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  1. (1 other version)Zenão e a impossibilidade da analogia (versão ampliada).Alessio Gava - 2014 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 12:25-30.
    NOTA PRELIMINAR: o texto a seguir representa a versão ampliada (e corrigida conforme as indicações dos pareceristas) do artigo homônimo, publicado na revista Archai em 2014. Por algum problema técnico, acabou sendo publicada, na época, a primeira versão, sem as melhorias sugeridas pelos avaliadores. Eis, então, a versão ‘definitiva’ do artigo “Zenão e a impossibilidade da analogia”: -/- A reductio ad absurdum foi elevada por Zenão de Eléia a único método que permitiria vislumbrar a verdadeira realidade, invisível tanto aos sentidos (...)
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  • Henry More on Spirits, Light, and Immaterial Extension.Andreas Blank - 2013 - British Journal for the History of Philosophy 21 (5):857 - 878.
    According to the Cambridge Platonist Henry More, individual spirits--the souls of humans and non-human animals--are extended but cannot be physically divided. His contemporaries and recent commentators have charged that More has never given an explication of the grounds on which the indivisibility of spirits is based. In this article, I suggest that exploring the usage that More makes of the analogy between spirits and light could go some way towards providing such an explication. More compares the relation between spirit and (...)
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  • Fortunio Liceti on Mind, Light, and Immaterial Extension.Andreas Blank - 2013 - Perspectives on Science 21 (3):358-378.
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  • Philosophical Reflection on Beauty in the Late Middle Ages: The Case of Jean Gerson.David Torrijos-Castrillejo - 2024 - Religions 15 (4):434.
    The late Middle Ages witnessed a recapitulation of medieval reflection on beauty. Jean Gerson is an important representative of these philosophical and theological contributions, although he has been largely neglected up to this time. A first dimension of his ideas on beauty is the incorporation of beauty (pulchrum) into the number of transcendentals, i.e., the concepts “convertible” with the notion of being (ens), that is, unity, truth, and goodness (unum, verum and bonum). This article revisits Monica Calma’s study on Gerson’s (...)
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  • (1 other version)A interação naturante entre o demiurgo e o mundo, a questão dos "dois tipos de matéria" e a natureza da "implantação" da alma no corpo.Edrisi Fernandes - 2010 - Kriterion: Journal of Philosophy 51 (122):617-635.
    In his Commentary on the Timaeus Proclus says that in some occasions Plato speaks of a model (from which the world is created) that is identical to the Demiurge while in other occasions he suggests that the model is distinct from the Demiurge. Here, identity and difference refer to the similarity with or dissimilarity from the intelligible One, identified with eternity (stability; fixedness). However, Plato also speaks in the Timaeus that the Cosmos is pretty and its Constructor (the Demiurge) is (...)
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  • Philebus.Verity Harte - 2012 - In Associate Editors: Francisco Gonzalez Gerald A. Press (ed.), The Continuum Companion to Plato. Continuum International Publishing Group. pp. 81-83.
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  • Poétique de l’image. Structure diaphane et phénoménologie de l’inapparent.Dorin Stefanescu - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 6 (1):361-377.
    The study focuses on a dimension concerning the status of the image as a diaphanous structure. It involves both a hermeneutical and a phenomenological approach which aims to set the guidelines to a poetics of the image by inquiring the function of the image in the foundation of the original significance. Does it open a horizon of the presence in the occurrence of an infra-textual phenomenon? In other words: that what pre-signifies, as absolute origin, does it give itself for comprehension (...)
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  • Furor Divinus : creativity in Plato's Ion.Andrew Benjamin - 2015 - Odradek : Studies in Philosophy of Literature, Aesthetics and New Media Theories 1 (2).
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