This article aims to discuss the relationship between Herodotus and Thucydides. New scholarly trends date the composition of Herodotus’ Histories to 413 BC, or even later, against high chronology of 431, and suggest Herodotus’ use of Thucydides’ narrative. Herodotus’ debt to Thucydides has been suggested by scholars either cautiously or boldly. This examination will show cases where Herodotus is alluding to events of the Peloponnesian War or even responding to Thucydides’ narrative. In fact, anachronisms, presentisms, and allusions to Thucydides’ text (...) can be found throughout Herodotus’ narrative. We will explore the reasons for Herodotus’ engaging with the events of that War, conjecturing about his goals: attracting the interest of his audience, or providing a warning to his contemporaries; moreover, it is important to understand whether this engagement was just coincidental. (shrink)

This article has two objectives. First, and in particular, it seeks to reinterpret the ostracism procedure of early democratic Athens. Since Aristotle, this has been understood as a rational, political weapon of collective defense, intended to expel from Athens a disproportionately powerful individual. In this article, by putting emphasis on themateriality, gestures, and location of ostraka-casting, I propose instead that the institution can more fruitfully be understood as a ritual enactment of civic unity. Second, and more generally, I hope to (...) explore the frames within which early Athenian democracy is placed: while Greek kingship and tyranny (i.e. “primitive” polities) have been very successfully explored through anthropological and cross-cultural comparison, Greek democracy for the most part has remained in the domains of the institutional historian and political theorist. Taking a phenomenological and comparative approach, this article asks how the citizens of early democratic Athens experienced and comprehended their new sovereignty and the invented procedures of mass decision-making through which it was expressed. (shrink)

Intertwined with the celebration of Athenian democratic institutions, we find in the "Oresteia" another chain of interactions, in which the elite families of Argos, Phokis, Athens, and even Mount Olympos employ the traditional aristocratic relationships of xenia and hetaireia to renegotiate their own status within-and at the pinnacle of-the civic order, and thereby guarantee the renewed prosperity of their respective communities. The capture of Troy is the result of a joint venture by the Atreidai and the Olympian "family" . Although (...) Agamemnon falls victim to his own mishandling of aristocratic privilege, his son is raised by doryxenoi in Phokis , a relationship which is mirrored by that with the Olympian "allies," Hermes and Apollo. Orestes' recovery of his father's position is thus shown to depend upon a network of "guest-friends" and "sworn-comrades," reinforced by the traditional language of oaths and reciprocal loyalty. In the Eumenides, the alliance between the Olympian and Argive royal families is re-invoked as the basis both for Athena's protection of Orestes, and finally for Zeus' concern for his daughter's Athenian dependents. In contrast to this successful "networking," and the resultant benefits that trickle down to the citizens of Argos and Athens, stand the seditious oaths and perverted "comradeship" of Aigisthos and Klytaimestra; likewise, the Erinyes are unable to draw on equivalent claims of pedigree or xenia to those enjoyed by Orestes and Apollo. Like all Greek tragedies, the "Oresteia" presents the action through constantly shifting viewpoints, those of aristocrats and commoners, leaders and led, while the propriety of this hierarchy itself is never questioned. And although the action moves from monarchical Argos to an incipiently democratic Athens, paradoxically we hear less and less about "ordinary," lower-class citizens as the trilogy progresses. Thus, at the same time that the trilogy reinforces the sense of collective survival and civic values , it also suggests that these can be maintained only through the proper interventions of their traditional leaders. Aeschylus' plays were composed during a time when the Athenian democracy was still developing, and elite leadership and patronage were still taken for granted. Attic tragedy and the City Dionysia may be seen as a site of negotiation between rival ideologies within the polis, wherein a kind of "solidarity without consensus" is achieved. Written and staged by the elite under license from the demos, the dramas play out dangerous stories of royal risk-taking, crime, glory, and suffering, in such a way as to reassure the citizen audience simultaneously of their own collective invulnerability, and of the unique value of their leading families. (shrink)

