While first-person methods are essential for a science of consciousness, it is controversial what form these methods should take and whether any such methods are reliable. I propose that first-person experiments are a reliable method for investigating conscious experience. I outline the history of these methods and describe their characteristics. In particular, a first-person experiment is an intervention on a subject's experience in which independent variables are manipulated, extraneous variables are held fixed, and in which the subject makes a phenomenal (...) judgement about the target experience of the investigation. I examine historical and contemporary examples of first-person experiments: Mariotte’s demonstration of the visual blind spot, Kanizsa’s subjective contours, the Tse Illusion, and investigations of the non-uniform resolution of the visual field. I discuss the role that phenomenal contrast plays in these methods, and how they overcome typical introspective errors. I argue that their intersubjective repeatability is an important factor in their scientific status, however, it is not the only factor. That they control for extraneous factors and confounds is another factor which sets them apart from pseudoscience (e.g., the perception of auras), and hence another reason for classifying them as genuine experiments. Furthermore, by systematically mapping out the structure of visual experience, these methods make scientific progress. Praises of such first-person experimental approaches may not always be sung by philosophers and psychologists, but they continue to flourish as respectable scientific methods nevertheless. (shrink)

The method of phenomenal contrast (in perception) invokes the phenomenal character of perceptual experience as a means to discover its contents. The method implicitly takes for granted that ‘what it is like’ to have a perceptual experience e is the same as ‘what it is like’ to imagine or recall it; accordingly, in its various proposed implementations, the method treats imaginations and/or recollections as interchangeable with real experiences. The method thus always contrasts a pair of experiences, at least one of (...) which is imagined or remembered rather than occurrent. Surveying all eighteen forms of implementing the method, I argue that in all of the proposed pairings, the substitution of imagination or recollection for perceptual experience in the method, is either inconceivable or impermissible. I identify four reasons why I think imagination cannot be substituted for real experience, and three reasons why recollection cannot be substituted for real experience. If my argument works, there is no form of implementing the method that is useful for discovering the contents of experience, and thus the method is not a well‐functioning tool to study the contents of perception. (shrink)

According to direct perception approaches we directly see others’ emotions, and by seeing emotions we immediately ascribe them to others. Direct perception is explicitly presented as an alternative account of mindreading, but it also contains an implicit thesis about the extent of the reach of perception. In this paper emotion perception is defended: siding with the direct perception approach I claim that we can simply see emotions and not just low level features of the facial and bodily displays, but contra (...) the direct perception approach I argue that seeing emotions is not sufficient for recognizing emotions as mental states in order to ascribe them to others. (shrink)

Which properties can we visually experience? Some authors hold that we can experience only low-level properties such as color, illumination, shape, spatial location, and motion. Others believe that we can also experience high-level properties, such as being a dog or being a pine tree. On the basis of her method of phenomenal contrast, Susanna Siegel has recently defended the latter view. One of her central claims is that we can best account for certain phenomenal contrasts if we assume that we (...) can visually experience natural kind properties. In this paper, I argue that certain kinds of low-level properties, namely shape-gestalt properties, can explain these phenomenal contrasts just as well as high-level properties. If successful, this is a modest, but nevertheless significant result. Even though it does not prove the falsity of Siegel’s proposal, it nevertheless secures the existence of a plausible alternative. (shrink)

Recently, several theorists have proposed that we can perceive a range of high-level features, including natural kind features (e.g., being a lemur), artifactual features (e.g., being a mandolin), and the emotional features of others (e.g., being surprised). I clarify the claim that we perceive high-level features and suggest one overlooked reason this claim matters: it would dramatically expand the range of actions perception-based theories of action might explain. I then describe the influential phenomenal contrast method of arguing for high-level perception (...) and discuss some of the objections that have been raised against this strategy. Finally, I describe two emerging defenses of high-level perception, one of which appeals to a certain class of perceptual deficits and one of which appeals to adaptation effects. I sketch a challenge for the latter approach. (shrink)

