance, whereas the subjunctive instructs the addressee not to locate the situation described by the verb relative to the situation of utterance. Although this explanation is most appealing, the present paper argues (...) that it also may create explanatory problems. Thus, it is claimed that the notion of _dominion_ can explain the semantic meaning of the Spanish subjunctive mood. This verbal mood designates events that are located outside the conceptualizer’s dominion, either in terms of _epistemic control_ or in terms of effective control. (shrink)

In a highly interesting study, Dam and Dam-Jensen (2010) put forward the idea that the indicative and the subjunctive mood in Spanish complementizer phrases can be explained by the instructions they convey. The indicative instructs the addressee to locate the situation created by the verb relative to the situation of utterance, whereas the subjunctive instructs the addressee not to locate the situation described by the verb relative to the situation of utterance. Although this explanation is most appealing, the present paper (...) argues that it also may create explanatory problems. Thus, it is claimed that the notion ofdominioncan explain the semantic meaning of the Spanish subjunctive mood. This verbal mood designates events that are located outside the conceptualizer’s dominion, either in terms ofepistemic controlor in terms ofeffective control. (shrink)

Verb tenses play an important role in managing deictic relations between the narrator, the audience and the events happening in the story world. Across languages, the Simple Past is considered the conventional story-telling tense, reflecting the prototypical deictic configuration of stories in which the narrator is positioned at some distance from the events unfolding in the story. The Simple Present, on the other hand, is considered a marked option for narration, assumed to automatically result in a shift to a subjective (...) perspective. This paper reports on an analysis of a corpus made up of Dutch fictional short stories, news reports and feature articles. The results suggest that conventions for use and interpretation of verb tenses in narrative contexts are in fact genre-dependent. In the news genres, the Simple Present tense dominated in narration. This did not automatically result in a subjective mode or narration, but was naturally used to express a default narration of story events that temporally overlap with the temporal deictic center of the communicative ground. These findings suggest that previous analyses of verb tenses in relation to narration reflect an over-generalization based on the situational characteristics of prototypical narrative genres such as literary fiction and personal anecdotes. (shrink)

This article aims to further test the cognitive claims of the so-called subjectivity account of causal events and their linguistic markers, causal connectives. We took Mandarin Chinese, a language that is typologically completely different from the usual western languages, as a case to provide evidence for this subjectivity account. Complementary to the commonly used corpora analyses, we employed crowdsourcing to tap native speakers’ intuitions about causal coherence, focusing on four result connectives kějiàn ‘therefore’, suǒyǐ ‘so’, yīncǐ ‘so/for this reason’ and (...) yúshì ‘thereupon/as a result’. The analysis shows systematic differences regarding the use of connectives in relations that differ in terms of subjectivity, demonstrating that native speakers make use of subjectivity to encode and decode different types of causal relations in discourse. Moreover, our study evidences that a comprehensive model of subjectivity should include the epistemic dimension of certainty about the subjectivity scale that might be indicated by other linguistic elements. In-depth analyses of the test items revealed that the presence/absence of modality words in the result segments are related to different preferential patterns for the connectives. There is a trade-off between the epistemic dimension of certainty and the expression of subjectivity in the four connectives involved. (shrink)

More recently, grammaticalization theorists have become increasingly aware of the role of collocations in grammatical development. One of these roles is to define phonetic reductions and fusion in frequent collocations as constructionalization. Based on frequency of occurrences, the present study explores the implications of high-frequency collocations in Turkish Sign Language for grammaticalization and offers a novel account of constructional change of değİl ‘not’ on usage-based grounds. Specifically, the study suggests that (i) the chunking process is not language-specific within the spoken (...) modality, as noted previously in the literature, (ii) the frequency of collocations is strongly correlated with phonetic reduction and duration, (iii) the fusional characteristics of [sign + değİl] collocations can be classified under four reduced constructional schemas, (iv) the monosyllabicity of a scheme appears to be criterion for it to be productive in signed modality and (v) the semantic changes of frequent [sign + değİl] collocations are related to the notion of subjectification in TİD. (shrink)

Vandeloise dans ses recherches a remis en question la spatialité comme valeur intrisèque des prepositions spatiales. Il a souligné l’importance – voire la prédominance – des considérations fonctionnelles. Dans le cas de la préposition in par exemple, la fonction de contenant est au moins aussi importante que celle d’inclusion spatiale ; de la même manière, la fonction de support est centrale au sens de la préposition on. Cette idée pourtant ne tient pas compte des problèmes tels que le poids relatif (...) des facteurs spatiaux et fonctionnels, et la manière dont ils sont liés. Plus précisément, si l’on accepte que les fonctions en question sont fondamentales, pourquoi la notion de support ou de contenant/contenu est grammaticalement décrite comme objet de la préposition? Ces questions sont traitées dans le cadre d’analyse de la grammaire considérée comme le produit et l’instrument d’une cognition incarnée qui est le reflet de la manière dont nous appréhendons le monde et nous interagissons avec lui. (shrink)

Within the framework of Viewpoint Spaces (Dancygier, Barbara. 2012. The language of stories: A cognitive approach. Cambridge: Cambridge University Press), this paper investigates viewpoint interactions in a mobile game’s plot to show how the game’s structural framing leads to meaning construction, specifically the construal of irony. The notion of (meta-)Ground Viewpoint Space is proposed not only to provide a generalized account of a global mental space where local spaces and viewpoints relate to one another, but also to elucidate how the (...) invoked genre-specific expectation makes a significant meaning contribution to the player’s overall construal of the game. This study presents a case study of the mobile game Liyla and the Shadows of War (Abueideh, Rasheed. 2016. Liyla and the Shadows of War) as a viewpoint phenomenon whose construal involves the interaction of multiple viewpoints. The game depicts the consequences of the 2014 Gaza conflict from the perspective of an unnamed Palestinian father struggling to escape the war zone with his daughter Liyla. It deviates from prototypical games in that it is impossible to complete the expected narrative, regardless of the player’s skill, although its ostensible goal is to let the protagonists survive and escape to a safer place. The mismatch between the player’s goal to clear all the stages, the character’s goal to survive, and the developer’s goal to convey a message is a source of ironic meaning, and this study focuses on how the network of multiple viewpoints – of the game developer, the character, and the player – constructs the intended meaning for players. (shrink)

Journal Name: Cognitive Linguistics Issue: Ahead of print.

Name der Zeitschrift: Cognitive Linguistics Jahrgang: 27 Heft: 1 Seiten: 137-145.