This article uses one incident, the Athenian efforts to acquire Salamis from Megara during the sixth century B.C.E., to study what Greeks themselves believed about their own past and why the past was so powerful an argument for them. The nature of the evidence is an important part of the discussion, since the written sources date from long after the events and Greek authors' approaches to the past differ from our own. Although only brief fragments of any Megarian historians survive, (...) they are useful in providing a counterbalance to Athenian sources, since their versions of mythological events and portraits of mythological heroes are very different. The archaeological evidence includes inscriptions, vases, and graves; with one possible exception, this material was not exploited either by Solon and the Athenians or by the ancient authors. Sources credited both Solon and Athens with having used five different kinds of arguments to make the Athenian case for Salamis, and this variety indicates that Greeks of later centuries did not really know what happened in the struggle over the island. Hampered by problems of chronography and influenced by cultural attitudes such as a belief in a culture hero, historians, biographers, and travelers wrote accounts which reveal the importance of the past, especially the Trojan War past, to Greeks. (shrink)

Alcibiades is one of the most explicitly sexualized figures in fifth-century Athens, a "lover of the people" whom the demos "love and hate and long to possess" (Ar. Frogs 1425). But his eros fits ill with the normative sexuality of the democratic citizen as we usually imagine it. Simultaneously lover and beloved, effeminate and womanizer, Alcibiades is essentially paranomos, lawless or perverse. This paper explores the relation between Alcibiades' paranomia and the norms of Athenian sexuality, and argues that his eros (...) reveals an intrinsic instability within the sexual economy of the democracy: the desire he embodied blurred the categories that defined Athenian masculinity; the desire he inspired rendered the demos passive and "soft." This same instability can be seen in Thucydides' juxtaposition of the mutilation of the Herms and the legend of Harmodius and Aristogeiton. These two episodes (obscurely linked by Thucydides) together tell of an idealized citizen body under threat. The tyrannicide story figures the democratic citizen as an elite lover, whose sexual dominance is vital to his political autonomy. The Herms, with their prominent phalloi, symbolized this citizen-lover, and thus their mutilation was an assault on the masculinity, as well as political power, of the demos. The tyrannicide legend seems to promise a defense against this threat of civic castration; but instead of shoring up the sexually-dominant citizen, Thucydides' version of the legend merely reveals his frailty and fictionality: even in Athens' heroic past there is no inviolable democratic eros to cure the impotence of mutilation and tyranny. Reading these two episodes against the backdrop of Alcibiades' paranomia (as described by Plutarch and Plato), this paper examines the nature of democratic masculinity, the (eroticized) relation between demagogue and demos, and the place of perverse desire within the protocols of sex. (shrink)

This paper seeks to contextualize Lycurgus' use of the historical example of King Codrus' self-sacrifice within Athenian social memory and public discourse. In doing so, it offers a solution to the puzzle of Lycurgus' calling Codrus one of the ἐπώνυμοι τῆς χώρας . I make the case that Codrus was one of the forty-two eponymous age-set heroes who played an important role in the Athenian military and socio-political system. I contend that devotion to the city's gods and heroes and knowledge (...) of their mythology were essential parts of the religious and ideological instruction of Athenian ephebes. Consequently, Lycurgus' citation of the Ephebic Oath, the self-sacrifices of King Codrus and the daughters of Erechtheus, as well as his repeated invocation of the city's gods and shrines, must be seen as integral elements of his indictment of Leocrates for cowardice and treason, behavior that is diametrically opposed to the hoplite ethos and religious devotion that were instilled into young ephebes. Lycurgus thus brings the jurors' memories of their own ephebate into the courtroom and taps into emotions and values that lie at the heart of Athenian collective identity. (shrink)