There is an ongoing debate in philosophy of mind and epistemology about whether perceptual experience only represents those “thin” features of our environment that are apprehended by our senses, or whether, in addition to these, at least some perceptual experiences represent more complex, “thick” properties. My aim in this paper is to articulate an important difference between thin and thick properties, and thus to diagnose a key intuitive resistance many proponents of the thin view feel towards the thick view. My (...) diagnosis then provides us with a novel and compelling argument against the thick view. In what follows, first I consider two unsuccessful versions of an alternative strategy against the thick view found in the literature. Next, I present my own argument. The argument involves proposing two constraints on the phenomenal contents of perceptual experience, which I call the Presentation Principle and the Containment Principle, and then reasoning from these principles to a conclusion that is fatal to the thick view—an outcome that I call the problem of Phenomenal Explosion. I conclude by responding to several objections. (shrink)

A central debate in the philosophy of perception concerns the range of properties that can be represented in perceptual experience. Are the contents of perceptual experience restricted to ‘low-level’ properties such as location, shape and texture, or can ‘high-level’ properties such as being a tomato, being a pine tree or being a watch also be represented in perceptual experience? This paper explores the bearing of gist perception on the admissible contents debate, arguing that it provides qualified support for the claim (...) that certain kinds of high-level properties—such as being a natural scene —can be perceptually represented. (shrink)

It is highly consensual that we can perceive so-called low-level properties such as shape, color, motion, spatial location, and illumination through vision. But it’s more controversial whether the contents of visual perception can reach beyond the limits of weakness and involve high-level properties as well. By high-level property, it’s meant properties such as natural/artificial/functional kind, causality, dispositional properties, gender, roughness, aesthetic properties, bodily sensations, states of mind, agency features, action features, and moral properties. In this dissertation, setting Susanna Siegel's rich (...) content thesis as a framework and relying on her method of phenomenal contrast as a way of discovering the contents, I am intending to assess an account of perceiving moral properties. I will impose two objections against this model: The first one invokes the ignored role of imagination and recollection in the method and generally targets the method of contrast. The second one invokes the thesis of phenomenal holism and targets specifically the machinery of drawing contrast in the proposed moral pair. Finally, I’ll conclude that this account of moral perception, as well as other phenomenal-contrast-based accounts, is not tenable. -/- . (shrink)

When we perceive we are under the impression of being directly aware of concrete, mindindependent objects. We also consider perception as a basic, reliable source for acquiring beliefs and an effective means for coping with the environment. In the philosophical literature, this direct and basic character of perception is sometimes captured by saying that perception is openness to the world. Articulating, refining and vindicating as far as possible this commonsensical view of perception as openness to the world is the main (...) objective of this work. In order to make the metaphor of openness tractable in theoretical terms, I set up the dialectic in terms of a contrast between representationalism, which holds that perception represents things as being a certain way, and pure relationalism, which holds that perception can be openness to the world only by being a non-representational relation between a subject and objects in the world. The main thesis that I defend with several arguments in this work is that perception is both representational and relational. Indeed, it intelligibly relates us to the world in virtue of its representational content. In chapter one, I place perception in the broader context of intentional states. I articulate a view on which intentional states are directed toward their objects in virtue of having representational content, and show that prima facie the arguments for thinking that paradigmatic intentional states such as belief have content apply to perception too. I also explain why pure relationalists would reject the application of the content-model to perception. Chapter two is devoted to Charles Travis’s argument that perceptual experience does not have content. I counter his argument by offering a phenomenological account of perceptual constancy, and I show that content is necessary for capturing constancy in theoretical terms. Further, I argue that content helps us to better explain how the mind-independent nature of concrete objects is manifest in the phenomenology of perceptual experience. Chapter three concerns the question of how we should elucidate perceptual experience as openness to the world in the face of illusion and hallucination. I consider three possible approaches, and I argue that a view on which perceptual experience is both representational and relational can best make sense of the relevant phenomena. In the fourth chapter, I consider the debate on phenomenal character between representationalist and purely relationalist views in light of a distinction between particularity and generality. I show how representationalists are committed to there being an element of generality in perception, and how pure relationalists construe perception as wholly particular instead. I defend the representationalist view on the grounds that generality is necessary to make sense of the phenomenal and epistemic determinacy of perception. In the concluding remarks, I consider the question of whether my view can make room for the relationality of perception, and I argue again that only a distorted view of the metaphor of openness to the world could lead one to think that content and relationality are incompatible. (shrink)