Synthetic biology has a strong modal dimension that is part and parcel of its engineering agenda. In turning hypothetical biological designs into actual synthetic constructs, synthetic biologists reach towards potential biology instead of concentrating on naturally evolved organisms. We analyze synthetic biology’s goal of making biology easier to engineer through the combinatorial theory of possibility, which reduces possibility to combinations of individuals and their attributes in the actual world. While the last decades of synthetic biology explorations have shown biology to (...) be much more difficult to engineer than originally conceived, synthetic biology has not given up its combinatorial approach. (shrink)

Provisional draft, pre-production copy of my book “The Modal Future” (forthcoming with Cambridge University Press).

Scientists regularly make possibility claims. While philosophers of science are well aware of the distinction between epistemic and objective notions of possibility, we believe that they often fail to apply this distinction in their analyses of scientific practices that employ modal concepts. We argue that heeding this distinction will help further progress in current debates in the philosophy of science, as it shows that the debaters talk about different things, rather than disagree on the same issue. We first discuss how (...) the two notions differ with respect to their epistemology and show that these differences are sometimes ignored in the philosophy of science. We then revisit four current philosophy of science debates about modelling, that are framed in modal terms, to showcase how the distinction significantly clarifies these debates and thereby and helps advance them. (shrink)

Modal epistemologies that rely on a fallibilism about modal claims have been gaining traction over the years. This paper critically discusses the accounts of Kung (2009; 2010; 2016) and Dohrn (2018; 2019; 2020) and argues that they are invariably susceptible to being read as entailing claims of epistemic possibility. Both Kung and Dohrn seek to ground modal intuitions on non-modal ones, and primarily appeal to the modalizing capacity of imagination to aid in the discovery of modal truths. However, insofar as (...) inference from non-modal imagination to modal truths remains fallible, then no non-ad hoc distinction can be made between substantiation of fallible metaphysically modal claims and infallible epistemically modal ones. This is because, barring an agent’s infallible knowledge of modal truths, how these truths are asserted must attend the agent’s imperfect epistemic access thereof, therefore entailing claims of modality consistent with her epistemic state – i.e., claims of epistemic possibility. If modal epistemologies in general non-modally ground their modal assertions in this fallible fashion, then they seem inevitably interpretable in terms of epistemic possibility as opposed to some non-epistemic reading of metaphysical possibility. (shrink)

To imagine is to form a mental representation that does not aim at things as they actually, presently, and subjectively are. One can use imagination to represent possibilities other than the actual, to represent times other than the present, and to represent perspectives other than one’s own. Unlike perceiving and believing, imagining something does not require one to consider that something to be the case. Unlike desiring or anticipating, imagining something does not require one to wish or expect that something (...) to be the case. // -/- Imagination is involved in a wide variety of human activities, and has been explored from a wide range of philosophical perspectives. Philosophers of mind have examined imagination’s role in mindreading and in pretense. Philosophical aestheticians have examined imagination’s role in creating and in engaging with different types of artworks. Epistemologists have examined imagination’s role in theoretical thought experiments and in practical decision-making. Philosophers of language have examined imagination’s role in irony and metaphor. // -/- Because of the breadth of the topic, this entry focuses exclusively on contemporary discussions of imagination in the Anglo-American philosophical tradition. (shrink)

In this paper, I consider the question of whether calibration is required for modalizing mechanisms to be reliable, that is, whether it is necessary for modalizing mechanisms to be adjusted to prevent overgeneration and undergeneration of modal beliefs. I first argue that the calibration requirement affects differently what I call bootstrapping and ordinary cases. Identifying different ways in which a modalizing mechanism could be calibrated, I argue that not all of them are effective or even viable in bootstrapping cases. Then, (...) by taking a diachronic perspective, I offer a simplified account of how different calibration mechanisms can be bootstrapped, with an emphasis on the social dimension of modal judgment. (shrink)

This article aims to connect issues in the epistemology of modality with issues in the philosophy of music, exploring how modalizing takes place in the context of musical performance. On the basis of studies of jazz improvisation and of classical music, it is shown that considerations about what is sonically, musically, and agentively possible play an important role for performers in the Western tonal tradition. We give a more systematic sketch of how a modal epistemology for musical performance could be (...) constructed. We argue that it is necessary to adopt a pluralist approach toward the modal epistemology of music. (shrink)