Do members of cultural groups have special claims to own or control the products of the cultures to which they belong? Is there something morally wrong with employing artistic styles that are distinctive of a culture to which you do not belong? What is the relationship between cultural heritage and group identity? Is there a coherent and morally acceptable sense of cultural group membership in the first place? Is there a universal human heritage to which everyone has a claim? Questions (...) such as these concern the ethics of cultural heritage (or heritage ethics, for short). This entry seeks to provide an overview of the philosophical work on topics in heritage ethics, as well as introduce readers to some of the most philosophically relevant literature from other disciplines. (shrink)

This article draws together research from various sub-disciplines of philosophy to offer an overview of recent philosophical work on the ethics of historic preservation. I discuss how philosophers writing about art, culture, and the environment have appealed to historical significance in crafting arguments about the preservation of objects, practices, and places. By demonstrating how it relates to core themes in moral and political philosophy, I argue that historic preservation is essentially concerned with ethical issues.

Aesthetic and historical values are commonly distinguished from each other. Yet there has not been sustained discussion of what, precisely, differs between them. In fact, recent scholarship has focused on various ways in which the two are related. I argue, though, that historical value can differ in an interesting way from aesthetic value and that this difference may have significant implications for environmental preservation. In valuing something for its historical significance, it need not always be the case that there is (...) a reason to want people to experience the entity. Valuing something for its aesthetic merit, by contrast, does imply a reason to want people to experience the entity. I suggest that in virtue of this difference, some historical values may offer better justification for preserving natural environments than do aesthetic considerations. (shrink)

This paper describes the disorienting aesthetics of some environments that are characteristic of the Anthropocene. We refer to these environments as ‘mashed-up’ and present three dimensions – phenomenological, epistemological and narrative – of the aesthetic disorientation they can trigger. We then advance the suggestion that a rich, nuanced and meaningful aesthetic experience of mashed-up Anthropocene environments (MAEs) calls for a mode of appreciation grounded on performative practices of aesthetic familiarisation with particular MAEs and entities and processes thereof. Familiarisation with MAEs, (...) we further note, can have disorienting codas of its own. It can reveal and highlight, rather than eliminate or alleviate, the solid strangeness of Earth even in the systemically humanised world of the Anthropocene, and it can expose and tie at least some of our agency, identity and sources of meaning in life to the same unstable evolvability of particular MAEs. (shrink)

Climate change will have highly significant and largely negative effects on human societies into the foreseeable future, effects that are already generating ethical and policy dilemmas of unprecedented scope, scale, and complexity. One important group of ethical and policy issues raised here concerns what I callenvironmentalvalues. By this I do not mean the impact that climate change will have on the environment as a valuable human resource, nor am I referring to the changing climate as a threat to humans in (...) terms of floods, storms, and droughts, important as these are. Rather, I am concerned with the way climate change—and the policies that may be adopted to respond to it—threatens both things we value and, potentially, some of our environmental values themselves. (shrink)

A rich hermeneutic account of the way virtue is understood and developed. Despite its ancient roots, virtue ethics has only recently been fully appreciated as a resource for environmental philosophy. Other approaches dominated by utilitarian and duty-based appeals for sacrifice and restraint have had little success in changing behavior, even to the extent that ecological concerns have been embraced. Our actions often do not align with our beliefs. Fundamental to virtue ethics is an acknowledgment that neither good ethical rules nor (...) good intentions are effective absent the character required to bring them to fulfillment. Brian Treanor builds on recent work on virtue ethics in environmental philosophy, finding an important grounding in the narrative theory of philosophers like Paul Ricoeur and Richard Kearney. Character and ethical formation, Treanor argues, are intimately tied to our relationship with the narratives through which we view the human place in the natural world. By reframing environmental questions in terms of individual, social, and environmental narratives about flourishing, Emplotting Virtue offers a powerful vision of how we might remake our character so as to live more happily, more sustainably, and more virtuously in a diverse, beautiful, wondrous, and fragile world. (shrink)

The widely-heralded arrival of the “Anthropocene” era seems to call the existence and value of the natural world into question. Is the world prior to human alteration of it something worth preserving? Can and should we attempt to restore ecological conditions prior to human disturbance? Ecological restoration has traditionally used the past as a reference point in establishing standards and assessing the value of restored landscapes. In many landscapes, however, the traditional notion of historical fidelity provides inadequate guidance because contemporary (...) and future social, ecological, or climate contexts differ, or will differ, radically from those that historically prevailed. Thus, some scholars recommend that we move toward restoration that looks to the future instead of the past. Others propose a “narrative ethics” that accounts for the past while allowing a place to evolve in ways that fit its unfolding story. Both futuristic and narrative approaches to restoration accommodate change and acknowledge a role for social values. However, both have been criticized as overly anthropocentric, and neither is strongly action guiding. Using examples of restoration at former military sites, I consider how we might develop an ethics of ecological restoration that acknowledges change while taking account of the past. (shrink)

This paper examines the role of ethics in addressing aspects of ecological restoration in culturally-saturated landscapes. Do we have the ethical tools to respond to the complex questions that restoration poses? We can see valued landscapes, such as the English Lake District, as culturally rich or as ecologically denuded. This paper will juxtapose the demands of retaining rich cultural narratives and those of rewilding (which would allow for greater self-sustaining biological diversity and space for unrestrained nature). Using the ethical theory (...) of responsive cohesion, this paper will explore the cultural narrative vs wildness question in the context of the English Lake District. (shrink)