This article argues that Empedocles’ trust in Strife (DK31 B115.14 = LM22 D10.14) is not, as the prevailing interpretation has it, only a past misjudgement and failure. Rather, trust in Strife still, and to his own lament, infects Empedocles’ mind and informs his life. This detail then offers a fresh perspective on Empedocles’ self-conception and on how, through the daimōn’s cosmic peregrinations, Empedocles raises and pursues questions of agency and responsibility. Furthermore, it sheds light on Empedocles’ understanding of his own (...) ethical standing: common assumptions to the contrary notwithstanding, he does not see himself as an unqualifiedly successful embodiment of his own ideals. (shrink)

Ovidians continue to be puzzled by the 404-line speech put into the mouth of Pythagoras in book 15 of the Metamorphoses. Questions of literary decorum and quality are insistently raised: how does the philosopher's popular science consort with the predominantly mythological matter of the preceding fourteen books? Do Pythagoras' revelations provide some kind of unifying ground, a ‘key’, for the endless variety of the poem? Can one take the Speech as a serious essay in philosophical didactic, or is it all (...) a mighty spoof, as intentionally laughable, perhaps, as the imperial panegyric with which the narrative of book 15 concludes? Or should we beware of imposing modern tastes on Ovid's original audience, and respect the Hellenistic and Roman predilection for scientific poetry? This article seeks to establish further contexts for the evaluation of the Speech of Pythagoras through a study of Ovid's allusive practice within the Greco-Roman tradition of hexameter epos. The figure who provides a foundation for Ovid's construction of his own poetic genealogy turns out to be the Greek philosophical poet Empedocles. The resulting reflections on Ovid's manipulation of generic conventions may be timely in the light of the recent appearance of sophisticated and fresh approaches to the question of whether the Metamorphoses is, or is not, an epic. (shrink)

This thesis is a study of Archaic and Early Classical philosophical poetry within the competitive context which characterized the poetic production of that period. In particular, I evaluate the ideas and arguments of Xenophanes, Parmenides, Epicharmus and Empedocles in the context of the social and cultural aspects of Archaic poetic performance in order to evaluate their response to traditional agonism. As I argue, these figures entered the poetic contest not only to defeat their poetic adversaries, but also to transform and (...) redefine the terms of the competition itself. Chapter 1 is devoted to the analysis of three institutionalized forms of poetic agonism: sympotic games, rhapsodic contests, and dramatic performances. In chapter 2, I evaluate the socio-political import of Xenophanes' poetry and argue that his conception of the greatest god serves to substantiate his moral prescriptions aimed at eliminating civic conflict. In chapter 3, I examine Parmenides' original notion of alētheia as logical deduction, whereby he provides a solution to the problem of the truth-status of poetry stemming from the Muses' ability to inspire both genuine and false accounts, as narrated in Hesiod's Theogony. Chapter 4 provides an analysis of Empedocles' polemic allusions to his poetic and philosophical predecessors. I argue that Empedocles' confidence in his poetic authority is ultimately grounded on his self-declared divine status, which grants him a unique and comprehensive poetic knowledge. In chapter 5, I evaluate Epicharmus' philosophical fragments against the background of early rhetoric and argue that, through the use of philosophically inspired arguments, Epicharmus aimed to make manifest philosophy's agonistic potential and to show how it could be exploited to one's own advantage. (shrink)

Ovidians continue to be puzzled by the 404-line speech put into the mouth of Pythagoras in book 15 of the Metamorphoses. Questions of literary decorum and quality are insistently raised: how does the philosopher's popular science consort with the predominantly mythological matter of the preceding fourteen books? Do Pythagoras' revelations provide some kind of unifying ground, a ‘key’, for the endless variety of the poem? Can one take the Speech as a serious essay in philosophical didactic, or is it all (...) a mighty spoof, as intentionally laughable, perhaps, as the imperial panegyric with which the narrative of book 15 concludes? Or should we beware of imposing modern tastes on Ovid's original audience, and respect the Hellenistic and Roman predilection for scientific poetry? This article seeks to establish further contexts for the evaluation of the Speech of Pythagoras through a study of Ovid's allusive practice within the Greco-Roman tradition of hexameter epos. The figure who provides a foundation for Ovid's construction of his own poetic genealogy turns out to be the Greek philosophical poet Empedocles. The resulting reflections on Ovid's manipulation of generic conventions may be timely in the light of the recent appearance of sophisticated and fresh approaches to the question of whether the Metamorphoses is, or is not, an epic. (shrink)

