Keskityn siihen miten Leibnizilla yksittäiset mielihyvän tai mielipahan tiedostamattomat havainnot voivat kasautua tai tiivistyä ja muodostaa vähitellen tunteita, joista tulemme tietoisiksi.

Si decidiésemos clasificar las teorías éticas en “inmanentistas” (aquellas que cifran lo éticamente aceptable en algún tipo de eventos del mundo, como por ejemplo el crecimiento utilitarista del beneficio general) y “trascendentalistas” (aquellas que ubican en algún espacio más allá de este mundo y esta vida el motivo de por qué comportarnos éticamente –por ejemplo, debido a alguna suerte de recompensa ultraterrena–), entonces el pensamiento moral del llamado “primer” Wittgenstein ocuparía un lugar especial entre ambos extremos de tal dicotomía. En (...) cierta medida, podría decirse que la propuesta ética del Wittgenstein que reflexionaba en torno a los años de composición del Tractatus guarda un delicado equilibrio que evita tanto su exclusivo sometimiento ante instancias trascendentales (fundamentos), como su asimilación total por parte de motivaciones inmanentes (provechos) a la hora de justificar el hecho de actuar de un modo correcto. En el presente artículo nos asomaremos a tal pirueta wittgensteiniana entre ambos miembros del dualismo trascendente-inmanente, y sugeriremos que el peculiar lugar en que deja lo ético, entre lo celestial y lo terrenal, acaso no sea del todo ajeno a tesis de la religión cristiana como la de la encarnación de lo divino en el mundo terreno. (shrink)

This paper addresses the questions raised by the evidence presented that many cardinal psycho-analytic notions bear a strong resemblance to the ideas of Schopenhauer and Nietzsche. In the process, the author considers not only that the 19th century Zeitgeist, given its preoccupation with the unconscious, created a fertile ground for the birth of psychoanalysis, but the influence on the Weltanschauung of Freud, Schopenhauer and Nietzsche of their common German cultural heritage, their shared admiration for Shakespeare and love of Hellenic culture, (...) and the meteoric rise of science. Although influence may not be sharply separated from confluence, the parallels between Freud's concepts and those of Schopenhauer and Nietzsche are too specific to be coincidental. And yet, Freud vehemently denied ever having read these philosophers’ works until “very late in life”. It is suggested that an unconscious sense of guilt may have induced that denial.This study adopts a cross-sectional approach that juxtaposes Freud's cardinal concepts with the ideas of Schopenhauer and Nietzsche. Its tripartite structure has the advantage of observing similarities and differences not only between Freud and the two philosophers, but also between Nietzsche and Schopenhauer. The focal concepts include: the unconscious; ego, id and superego; libido; drives; repression; sublimation; dreams; catharsis; free association; primary and secondary process thinking; Oedipus complex; repetition compulsion; the pleasure principle; mourning and melancholia; a criminal from a sense of guilt; and the death instinct. (shrink)

In this thesis I offer an interpretation of Arthur Schopenhauer’s pessimism. I argue against interpreting Schopenhauer’s pessimism as if it were merely a matter of temperament, and I resist the urge to find a single standard argument for pessimism in Schopenhauer’s work. Instead, I treat Schopenhauer’s pessimism as inherently variegated, composed of several distinct but interrelated pessimistic positions, each of which is supported by its own argument. I begin by examining Schopenhauer’s famous argument that willing necessitates suffering, which I defend (...) against the misrepresentative interpretation advocated by Ivan Soll. I also offer a metaphysical reading of Schopenhauer’s claim that no amount happiness can compensate for the mere fact of suffering, based upon his negative conception of happiness. I proceed by analysing Schopenhauer’s criticisms of two prominent optimists, Leibniz and Rousseau. I attempt to salvage something of Schopenhauer’s counterargument against Leibniz that this is the worse of all possible worlds, and I also examine Schopenhauer’s claim that the optimistic metaphysics of a priori rationalistic philosophy cannot cope with the evidence of meaningless suffering. In the case of Rousseau, I interpret Schopenhauer’s brief objection to Rousseau’s assumption of original goodness, by means of an examination of Schopenhauer’s conception of the contrary doctrine, original sin. Next I consider the metaphysics of Schopenhauer’s account of eternal justice. After defending it against a number of objections, I argue that the nature of his version of eternal justice, which he admits constitutes a justification for suffering, does not conflict with the fact that he so strongly condemns Leibniz’s and Rousseau’s optimistic justifications for suffering. Finally I assess whether and to what extent Schopenhauer’s ethics of salvation are either pessimistic or optimistic. I conclude that the mere fact that salvation is possible is not necessarily a cause for optimism, but that Schopenhauer’s doctrine of salvation is made partly optimistic by the higher form of cognition that he describes as part of it. I also argue that Schopenhauer’s views on the essentially mystical nature of the state of salvation ultimately commit him to being neither positively optimistic nor positively pessimistic about salvation. I conclude overall with some brief remarks about the meaning of Schopenhauer’s pessimism, and how in spite of its diverse nature, it is able to lay down a singular challenge to all future philosophers concerned with the question of suffering. (shrink)