According to classical and postclassical sources, the early Greek turannoi were, by definition, illegitimate rulers who overturned existing political arrangements and installed rogue monarchic regimes in their place. And on this one fundamental point at least, modern observers of archaic turannides seem to have little quarrel with their ancient informants. To this day, it remains axiomatic that Cypselus, Peisistratus, and the rest were autocrats who gained power by usurpation. Whatever their individual accomplishments, they were still, in a word, "tyrants." Relying (...) mostly on evidence from the contemporary literary and material records, my paper aims to challenge this time-honored conventional wisdom and restore the first turannoi to the political mainstream. (shrink)

How are we to understand Solon's departure from Athens "for the sake of theôria" immediately after the introduction of his laws ? Previous accounts have taken theôria to mean "sightseeing," but the goal of Solon's departure-to avoid explaining or changing the laws-is guaranteed by certain religious features of theôria: the theôros plays the role of civic guardian and must not add to or subtract from an oracle he conveys to the city, and during the theôria the city itself must remain (...) pure and avoid disturbances. Solon adapts these features of theôria to establish his laws as a pseudo-oracular discourse, as a purification of the city, and as a permanent civic medium. The beginning of Solon's open-ended journey thus gives ideological finality to the laws at the middle of the city. This reading of Solon's theôria coheres with other instances of the creative adaptation of ritual in archaic Greek politics. It also develops our understanding of the discourse on theôria as regulating the laws that constitute the political sphere. (shrink)

This study makes a pair with the author's “Framing the Gift: The Politics of the Siphnian Treasury at Delphi,” Classical Antiquity 20 : 273–336. Like that essay, it argues that the function of a treasury is to provide a civic frame for ostentatious dedications by wealthy citizens: in effect, to “nationalize” votives. In this sense, the Athenian Treasury is a material trace, or fossil, of city politics in the 480s. The article tracks this function through the monument's iconography; its use (...) of marble from the medizing island of Paros; its relation to the “Alkmeonid” temple of Apollo; and the responses it evoked at Delphi and in Athens. Special attention is given to the methodological problem of finding meaning in non-iconic or non-representational features, such as building materials. The article concludes with a new reading of Pindar's sixth Pythian, for Megakles of Athens, which neatly encapsulates what was at stake in this building project. (shrink)

Résumé La présente étude aborde la notion de « changement » dans le cadre de la cité grecque de l’époque classique, mais du côté opposé, celui de la continuité historique. Pour ce faire, elle examine les mots et expressions désignant le passé ancestral d’un peuple : elle étudie les significations du terme patrios et des termes apparentés dans la littérature grecque des Ve et IVe siècles, présente le cadre politique dans lequel les générations qui vivent à l’époque classique font appel (...) à leurs ancêtres et recherche, enfin, les éléments qui construisent l’identité de la cité classique. D’abord, il en ressort que les notions d’« ancestral » et de « traditionnel » sont floues et que leur connotation dépend des individus qui en font usage, ainsi que du moment historique dans lequel vivent les intéressés. Ensuite, il apparaît qu’elles sont le moyen qui permet aux Anciens d’exprimer leur réaction – positive ou négative – face aux transformations multiples que subissent les sociétés classiques. (shrink)

ABSTRACT This paper focuses on Leo Strauss’s reading of the Republic. I argue that Strauss’s ironic interpretation of the dialogue must be understood in the context of a broader intellectual project which aims to criticize modern and contemporary political philosophy. Strauss’s understanding of Plato is strongly influenced by the hermeneutical principles he draws from his studies of medieval Jewish and Arab philosophy. Reading Plato through Alfarabi, Strauss pursues the idea of the conflict between philosophy and politics, which sheds light, also, (...) on the problem of persecution. Accordingly, he stresses the importance of a peculiar art of reading between the lines. In Strauss’s view, this art is the starting point for recovering the esoteric meaning of the Republic. I will argue that Strauss’s interpretation contradicts several dialogical elements because it does not take into account the broader historical framework of the text. Nevertheless, even with these limitations, Plato scholars should consider Straussian insights, because these offer an untraditional and a non-doctrinal reading of the dialogue. (shrink)

