It has often been claimed that Priestley was a skilful experimenter who lacked the capacities to analyze his own experiments and bring them to a theoretical closure. In attempts to revise this view some scholars have alluded to Priestley’s ‘synoptic’ powers while others stressed the contextual role of British Enlightenment in understanding his chemical research. A careful analysis of his pneumatic reports, privileging the dynamics of his experimental practice, uncovers significant yet neglected aspects of Priestley’s science. By focusing on his (...) early experimental conduct and writing on nitrous air, I demonstrate how his methodological and rhetorical devices, far from being consequences of compulsive writing or theoretical naïveté, were deeply entwined with his chemical research. I employ the notion of ‘style of experimental reasoning’ —derived from A. C. Crombie and I. Hacking—to shed light on the intersection at which Priestley’s unique method, literary style, and epistemology converged to generate scientific knowledge. Establishing Priestley’s SER advances a finer understanding of the interactive character of his pneumatic experimentalism, peculiar dimensions of which have evaded both traditional as well as revisionist scholarship, thus infusing the longstanding historiographic debate over his scientific merits.Keywords: Joseph Priestley; Eighteenth-century chemistry; Pneumatic research; Style of reasoning; Epistemology. (shrink)

ABSTRACT Beginning with the meaning and use of the word “performance,” this essay analyzes some of the ambiguities and tensions performance has historically engendered. These tensions were both social and epistemic and can be sketched out with relation to either the corrupting influences of performance as dissimulation and masquerade or its didactic possibilities as exemplary of morality, virtue, and truth. Following these tensions across the history of antitheatrical literature into early modern natural philosophy, the essay attempts to show some of (...) the ways that natural philosophy was used to perform—regulate, discipline, and direct—its audience(s), while simultaneously being itself performed—through interlocking practices enacted by sites, objects, and humans—as demonstrative of the legitimacy of its social and epistemic authority. (shrink)

ABSTRACT This essay suggests that we should understand the varieties of “popular science” as part of a larger phenomenon: the changing set of processes, practices, and actors that generate and transform public knowledge across time, space, and cultures. With such a reconceptualization we can both de‐essentialize and historicize the idea of “popularization,” free it from normative notions, and move beyond existing imbalances in scholarship. The history of public knowledge might thus find a central place in many fundamental narratives of the (...) modern world. More specifically, the essay proposes that we pay more attention to forms of knowledge outside the realm of “science,” embrace the richness, traffic, and transfer of public knowledge on a transnational scale as well as in comparative perspective, and rethink conventional forms of periodization. (shrink)

From the late eighteenth century onwards, urban life underwent increasingly rapid change as towns outgrew their limits, industries polluted their skies and rivers, and a host of new types of building appeared to cater for new needs and activities. Not only did towns look different, but, as Thomas Markus has said, ‘they also ‘felt’ different in the organization of the spaces they contained.’ Buildings which housed scientific activities—the learned societies, literary and philosophical societies, professional institutes, mechanics institutes, and by the (...) end of the century the new civic universities—were one manifestation of this different ‘feeling’. These were quite new types of building, and we should therefore expect them to give us valuable information about the development of science, about ‘images’ of science and the meaning of those images, as well as the actual practice of science. (shrink)

Over the last forty years several historians have drawn attention to aspects of the activities of lecturers on natural philosophy in Britain in the eighteenth century. Hans and others looked at the part these lecturers played in the development of education, particularly adult education. Musson and Robinson considered the possible connection between the work of the lecturers and the growth of industry, and Inkster and others have explored the relationship between lecturers and the institutions set up to support science, especially (...) around 1800.4 More recently, Schaffer has pointed to the parallels between the performances of the lecturers on natural philosophy and other contemporary cultural activities. As a consequence of these studies we know much more about the work of the lecturers, its significance, and, to a lesser extent, their relationship to their audience. (shrink)

