Proposes an innovative rethinking of Aristotle’s work as a system that integrates his theology with his doctrine of reproduction and life. In this deep rethinking of Aristotle’s work, Abraham P. Bos argues that scholarship on Aristotle’s philosophy has erred since antiquity in denying the connection between his theology and his doctrine of reproduction and life in the earthly sphere. Beginning with an analysis of God’s role in the Aristotelian system, Bos explores how this relates to other elements of his philosophy, (...) especially to his theory of reproduction. The argument he develops is that in talking about the cosmos, Aristotle rejected Plato’s metaphor of artisanal production by a divine Demiurge in favor of a biotic metaphor based on the transmission of life in reproduction, in which pneuma—not breath as it is often interpreted but the life-bearing spirit in animals and plants—plays a key and sustaining role as the vital principle in all that lives. In making this case, he defends the authenticity of the treatises De Mundo and De Spiritu as Aristotle’s, and demonstrates Aristotle’s works as a unified system that sharply and comprehensively refutes Plato’s, and in particular replaces Plato’s doctrine of the soul with a theory in which the soul is clearly distinguished from the intellect. “Bos offers a fresh, interesting, and important perspective. His interpretation will be very controversial, but if he is right, the standard Anglo-American interpretation of Aristotle will have to change radically.” — Malcolm Wilson, author of Structure and Method in Aristotle’s Meteorologica: A More Disorderly Nature. (shrink)

Alexander of Aphrodisias picks up Aristotle’s insufficient treatment of simultaneous perception and develops an adequate solution for the problem, thereby offering an account of the unity of perceptual consciousness—the single mental activity of a single subject with complex content. I show the adequacy of the solution by using as criteria the requirements that have been identified by Aristotle and approved (and explained) by Alexander. I analyze Alexander’s solution in two turns. First, with respect to heterogeneous perceptibles, Alexander adopts and reformulates (...) Aristotle’s metaphorical account invoking the analogy with a point. Second, with respect to homogeneous opposites, accordingly, perception is judgement, but it involves physical changes in diverse parts of the primary sense-organ. By this account Alexander resolves the issue of the unity of the subject on the level of the capacity of the soul, and coordinates the complexity of content with the complexity on the physical level. In addition to being adequate, the solution is faithful to Aristotle. I suggest that the interpretative decisions Alexander makes (the clarification of the analogy; the reference he finds to the analogy; the two components of the solution, judgement and parts of the organ) form an ingenious extension of Aristotle’s treatment. Interestingly, even though many elements in Alexander’s interpretation are taken up by modern commentators, no one has followed it in its entirety, nor even treated it in its own right. (shrink)

Se realiza un estudio comparativo del problema de la percepción en Aristóteles y Maurice Merleau-Ponty, considerando el marco antropológico en el que se inscriben sus propuestas. Se establecen sus posibles puntos de contacto y sus diferencias más importantes. Se presta especial atención al vínculo entre el acto senso-perceptual yel movimiento, así como al problema de la conciencia perceptual y a la cuestión de la actualidad común entre el sentiente y el sensible.

In the largely historical and aporetic first book of theDe Anima (DA), Aristotle makes what appear to be some rather disturbing remarks about the soul's status as a subject of mental states. Most notably, in a curious passage which has aroused the interest of commentators, he seems to suggest that there is something wrong with regarding the soul as a subject of mental states:Thus, saying that the soul is angry is the same as if one were to say that the (...) soul builds houses and weaves: for it is perhaps better to say not that the soul pities or learns or thinks, but that the man does [these things] with his soul. (DA408bll–15). (shrink)

In Aristotle’s On the Soul he considers and refutes two versions of the harmonia theory of the soul’s relation to the body. According to the harmonia theory, the soul is to the body what the tuning of a musical instrument is to its material parts. Though he believes himself to have entirely dismissed the view, he has not. I argue that Aristotle’s hylomorphic account is, in fact, an instance of the harmonia theory.