This article attempts to gather the evidence for panhellenism in the fifth century B.C. and to trace its development both as a political program and as a popular ideology. Panhellenism is here defined as the idea that the various Greek city-states could solve their political disputes and simultaneously enrich themselves by uniting in common cause and conquering all or part of the Persian empire. An attempt is made to trace the evidence for panhellenism throughout the fifth century by combining different (...) kinds of evidence: that is, both poetic and historical texts, as well as the testimonia for monuments which are no longer extant. Any thought of a panhellenic crusade was impossible before the Persian invasions, but such an expedition, under the dual leadership of Athens and Sparta, was espoused by Cimon. After his death it remained an item of popular talk for the rest of the century and this talk intensified during the second half of the Peloponnesian War. The paper has six parts: the first finds hints of panhellenist ideology in the fragments of Simonides' Plataea elegy and in Aeschylus' Persians. The second part attempts to explain several puzzling passages in Herodotus in terms of his reflecting contemporary panhellenist discourse, especially in his account of Aristagoras of Miletus at Sparta. Part three reconstructs Cimon' s belief in dual hegemony and his plans for a joint Athenian-Spartan expedition against the Persian empire. Part four connects an anecdote about Miltiades with the Cimonian monuments and argues that the artistic program of the Stoa Poikile was intended to support Cimon's panhellenist aspirations. Part five discusses panhellenist sentiments in late fifth-century Greek poetry, and dates the Olympic Oration and Funeral Oration of Gorgias to the period 408-405 B.C., Finally, part six relates the panhellenist writings of Isocrates to earlier developments. (shrink)

This paper addresses the question of the role of ostracism in democratic Athens. I argue that the frequent expulsion of aristocrats by rival aristocrats in the predemocratic polis is the key to understanding the function of ostracism in the democratic polis. I show that aristocratic "politics of exile" was a fundamental political problem in the archaic polis and that democratic political power, symbolized by the institution of ostracism, was the polis' solution to the problem. In the archaic polis, the expulsion (...) of aristocrats often led to an endless cycle of exiles and returns and consequent political instability. In 508/7, the Athenian demos usurped the power over decisions of exile by banishing Isagoras and recalling Cleisthenes from exile. By taking control of decisions of exile, the Athenian demos took over political power insofar as power over decisions of exile had become synonymous with political power. The creation of the institution of ostracism, whereby the people decided collectively whether to banish a single citizen for ten years, provided not only a mechanism for the symbolic expression of democratic power, but also a means for the practical and ideological distinction between oligarchic and democratic rule. While aristocrats had banished their opponents without limit in numbers and duration of exile, the Athenian democracy decided each year whether to banish a single individual for a limited time period. In most years, the Athenian demos chose not to exercise the power of exile. Nevertheless, the annual question in the assembly served to remind aristocrats that the demos held the fundamental political power, and hence deterred aristocrats from attempting to overthrow the democracy. The limited nature of ostracism further deterred exiled aristocrats from attempting to return by force. Finally, the infrequent and moderate use of exile as a means of resolving political conflict helps to explain the extraordinary stability of the Athenian democracy. (shrink)