The standard histories give notice of a polemical treatise entitled Letters on Empedocles, 'Eπιστολικ. περ'Eμπεδοκλους in twenty two books by Hermarchus, Epicurus' favourite pupil and successor. The work survives in some twenty fragments of more than probable ascription. The most important of these is an extensive extract preserved by Porphyry at De Abstinentia 1.7–12 on the origin in human history of justice, homicide law, and expiatory purifications, which has been the subject of much discussion. Porphyry himself never names the title (...) of Hermarchus' treatise, though he makes it clear that it was in the form of a polemical attack on the views of Empedocles. A recent papyrus find gives the title not as Letters on Empedocles, but as φρς 'Eμπεδοκλα . In what follows it will be convenient to show that this is no mere variant but in fact the original and correct form of the title, and to determine what can be known with certainty as a result about the make-up of the work. (shrink)

The author deals with the lost works of Empedocles, an often neglected subject, in the frame of the discussion concerning the number of the poems and their main features. He reviews the traces of the Passage of Xerxes, of the Medical Discourse, and of the Proem to Apollo among the fragments and witnesses, taking his cue from textual aspects and dealing with the contents, the significance of each of these writings in Empedocles’ culture and thought and their multifarious relationships with (...) his times. As to the Passage, he tries to reconcile the contrasting interpretations so far proposed (historical or religious poem). Concerning B111, the only relic from the Medical Discourse, he explains why its contents are incompatible with the Physical Poem and the Purifications. He analyzes the Proem to Apollo in several perspectives (text, witnesses, contents also from the epistemological point of view, literary genre). He assigns fragments 131–134 and 142 to the Proem, drawing one of his arguments from the comparison with the third Homeric Hymn to Apollo, and also suggesting a relationship with an intellectual cult of the sun. Formal features help to ascribe each fragment to the relevant poem. Close similarities between fragments do not necessarily mean that they come from the same writing: Empedocles is wont to allude to one poem of his while composing another. The author concludes that the striving for a reductio ad unum of the Acragantine’s output, also evident in the attempt by a number of scholars to make only one poem out of the Περὶ φύσεως and the Καθαρμοί, has often led researchers to take for granted that none of the fragments preserved might belong to the lost works. (shrink)

The presence of a theory of the transmigration of the soul or, according to Empedocles’ words, of the δαίμων is a controversial issue among scholars. A major difficulty arises when one tries to read the fragments of the Purifications – where this theme is particularly recurrent – in conjunction with those usually attributed to the poem On nature. The aim of this paper is to suggest a ‘method’ to analyse the extant fragments, and to offer a possible interpretation of the (...) nature of the so–called cycle of the δαίμων. On the one hand, I shall try to show that the two poems, if read together, can provide a ‘salvific’ message. As a matter of fact, the description of the cosmic order that emerges from the poem On nature might convey the same prescription as stated in the Purifications for following the universal laws, which would ultimately allow human beings to be happy even in an age of universal evil. On the other hand, I shall propose to identify the δαίμων with the roots, which can escape from the cycle – i.e. become happy – when they are shaped as human minds, thanks to the way in which the processes of knowledge work. (shrink)