While most interpreters take the opening of De Anima III 2 to be an oblique reference to some sort of conscious awareness, I argue that Aristotle intends to explain what I call ‘joint perception’: when conjoined with Aristotle’s subsequent claim that perceiving and being perceived are the same activity, the metaperception underpins the perception of a unified object. My interpretation is shown to have a more satisfactory account of the aporiai that follow. While I argue that the immediate focus of (...) the metaperceptual account is joint perception, it may also be applicable to other kinds of complex perception, which I briefly consider in the closing section. (shrink)

Depuis fort longtemps le matérialisme – ou, si l'on veut, la physique – se présente comme la théorie universelle, celle qui dévoile la vraie nature de toute chose et est done capable de tout expliquer. Cette prétention grandiose s'est toujours butée contre certains phénomènes psychiques qu'il paraissait invraisemblable de croire réductibles à la simple matière. Mais au cours de ce siècle un grand nombre de ces phénomènes psychiques ont été conquis par le matérialisme. Ainsi labiologie moléculairea intégré la vie à (...) la physique; linformatiquenous a montré que la simple matière peut être capable de faire des ealculs rationnels et lacybernétiquela dote de comportements finalisés. Ce sont là des progrès importants et qui s'accélèrent: la victoire du matérialisme semble assurée. (shrink)

In the largely historical and aporetic first book of the De Anima , Aristotle makes what appear to be some rather disturbing remarks about the soul's status as a subject of mental states. Most notably, in a curious passage which has aroused the interest of commentators, he seems to suggest that there is something wrong with regarding the soul as a subject of mental states: Thus, saying that the soul is angry is the same as if one were to say (...) that the soul builds houses and weaves: for it is perhaps better to say not that the soul pities or learns or thinks, but that the man does [these things] with his soul. (shrink)

This paper examines Pomponazzi's arguments against Averroes in his De Immortalitate Animae, focusing on the question whether thought is possible without a body. The first part of the paper will sketch the history of the problem, namely the interpretation of Aristotle's remarks about the intellect in De Anima 3.4-5, touching on Alexander, Themistius, and Averroes. The second part will focus on Pomponazzi's response to Averroes, including his use of arguments by Aquinas. It will conclude by suggesting that Pomponazzi's discussion stands (...) as the first properly modern account of Aristotle's psychology. (shrink)

El presente artículo trata de reconstruir la eventual continuidad doctrinal en el tratamiento aristotélico entre el alma y el cuerpo. Primeramente, trataremos de problematizar las clásicas dicotomías en las que se ha intentado encajar la teoría hilemórfica con vistas a demostrar la imposibilidad de defender bien sea un dualismo o bien un monismo que resuma, con exactitud suficiente, el tratamiento aristotélico del alma. Finalmente, y a la luz de los planteamientos definitivos que parecen recogerse en De Anima, abordaremos un análisis (...) comparado entre este tratado tardío y el examen de la relación entre el alma y el cuerpo contenido en los textos morales del Estagirita. (shrink)

In this paper I hope to show that a particular modern approach to Aristotle's philosophy of mind is untenable and, out of that negative discussion, develop some tentative suggestions concerning the interpretation of two famous and puzzling Aristotelian maxims. These maxims are, first, that the soul is the form of the body and, second, that perception is the reception of form without matter. The fashionable interpretation of Aristotle which I wish to criticize is the attempt to assimilate him to certain (...) modern philosophies of mind by making him into a functionalist. I shall therefore begin by explaining this modern term of art. (shrink)

In this paper I hope to show that a particular modern approach to Aristotle's philosophy of mind is untenable and, out of that negative discussion, develop some tentative suggestions concerning the interpretation of two famous and puzzling Aristotelian maxims. These maxims are, first, that the soul is the form of the body and, second, that perception is the reception of form without matter. The fashionable interpretation of Aristotle which I wish to criticize is the attempt to assimilate him to certain (...) modern philosophies of mind by making him into a functionalist. I shall therefore begin by explaining this modern term of art. (shrink)

Aristotle’s typical procedure is to identify something's four causes. Intentional action has typically been treated as an exception: most think that Aristotle has the standard causalist account, according to which an intentional action is a bodily movement efficiently caused by an attitude of the appropriate sort. I show that action is not an exception to Aristotle’s typical procedure: he has the resources to specify four causes of action, and thus to articulate a powerful theory of action unlike any other on (...) offer. (shrink)

Averroes held the controversial thesis that there is only one separate material or possible intellect for all humans. This paper analyzes a passage from his Long Commentary on the De Anima which has been thought to constitute a primary philosophical argument for the view. It is called the Determinate Particular Argument, because it contends that the material intellect cannot be a determinate particular if it is to be the ontological receptacle of universal intelligible forms. After defending one crucial premise, it (...) will be shown how the key term “determinate particular” must be qualified to avoid an inconsistency with Averroes’s metaphysics and his position on the species membership of separate substances. Given this qualification in the face of competing views, the paper concludes that the Determinate Particular Argument should not be taken as a sufficient and independent argument for Averroes’s full thesis on the intellect. (shrink)