According to several fourth-century Athenian sources, the Spartans were a boorish and uneducated people, who were either hostile toward the written word or simply illiterate. Building upon such Athenian claims of Spartan illiteracy, modern scholars have repeatedly portrayed Sparta as a backward state whose supposedly secretive and reactionary oligarchic political system led to an extremely low level of literacy on the part of the common Spartiate. This article reassesses both ancient and modern constructions of Spartan illiteracy and examines the ideological (...) underpinnings of Athenian attacks on the ostensibly unlettered Lacedaemonians. Beginning with a close analysis of the available archaeological and literary evidence on Spartan public applications of literacy, it argues that the written word played a central role in the operation of the Spartan state, which utilized a variety of documents and required routine acts of literacy on the part of Spartiate commanders and ocials. Both the broad eligibility for the ephorate and the Lacedaemonians' chronic oliganthropia demonstrate that not all of the important public functionaries whose duties customarily involved reading and writing were members of the Spartan elite. The fact that Spartan office-holders acquired their literacy skills from a compulsory and comprehensive system of public education, which promoted the creation of a collective identity, further argues in favor of a literacy that was more broadly based than previous scholars have concluded. The article then accounts for these representations of Spartan illiteracy by locating them in the context of the changing relationship between orality and literacy in fifth- and fourth-century Athens. It argues that as the written word played an increasingly important role in Athenian democratic practice and ideology, it began to performtwo interconnected functions: as a signicant component in Athenian self-denition and as a key indicator of cultural and political dierence between Athens and its Peloponnesian enemies. (shrink)

This article considers how mourning is configured as a site of political and aesthetic conflict in Aeschylus’ Persae. Aeschylus represents the Persian defeat at Salamis as a catastrophe that unsettles the Persians’ habitual modes of visualizing and quantifying the empire’s population as an ordered whole. Drawing on the work of Jacques Rancière and Alain Badiou, I show how characters in Persae construct novel representations of the war dead as social collectivities that do not fit into the hierarchical structures of dynastic (...) rule. I focus on two passages that stage this work in granular detail: the Messenger’s list of dead commanders recited soon after he reports the defeat and a second list of the dead sung by the Chorus in dialogue with Xerxes. Each passage advances a polemical recount of the dead, at once reevaluating the scale of the disaster and reframing how individuals and collectivities destroyed in the war should be mourned and memorialized. The Messenger and Chorus thereby contest the efforts of the royal family to count the losses at Salamis according to the circumscribed terms of imperial administration. By tracing how the memorialization of the dead galvanizes conflicting efforts to count the community as a whole, Persae raises larger questions about the political affordances of aesthetic form. (shrink)

The article explores the question whether there was a possible dialogue between ancient Greek and Mesopotamian chronography. This is an interesting albeit challenging subject due to the fragmentary preservation of the Greek texts. The idea that cuneiform tablets might have influenced the development of the genre in Greece lingers in the background without having been the subject of detailed discussion. Notably the Neo-Assyrian limmu list has been suggested as a possible blueprint for the Athenian archon list. In order to examine (...) this topic further, a thorough analysis of ancient Greek chronography starting in the second half of the fifth century BC, when eponymous dates in various literary compositions begin to appear, is required. A close examination of the fragmentary evidence shows how difficult it is to trace the supposed annalistic style in the local histories of Athens (Atthides). In the Neo-Assyrian Empire, the eponymous limmu officials served as the chronological backbone, but there remains a huge time gap between the seventh century cuneiform manuscripts and the Athenian archon list from the fifth century. A comparison of the Neo-Assyrian Eponymous Chronicles with the preserved Greek chronographic traditions in Eusebius’ chronicle (fourth century AD) shows that the similarity is mainly confined to an abbreviated style, as the entries clearly point to the different cultural and political settings. Apart from the Neo-Assyrian sources, the Neo- and Late-Babylonian chronicles deserve further attention in the present inquiry. Looking for a connection with ancient Greek chronography in the fifth century, the lack of wholly preserved texts on both sides in the corresponding time constitutes an unsurmountable obstacle. Presenting and scrutinising the textual evidence both for ancient Greek and for Mesopotamian chronography enables an improved understanding of similarities and differences alike. To exemplify this point, Greek and Akkadian temple histories serve as test cases. (shrink)

