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  1. Music Pluralism, Music Realism, and Music Archaeology.Anton Killin - 2021 - Topoi 40 (1):261-272.
    According to pluralism about some concept, there are multiple non-equivalent, legitimate concepts pertaining to the ontological category in question. It is an open question whether conceptual pluralism implies anti-realism about that category. In this article, I argue that at least for the case of music, it does not. To undermine the application of an influential move from pluralism to anti-realism, then, I provide an argument in support of indifference realism about music, by appeal to music archaeological research, via an analogy (...)
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  • Historical Individuals Like Anas Platyrhynchos and 'Classical Gas'.P. D. Magnus - 2013 - In Christy Mag Uidhir (ed.), Art and Abstract Objects. Oxford University Press. pp. 108.
    In this paper, I explore and defend the idea that musical works are historical individuals. Guy Rohrbaugh (2003) proposes this for works of art in general. Julian Dodd (2007) objects that the whole idea is outré metaphysics, that it is too far beyond the pale to be taken seriously. Their disagreement could be seen as a skirmish in the broader war between revisionists and reactionaries, a conflict about which of metaphysics and art should trump the other when there is a (...)
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  • The Definition of Art.Thomas Adajian - 2018 - Stanford Encyclopedia of Philosophy.
    The definition of art is controversial in contemporary philosophy. Whether art can be defined has also been a matter of controversy. The philosophical usefulness of a definition of art has also been debated. -/- Contemporary definitions can be classified with respect to the dimensions of art they emphasize. One distinctively modern, conventionalist, sort of definition focuses on art’s institutional features, emphasizing the way art changes over time, modern works that appear to break radically with all traditional art, the relational properties (...)
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  • Rethinking the Senses and Their Interactions: The Case for Sensory Pluralism.Matthew Fulkerson - 2014 - Frontiers in Psychology 5.
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  • Defending Scientific Naturalism in Philosophy of Art.Anton Killin - 2020 - Metascience 29 (2):289-292.
    This essay reviews Richard A. Richards: The biology of art. Cambridge: Cambridge University Press, 2019, 71pp, ₤15.00 PB.
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  • Scientific Enquiry and Natural Kinds: From Planets to Mallards.P. D. Magnus - 2012 - Palgrave-Macmillan.
    Some scientific categories seem to correspond to genuine features of the world and are indispensable for successful science in some domain; in short, they are natural kinds. This book gives a general account of what it is to be a natural kind and puts the account to work illuminating numerous specific examples.
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  • Conceptual Fragmentation and the Rise of Eliminativism.Henry Taylor & Peter Vickers - 2017 - European Journal for Philosophy of Science 7 (1):17-40.
    Pluralist and eliminativist positions have proliferated within both science and philosophy of science in recent decades. This paper asks the question why this shift of thinking has occurred, and where it is leading us. We provide an explanation which, if correct, entails that we should expect pluralism and eliminativism to transform other debates currently unaffected, and for good reasons. We then consider the question under what circumstances eliminativism will be appropriate, arguing that it depends not only on the term in (...)
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  • In Defense of the Metaphysics of Race.Adam Hochman - 2017 - Philosophical Studies 174 (11):2709–2729.
    In this paper I defend the metaphysics of race as a valuable philosophical project against deflationism about race. The deflationists argue that metaphysical debate about the reality of race amounts to a non-substantive verbal dispute that diverts attention from ethical and practical issues to do with ‘race.’ In response, I show that the deflationists mischaracterize the field and fail to capture what most metaphysicians of race actually do in their work, which is almost always pluralist and very often normative and (...)
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  • Common Minds, Uncommon Thoughts: A Philosophical Anthropological Investigation of Uniquely Human Creative Behavior, with an Emphasis on Artistic Ability, Religious Reflection, and Scientific Study.Johan De Smedt - unknown
    The aim of this dissertation is to create a naturalistic philosophical picture of creative capacities that are specific to our species, focusing on artistic ability, religious reflection, and scientific study. By integrating data from diverse domains within a philosophical anthropological framework, I have presented a cognitive and evolutionary approach to the question of why humans, but not other animals engage in such activities. Through an application of cognitive and evolutionary perspectives to the study of these behaviors, I have sought to (...)
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  • The Charge From Psychology and Art's Definition.Annelies Monseré - 2016 - Theoria 82 (3):256-273.
    This article argues that the so-called Charge from Psychology does not refute the project of defining art. The charge entails that the project is misguided because it falsely presupposes that the concept of art is classically structured. The charge is challenged by distinguishing philosophers’ normative from psychologists’ descriptive aims. Unlike what many philosophers of art themselves believe, defining art is a normative project, since proposed definitions formulate conditions under which the concept of art should be applied, rather than is applied. (...)
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