Aristotle’s broad characterization of the soul has been challenged on account of its reliance on the notion of a “potentially alive body”. J. L. Ackrill famously claimed that no body can meet this description without being already actually alive. By a close inspection of both metaphysical and embryological texts, this paper argues that (1) it is embryos (and not fully-formed organic bodies) who provide the right kind of potentially alive subjects and that (2) the schematic character of the soul’s common (...) formula accounts for its seemingly intractable features. It also holds that (3) once the homonymous nature of life is brought into the picture, the κοινότατος λόγος appears unproblematic – at least for some of its most troublesome instances. (shrink)

In L. Frank Baum's story, Ozma of Oz, which is a sequel to Baum's much more famous story, The Wonderful Wizard of Oz, Dorothy and her companion come upon a wound-down mechanical man bearing a label on which are printed the following words: Smith and Tinker's Patent Double-Action, Extra-Responsive, Thought-Creating Perfect-Talking MECHANICAL MAN Fitted with our Special Clock-Work Attachment Thinks, Speaks, Acts, and Does Everything but Live As Dorothy and her companion are made to discover when they wind up this (...) man, he is indeed capable of doing all the things of which his label boasts—acting, speaking and even thinking. But as Tik-Tok himself insists, and no one in the story casts doubt on the matter, he is not alive. (shrink)

The paper aims to show that Philoponus’ theory of sense-perception does not fit in with the spiritualist claim that the sensory process does not involve an extra material change in the sense-organ. Both the specific sense-organs and the primary sense-organ contract or expand in the perceptual process. On the other hand, the literalist claim needs to be modified as well since only the tactile sense-organ takes on the relevant qualities. Contraction or expansion in the sense-organ is triggered, not by physical (...) changes in the medium, but by the formal activities arising from the perceptible objects: colours make the visual sense-organ contract or expand. At the level of sense-organs, the physiological process underlying sense-perception has three stages. The change in specific sense-organ will be transmitted to the primary sense-organ of the particular sense , and then reaches the common sense-organ, the pneuma. The primary sense-organs are spatially distinguishable parts of the common sense-organ which is otherwise homogeneous, not allowing for qualitative differences. The homogeneity of the pneuma establishes the unity of sense-perception at the level of physiological processes. (shrink)

Highlighting the relations between De Anima II.5 and De Anima III.4, this paper argues that Aristotle held a surprisingly dynamic view of the intellect. According to this view, the intellect is in...

An aporia posed by Theophrastus prompts Priscian to describe the process by which perception formally assimilates to its object as a progressive perfection. I present an interpretation of Priscian’s account of perception’s progressive perfection. And I consider a dilemma for the general class of accounts to which Priscian’s belongs based on related problems raised by Plotinus and Aquinas.

In an attempt to reject Cartesian Dualism, some philosophers and scientists of the late twentieth century proposed a return to the ancient position that Descartes had opposed, i.e., Aristotle’s psychological hylomorphism, which applied to living beings the ontological thesis, according to which every substance is a compound of matter (hyle) and form (morphe). In this perspective, the soul is actual possession of the body’s capacity to perform a series of life functions. Therefore, according to Aristotle, soul and body are reciprocally (...) interdependent aspects of the living being, so that we must consider the former as an enmattered form, and the latter as an enformed or ensouled matter. This means that, for Aristotle, all the functions of the soul, even the highest ones like thought, are essentially connected with the body, since they ultimately require sensations. This paper illustrates and supports this doctrine in detail, especially in relation to the cognitive processes of the human mind. (shrink)

In this paper I consider two related issues raised by Aristotle 's treatment of hearing and sounds. The first concerns the kinds of changes Aristotle takes to occur, in both perceptual medium and sense organs, when a perceiver hears a sounding object. The second issue concerns Aristotle 's views on the nature and location of the proper objects of auditory perception. I argue that Aristotle 's views on these topics are not what they have sometimes been taken to be, and (...) that when rightly understood they compare favourably in many respects with leading contemporary accounts. (shrink)

