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  1. Spinoza’s Monism I: Ruling Out Eternal-Durational Causation.Kristin Primus - 2023 - Archiv für Geschichte der Philosophie 105 (2):265-288.
    In this essay, I suggest that Spinoza acknowledges a distinction between formal reality that is infinite and timelessly eternal and formal reality that is non-infinite (i. e., finite or indefinite) and non-eternal (i. e., enduring). I also argue that if, in Spinoza’s system, only intelligible causation is genuine causation, then infinite, timelessly eternal formal reality cannot cause non-infinite, non-eternal formal reality. A denial of eternal-durational causation generates a puzzle, however: if no enduring thing – not even the sempiternal, indefinite individual (...)
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  • Spinoza’s Monism II: A Proposal.Kristin Primus - 2023 - Archiv für Geschichte der Philosophie 105 (3):444-469.
    An old question in Spinoza scholarship is how finite, non-eternal things transitively caused by other finite, non-eternal things (i. e., the entities described in propositions like E1p28) are caused by the infinite, eternal substance, given that what follows either directly or indirectly from the divine nature is infinite and eternal (E1p21–23). In “Spinoza’s Monism I,” “Spinoza’s Monism I,” in the previous issue of this journal. I pointed out that most commentators answer this question by invoking entities that are indefinite and (...)
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  • (1 other version)Spinoza's Thinking Substance and the Necessity of Modes.Karolina Hübner - 2016 - Philosophy and Phenomenological Research 92 (1):3-34.
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  • Ibn ‘Arabi and Spinoza on God and the World.Kamal Muhammad - 2017 - Open Journal of Philosophy 7 (4):409-421.
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  • Een portret van Spinoza geschilderd door Sorolla [Un retrato de Spinoza pintado por Sorolla].J. Campos-Bueno - 2012 - Eprints Ucm.
    It is reviewed the iconography of Dutch-Sephardic philosopher Baruch Spinoza. It reports on the recent identification of the image of the philosopher found in an anonymous portrait deposited at the Universidad Complutense coming from Simarro Legacy Foundation. Documentation is provided showing that the portrait was painted by Sorolla for the library of Dr. Simarro. -/- .
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  • (1 other version)Spinoza's Thinking Substance and the Necessity of Modes.Karolina Hübner - 2014 - Philosophy and Phenomenological Research 89 (3):3-34.
    The paper offers a new account of Spinoza's conception of “substance”, the fundamental building block of reality. It shows that it can be demonstrated apriori within Spinoza's metaphysical framework that (i) contrary to Idealist readings, for Spinoza there can be no substance that is not determined or modified by some other entity produced by substance; and that (ii) there can be no substance (and hence no being) that is not a thinking substance.
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  • Spinoza on negation, mind-dependence and the reality of the finite.Karolina Hübner - 2015 - In Yitzhak Y. Melamed (ed.), The Young Spinoza: A Metaphysician in the Making. New York: Oxford University Press. pp. 221-37.
    The article explores the idea that according to Spinoza finite thought and substantial thought represent reality in different ways. It challenges “acosmic” readings of Spinoza's metaphysics, put forth by readers like Hegel, according to which only an infinite, undifferentiated substance genuinely exists, and all representations of finite things are illusory. Such representations essentially involve negation with respect to a more general kind. The article shows that several common responses to the charge of acosmism fail. It then argues that we must (...)
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  • The Philosophical Method of Spinoza.Vance Maxwell - 1988 - Dialogue 27 (1):89.
    The main purpose of this paper is to argue, against the formalist or hypothetico-deductivist approach now dominant, that God or substance is for Spinoza a discovery, or indeed a kind of revelation. In both TdlE and Ethics, Spinoza affirms substance as the outcome of a search for salvation. He could not have held that a postulate or presupposition, even if thought necessary, can save man through abstract entailment. Indeed, salvation depends on “the quality of the object to which we cling (...)
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