According to the traditional view of Empedocles' cosmic cycle, there are two creations of plants and animals, one under the dominion of increasing Strife and one under the dominion of increasing Love. At the point at which Strife holds complete sway the four elements are completely separated and all life is destroyed; at the point at which Love is completely dominant there is also a destruction of the biological world, this time because the elements are blended into a perfectly homogeneous (...) mixture. This interpretation of the cosmic cycle, which has prevailed almost since it was developed by Friedrich Panzerbieter and seconded by authority of Eduard Zeller was challenged by Paul Tannery and then by H. von Arnim. Long after these essentially programmatic critiques, three independent studies published in 1965 by Jean Bollack, Uvo Hölscher and Friedrich Solmsen mounted a vigorous challenge to the received view. However, in a detailed monograph devoted to Empedocles' cosmic cycle, Denis O'Brien brought to bear an impressive array of scholarly evidence and critical acumen in support of the traditional view. Several challenges to the traditional view have appeared since O'Brien's book, of which the most significant is that of A. A. Long, who, while criticizing attempts of some opponents of the traditional view, produced some novel and interesting arguments against it. Although the traditional view continues to enjoy the support of authorities such as Jonathan Barnes and M. R. Wright, there is a decided shift in favour of revisionary views. Nevertheless recent advocates of a revisionary interpretation do not provide detailed refutations of the traditional view; Long's arguments remain the strongest objections to the traditional view, and they have never been refuted. Will they stand up to scrutiny? (shrink)

The history of ideas and contemporary genocide studies conjointly suggests a meaningful secular conception of evil. I will show how the history of ideas supplies us with a cumulative pattern, or an eventual gestalt, of the sought-for conception of universal secular evil. This gestalt is a result of my examination of the history of ideas. The historical analysis of evil firmly grounds my research in the tradition of philosophical inquiry, where I shift the focus from the problem of evil, which (...) is indebted to theological discourse, to an analysis of the concept of evil. Next, I show how this gestalt applies to genocide studies. Specifically, I show how a secular concept of evil meaningfully functions in this research program. The examination of genocide studies serves as a test-bed for the fruit of my historical examination. There, I show, first, in what way a secular notion of evil is irreducible, or elementary; second, how the concept used in genocide studies compares to the cumulative historical pattern; and third, in what way genocide studies have progressively enriched the pattern. Armed with these results, I then engage with the contemporary literature that criticizes the possibility of a meaningful concept of evil, and attempts to reduce this notion of secular evil to relativistic particulars. Here, I describe relevant arguments and objections. It is interesting to explore whether, and if so, how, some aspects of the objections may lend themselves to an actual refinement of the concept of evil. Finally, then, I present a summary account of evil on the basis of my findings. (shrink)

Ovidians continue to be puzzled by the 404-line speech put into the mouth of Pythagoras in book 15 of theMetamorphoses.Questions of literary decorum and quality are insistently raised: how does the philosopher's popular science consort with the predominantly mythological matter of the preceding fourteen books? Do Pythagoras' revelations provide some kind of unifying ground, a ‘key’, for the endless variety of the poem? Can one take the Speech as a serious essay in philosophical didactic, or is it all a mighty (...) spoof, as intentionally laughable, perhaps, as the imperial panegyric with which the narrative of book 15 concludes? Or should we beware of imposing modern tastes on Ovid's original audience, and respect the Hellenistic and Roman predilection for scientific poetry? This article seeks to establish further contexts for the evaluation of the Speech of Pythagoras through a study of Ovid's allusive practice within the Greco-Roman tradition of hexameterepos.The figure who provides a foundation for Ovid's construction of his own poetic genealogy turns out to be the Greek philosophical poet Empedocles. The resulting reflections on Ovid's manipulation of generic conventions may be timely in the light of the recent appearance of sophisticated and fresh approaches to the question of whether theMetamorphosesis, or is not, an epic. (shrink)