Schopenhauer’s stance on suicide focuses on the possibility of achieving freedom from suffering through the denial of the individual will-to-life. Ultimately, Schopenhauer argues that suicide fails to achieve this freedom, primarily because it is an act of will that confirms, rather than denies, the will-to-life. Suicide, he argues, is a kind of contradiction in that it involves the individual will’s willfully seeking to exterminate itself as a way of escaping the wretchedness of willing. While Schopenhauer explicitly states that one possesses (...) the individual right to commit suicide in order to attempt to obtain freedom from suffering, and even admits that he can understand why one would attempt to do so, he denies that there is any possibility that this freedom may be actualized. To take one’s life indicates a lack of awareness of the futility of the individual will and the experience of the wholeness and totality of will-in-itself. One has the freedom to destroy oneself, but one’s freedom to free oneself from suffering is an illusion. If one concurs with Schopenhauer that suicide should be understood as a futile escape from the freedom of suffering, one cannot deny the brilliant insights of his argument. His is, one the one hand, a brilliant articulation of the function of suicide—placing the act squarely within what one would intuit as its primary purpose . On the other hand, given Schopenhauer’s philosophical framework, it negates that possibility and precludes consideration of any others. (shrink)

The aims of this paper are twofold: firstly, to give the reader a comprehensive- but not exhaustive- understanding of Schopenhauer’s theory of will, and, secondly, to elucidate certain problems inherent in this theory. Schopenhauer’s epistemology, dual aspect ontology, aesthetics, ethics, and pessimism are explored. Additionally, a cursory exposition of Kant’s metaphysics is presented, along with Schopenhauer’s critique of this. Possible solutions to problems in his theory are expounded and subsequently critiqued. Most salient of these problems is his identification of the (...) will with the Kantian thing-in-itself. I argue that Schopenhauer’s theory of will contradicts the Kantian confines on metaphysical knowledge. Consequently, and in light of his own epistemology, there are serious, if not intractable, problems with his contentions that the will is the thing-in-itself, and is knowable. (shrink)

This essay focuses on Schopenhauer’s aesthetics and philosophy of art, areas of his philosophy which have attracted the most philosophical attention in recent years. After discussing the subjective and objective aspects of aesthetic experience on his account, I shall offer interpretations of Schopenhauer’s theory of the sublime and solution to the problem of tragedy. In addition, I shall touch upon the liveliest interpretive debates concerning his aesthetic theory: the intelligibility of the “Platonic Ideas” as the objects of aesthetic experience and (...) the very possibility of aesthetic experience within Schopenhauer’s system. Another aim of this essay is to suggest how some of Schopenhauer’s aesthetic doctrines may be interpreted in a less metaphysically extravagant way. When understood in this manner, contemporary aestheticians might be inclined to take a closer look at Schopenhauer’s aesthetic theory and philosophy of art, for it is distinctive in the tradition of Western philosophical aesthetics in its attempt to highlight and balance the hedonic and cognitive importance of aesthetic experiences; in its sensitivity both to the aesthetic experience of nature as well as of art; in the high value placed on the experience of music ; and in the innovative solution to the problem of tragedy it offers. (shrink)

This paper offers a critique of a central psychopathological concept, the notion of "poor reality-testing. "Using ideas from the philosopher Ludwig Wittgenstein, I consider the nature of delusions in schizophrenia, largely through examining Daniel Paul Schreber's famous Memoirs of My Nervous Illness. Many schizophrenic individuals do not in fact mistake their fantasies for reality, as is traditionally assumed. Rather, I argue, they engage in a solipsistic mode of experience, a felt subjectivization of the lived world that is associated with a (...) stance of passivity and hyperconsciousness. I discuss the existential conditions and consequences of this stance and show that certain anomalous or paradoxical features of schizophrenic delusion are explicable on this phenomenological account. (shrink)