Although it is common for interpreters of Aristotle's De Anima to treat the soul as a specially related set of powers of capacities, I argue against this view on the grounds that the plausible options for reconciling the claim that the soul is a set of powers with Aristotle's repeated claim that the soul is an actuality cannot be unsuccessful. Moreover, I argue that there are good reasons to be wary of attributing to Aristotle the view that the soul is (...) a set of powers because this claim conflicts with several of his metaphysical commitments, most importantly his claims about form and substance. I argue that although there are passages in the De Anima in which Aristotle discusses the soul in terms of its powers or capacities, these discussions do not establish that the soul is a set of capacities. (shrink)

Anyone who comes to read some of Aquinas' works and at the same time looks around for modern discussions of them will be struck by two things: first, the greater part of the latter is the product of American and European Catholic neo-scholasticism; and second, that, with a few distinguished exceptions,1 what is contributed by writers of the analytical tradition is often a blend of uninformed generalizations and some suspicion that what Aquinas presents is not so much independent philosophy as (...) propaganda for the cause of Christian theology. (shrink)

Aristotle sometimes claims that the perception of special perceptibles by their proper sense is unerring. This claim is striking, since it might seem that we quite often misperceive things like colours, sounds and smells. Aristotle also claims that the perception of common perceptibles is more prone to error than the perception of special perceptibles. This is puzzling in its own right, and also places constraints on the interpretation of. I argue that reading Alexander of Aphrodisias on perceptual error can help (...) to make good sense of both of Aristotle’s claims. (shrink)

Berkeley’s capacity to conceive of mind-independent bodies was corrupted by his theory of representation. He thought that representation of things outside the mind depended on resemblance. Since ideas can resemble nothing than ideas, and all ideas are mind dependent, he concluded that we couldn’t form ideas of mind-independent bodies. More generally, he thought that we had no inner resembling proxies for mind-independent bodies, and so we couldn’t even form a notion of such things. Because conception is a suggestible faculty, Berkeley’s (...) arguments actually made it the case that he himself couldn’t conceive of mind-independent bodies. (shrink)

This article is about the philosopher as a potential therapist. It starts from tendencies exhibited by a group of contemporary philosophers involved in a so-called human enhancement. Drawing on the newest discoveries of genetics, genetic engineering and pharmacology, they offer a set of therapies aimed at the extensive ‘improvement’ of the human condition. In the second part of the paper, selected ideas concerning philosophical therapy by the Ancient philosophers are presented. They basically employed personal contact, conversation, and wise counselling. Then (...) these two approaches to this kind of therapy are compared and contrasted. The contemporary approaches offer novel, technical ways of intervention but are blind as far as far-reaching goals and the essential goods of human life are concerned. Despite serious cultural differences, the contemporary therapy can learn a lot from the ancients. If the human being is to be treated by philosophers, an integral picture of who the former is must be taken into account. This means that both his interiority and exteriority should be subjects to the therapy. (shrink)

This article considers whether and how there can be for Aristotle a genuine science of ‘pure’ psychology, of the soul as such, which amounts to considering whether Aristotle’s model of science in the Posterior Analytics is applicable to the de Anima.

This paper aims to identify several interpretive problems posed by the final part of DA II.11, where Aristotle intertwines the thesis that a sense is like a ‘mean’ and an explanation for the existence of a ‘blind spot’ related to the sense of touch, adding the further contention that we are capable of discriminating because the mean ‘becomes the other opposite’ in relation to the perceptible property being perceived. To solve those problems, the paper explores a novel interpretation of Aristotle’s (...) claims, arguing that they describe a homeostatic physiological reaction by which the sensory apparatus responds to perceptible stimuli. According to the proposed interpretation, such homeostatic reaction constitutes a necessary condition for perceiving what Aristotle refers to as ‘proper’ perceptible features, which include properties like ‘hot’ and ‘cold’ as well as colors and sounds. (shrink)

Modern songs, films, novels and daily speech often use heart imagery to illustrate ‘inner self’ experiences, such as deeply felt emotions. Where do these ideas come from and what relevance do they have for medicine today? This article explores some of the key origins and periods of development of heart/‘inner self’ ideas before considering the significance of heart/‘inner self’ interactions in modern clinical practice: from Aristotelian anatomy and the translated Hebrew Scriptures; through Shakespeare, William Harvey and the Protestant Reformation; to (...) theories of emotion and modern-day cardiology. I conclude that heart/‘inner self’ interactions exist in clinically significant ways, but are poorly understood and under-recognised in healthcare settings. Greater integration of cardiovascular and psychosocial medicine would improve patient care. (shrink)