Late nineteenth-century German anthropology had to compete for intellectual legitimacy with the established academic humanities (Geisteswissenschaften), above all history. Whereas humanists interpreted literary documents to create narratives about great civilizations, anthropologists represented and viewed objects, such as skulls or artifacts, to create what they regarded as natural scientific knowledge about so-called 'natural peoples'-colonized societies of Africa, the Pacific, and the Americas. Anthropologists thus invoked a venerable tradition that presented looking at objects as a more certain source of knowledge than reading (...) texts. Visual representations, especially of the colonized, not only allowed anthropologists allegedly objective insight into humanity but also put them in direct contact with popular audiences of ethnographic spectacles, exotic photography, and even pornographic images. Anthropologists thus sought to create a peculiar kind of anthropological vision that both differentiated them from humanists as 'objective' natural scientists but also distinguished them from the leering 'Schaulust' that they believed characterized popular consumption of exotic images. To do so they invented technologies of visual representation that eschewed the subject position figured by linear perspective. These novel optics dispensed with the leering subject posited by popular spectacles and the knowing subject posited by humanism and created an anti-humanist form of knowledge. (shrink)

SummaryA letter in which astronomer John Flamsteed expounded his unusual views about the causes of earthquakes survives in a number of drafts and copies. Though it was compiled in response to shocks felt in England in 1692 and Sicily in 1693, its relationship to the wide range of comparable theories current in the later seventeenth century must be considered. Flamsteed's suggestion that an ‘earthquake’ might be an explosion in the air was linked with contemporary thinking about the roles of sulphur (...) and nitre in earthquakes underground, and in combustion, respiration, and other processes. It reveals his concern with subjects other than astronomy and the influence of his continuing contact with members of the Royal Society; it also offers an early example of how seventeenth-century work on sulphur and nitre prepared the way for ‘airquake’ and electrical theories associated with the London earthquake of 1750. (shrink)

ArgumentEarly modern Europeans routinely compared nature to a theater or spectacle, so it makes sense to examine the practices of observing real spectacles and performances in order to better comprehend acts of witnessing nature. Using examples from the history of fireworks, this essay explores acts of observing natural and artificial spectacles between the sixteenth and late eighteenth centuries and suggests these acts of observation were mutually constitutive and entailed ongoing and diverse exchanges. The essay follows the changing ways in which (...) audiences were imagined or expected to react to fireworks and shows how these also shaped experiences of natural phenomena. Both natural and artificial spectacles were intended to teach morals about the state and nature, yet audiences rarely seemed to take away what they were expected to learn. The essay examines how performers thus sought to discipline audience observation, before exploring, in conclusion, how spectacle provided a vocabulary for discerning and articulating new natural phenomena, and sites for the pursuit of novel experiments. (shrink)

To what extent did the debate on the orangutan contribute to the global Enlightenment? This article focuses on the first 150 years of the introduction, dissection, and public exposition of the so-called ‘orangutan’ in Europe, between the 1630s, when the first specimens arrived in the Netherlands, and the 1770s, when the British debate about slavery and abolitionism reframed the boundaries between the human and animal kingdoms. Physicians, natural historians, antiquarians, philosophers, geographers, lawyers, and merchants all contributed to the knowledge of (...) the orangutan, while also reshaping the boundaries of humanity: when the human/animal divide narrowed, the divide between ‘savage’ and ‘civilized’ peoples crystallized, becoming wider than in any previous period. (shrink)

During high summer 1721, while rioters and bankrupts gathered outside Parliament, Robert Walpole's new ministry forced through a bill to clear up the wreckage left by the stock-market crash, the South Sea Bubble, and the visionary projects swept away when it burst. In early August the President of the Royal Society Isaac Newton, a major investor in South Sea stock, and the Society's projectors, learned of a new commercial scheme promising apparently automatic profits, a project for a perpetual motion. Their (...) informants were a young Viennese courtier Joseph Emmanuel Fischer von Erlach, a contact of Desaguliers recently engaged in industrial espionage in northern England, and the Leiden physics professor Willem 'sGravesande, who had visited London five years earlier. They reported that they had been summoned to a remarkable series of demonstrations in the castle of Weissenstein, the seat of the Landgrave of Hesse-Kassel. In a carefully guarded room of the castle there was set up a hollow wooden wheel covered in oilcloth, about 12 feet in diameter and 18 inches thick on an axle 6 feet in length. Its designer, a Saxon engineer and clockmaker Johann Bessler, who travelled Germany under the name Orffyreus, had been in Kassel for four years, published schemes for perpetual motion and been appointed commercial councillor. The Landgrave, well-known as a patron of advanced engineering schemes, commissioned him to build a new machine and put it on show before expert witnesses (Figure 1). (shrink)

