Para la estética, la creatividad es la emergencia del instante que la vuelve irrepetible o un transitar pendular que la hace resurgir como reminiscencia cegada por un ocaso repetitivo. Haciendo coincidir proceso y teleología, Peirce aglutina estas dos dimensiones, sin atisbar realmente un atisbo de humanidad para disfrutar de lo ínfimo. De ahí que propongamos un momento oportuno que nos dirija hacia una temporalidad más humana.

The following two review papers have a common origin. Pietarinen’s book Signs of Logic and Stjernfelt’s book Diagrammatology were both published in the same Synthese Library Series being published by Springer. The two books also share the common topic of diagrammatic reasoning in Charles Peirce’s work. Beginning in a conference Applying Peirce held in Helsinki in conjunction with the World Congress of Semiotics in June 2007, two authors have commented upon these books under the headline of Synthese Library Book Session (...) on several occasions, including the Aarhus meeting on Signs and Meaning held in February 2008, the Diagrammatology and Diagram Praxis workshop in Lisboa in March 2009, and the Peirce and Early Analytic Philosophy symposium in Helsinki in June 2009. Therefore, these two review papers form a continuing discussion on the contributions Peirce’s diagrammatic epistemology and logic will have to a broad range of issues at the intersections of philosophy, logic, cognitive sciences and beyond. (shrink)

A century ago, Charles S. Peirce proposed a logical approach to modalities that came close to possible-worlds semantics. This paper investigates his views on modalities through his diagrammatic logic of Existential Graphs (EGs). The contribution of the gamma part of EGs to the study of modalities is examined. Some ramifications of Peirce’s remarks are presented and placed into a contemporary perspective. An appendix is included that provides a transcription with commentary of Peirce’s unpublished manuscript on modality from 1901.

A century ago, Charles S. Peirce proposed a logical approach to modalities that came close to possible-worlds semantics. This paper investigates his views on modalities through his diagrammatic logic of Existential Graphs. The contribution of the GAMMA part of EGs to the study of modalities is examined. Some ramifications of Peirce's remarks are presented and placed into a contemporary perspective. An appendix is included that provides a transcription with commentary of Peirce's unpublished manuscript on modality from 1901.

Peirce believed that his pragmaticism can be conclusively proven. Beginning in 1903, he drafted several attempts, ending by 1908 with a semeiotic proof. Around 1905, he exposes the proof using the theory of Existential Graphs . This paper modernizes the semantics Peirce proposed for EGs in terms of game-theoretic semantics . Peirce's 1905 proof is then reconstructed in three parts, by relating pragmaticism to the GTS conception of meaning, showing that Peirce's proof is an argument for a relational structure of (...) the meaning of intellectual signs that our interpretative and strategic practices give rise to, and bringing out the key links between EGs and pragmaticism. (shrink)

This paper examines the contemporary philosophical and cognitive relevance of Charles Peirce's diagrammatic logic of existential graphs (EGs), the ‘moving pictures of thought’. The first part brings to the fore some hitherto unknown details about the reception of EGs in the early 1900s that took place amidst the emergence of modern conceptions of symbolic logic. In the second part, philosophical aspects of EGs and their contributions to contemporary logical theory are pointed out, including the relationship between iconic logic and images, (...) the problem of the meaning of logical constants, the cognitive economy of iconic logic, the failure of the Frege–Russell thesis, and the failure of the Language of Thought hypothesis. (shrink)