El debate acerca de la naturaleza de la percepción o aísthēsis en Aristóteles puede rastrearse ya en las obras de los comentadores antiguos. Desde hace un par de siglos, dos interpretaciones rivales se han posicionado como variantes extremas que nos aportan una concepción «literalista», o, por el contrario, «espiritualista», del fenómeno en cuestión. Sin embargo, ambas posturas coinciden en reducir la percepción a un asunto meramente «dado»: bien sea puramente fisiológico, o bien, únicamente intencional. Como consecuencia de ello, el dominio (...) conceptual resultaría separado de lo perceptual, algo que, según la célebre expresión de McDowell, representaría un punto de vista encantado por el «Mito de lo Dado». En este artículo defenderé una visión moderada del problema a través de una consideración sobre lo que podría denominarse el «espacio lógico» de la percepción, poniendo de relieve el papel conjunto y sintético de la diánoia en el discernimiento propio que implica todo proceso sensoperceptivo del alma específica del hombre. Si mi interpretación es correcta, difícilmente podría decirse que Aristóteles incurre en este tipo de mitología. (shrink)

I argue that a study of the Nicomachean Ethics and of the Parva Naturalia shows that Aristotle had a notion of attention. This notion captures the common aspects of apparently different phenomena like perceiving something vividly, being distracted by a loud sound or by a musical piece, focusing on a geometrical problem. For Aristotle, these phenomena involve a specific selectivity that is the outcome of the competition between different cognitive stimuli. This selectivity is attention. I argue that Aristotle studied the (...) common aspects of the physiological processes at the basis of attention and its connection with pleasure. His notion can explain perceptual attention and intellectual attention as voluntary or involuntary phenomena. In addition, it sheds light on how attention and enjoyment can enhance our cognitive activities. (shrink)

I must admit that I was long tempted to choose a different title for this lecture—one which seemed to give a better idea of its contents. On the other hand, the title I found so attractive did not seem suited to the note of solemnity which normally accompanies an inaugural lecture. I was forced to suppress it—until today, at any rate; for today I have the opportunity of justifying it, and I hope to make the most of it. The title (...) I wanted to use was ‘The Thing with the Thing’. (shrink)

El presente artículo se enfrenta al problema clásico sobre cómo interpretar lo que Aristóteles, en de An. III, 5, denomina “el intelecto que produce todas las cosas”, llamado comúnmente intelecto agente. Históricamente, se han presentado dos lecturas: una, que se remonta a Alejandro de Afrodisia, que lo asocia con el motor inmóvil y con la divinidad y otra, asociada a Teofrasto pero que tiene en Filópono y St. Tomás de Aquino a sus principales representantes, que lo considera una facultad puramente (...) humana. Esta última interpretación ha sido históricamente la más sostenida; sin embargo, en tiempos recientes ha habido un resurgimiento de interpretaciones del intelecto agente como “divino”. Lo que queremos mostrar en este texto es que este resurgimiento se debe, más que a una reinterpretación del intelecto agente, a una comprensión diferente de la divinidad en la filosofía aristotélica, con características inmanentes y más próximas al intelecto humano. (shrink)

In De Anima 1.4, Aristotle asks whether the soul can be moved by its own affections. His conclusion—that to say the soul grows angry is like saying that it weaves and builds—has traditionally been read on the assumption that it is false to credit the soul with weaving and building; I argue that Aristotle’s analysis of psychological motions implies his belief that the soul does in fact weave and build.