The ArgumentThis paper argues that the New Science, which was seen as essentially a public enterprise, was moreover a major constituent of the public sphere in early modern era. In seventeenth-and eighteenth-century Western Europe the sphere of public experimentation, testing, and discussion related to the new science, manifested, itself as a highly diversified, contested, and complex social field.Two general problems arose in constructing this cultural public sphere: the selection of participants in the debate and the inclusion of a heterogenous public (...) in the experimental scene. National authorities employed diverse policies but none denied the necessity of public debate for testing the validity of experimentations. The public sphere had to create its own conditions of existence by imposing manifold regulations in order to make these public meetings possible and enjoyable. These regulations emphasized common interest and the moral code as the most basic condition for rhe sustenance of the public sphere, thus enhancing self-restraint, tolerance, and politeness on the part of both discussants and participants. The more inclusive and heterogenous the public sphere, the more these norms were required. Thus the sphere of public debate constituted by early modern science implied a civilizing process, quite different from and more encompassing than the one analyzed by Norbert Elias. (shrink)

This article analyzes a type of experiment, very popular in 18th-century natural philosophy, which has apparently not led to insights into nature but which was aesthetically especially attractive. These experiments--"mimetic experiments"--allow us to trace a connection between aesthetic appreciation in science and in art contemporaneous with the science. I use this case as a problem for McAllister's theory of aesthetic induction according to which aesthetic standards in science tend to be associated with empirical success and propose an alternative mechanism that (...) is able to account for the natural philosophers' predilection for unsuccessful but beautiful experiments. (shrink)

By the middle of the eighteenth century the new science had challenged the intellectual primacy of common experience in favor of recondite, expert and even counter-intuitive knowledge increasingly mediated by specialized instruments. Meanwhile modern philosophy had also problematized the perceptions of common experience — in the case of David Hume this included our perception of causal relations in nature, a fundamental precondition of scientific endeavor.In this article I argue that, in responding to the ‘problem of induction’ as advanced by Hume, (...) Reid reformulated Aristotelian foundationalism in distinctly modern terms. An educator and mathematician self-consciously working within the framework of the new science, Reid articulated a philosophical foundation for natural knowledge anchored in the human constitution and in processes of adjudication in an emerging modern public sphere of enlightened discourse. Reid thereby transformed one of the bases of Aristotelian science — common experience — into a philosophically and socially justified notion of ‘common sense’. Reid's intellectual concerns had as much to do with the philosophy of science as they did with moral philosophy or epistemology proper, and were bound up with wider social and scientific changes taking place in the early modern period. (shrink)

Anglo-Swedish scholarly correspondence from the mid-eighteenth century contains repeated mentions of two merchants, Abraham Spalding and Gustavus Brander. The letters describe how these men facilitated the exchange of knowledge over the Baltic Sea and the North Sea by shipping letters, books and other scientific objects, as well as by enabling long-distance financial transactions. Through the case of Spalding and Brander, this article examines the material basis for early modern scholarly exchange. Using the concept of logistics to highlight and relate several (...) mercantile practices, it examines ways of making scholarly knowledge move, and analyses merchants’ potential motives for offering their services to scholarly communities. As logisticians in the Republic of Letters, these merchants could turn their commercial infrastructure into a generator of cultural status valid in both London and Stockholm. Using mercantile services, scholarly knowledge could in turn traverse the region in reliable, cost-effective and secure ways. The case of Spalding and Brander thus highlights how contacts between scholarly communities intersected with other contemporary modes of transnational exchange, and it shows how scholarly exchange relied on relationships based on norms different from the communalism often used to characterize the early modern Republic of Letters. Thus the article suggests new ways of studying early modern scholarly exchange in practice. (shrink)

The unrolling of Egyptian mummies was a popular spectacle in mid-nineteenth-century Britain. In hospitals, theatres, homes and learned institutions mummified bodies, brought from Egypt as souvenirs or curiosities, were opened and examined in front of rapt audiences. The scientific study of mummies emerged within the contexts of early nineteenth-century Egyptomania, particularly following the decipherment of hieroglyphics in 1822, and the changing attitudes towards medicine, anatomy and the corpse that led to the 1832 Anatomy Act. The best-known mummy unroller of this (...) period was the surgeon and antiquary Thomas Pettigrew, author of the highly respected History of Egyptian Mummies. By examining the locations, audiences and formats of some of Pettigrew's unrollings this paper outlines a historical geography of mummy studies within the intellectual worlds of nineteenth-century Britain, illuminating the patterns of authority, respectability, place and performance that Pettigrew and his colleagues navigated with varying degrees of success. (shrink)