In a bold series of pronouncements, Arthur Schopenhauer maintains that the Kantian thing-in-itself is Will. The division between the world as Will and representation, with its impressive array of implications, is Schopenhauer's most important and distinctive contribution to metaphysics. To understand what Schopenhauer means by ‘Will’ as opposed to the empirical ‘will’, and his reasons for identifying thing-in-itself with Will, we must look in detail at two related arguments by which Schopenhauer proposes to link these concepts. The arguments appear in (...) the first and second editions of Schopenhauer's masterwork, The World as Will and Representation. The differences between the two versions appear to represent a change in his thinking about the most persuasive way to demonstrate the nature of thing-in-itself. The arguments are reconstructed for the sake of comparison, and critically evaluated in light of a variety of objections. While Schopenhauer's first, analogical, argument is inconclusive, his second argument offers a highly defensible inference identifying thing-in-itself as Will. (shrink)

Among Western philosophers, Schopenhauer is one of the few who seeks to clarify the nature of music, and its effects upon us. He claims that music is the most important of all the arts; and he argues that music is a kind of metaphysics that allows us to experience the ultimate reality of the world. In this essay, I evaluate Schopenhauer’s philosophy of music in the context of his overarching philosophy. Then I discuss the relevance of traditional Indian philosophies -- (...) including Advaita Vedanta and Buddhism -- which Schopenhauer recognized as forerunners to his own philosophical system. Here, the discussion of Om is particularly important. Schopenhauer’s discussion of music is insightful. But his insistence on the priority of the will is problematic. I suggest another perspective on willing, ultimate reality and music which follows the classical Indian philosophies that he affirms. (shrink)

My purpose in this essay is to clarify and evaluate Arthur Schopenhauer's grounds for the view that happiness is impossible. I shall distinguish two of his arguments for that view and argue that both of them are unsound. Both arguments involve premises grounded on a problematic view, namely, that desires have no objects. What makes this view problematic is that, in each of the two arguments, it conflicts with Schopenhauer's grounds for other premises in the argument. I shall then propose (...) a way of fixing both arguments. The solution involves substituting the view that desires have no objects with the view that we have a desire to have desires. The latter view, I shall argue, can do the grounding work that the former does in Schopenhauer's arguments but, unlike it, the view that we desire to desire is consistent with Schopenhauer's grounds for the rest of premises in those arguments. (shrink)

While historians of nineteenth‐century German philosophy have traditionally underestimated the influence of Schopenhauer's thought, recent scholarship has demonstrated that Schopenhauer's pessimism changed the trajectory of German philosophy. This chapter summarizes Schopenhauer's philosophical system to underscore that his doctrine of pessimism cannot be confined to his ethics, but rather informs every aspect of his philosophy. The thrust is to summarize Schopenhauer's philosophy while highlighting the pessimistic strains, both implicit and explicit, that run through his thought. The chapter first describes pessimism, drawing (...) both from Schopenhauer scholarship. Then, it provides an outline of Schopenhauer's system, pointing to the pessimistic consequences of various aspects of his system. The chapter highlights the pessimistic features that run through Schopenhauer's system; features which apply to both Migotti's and Deinstag's depictions of what pessimism entails. Schopenhauer has provided a comprehensive account of his philosophical system in his major work, The World as Will and Representation volumes I and II. (shrink)

The ‘Platonic Ideas’ in Schopenhauer’s metaphysics are appearances. On the other hand, as the immediate objecthood of the will, they are the essences of species and the only object of true aesthetic cognition, which leads beyond mere appearance. To explain this apparent incongruence, I offer an analysis of Schopenhauer’s early metaphysics, and its transformation into the metaphysics of will, fleshing out the several and divergent concepts of ‘idea’. Specifically, first, as part of his religious and neo-Platonic early philosophy; second, in (...) the context of his ‘true criticism’ in the spirit of Kantian transcendental philosophy; third, as identical to the thing in itself as part of the metaphysics of will, heavily influenced by Kant’s notion of ideas from CR and CJ. Explaining Schopenhauer’s mature notion of Platonic Ideas genetically as a set of homonymic notions helps us better explain its divergent meanings in WWR. (shrink)

