Switch to: References

Add citations

You must login to add citations.
  1. Understanding Aesthetics, Creativity and the Arts.Jay Friedenberg - 2020 - Amazon Direct.
    What is art? What is beauty? Why are we driven to create? People have been struggling with the answers to these questions for millenia. In this book Jay Friedenberg examines age old and contemporary responses to the perceptual and performative side of aesthetics. The work is wide-ranging in scope, addressing all forms of art including painting, photography, writing, film, music, theater, dance, and more. Issues are examined from multiple perspectives with separate chapters on history, philosophy, mathematics, physics, psychology, and neuroscience. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance. [REVIEW]Emily S. Cross & Luca F. Ticini - 2012 - Phenomenology and the Cognitive Sciences 11 (1):5-16.
    Throughout history, dance has maintained a critical presence across all human cultures, defying barriers of class, race, and status. How dance has synergistically co-evolved with humans has fueled a rich debate on the function of art and the essence of aesthetic experience, engaging numerous artists, historians, philosophers, and scientists. While dance shares many features with other art forms, one attribute unique to dance is that it is most commonly expressed with the human body. Because of this, social scientists and neuroscientists (...)
    Download  
     
    Export citation  
     
    Bookmark   12 citations  
  • Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations during the Aesthetic Judgment of Representational Paintings.Cinzia Di Dio, Martina Ardizzi, Davide Massaro, Giuseppe Di Cesare, Gabriella Gilli, Antonella Marchetti & Vittorio Gallese - 2015 - Frontiers in Human Neuroscience 9:154298.
    Movement perception and its role in aesthetic experience have been often studied, within empirical aesthetics, in relation to the human body. No such specificity has been defined in neuroimaging studies with respect to contents lacking a human form. The aim of this work was to explore, through functional magnetic imaging (fMRI), how perceived movement is processed during the aesthetic judgment of paintings using two types of content: human subjects and scenes of nature. Participants, untutored in the arts, were shown the (...)
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  • Art expertise modulates the emotional response to modern art, especially abstract: an ERP investigation.Jane E. Else, Jason Ellis & Elizabeth Orme - 2015 - Frontiers in Human Neuroscience 9.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  • Commentary: Neural substrates of embodied natural beauty and social endowed beauty: An fMRI study.Marcos Nadal, Víctor Gallardo & Gisèle Marty - 2017 - Frontiers in Human Neuroscience 11.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Complementarity As Generative Principle: A Thought Pattern for Aesthetic Appreciations and Cognitive Appraisals in General.Yan Bao, Alexandra von Stosch, Mona Park & Ernst Pöppel - 2017 - Frontiers in Psychology 8.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Is it the picture or is it the frame? An fMRI study on the neurobiology of framing effects.Sarita Silveira, Kai Fehse, Aline Vedder, Katrin Elvers & Kristina Hennig-Fast - 2015 - Frontiers in Human Neuroscience 9.
    Download  
     
    Export citation  
     
    Bookmark   5 citations