The ArgumentContemporary natural sciences succeed remarkably well in ensuring a relatively continuous transmission of their cognitively relevant traditions and in creating a widely shared background consensus among their practitioners – hermeneutical ends seemingly achieved without hermeneutical awareness or explicitly acquired hermeneutical skills.It is a historically specific – emerging only in the nineteenth century – cultural organization of the Author-Text-Reader relation which endows them with such an ease of hermeneutical achievements: an institutionally fixed form of textual and intertextual practices, normatively posited (...) ways of adequate reception and criticism, etc. The same organization also explains a number of their often-discussed epistemic and cultural characteristics: their depersonalized objectivity, the social closure of their discourse and their reduced cultural significance, the shallow historical depth of their activated traditions, etc.The cognitive structure and the social function of contemporary natural sciences are intimately interwoven with a set of sui generis cultural relations that are partially fixed in the textual characteristics of their literary objectivations. A comparative hermeneutical analysis of natural sciences as a specifically constituted and institutionalized cultural genre or discourse-type brings into relief those contingent cultural conditions and relations to which some of their fundamental epistemological characteristics are bound, or at least with which they are historically closely associated. (shrink)

This paper investigates the reception of a set of Florentine anatomical wax models on display at the medico-surgical academy Josephinum in late-eighteenth-century Vienna. Celebrated in Florence as tools of public enlightenment, in the Habsburg capital the models were criticised by physicians, who regarded the Josephinum and its surgeons as a threat to their medical authority. The controversy surrounding these models from the empire’s periphery temporarily destabilised the relationship between surgeons and physicians in the Austrian capital. The debate on the utility (...) of the Tuscan anatomical models in Vienna highlights the fact that the centre of the Habsburg empire was by no means medically homogeneous, and that the implementation of reforms could be as difficult to achieve in the capital as in the provinces. (shrink)

When customers like Samuel Pepys visited the shop of Thomas Tuttell, instrument maker to the king, they could purchase a pack of mathematical playing-cards. The seven of spades, reproduced as Figure 1, depicted the diverse connotations of magnets, or loadstones. These cards cost a shilling, and were too expensive for many of the surveyors, navigators and other practitioners shown using Tuttell's instruments. They provide an early example of the products promising both diversion and improvement which were increasingly marketed to polite (...) audiences. Tuttell's description of loadstone as ‘a treasure of hidden vertues’ encapsulated many contemporary perceptions of these naturally occurring magnets which were to endure throughout the century. This phrase, with its hints of concealed financial and epistemological benefits, resonates with major eighteenth-century analytical themes, such as commercialization, the opposition between vice and virtue, and the fascination with the occult in the face of Enlightenment rationality. This card is emblematic of the multiple interpretations and utilizations of magnetic phenomena during the eighteenth century. It thus provides a useful starting-point for exploring some of the disputes which arose as enterprising individuals concerned with natural philosophy promoted themselves, their activities and their products. (shrink)

The ArugmentThis essay answers a single question: what was Robert Hooke, the Royal Society's curator of experiments, doing in his well-known 1665 work,Micrographia?Hooke was articulating a “universal cure of the mind” capable of bringing about a “reformation in Philosophy,” a change in philosophy's interpretive practices and organization. The work explicated the interpretive and political foundations for a community of optical instrument users coextensive with the struggling Royal Society. Standard observational practices would overcome the problem of using nonstandard instruments, while inherent (...) inrepresentation– the interpretive practice championed in the text – were important theological and political meanings. Hooke's kind of experimental philosophy undermined the claims made by “atheists” and “enthusiasts” – the enemies of the restored church and state – while also producing useful knowledge. Equally important, Hooke modeled the community described inMicrographiaupon the classicalres publica, but his community made important concessions to Restoration political realities, especially the growing role of commercial or transactional relationships. (shrink)

This article recovers mid-century proposals for sciences of concord and contextualizes them as part of a broader politics of commercial knowledge in eighteenth-century Britain. It begins by showing how merchants gained authority as formulators of commercial policy during the Commerce Treaty debates of 1713–1714. This authority held fast during the Walpolean oligarchy, but collapsed by the 1740s, when lobbying and patronage were increasingly maligned as corrupt by a ferment of popular republicanism. The article then explores how the Anglican cleric Josiah (...) Tucker and country pamphleteer Joseph Massie made use of this vacuum in authority to formulate a novel basis for the production of commercial knowledge. In pamphlets written between 1749 and 1760, they argued that the competing interests comprising the nation’s increasingly complex commercial system could only be reconciled and geared to the national interest through the establishment of a science which harnessed an impartial and systematizing epistemology, developing highly idealized accounts of the abstract market as a realm of concord which operated according to regular, rationally deducible principles. The conclusion suggests that their arguments introduced the foundational conceptual bases for later sciences of political economy and legitimated a new form of expertise in statecraft. (shrink)