Our starting point in this article is that the question of the essence of psychotherapy has to some extent been neglected. Its medical context has strengthened the tendency to interpret psychotherapy in general from a technical and overtly rationalistic standpoint. Instead, we would underline the importance of the philosophical and historical roots of all psychotherapies. In our view, it is imperative to acknowledge the antirationalistic underpinnings that have always informed the discipline. We show how speculative mysticism and the late philosophy (...) of Martin Heidegger have proved to be indispensable tools in setting psychotherapies in their philosophical and historical context. Robert Stolorow has also recently emphasised that Heidegger’s philosophy in Time and Being can be used to both understand and develop thinking in psychotherapies. We find it surprising that Heidegger’s late philosophy has not previously been considered a promising standpoint for theoretical research and show how Heidegger’s concepts of twofold thinking and Gelassenheit are useful conceptual tools in understanding various dimensions of psychotherapies. (shrink)

I attempt to present a more holistic and more detailed account of Schopenhauer's pessimistic philosophical premises and their implications. The discussion begins with Schopenhauer's claim that the world is representation and with the discovering of the Will. It continues by examining the implications of the Will, which leads to the argument against existence itself.

This paper asks how we find our way in the hitherto unknown. In search of an answer, the author returns to the three Critiques of Immanuel Kant, noting especially their grounding in the geometric mode of (re)presentation and the thingification processes connected therewith. It is argued that Kant's choice of metaphors in effect makes him more of a geographer than of a philosopher. To understand the taken-for-granted of thought-and-action, the time has therefore come for the writing of a fourth volume (...) entitled A Critique of Cartographical Reason. The focus must there be on the relations between personal pronouns and prepositions, on the one hand, and the powers of tautology, on the other. (shrink)

(2003). The World as Representation: Schopenhauer's Arguments for Transcendental Idealism. British Journal for the History of Philosophy: Vol. 11, No. 1, pp. 57-87.

Durkheim’s claim in Suicide that humanity’s ‘inextinguishable thirst’ (soif inextinguible) causes suffering was adopted from Arthur Schopenhauer’s argument that the will-to-live’s ‘unquenchable thirst’ (unlöschbaren Durst) causes suffering, which was previously adopted from the Buddha’s argument that ‘ceaselessly recurring thirst’ (tṛṣṇā) causes suffering. This article retraces this demonstrable though seemingly unlikely history of ideas and reveals that the philosophical underpinnings of Durkheim’s theory of anomie are rooted, through Schopenhauer, whose thought influenced many thinkers during the Neo-Romantic fin de siècle period, including (...) Durkheim, in the Buddha’s Second Noble Truth – a doctrine made available to Schopenhauer in European translations of Buddhist texts during the previous turn of the century’s ‘Oriental Renaissance’. By achieving a more thorough understanding of the ambiguous concept of anomie through its Eastern intellectual origins, this project shows that the common conceptualization of anomie as ‘normlessness’ is inconsequential without presupposing that humans thirst and unconstrained thirst causes pain. (shrink)

Nosso objetivo é tomar o pensamento de Schopenhauer como estudo de caso e ponto de partida para discutir em que medida o “pessimismo” pode ser fundamentado e reinterpretado segundo “razões objetivas”, conceitualmente filosóficas. Para intérpretes como Christopher Janaway e Frederick Beiser, a legitimidade filosófica do pessimismo schopenhaueriano, atribuído à tese de que a vida é um negócio que não cobre os custos do investimento, é garantida pelas implicações inferidas da metafísica da Vontade. Por outro lado, Kuno Fischer, acompanhado dentre outros (...) por Bryan Magee, reinterpreta tal pessimismo a partir de “razões subjetivas”, pautadas em certas disposições de espírito ou preferências, como a relação conflituosa de Schopenhauer com sua mãe, por exemplo. A dificuldade em determinar mais precisamente a fundamentação do pessimismo de Schopenhauer redobra se considerarmos estudos que seguem uma tendência oposta e classificam esse autor como um “otimista”; Heinz Gerd Ingenkamp pode ser apontado como representante dessa vertente interpretativa. Se tal dificuldade se deve, como supomos a princípio, ao inevitável anacronismo que permeia a maior parte das discussões sobre o suposto pessimismo de Schopenhauer acerca do valor da existência, propomos minimizá-lo mediante um procedimento exegético que indicamos aqui ainda em linhas gerais. (shrink)

Wittgenstein probably did not believe in Christ's Resurrection (as an historical event), but he may well have believed that if he had achieved a higher level of devoutness he would believe it. His view seems to have been that devout Christians are right in holding onto this belief tenaciously even though, in fact, it's false. It's historical falsity, is compatible with its religious validity, so to speak. So far as I can see, he did not think that devout Christians should (...) believe that it doesn't really matter whether or not that alleged historical event occurred. (shrink)