According to the traditional view of Empedocles' cosmic cycle, there are two creations of plants and animals, one under the dominion of increasing Strife and one under the dominion of increasing Love. At the point at which Strife holds complete sway the four elements are completely separated and all life is destroyed; at the point at which Love is completely dominant there is also a destruction of the biological world, this time because the elements are blended into a perfectly homogeneous (...) mixture. This interpretation of the cosmic cycle, which has prevailed almost since it was developed by Friedrich Panzerbieter and seconded by authority of Eduard Zeller was challenged by Paul Tannery and then by H. von Arnim . Long after these essentially programmatic critiques, three independent studies published in 1965 by Jean Bollack, Uvo Hölscher and Friedrich Solmsen mounted a vigorous challenge to the received view. However, in a detailed monograph devoted to Empedocles' cosmic cycle, Denis O'Brien brought to bear an impressive array of scholarly evidence and critical acumen in support of the traditional view . Several challenges to the traditional view have appeared since O'Brien's book, of which the most significant is that of A. A. Long, who, while criticizing attempts of some opponents of the traditional view, produced some novel and interesting arguments against it. Although the traditional view continues to enjoy the support of authorities such as Jonathan Barnes and M. R. Wright, there is a decided shift in favour of revisionary views. Nevertheless recent advocates of a revisionary interpretation do not provide detailed refutations of the traditional view; Long's arguments remain the strongest objections to the traditional view, and they have never been refuted. Will they stand up to scrutiny? (shrink)

This paper focuses on a particular conception of embodied cognition to argue that this cognitive approach can be found in Empedocles in inchoate form. It is assumed that the defining features setting apart embodied cognition from the rest of the cognitive sciences are that the body: (a) significantly constrains the embodied agent’s cognitive skills, (b) regulates the coordination of action and cognition, and (c) serves an integral function in the transmission of cognitive data. Empedocles’ epistemological fragments are examined vis-à-vis these (...) specifications, and the conclusion is reached that Empedocles can safely be regarded as a distant precursor of embodied cognition. (shrink)

Cet article vise à établir un lien entre l’occurrence pratique du terme daimon dans le fragment B 115 d’Empédocle, généralement associée à un sens propre, et son usage dans le contexte simplement physique de B 59. Afin de trancher la question de l’indépendance, de la subordination ou de l’équivalence entre les deux usages, nous menons une analyse lexicologique des deux occurrences dans leur contexte syntaxique : l’importance de l’individualité comme relation à d’autres entités de même ordre fait signe dans les (...) deux cas vers une notion unique de daimon, rendant possible de fonder une analogie entre démons physiques et démons pratiques. (shrink)

The paper starts with reflections on Plato’s critique of the poets and the preference many express for Aristotle’s view of poetry. The second part of the paper takes a case study of analytic treatments of ancient philosophy, including the ancient philosopher poets, to examine the poetics of analytic philosophy, diagnosing a preference in Analytic philosophy for a clean non-poetic style of presentation, and then develops this in considering how well historians of philosophy in the Analytic tradition can accommodate the contributions (...) of philosophers who wrote in verse. The final part of the paper reviews the current enthusiasm for decoding Empedocles’ vague and poetic descriptions of the cosmic cycle into a precise scientific periodicity on the basis of the recently discovered Byzantine scholia on Aristotle. I argue that this enthusiasm speaks to a desire for definite and clear numerical values in place of poetic motifs of give and take, and that this mathematical and scientific poetic is comparable to the preferred poetic of analytic philosophy. (shrink)

On se propose dans cet article d’examiner la relation entre la théorie physique d’Empédocle et sa loi mythique sur le daimon coupable. Deux caractéristiques du système physique revêtent ici une importance particulière : (1) plusieurs composants élémentaires du système font partie des « dieux à la longue vie » ; cela s’applique, d’une part, aux masses concentriques de terre, eau, air et feu à l’état pur pendant les quatre mille ans de séparation complète, et d’autre part au Sphairos, c’est-à-dire au (...) mélange intégral des quatre éléments pendant les quatre mille ans d’unité complète. En ce sens, le système physique est une théologie physique ; (2) dans l’exposition du système, il y a deux façons de renvoyer aux cinq dieux à la longue vie : parfois il en est question en termes purement physiques, parfois ils sont identifiés de manière allégorique aux dieux traditionnels de la mythologie et du culte. Les quatre masses pures à la longue vie peuvent ainsi recevoir les noms de Zeus, Héra, Aidoneus et Nestis ; de même, le Sphairos pouvait être appelé Apollon. On soutiendra ici que la loi mythique sur le daimon coupable appartient à ce registre allégorique ; sa fonction est de refléter le cycle cosmique du système physique de façon à en exprimer toute la force d’un point de vue humain. (shrink)