These three books illustrate some key themes in the history of science and the history of microscopy. First is a new enthusiasm among some historians and philosophers of science to embrace the history of microscopy as an area worthy of study, a recognized area of investigation for the historian and philosopher of science. In so doing these historians have redefined the subject area from the more traditional and much researched history of microscopes, with its emphasis on the technical, to a (...) consideration of the community of practitioners of microscopy and the theoretical contexts in which they carried out their studies. They have attempted to view the practice of microscopy and its practitioners within a conceptual, philosophical, and social context. They have by no means excluded technical considerations, but have argued that those alone can explain neither the rise, flourishing, and apparent decline of microscopy in the seventeenth and eighteenth centuries, nor its resurgence in the nineteenth century. Rather, they have argued that an analysis of microscopy must include social and conceptual considerations in addition to the technical. With these three books we have moved at last from the history of microscopes to the history of microscopy, within the context of the history and philosophy of science. The history of microscopy can now take its place within the larger inter-disciplines of HPS and STS. (shrink)

I suggest in this article that Benjamin Franklin's electrical experiments were naturalistic and reactive towards providential theories of natural harmony and electricity provided by the English experimentalists Stephen Hales, William Watson and Benjamin Wilson. Conceptualizing nature as a divine balance, Franklin rejected English arguments for God's conservation of nature's harmony, suggesting instead that nature had within itself the ability to re-equilibrate when rendered unbalanced. Whilst Franklin's work reveals an experimentally defined fissure between providential and naturalistic views of matter and motion (...) in the mid-eighteenth century, his subsequent reflections on the use of natural philosophy sheds light on the divergent trajectory of utility implicit in these differing views. Hales and Watson in particular believed that insight into nature's providential manifestations gave the natural philosopher a medically restorative role, aligning the power of nature with God's benevolent purpose to heal the infirm. For Franklin, humanity behaved like nature, moving only when necessary. Natural philosophy existed to help these needs, making new worlds that had no dependence on God. (shrink)

This inaugural handbook documents the distinctive research field that utilizes history and philosophy in investigation of theoretical, curricular and pedagogical issues in the teaching of science and mathematics. It is contributed to by 130 researchers from 30 countries; it provides a logically structured, fully referenced guide to the ways in which science and mathematics education is, informed by the history and philosophy of these disciplines, as well as by the philosophy of education more generally. The first handbook to cover the (...) field, it lays down a much-needed marker of progress to date and provides a platform for informed and coherent future analysis and research of the subject. -/- The publication comes at a time of heightened worldwide concern over the standard of science and mathematics education, attended by fierce debate over how best to reform curricula and enliven student engagement in the subjects There is a growing recognition among educators and policy makers that the learning of science must dovetail with learning about science; this handbook is uniquely positioned as a locus for the discussion. -/- The handbook features sections on pedagogical, theoretical, national, and biographical research, setting the literature of each tradition in its historical context. Each chapter engages in an assessment of the strengths and weakness of the research addressed, and suggests potentially fruitful avenues of future research. A key element of the handbook’s broader analytical framework is its identification and examination of unnoticed philosophical assumptions in science and mathematics research. It reminds readers at a crucial juncture that there has been a long and rich tradition of historical and philosophical engagements with science and mathematics teaching, and that lessons can be learnt from these engagements for the resolution of current theoretical, curricular and pedagogical questions that face teachers and administrators. (shrink)

This chapter presents the historical-investigative approach used in science teaching. Both history and philosophy of science have come to a sophisticated understanding of the role that experiments play in the generation and establishment of scientific knowledge. This recent development, called the “experimental turn,” is discussed first. Next, this chapter analyzes how practical work has been discussed among science educators in recent decades. Based on such a broad perspective, the historical-investigative approach is linked to recent advancements in history and philosophy of (...) science and in science education. Several modifications of the historical-investigative approach are outlined in order to illustrate their particular objectives, potential, and richness. (shrink)