Although suffering in Schopenhauer’s works may be explained by how the will to life is objectified in the world, a more precise inquiry leads us to elucidate the significance of this experience in his writings. This article claims in the first place that suffering in this author’s works is triggered by multiple sources and takes various forms. In fact, and this is the article’s second claim, these sources coincide with some later scholars’ characterizations of modern suffering. The main aim is (...) to show the value of Schopenhauer’s works in understanding modern malaise. This article is divided into 4 parts: in the first part, some considerations about suffering and modernity are indicated; in the second part, the place of suffering in Schopenhauer’s works is explored; in the third part, some of suffering’s sources are analysed; finally, a number of dimensions that may be of great value in better understanding modern malaise are noted. (shrink)

This thesis is primarily an attempt at solving some issues in Schopenhauer’s theory of salvation. My aim is to provide ways in which Schopenhauer’s soteriology could work. It is a partially reconstructive project in that I will be bringing to the forefront some of Schopenhauer’s assertions at the expense of others. My aim is to show that we are able to provide a much more cohesive and satisfying reading of Schopenhauer’s philosophical project if we let go of some of the (...) more orthodox assumptions in the Schopenhauer scholarship – chief amoung these being that Schopenhauer is committed to the view that the will constitutes ultimate reality. While this reading is a departure from the vast majority of the traditional readings of Schopenhauer’s philosophy, I believe it has the twin advantages of both aligning Schopenhauer’s thought much closer with the eastern traditions he believes his work is in sympathy with, and ultimately, providing a new platform from which to assess the ‘traditional’ reading of Schopenhauer’s thought as ‘hopelessly pessimistic’. It is my contention that while it remains true that Schopenhauer is very much a pessimist about the world as manifested will, it is the perceived difficulties of his philosophy of salvation that have provided the most significant road block preventing critics from seeing that there are dimensions to Schopenhauer’s thought that cannot so easily be labelled as either pessimistic or optimistic. This thesis is an attempt to shed light on possible new readings of Schopenhauer’s project in light of attempts to resolve issues in his soteriology. I begin with the question – why do we need saving? I attempt to answer this through an analysis of the terms ‘will’, ‘will-to-life’ and ‘affirmation and negation of the will-to-life’. Next, I attempt to argue that the will should not be seen as ultimate reality in Schopenhauer’s system and that this is both closer to the account which Schopenhauer himself was inclining towards later in his writings as well asa necessary sacrifice in order to save Schopenhauer from more problematic inconsistencies. I next attempt to solve inconsistencies in Schopenhauer’s account of personal identity. I argue that there can only be a denial of the will-to-life if there is more to our identity than willing. I will also examine the possibility of a denial of the will-to-life at all. I will be engaging with recent scholarship from Christopher 3 Janaway on the possibility of negating the will-to-life and the implications of this for Schopenhauer’s account of willing. I will then attempt to resolve the on-going debate in the secondary literature concerning Schopenhauer’s ethical pronouncements and his theory of the negation of the will-to-life. I will argue, contrary to Sandra Shapshay and Tristan Ferrell, that it is possible to be one in whom the will has denied itself while remaining one who wills ethically and that this can be the case if we focus our attention on what Schopenhauer may truly mean by a compassionate will to help others. Next, I will be asking why exactly it is good to be one in whom the will has denied itselfand what this means for our understanding of value for the will-less subject. Finally, I will be focusing on Schopenhauer’s pessimism and how a new reading of Schopenhauer’s soteriology means that we can introduce new ways of assessing both the world as well as the place of Schopenhauer’s philosophical system within it. Ultimately, I will conclude that any interpretation of Schopenhauer’s philosophy presents the scholar with a choice and that we are subsequently only able to make new evaluative assessments on Schopenhauer’s philosophy, as well push back against the charge that it is wholly pessimistic, if we choose to accept major revisions to his metaphysics of the will. However, because Schopenhauer himself seemed to be moving towards such revisions, we should not be afraid of doing so either. (shrink)

On what grounds could life be made worth living given its abundant suffering? Friedrich Nietzsche was one among many who attempted to answer this question. This book attempts to disentangle Nietzsche's various critiques of pessimism, elucidating how familiar Nietzschean themes ought to be assessed against this philosophical backdrop.

