- What Is Art Good For? The Socio-Epistemic Value of Art.Aleksandra Sherman & Clair Morrissey - 2017 - Frontiers in Human Neuroscience 11.details
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Gombrich and the Duck-Rabbit.Robert Eamon Briscoe - 2015 - In Michael Beaney, Brendan Harrington & Dominic Shaw (eds.), Aspect Perception After Wittgenstein: Seeing-as and Novelty. New York: Routledge. pp. 49-88.details
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Threefoldness.Bence Nanay - 2018 - Philosophical Studies 175 (1):163-182.details
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Taking the fictional stance.Katherine Tullmann - 2016 - Inquiry: An Interdisciplinary Journal of Philosophy 59 (6):766-792.details
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Do desires provide reasons? An argument against the cognitivist strategy.Avery Archer - 2016 - Philosophical Studies 173 (8):2011-2027.details
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O Valor da Arte.António Lopes - 2014 - Compêndio Em Linha de Problemas de Filosofia Analítica.details
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Seeing-In as Aspect Perception.Fabian Dorsch - 2016 - In Gary Kemp & Gabriele M. Mras (eds.), Wollheim, Wittgenstein, and Pictorial Representation: Seeing-as and Seeing-In. New York: Routledge.details
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Pictures, presence and visibility.Solveig Aasen - 2016 - Philosophical Studies 173 (1):187-203.details
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Depiction, Pictorial Experience, and Vision Science.Robert Briscoe - 2016 - Philosophical Topics 44 (2):43-81.details
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Painting and Philosophy.Michael Newall - 2014 - Philosophy Compass 9 (4):225-237.details
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Feeling, meaning, and intentionality—a critique of the neuroaesthetics of beauty.Peer F. Bundgaard - 2015 - Phenomenology and the Cognitive Sciences 14 (4):781-801.details
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Pictorial Representation and Abstract Pictures.Elisa Caldarola - 2011 - Dissertation, Università Degli Studi di Padovadetails
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The Epistemic Misuse & Abuse of Pictorial Caricature.Christy Mag Uidhir - 2013 - American Philosophical Quarterly 50 (2):137-152.details
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Perceiving pictures.Bence Nanay - 2011 - Phenomenology and the Cognitive Sciences 10 (4):461-480.details
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Virtues of Art.Peter Goldie - 2010 - Philosophy Compass 5 (10):830-839.details
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How the intentions of the draftsman shape perception of a drawing.Alessandro Pignocchi - 2010 - Consciousness and Cognition 19 (4):887-898.details
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Virtues of art and human well-being.Peter Goldie - 2008 - Aristotelian Society Supplementary Volume 82 (1):179-195.details
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Not So Blue to be Sad: Affective Affordances and Expressive Properties in Affective Regulation.Marta Caravà & Marta Benenti - 2024 - Topoi (3):1-12.details
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The Epistemology of Interpersonal Relations.Matthew A. Benton - 2024 - Noûs:1-20.details
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The Geography of Taste.Dominic Lopes, Samantha Matherne, Mohan Matthen & Bence Nanay - 2024 - New York, NY: Oxford University Press.details
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Image/Images: A Debate Between Philosophy and Visual Studies.Alessandro Cavazzana & Francesco Ragazzi (eds.) - 2021 - Venice: Edizioni Ca' Foscari.details
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(1 other version)How Artworks Modify our Perception of the World.Alfredo Vernazzani - 2021 - Phenomenology and the Cognitive Sciences 22 (2):1-22.details
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The Implied Painter.Vanessa Brassey - 2019 - Debates in Aesthetics 14 (1):15-29.details
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Art made for pictures.John Kulvicki & Bence Nanay - 2018 - Phenomenology and Mind 14:120-134.details
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(1 other version)Twofold Pictorial Experience.René Jagnow - 2019 - Erkenntnis (4):1-22.details
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Objects, seeing, and object-seeing.Mohan Matthen - 2019 - Synthese 198 (4).details
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Twofileness. A Functionalist Approach to Fictional Characters and Mental Files.Enrico Terrone - 2021 - Erkenntnis 86 (1):129-147.details
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Communication advantages of line drawings.Roberto Casati & Alessandro Pignocchi - unknowndetails
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Virtues of Art: Good Taste.Dominic McIver Lopes - 2008 - Aristotelian Society Supplementary Volume 82 (1):197-211.details
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Seeing the Impossible.Andreas Elpidorou - 2016 - Journal of Aesthetics and Art Criticism 74 (1):11-21.details
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(1 other version)Rappresentazione pittorica.Elisa Caldarola - 2015 - Aphex 11.details
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Trompe l’oeil and the Dorsal/Ventral Account of Picture Perception.Bence Nanay - 2015 - Review of Philosophy and Psychology 6 (1):181-197.details
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Why, as responsible for figurativity, seeing-in can only be inflected seeing-in.Alberto Voltolini - 2015 - Phenomenology and the Cognitive Sciences 14 (3):651-667.details
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Factive Pictorial Experience: What's Special about Photographs?Robert Hopkins - 2010 - Noûs 46 (4):709-731.details
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Canny resemblance.Catharine Abell - 2009 - Philosophical Review 118 (2):183-223.details
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The particularity of photographic experience.René Jagnow - 2023 - Theoria 89 (2):216-231.details
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Depicting Depictions.René Jagnow - 2016 - Pacific Philosophical Quarterly 98 (S1):453-479.details
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Educating the design stance: Issues of coherence and transgression.Norman H. Freeman & Melissa L. Allen - 2013 - Behavioral and Brain Sciences 36 (2):141 - 142.details
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Expression in the Representational Arts.Catharine Abell - 2013 - American Philosophical Quarterly 50 (1):23-36.details
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(1 other version)How artworks modify our perception of the world.Alfredo Vernazzani - 2023 - Phenomenology and the Cognitive Sciences 22 (2):417-438.details
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Do Trompe l'oeils Look Right When Viewed from the Wrong Place?Gabriele Ferretti - 2020 - Journal of Aesthetics and Art Criticism 78 (3):319-330.details
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(1 other version)The Neural Dynamics of Seeing-In.Gabriele Ferretti - 2019 - Erkenntnis 84 (6):1285-1324.details
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(1 other version)Why the Pictorial Needs the Motoric.Gabriele Ferretti - 2021 - Erkenntnis 88 (2):1-35.details
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Visual attention in pictorial perception.Gabriele Ferretti & Francesco Marchi - 2020 - Synthese 199 (1-2):2077-2101.details
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Picture perception and the two visual subsystems.Bence Nanay - 2008 - Proceedings of the 30th Annual Conference of the Cognitive Science Society.details
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Realism and Representation: The Case of Rembrandt's Hat.Michael Morris - 2015 - European Journal of Philosophy 23 (4):909-932.details
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Argumentacja w edukacji. Postulaty badań edukacyjnych w Polskiej Szkole Argumentacji.Marcin Koszowy Michał Federowicz - 2018 - Studia Semiotyczne 32 (1):131-137.details
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Co to jest obraz? Komentarz do "Podstaw teorii znaku ikonicznego" Kazimierza Świrydowicza. [REVIEW]Piotr Kozak - 2018 - Studia Semiotyczne 32 (1):139-158.details
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(1 other version)Twofold Pictorial Experience.René Jagnow - 2019 - Erkenntnis 86 (4):853-874.details
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Moving because Pictures? Illusion and the Emotional Power of Film.Robert Hopkins - 2010 - Midwest Studies in Philosophy 34 (1):200-218.details
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