Traditional interpretations of Aristotle’s theory of perception mainly focus on uncovering the underlying mechanisms that are at stake when perceivers are affected by sensible qualities. Investigating the nature of sense perception is one of Aristotle’s main worries and one that he explicitly relates to the question of its causes (e. g.Sens. 436a16–17, 436b9) and its ends (e. g.de An. 434a30 ff.). Therefore I suggest that, in order to fully explain Aristotle’s view of perceptual phenomena, the possibilities, the constraints, and the (...) goals defined by the embodied and situated engagement of perceivers with the external world must be taken into account. Accordingly, in this paper, I provide an affective reading of Aristotle’s theory of perception. I shall ask what, in addition to functioning sense organs and appropriate response mechanisms, the perceiver contributes to perceptual content. Specifically, I propose to shed light on the significance of perceptual experience for the perceiver and I aim to show that, according to Aristotle, one’s biological and personal qualities are perceptually relevant, meaning that they underpin perception, rather than coming into play after perception has occurred and its objects have been discerned. The paper is divided into two parts, respectively dealing with sensory affections and more complex affective phenomena. As regards the domain of primal sense perception, I will focus on smell as a representative example: since Aristotle identifies it as the least developed of human sensory faculties, it will serve as a revealing illustration of how sense perception is informed and qualified by what, drawing on contemporary philosophical terminology, I will call ‘perceptual interests’, viz. the affective sense of what is at stake in the living being’s interaction with the environment. I will then proceed to consider the way more complex affective phenomena underpin perception by examining the case of emotions and that of virtues of character. By showing how perception is affectively inflected and how emotion is rooted in perception’s bodily nature, I aim to sketch out the general lines along which I believe that the Aristotelian theory of perception should be approached. (shrink)

This essay explores some of the central aspects of Aquinas's account of mental representation, focusing in particular on his views about the intentionality of concepts (or intelligible species). It begins by demonstrating the need for a new interpretation of his account, showing in particular that the standard interpretations all face insurmountable textual difficulties. It then develops the needed alternative and explains how it avoids the sorts of problems plaguing the standard interpretations. Finally, it draws out the implications of this interpretation (...) with the aim of correcting some persistent misunderstandings of the connection between Aquinas's views and those developed by contemporary philosophers of mind. (shrink)

In the three books of the De Anima Aristotle ranges over a diverse array of philosophical and scientific topics, such as the nature of life, self-movement, the senses, perception, imagination, thought, and the relation between mind and body. As a result, this work may seem to be a strange collection of only marginally related philosophical and biological topics given our modern sensibilities. Nonetheless it is united by Aristotle's basic concern for the nature and functioning of life in all its diverse (...) forms. This inquiry offers modern readers significant insight into contemporary debates in the philosophy of mind. (shrink)

Aristotle's Rhetoric defines fear as a kind of pain or disturbance and pity as a kind of pain . In his Poetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ . The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in connection with catharsis. Catharsis, however, raises more problems than it solves. Aristotle says nothing at all (...) about the tragic catharsis in the Poetics except to state that tragedy accomplishes it. Though he gives a more complete account of catharsis in the Politics, the context of this passage is so different from that of the Poetics that its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of the Poetics according to which a tragedy is pleasurable in one respect and painful in another, and pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of the oikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view of catharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works. (shrink)

Aristotle'sRhetoricdefines fear as a kind of pain (lypē) or disturbance (tarachē) and pity as a kind of pain (2.5.1382 a 21 and 2.8.1385 b 13). In hisPoetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ (τ⋯ν ⋯π⋯ ⋯λέου κα⋯ ɸόβου δι⋯ μιμήσεως δεῖ ⋯δον⋯ν παρασκευάζειν14.1453 b 12–13). The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in (...) connection withcatharsis.Catharsis, however, raises more problems than it solves. Aristotle says nothing at all about the tragiccatharsisin thePoeticsexcept to state that tragedy accomplishes it. Though he gives a more complete account ofcatharsisin thePolitics, the context of this passage is so different from that of thePoeticsthat its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of thePoeticsaccording to which (1) a tragedy is pleasurable in one respect and painful in another, and (2) pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of theoikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view ofcatharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works. (shrink)

Aristotle contrasts episteme and doxa through the key notions of universal and necessary. These notions have played a central role in Aristotle’s characterization of scientific knowledge in the previous chapters of APo. They are not spelled out in APo I.33, but work as a sort of reminder that packs an adequate characterization of scientific knowledge and thereby gives a highly specified context for Aristotle’s contrast between episteme and doxa. I will try to show that this context introduces a contrast in (...) terms of explanatory claims: on the one hand, episteme covers those claims which capture explanatory connections that are universal and necessary and thereby deliver scientific understanding; on the other hand, doxa covers the explanatory attempts that fail at doing so. (shrink)