This chapter is divided into three sections. In the first, I identify the mentions of Schopenhauer in À la recherche du temps perdu. I use an implicit reference to Schopenhauer by Swann to open a discussion of Schopenhauer’s theory of music. I attempt to downplay its identification, suggested by some commentators, with both the views about music expressed in the novel and the form of the novel itself. In the second section, I discuss Proust’s references to Schopenhauer in his essay (...) on reading. I confirm that Proust well understood Schopenhauer’s relationship with his own erudition and suggest that Schopenhauer’s influence on Proust may take the form of an incitement to think for oneself. In the third and final section, I consider several potential points of convergence between Proust and Schopenhauer concerning states of the will. However, in all cases I find, as I do throughout the chapter, that below the surface Proust and Schopenhauer often part ways. (shrink)

In the present work, we will analyze the concept of intuition mainly in relation to the epistemological and the metaphysical theses of Schopenhauerian theory. In the first section, we will discuss the central axes of Schopenhauer’s metaphysical system, especially regarding the concept of will (Wille) and the relationship that this entails with his theory of knowledge. Then, we will examine the difference that the German philosopher establishes between representative —or mediated— rational knowledge and direct —or immediate— intuitive knowledge. Likewise, we (...) will trace at first the theses and the fundamental problems of the dualism of representation and we will furtherly establish the problem of the intuition of one’s own body. Finally, we will consider the scope and the limits of intuition, as well as its different variants: mainly aesthetic intuition and its culmination in mystical intuition. (shrink)

That Conrad was familiar with Schopenhauer’s philosophy has been proposed by literary scholars and seconded, in passing, by philosophers. This has resulted in one-way studies of literary influence. This thesis is instead a two-way study in the philosophy of literature. It shows how Schopenhauer’s philosophy can illuminate Conrad’s fiction and how the fiction can become an analytical tool for exploring the philosophy. There are two strands in Schopenhauer’s philosophy. One is uncompromisingly concerned with salvation and will-denial. The second focuses on (...) self-knowledge and character, which leads to self-fulfilment and accommodation with the world. It is the latter strand, with character at its core, where the interests of the philosopher and creative writer coincide. My methodology is different from previous studies in that I propose Conrad’s direct source for Schopenhauer was not The World as Will and Idea but his essays, which are directed more towards the worldly strand of his philosophy. I argue that the use by literary scholars of Schopenhauer’s magnum opus as Conrad’s direct source has diverted them from his main area of interest in the philosophy, namely its approach to self-knowledge and character, and that this misplaced focus has tended to distort interpretations of his fiction. (shrink)

In Beyond Good and Evil, section 15, Nietzsche offers a criticism of the Kantian contention that the external world is but the work of our organs. As such, he claims, our organs, as part of this world, would by implication also be the work of our organs. Unless then we are to assume that the concept of a causa sui is not an absurd one, the external world is, reduction ad absurdum, not the work of our organs. This paper offers (...) a defence of Schopenhauer from Nietzsche’s charge of circularity, based on the contention that the apparent circularity arises only upon the Nietzschean assumption that the transcendental idealist is, in fact, mistaken in his conception of a transcendental subject. It is only by assuming that Schopenhauer was mistaken, for example, in supposing the law of causality to be of a subjective and transcendental nature, that Nietzsche can even speak about the subject or the world as ‘caused’. A true grasp of Schopenhauer’s position can only lead to the conclusion that no causal chain, let alone a circular one, is at play here. Nietzsche’s error is diagnosed as arising from a deepening of historical sense, which assumes, from the outset, that the conceptual categories of the perceiving subject do not offer us an aeterna veritas. Finally, Nietzsche’s misconception, and his subsequent inability to diagnose it, arises from Schopenhauer’s own inability to escape what Wittgenstein terms the “temporality of our grammar.” Schopenhauer simply does not have the words at hand to ever remove the notion of temporality from the idea that the subject and the world ‘create’ each other. Taking cognisance of Schopenhauer’s ‘double aspect’ theory of the subject, removes from the relationship the notion of causality upon which Nietzsche’s critique is based. (shrink)

The fundamental — and many would say lingering — challenge to Nietzsche concerns how he can ground the will to power, given what he says about metaphysics as a philosophic prejudice. Does his teaching not topple of its own weight/lessness? It is the standard objection to which all postmodern philosophers must respond. This article examines what Nietzsche says about the limits of truth and the role that experience and perspective have in setting standards by which we might live correctly. The (...) will to power, Nietzsche instructs, is a claim on truth, confirmed only to the extent that it serves life and culture. Hence Nietzsche’s most basic doctrine appears in nature as a source of order and value, without imposing itself as such. (shrink)