Thucydides uses the first extended episode in the History, the Corcyrean conflict , to present the world of political discourse, deliberation, and battle. This episode is programmatic for a number of reasons: it is the first episode with a pair of speeches; Thucydides ties this episode directly to the outbreak of the war; certain questions, such as morality's relevance to foreign policy, are introduced here for the first time; and, most importantly, it is here that Thucydides establishes what the reader's (...) role is to be throughout the work. This paper argues that, for all the significance of Thucydides' Archaeology and Statement of Method , the "participatory" dimension of the History begins with the Corcyrean conflict. It is only with the introduction of speeches that the reader must address the ways in which speech and narrative confirm and undermine each other, as the historian's voice now alternates and competes with that of his characters in speech. From an authorial perspective we find that various techniques Thucydides employs-multiple perspective, authorial reticence, and episodic presentation-are used to recreate the political arena of fifth-century Greece. The various facets of the reader's extensive labor may be clustered under the heading of extrapolation and conjecture , as the reader must endeavor to see events from the perspective of the participants, evaluate claims made in speeches, experience battle vicariously, and consider events-which are past from the reader's perspective-as future in terms of the subsequent narrative. Analogous to what Plato did for philosophy, Thucydides has produced an interactive, open-ended, and participatory type of literature by appealing to the reader's involvement and by bringing written literature as close as possible to the live, extemporaneous, face-to-face debate of oral Greek culture. (shrink)

Focusing on the analysis of Athens' relations with both Greeks and non-Greeks as recorded in extant fourth-century decrees, this paper challenges the applicability of the notion of Greek/barbarian antithesis to the interpretation of formal diplomatic exchanges between Athens and the non-Greek states. A comparison of the types of decrees and honors reveals a remarkable uniformity in the forms of Athens' foreign relations irrespective of the ethnicity of honorands. The distribution of honors among individuals and groups of recipients within single decrees (...) further demonstrates that the Athenian honorific system typically elevated individuals over communities they represented, suggesting that political differences between Athens and non-Greek states did not adversely influence the methods of exchanges between them. Apart from the provisions contained in the decrees, this paper also considers their function within the city as monuments that attest to the important place of philobarbaric discourse and practice in fourth-century Athens. (shrink)

The master narrative of a profound crisis in traditional faith leading to a hardening of authority and religious persecution in late fifth-century Athens has a long scholarly history, one that maintains a persistent presence in current research. This paper proposes to reexamine some aspects of religious authority in late fifth-century Athens through one case-study: the trial of Andocides in 400 BCE. Instead of proposing a new reconstruction of the events that led to this trial, it will compare and contrast the (...) rival rhetorics of authority deployed by Andocides in De mysteriis and Ps.-Lysias in In Andocidem and attempt to locate them in their respective social and cultural contexts. (shrink)

Through a specific example, this paper explores the problems of empiricism and ideology in the uses of material-cultural and visual evidence for the writing of ancient history. The focus is on an Athenian documentary stele with a fine relief from the late fifth century bc, the history of its publications, and their failure to account for the totality of the object's information—sculptural and epigraphic—let alone the range of rhetorical ambiguities that its texts and images implied in their fifth-century context. While (...) the paper reflects on the Samos Stele, it also considers the broader hermeneutic problems of approaching the different discourses ofword and imagewithin antiquity andworries about the distortions introduced into ancient history by modern formulations, descriptions, and translations of the past. (shrink)

Beginning ca. 500 bc, the Athenians annually buried their war dead in a public cemetery and marked their graves with casualty lists. This article explores the formal and expressive content of the lists, focusing in particular on their relationship to defeat. The lists created a monumental, visual rhetoric of collective resilience and strength that capitalized on Athenian notions of manhood and exploited conceptions of shame. For most of the fifth century, the casualty lists were undecorated, austere monuments testifying to the (...) endurance of the community. When decoration began anew, the public reliefs, in contrast to private funerary reliefs, represented, through imagery and setting, struggle rather than victory. The selective remembrance and, paradoxically, frequent forgetting both enacted and enabled by the lists helped the Athenians elide internal political strife and facilitated their repeated return to the fields of war. (shrink)