Aristotle’s Naïve Somatism is a re-interpretation of Aristotle’s cognitive psychology in light of certain presuppositions he holds about the living animal body. The living animal body is presumed to be sensitive, and Aristotle grounds his account of cognition in a rudimentary proprioceptive awareness one has of her body. With that presupposed metaphysics under our belts, we are in a position to see that Aristotle in de Anima (cognition chapters at least) has a di erent explanatory aim in view than that (...) which the literature generally imputes to him. He is not explicating what we would call the “mental”—the private, inner realm which some take to be of a di erent kind than the physical—as most take him to be. His explanandum is content acquisition; the explanans is showing how the body becomes like various aspects of objects. Although he famously describes the mind (nous) as unmixed with the body, he is guided by functional constrains—nous cannot be limited or qualified if it is to potentially think all things. Thus, his inquiry into cognition is philosophically limited from a contemporary perspective. Aristotle is not doing philosophy of mind, for he doesn’t seem to find the “mental” philosophically perplexing. (shrink)

This project is guided and motivated by the question concerning the nature of the phantasm as that which mediates between sensation and intellection in John Duns Scotus' account of cognition. Scotus embraces Aristotle's claim that the intellect cannot think without the phantasm. The phantasm is in a corporeal organ, yet the immaterial intellect must act with it to produce an intelligible species. In this project I examine the critical elements of Scotus' cognitive theory in order to understand the nature of (...) the phantasm. In the first chapter I discuss key elements of Aristotle's metaphysics and give a close, textual reading of De Anima guided by his claim that the relationship of the body and soul is highly specific. I then focus on his claim in De Anima 2.12 that sensation involves the reception of the sensible form without the matter. In the second chapter, I discuss Scotus' key theological notions that guide and inform his cognitive project. The beatific vision requires the presence of the divine essence in its own existence to the intellect. As the highest cognitive experience, the beatific vision is definitive of all cognitive experience making the presence of the object to the cognitive faculty of central importance. The discussion of the incarnation shows that the world is sacralized and thus, is a worthy object of cognitive attention in itself. In the third chapter, I discuss Scotus' understanding of the body-soul relationship focusing on his notion of person to both secure the unity of the human being and to ground the mediation between sensation and intellection. In the fourth chapter, I first discuss Aquinas' claim that sensation requires a spiritual change. While Scotus's account is in many respects the same as Aquinas', Scotus does not maintain that sensation is primarily passive and is thus, able to account for cognitive attention by way of his understanding of the unity of the sense organ, immanent actions, and sensation as intuitive cognition. What emerges in this discussion is Scotus' particular understanding of an intentio by which the nature of the phantasm can be understood. (shrink)

This dissertation explores Aristotle’s use of teleology as a principle of explanation, especially as it is used in the natural treatises. Its main purposes are, first, to determine the function, structure, and explanatory power of teleological explanations in four of Aristotle’s natural treatises, that is, in Physica (book II), De Anima, De Partibus Animalium (including the practice in books II-IV), and De Caelo (book II). Its second purpose is to confront these findings about Aristotle’s practice in the natural treatises with (...) the theoretical picture of the structure of teleological explanations gained from Aristotle’s theory of scientific demonstration. For this purpose a new interpretation of Analytica Posteriora II.11 is presented. This study thereby contributes to recent scholarship on the relation between Aristotle’s philosophy of science and his philosophy of nature, while at the same time adding to our knowledge of Aristotle’s notion of teleology in terms of its explanatory merits and limits. (shrink)

This doctoral thesis addresses a group of conceptual instruments that are central to Aristotle's philosophy, namely, the concepts of pros hen, homonymy, synonymy and multivocity. These instruments are crucial to many of Aristotle's works as he devotes himself to analysing the key notions in each of his investigations using these instruments. Despite the undisputable importance of these instruments, they display severe interpretative problems, which this thesis critically evaluates. The currently established view on the relationship between homonymy and multivocity is discussed (...) and then reassessed in order to approach the definition of the so-called pros hen structure. This approach takes into account a so-far undescribed distinction of types of examples Aristotle uses and sheds new light on the assessments of the role of the pros hen structure in Aristotle’s philosophy and the theories on development in Aristotle’s thought. Niels Tolkiehn studied Philosophy and Systematic Musicology at the University of Hamburg. He continued his studies as a doctoral student at the Munich School of Ancient Philosophy, a graduate school of the Ludwig-Maximilians-Universität München. Supervised by Prof. Dr. Christof Rapp, he was awarded his doctoral degree in 2019 with this dissertation. (shrink)